2019 viewer release summaries week #34

Logos representative only and should not be seen as an endorsement / preference / recommendation

Updates for the week ending Sunday, August 25th

This summary is generally published every Monday, and is a list of SL viewer / client releases (official and TPV) made during the previous week. When reading it, please note:

  • It is based on my Current Viewer Releases Page, a list of all Second Life viewers and clients that are in popular use (and of which I am aware), and which are recognised as adhering to the TPV Policy. This page includes comprehensive links to download pages, blog notes, release notes, etc., as well as links to any / all reviews of specific viewers / clients made within this blog.
  • By its nature, this summary presented here will always be in arrears, please refer to the Current Viewer Release Page for more up-to-date information.
  • Note that for purposes of length, TPV test viewers, preview / beta viewers / nightly builds are generally not recorded in these summaries.

Official LL Viewers

  • Current Release version 6.2.4.529638, formerly the Love Me Render RC viewer dated August 5, promoted August 12th – No  Change.
  • Release channel cohorts:
  • Project viewers:
    • Project Muscadine (Animesh follow-on) project viewer, version 6.4.0.530100, August 19..

LL Viewer Resources

Third-party Viewers

V5/V6-style

V1-style

  • No updates.

Mobile / Other Clients

Additional TPV Resources

Related Links

Space Sunday: to explore Europa

An artist’s impression of Europa Clipper (previously the Europa Multiple Flyby Mission), due for launch in 2022 or 2023 (depending on the launch vehicle used) making a flyby of Europa. Credit: NASA

There are a number of places within our solar system where life may have come to pass – and indeed, may still exist – beyond the Earth. There’s Mars, Saturn’s massive moon Titan, and the so-called “icy world” moons, such as Neptune’s Triton, Saturn’s Enceladus, and Jupiter’s Europa, all of which may harbour sub-surface oceans between their icy crusts and solid interiors.

Of these moons, Enceladus has shown clear signs of activity relating to the existence of a sub-surface ocean: the ESA / NASA Cassini mission captured images of great plumes of water erupting from the moon’s south polar region, and the Cassini vehicle passed through this plumes towards the end of its mission to “taste” them, confirm they were predominantly water.

However, the icy world that has garnered the most interest in terms of detailed study remains Jupiter’s Europa. Currently, there are two missions being developed to probe Europa in greater detail than ever before: NASA’s Europa Clipper and ESA’s Jupiter Icy Moons Explorer (JUICE).

Europe’s subsurface ocean as it might exist – a place that might support life. Credit: NASA

Europa Clipper has had something of an up-and-down ride. Originally, scientists wanted to send a vehicle to study all of the icy moons around Jupiter – Europa, Callisto and mighty Ganymede. However, the US $16 billion price tag for the mission (including vehicle development, launch and operation) was too high. It was scaled back to a more modest US $4.3 billion mission, the Europa Orbiter, which would have included a lander. Then it was scaled back again to a US $2 billion mission.

In 2014, the mission eventually morphed into the Europa Multiple Flyby mission: rather than placing a vehicle directly in orbit around Europa, this would put the vehicle in orbit around Jupiter  from where it would be able to make multiple fly-bys of Europa. This then became Europa Clipper – which has still suffered from attempts to axe it, surviving only because it has very strong support within the US Congress.

This support has allowed the mission to both receive continued funding and proceed through various design and review activities. As a part of this, on Monday, August 19th, 2019, NASA announced  that it had formally confirmed the mission can proceed to what is called Phase C, a process that will see the mission through the final spacecraft design and then on to assembly and testing.

We are all excited about the decision that moves the Europa Clipper mission one key step closer to unlocking the mysteries of this ocean world.

– Thomas Zurbuchen, NASA associate administrator for science

While Enceladus was the first moon where we positively witnessed plumes of water ice erupting from the surface (2005), evidence that similar outgassing may be occurring at Europa has been gathered by the Hubble Space Telescope. This information, gathered in the form of images, and data gathered by the magnetometer instrument carried by NASA’s Galileo space vehicle that surveyed Jupiter and his moons in the 1990s, offer the clearest indication that there is an ocean of water, possibly containing more than twice the volume of all the Earth’s oceans and sea combined, sitting beneath the surface ice on Europa.

