FionaFei is a relative newcomer to Second Life and its art world, but she is someone who has made an enormous impression on those who have witnessed her art. I’ve personally had the delight in discovering it, and in writing about it on two occasions (see: Captivated by FionaFei’s art in Second Life (May 2019) and FionaFei’s shuǐmò Reflection in Second Life from November 2019).
As such, it was a joy to see that Fiona and her work are the subject of the first video (embedded below) in the Second Life series Art Made in Second Life (itself a further branching of the Made In Second Life video collection).
Also called shuǐmòhuà (suiboku-ga in Japanese) shuǐmò, uses different concentrations of black ink to create an image. Found throughout East Asia, it first emerged in Tang dynasty China (618–907), before spreading to Japan (14th century), Korea and to India. Beside the use of black ink in place of colours, it is also marked by the emphasis of the brushwork being on the perceived spirit or essence of the subject, rather than directly imitating its appearance.
Through her installations, Fiona marvellously brings the entire essence of shuǐmò to virtual life. In doing so, she allows the spirit of this ancient art form directly inhabit us, by making our avatars part of her work by virtue of our presence within it, whether we participate through direct interaction (as with the umbrellas in the “foyer” area that sits between the pieces referenced in the video (Reflection and Rising) or through our entry into, and exploration of, Reflection itself.
Within pieces like Reflection and Umbrella Landscape, and before them Wo Men Dakai (about which I wrote in Captivated by FionaFei’s art in Second Life), Fiona offers a combined celebration of this ancient form of art, a means of reflecting on her heritage, and an opportunity to present her own philosophy on life, as she notes both through the video and in her own writings.
As a Chinese American who immigrated from China at a young age, I created the Shui Mo series as a way of connecting with my ancestry and celebrate centuries of art from old masters who painted using traditional Chinese ink brush style….
…I see life and my journey as a painting. It can be forever an evolving piece … At any given time, you think you’ve reached the end of it, but you can always add to it, layer it, and change it. In a sense, each brush stroke is like a footprint.
– Fiona discussing her art and her world view
What is particularly attractive about this short video (running to just under 2 minutes) is the manner in which it reflects the emphasis of shuǐmò. Rather than dwelling at length upon Fiona’s art, or presenting an in-depth look at her life and how she came to Second Life, it provides broader – dare I say – brush strokes of both. Thus, and like shuǐmò, it captures the spirit of her work and presence hear, rather than more directly presenting the appearance of both, leaving us with the opportunity to discover more by visiting Shui Mo and Fiona’s Flickr gallery.
For my part, I cannot emphasise the sheet beauty and alluring appeal and depth to Fiona’s work, and urge anyone who has yet to witness it to both watch the video and take the time to visit her gallery in-world and fully immerse themselves in her art and vision.