The solar-powered craft  – solar power being a lot cheaper than nuclear RTGs – will carry a total of nine primary science instruments, with eight confirmed as being:

  • The Europa Thermal Emission Imaging System  (E-Themis) will provide high spatial resolution, multi-spectral imaging of Europa in the mid and far infra-red bands to help detect active sites, such as potential vents erupting plumes of water into space.
  • The Mapping Imaging Spectrometer for Europa (MIS), an imaging near infra-red spectrometer that will probe the surface composition of Europa, identifying and mapping the distributions of organics (including amino acids and tholins), salts, acid hydrates, water ice phases, and other materials. Scientists hope to be able to relate the moon’s surface composition to the habitability of its ocean.
  • The Europa Imaging System (EIS), a visible-spectrum wide and narrow angle camera instrument that will map most of Europa at 50 m (160 ft) resolution, and will provide images of selected surface areas at up to 0.5 m resolution.
  • The Europa Ultraviolet Spectrograph (Europa-UVS) instrument will be able to detect small plumes of material ejected by Europa, and will provide valuable data about the composition and dynamics of the moon’s exosphere.
  • The Radar for Europa Assessment and Sounding: Ocean to Near-surface (REASON), a dual-frequency ice penetrating radar instrument designed to characterise and sound Europa’s ice crust from the near-surface to the ocean, revealing the hidden structure of Europa’s ice shell and potential water pockets within.
  • The Plasma Instrument for Magnetic Sounding (PIMS) working in conjunction with a magnetometer, PIMS is key to determining Europa’s ice shell thickness, ocean depth, and salinity. PIMS will also probe the mechanisms responsible for weathering and releasing material from Europa’s surface into the atmosphere and ionosphere and understanding how Europa influences its local space environment and Jupiter’s magnetosphere.
  • The Mass Spectrometer for Planetary Exploration (MASPEX) will determine the composition of the surface and subsurface ocean by measuring Europa’s extremely tenuous atmosphere and any surface materials ejected into space.
  • The Surface Dust Mass Analyser (SUDA), a second mass spectrometer that will measure the composition of small solid particles ejected from Europa, providing the opportunity to directly sample the surface and potential plumes on low-altitude flybys. The instrument is capable of identifying traces of organic and inorganic compounds in the ice of ejecta.

The ninth instrument will be a magnetometer, although this has yet to be sourced – the dedicated instrument, called Interior Characterisation of Europa using Magnetometry (ICEMAG) was cancelled due to spiralling costs and development complications. It will be replaced by a more “off the shelf” system that will be less sensitive than ICEMAG, but the mission team are confident they can compensate for this be more frequent re-calibration operations during the mission.

A pair of composite images of the side of Europa facing away from Jupiter. The rust / brown colour is likely the result of sulphur ejected from Jupiter’s inner moon Io being deposited on Europa by Jupiter’s radiation belt. The lines appear to be cracks in the surface, created by gravitational flexing of the Moon, which causes newer ice to form, indicative of water being forced upwards. Additionally, the yellow staining appears to be sodium chloride – the same as found in our own oceans – deposited on Europa as a result of material being ejected through the cracks. Credit: NASA/JPL / University of Arizona

Early concepts for a Europa mission – as noted above – included a lander – and possibly even a drilling mechanism and an automated submarine that could potentially be dropped under the ice and explore the ocean under it. These ideas were dropped – perhaps wisely – until more is known about the structure and thickness of the surface ice and exactly what lies beneath it. However, Europa Clipper has some additional payload capacity – around 250 kg – and NASA has been seeking ideas on what might be flown; some of the suggestions have included by a payload of supporting CubeSats or a small-scale lander.

While the Europa Clipper mission won’t actually orbit Europa, the multiple fly-bys will enable it to achieve almost global coverage of the moon, allowing for the widest amount of data to be gathered. This will be transmitted back to Earth in the 7-day periods between each close fly-by.

Currently, the mission launch date has yet to be finalised, and this in part depends on the selected launch vehicle. The preferred launcher is NASA’s upcoming Space Launch System (SLS). If used, this would see the mission launched in 2023, with the booster powerful enough to put Europa Clipper on a 3-year direct flight to Jupiter. However, there is no guarantee that SLS will be available in the proposed time frame, so NASA is also looking to use a commercial vehicle such as the SpaceX Falcon Heavy or the ULA Delta IV Heavy. Either of these would allow the mission to launch in 2022, but as they are less powerful than SLS, they would require Europa Clipper use 3 gravity assist manoeuvres, two at Earth and one at Venus, in order to send it on its way, increasing the transit time to Jupiter to 6 years.

Continue reading “Space Sunday: to explore Europa”

A touch of horror, sci-fi and fantasy in Second Life

Seanchai Library

It’s time to highlight another week of storytelling in Voice by the staff and volunteers at the Seanchai Library. As always, all times SLT, and events are held at the Library’s home at Holly Kai Park, unless otherwise indicated.

Sunday, August 25th: Live from Innfest

2019 marks the 129th anniversary of the “Grandfather of Cosmic Horror and Weird Fiction”, H.P. Lovecraft, and the 10th anniversary of the founding of Innsmouth, the region dedicated to celebrating the genre Lovecraft created.

To celebrate both, Seanchai Library will be a part of the Innfest celebration that marks both anniversaries through until August 27th (read more here), with Caledonia Skytower, Corwyn Allen, Kayden Oconnell, and Finn Zeddmore sharingstories from the Lovecraftian canon over 90 minutes. Included in the series will be:

  • The Hound
  • The Moon Bog
  • The Music of Erich Zann.

So why not join them at the Miskatonic University Library at Arkham?

Monday, August 26th 19:00: Arthur C. Clarke’s Rendezvous with Rama

Gyro Muggins reads one of the greatest science fiction novels of human first contact with alien intelligence.

In 2131, a fast-moving object of extremely large size is detected beyond the orbit of Jupiter travelling on a course that will see it pass through the inner solar system to swing around the Sun, before heading out into space. An automated probe launched from Mars reveals the object to be a perfect cylinder, 50 km long and 20in diameter rotating regularly along its long axis and clearly artificial in nature.

The deep space survey vessel Endeavour, her crew untrained for first contact scenarios, is the only vessel that can intercept the cylinder as it uses the Sun’s gravity well to accelerate and bend its path onto a new trajectory. After a high-speed chase, the Endeavour reaches the cylinder – christened Rama by those who first identified it and finds one of the end caps has curious triple chamber airlock systems within it. Through one of them, the crew gains access to the object.

What they find within stuns them: the cylinder is hollow, a 50x16km “tube” the inner surface of which forms a circular world of three parts: a large plain, with six city-like groups of structures scattered around it, a central band of frozen water the crew call the Cylindrical Sea with a single long, thin island (which they dub “New York” due to its superficial similarity to Manhattan island). Beyond the sea lies a landscape of split into cubes and squares, dominated by a group of massive cones extending inward along the cylinder’s long axis from southern end cap.

Initially in darkness and frigid when the Endeavour’s crew enter, the cylinder gradually comes to life, revealing its strange alien nature, where everything appears to be done in triplicate (or multiples thereof). And then, as tensions among the human civilisations across the solar system rise, the “Ramans” appear.

Tuesday, August 27th 19:00: Chitty Chitty Bang Bang

So, you think you know the story because of the film? Well, guess again! Disney’s famous 1968 film can best be described as being loosely based on the children’s story by Ian Flemming, the creator of James Bond.

Flemming’s last novel, Chitty Chitty Bang Bang was published posthumously, and initially in three volumes, two months after his death in August 1964. He took his inspiration for the titular car from a series of post-War World I aero-engined racing cars called “Chitty Bang Bang”. They were built by Count Louis Zborowski at Higham Park, in Kent, England, and one of them, the “Higham Special” went on to take the land speed record in 1926 with a speed in excess of 170 mph, after it had been purchased by racing driver J.G. Parry-Thomas specifically for that purpose.

In the book, the car is a Paragon Panther, a powerful 1920s touring car that is restored by Commander Caractacus Pott. At first the car is just that – a powerful 4-seater tourer Pott uses to transport himself and his wife and children around. But then the car starts to exhibit a “personality” and abilities beyond those of any normal motor vehicle. Some of these will be familiar to those who have seen the film, but where the latter options to introduce jealous barons and a wicked Child Catcher, the book offers a more down-to-Earth but equally engaging series of adventures of Commander Pott and his family.

Join Caledonia Skytower to discover the real Chitty Chitty Bang Bang!

Wednesday, August 28th: Library Closed

No events.

Thursday, August 29th 19:00: The Blue Salt Road

An earthly nourris sits and sings
And aye she sings, “Ba lilly wean,
Little ken I my bairn’s father,
Far less the land that he staps in.

– Child Ballad, no. 113

So begins a stunning tale of love, loss and revenge, against a powerful backdrop of adventure on the high seas, and drama on the land. The Blue Salt Road balances passion and loss, love and violence and draws on nature and folklore to weave a stunning modern mythology around a nameless, wild young man.

Passion drew him to a new world, and trickery has kept him there – without his memories, separated from his own people. But as he finds his way in this dangerous new way of life, so he learns that his notions of home, and your people, might not be as fixed as he believed.

With Shandon Loring, also Also in Kitely – teleport from the main Seanchai World grid.kitely.com:8002:SEANCHAI.

Innfest: celebrating Innsmouth and Lovecraft in Second Life

InnsFest 2019 official banner

I almost missed this – largely because no PR material seems to have been sent out (or at least in my direction), but currently in progress through until the end of August 27th, 2019, is InnFest, a special celebration.

2019 marks the 129th anniversary of the “Grandfather of Cosmic Horror and Weird Fiction”, H.P. Lovecraft, and the 10th anniversary of the founding of Innsmouth, the region dedicated to celebrating the genre Lovecraft created. Thus, InnFest is a double celebration of both Lovercraft’s birth and Innsmouth’s 10th anniversary.

Innsmouth

The festival takes place on and over the Innsmouth region, which itself in modelled Lovercraft’s famous setting as it appeared in his 1931 novel The Shadows over Innsmouth, written in 1931, and which opened on August 20th, 2009, the 119th anniversary of Lovecraft’s birth.

Originally founded and operated by Darmin Darkes and her team, Innsmouth ran successfully for a number of years before hitting some financial difficulties that threatened it with closure (see: A new shadow looms over Innsmouth, September 2014). This prompted AriktheRed – who in 2012 had started organising the annual LoveFest in celebration of Lovecraft’s birth – to launch the Save Innsmouth campaign, which was both successful and saw Arik take over running the Innsmouth region.

This year’s very special celebration take place both on the ground at Innsmouth, and at various locations in the sky over it, and has featured / will feature both SL DJs and live entertainers, including: Archangelo Hellmann, AngelKitty Skizm, Bloodwain Arun, Rosedrop Rust, Larree Quixote, Wald Schridde and Vampink Cuddihy. Films are being shown at the region’s Arkham Theatre, and others evens featuring the likes of Seanchai Library and DRUM, at the Innsmouth Opera House and Miskatonic University (which forms the main lading point for the event). The festival will close with a Masquerade Ball on August 27th at 9:00 pm SLT.

Innsmouth

For details of all events at the festival, please refer to the InnFest event calendar and also to the new festival website.

SLurl Details

2019 SL User Groups 34/3: TPVD meeting

Autumn Trace; Inara Pey, July 2019, on FlickrAutumn Trace, July 2019 – blog post

The following notes are taken from the TPV Developer meeting held on Friday, August 23rd, 2019. A video of the meeting is embedded below, my thanks as always to Pantera for recording and providing it. The key points of discussion are provided below.

This was another  short meeting with a lot of general text chat, not reflected in these notes.

SL Viewer News

[0:10-5:45]

  • Current Release version 6.2.4.529638, formerly the Love Me Render RC viewer dated August 5th, promoted August 12th – NEW.
  • Release channel cohorts:
  • Project viewers:
    • Project Muscadine (Animesh follow-on) project viewer, version 6.4.0.530100, August 19th.
    • 360 Snapshot project viewer, version 6.2.4.529111, July 16th.
    • Legacy Profiles viewer, version 6.2.3.527749, June th5. Covers the re-integration of Viewer Profiles.
  • Linux Spur viewer, version 5.0.9.329906, promoted to release status 29th November 2017 – offered pending a Linux version of the Alex Ivy viewer code.
  • Obsolete platform viewer, version 3.7.28.300847, May 8th, 2015 – provided for users on Windows XP and OS X versions below 10.7.

Bakes on Mesh

As per my August 22nd Content Creation User Group meeting notes, the Lab is hoping to promote Bakes on Mesh (BoM) to release status in week #35 – possibly as early as Monday, August 26th, 2019.

Umeshu RC

This is ready for promotion, but has been held back as the Lab want to get Bakes on Mesh promoted to release. Umeshu therefore looks most likely to be promoted in the near future. However, if there are late-breaking issues with BoM, the Umeshu RC could be promoted in its place.

EEP

As well as the rendering issues currently being addressed, there is apparently one new simulator bug that is being investigated.

Voice Viewer

There is an upcoming Voice RC viewer, intended to address various voice drop-out issues. It may also have an update SLvoice.exe binary. This is currently awaiting a fix prior to being surfaced in the Alternate Viewers page / the available viewers index page.

In Brief

  • Bitbucket: used to manage viewer repositories) will be sunsetting support for Mercurial; Linden Lab will therefore be switching to git on bitbucket for their repositories. However, the work is not seen as currently being urgent, with Oz Linden noting (via e-mail):

Clearly, how the TPVs handle this needs to depend on your own plans – particularly whether that’s staying with Mercurial hosted some other way or changing to Git (or something else). We will transition to git within bitbucket, preserving full history and as much as possible the ability to work in both during the transition.

When we have a plan in place, which will take some time, we’ll put it on the agenda.

  • There may be updates to both the Singularity (in progress) and Alchemy (possibly) before year-end.
  • Trivia:
    • Linden Lab have a quarterly internal review mechanism they call Review-O-Matic for setting staff goals and reviews. It is, according to Grumpity Linden, “neatly packaged with a tradition of eating treats”.
    • One Linden staffer owns an alpaca farm. This prompted a brief discussion on whether alpaca are cute pets or food. I opted to go with both, suggesting: The Alpaca (vicugna pacos): Loveable pet or delicious dish?“. I may have caused some distress to Whirly Fizzle, who puts alpaca firmly in the “pet” category 😀 .

Portraits and narratives in Second Life

The Itakos Project: Soul Portrait Collection Summer Black & White Edition – Saveria Rossini

The Itakos Project, operated and curated by Akim Alonzo, has undergone an expansion since my last visit (see: Soul Portraits in Second Life), with a new halls  – the Blue Pavilion – and an extension to the Black Pavilion, as well as a new platform gallery that will officially be opening a new exhibition on August 30th.

The Blue Pavilion sees a follow-on to Soul Portraits linked to above, with Soul Portrait Collection: Summer Black & White Edition. As with the first edition this features images from selected photographers who have submitted their work to the Itakos Project Flickr group. However, as the title implies, this selection features black-and-white images, and which had been submitted by Angelina Corral, Aver Osk, Aimee Cristole, Carolyn Diesel, Gabi Ka, Edie Horngold, Latia Lavecchia, -K- Lynagh, Ktsyakumi Izabela Navarathna, Saveria  Rossini and Sunset Theas.

The Itakos Project: Soul Portrait Collection Summer Black & White Edition – Sunset Theas

Further, and in difference to the first edition, the images here are not restricted to head-and-shoulder images; they instead offer broader perspectives – full body shots, those with more of a background in view, and so on.

This, to me, adds a further depth to this black & white edition; the range of images helps to keep things fresh as one moves through the hall, while the broader perspectives evident in some of the images offer a broader canvas on which the imagine can write its own story to accompany each image. Which is not to say those that do offer more direct facial studies are any the less fascinating; quite the reverse in fact. All of the pieces offered here are remarkable for their depth and ability to stir the imagination into framing a story around them.

The extended Black Pavilion offers the second of two exhibitions by Akim that are currently on display at the gallery (the other being The Matrix, which I reviewed here). And I confess from the start that Akim is fast becoming one of my favourite artists in Second Life.

The Itakos Project: Portraits And Some Other Circumstances – Akim Alonzo

In Portraits and some Other Circumstances he presents a series of colour and black and white female avatar studies. Originally displayed in June 2019, the collection has been expanded by Akim, and includes direct portrait studies and a series of “other circumstances”, which present more sensual studies (that feature nudity, and so should be considered NSFW).

These are pieces that again offer scenes suggestive of wider stories. In this, some offer direct hooks to a possible narrative – such as The Model was Impressed by the Old Camera, which places a faceless, naked subject alongside a camera and adds a very subtle twist of double entendre via the title. Others are more subtle, such as Imagine (Looking away), with its suggestion of the things around us we might so easily miss – or the suggestion of things we are never intended to see, but are nevertheless with us – such as angels who watch over us. Throughout all of these pieces there is a subtle use of pose, eye positioning, model placement soft focus, and so on, that gently draw us into each image, asking us not so much to view it, but explore it and consider what might lie beyond each frame.

The Itakos Project: Portraits And Some Other Circumstances – Akim Alonzo

Within the White Pavilion, visitors can find The Edgy World of M, featuring a collection by Maloe Vansant.

In this collection Maloe offers a series of pieces – most of them, I believe, self-studies – designed to tell us about “an unusual and hidden side of her imaginary world.” Most of them are a mix of dark juxtaposed with vivid, rich colour in what is both a powerful contrast and naturally symbiotic balance.

The Itakos Project: The Edgy World of M – Maloe Vansant

This contrast / symbiosis seems to also reflect an underlying narrative with these pictures – each of which might be considered a passage lifted from a story – the colour perhaps representing the “normality” of a life as it is presented to others – a mask if you will; and the black representing what lies hidden behind those same masks of normality: the hidden desires and thoughts – some of which may themselves be dark in nature (the the references to death and the horrors of removing masks).

These various elements come together quite dramatically, drawing us into that edgy world of M, a place that is rich in tone, theme, and image, and which is also at its heart, both personal (on at least two levels – Maloe’s and the observer’s) and intensely primal.

The Itakos Project: The Edgy World of M – Maloe Vansant

Also on display at the time of writing is Simply Dreaming, a further remarkable collection of art by Awesome Fallen, and which I wrote about in April 2019.

SLurl Details