On Tuesday, September, 1st, the Main (SLS) channel received the server maintenance package deployed to all three RC channels in week #35, comprising:
A fix for BUG-9504 “Clicking on any object that affects the navmesh while in Mouselook dirties the navmesh”
Internal simulator fixes
On Wednesday, September 3rd, the BlueSteel RC received an updated version of the server maintenance package first deployed (and subsequently rolled back) in week #34, which comprises internal fixes aimed at improving inventory performance.
Due to the issues experienced when this latter package was deployed to all three RC channels (such as the “zombie eyes” situation), the package is only being deployed to the one RC; Magnum and LeTigre will remain unchanged from week #34, keeping them on the same release as the Main channel.
On Tuesday, September 1st, the Mesh Importer RC viewer updated to version 220.127.116.114605, making its promotion to the de facto release viewer in week #36 unlikely, but not impossible.
Region Restarts and Caps Failures
A problem often encountered following region restarts is that some regions come back with a caps failure (so a lot of things that should work, don’t). While less frequent an occurrence than has previously been the case, the problem does still occur. The problem is thought to be at the server level, as regions hitting the problem tend to all be located on the same server.
Commenting on the matter at the simulator User Group meeting on Tuesday, September 1st, Simon Linden said:
I have a good theory about caps failure on the rolls but the last time I tried to fix it, the update went badly and we rolled back :). My theory is good, the side effect was bad. When we restart regions, we do them all at once. My fix was to pace that slightly, and not overwhelm the caps system. However, the delays confused the system starting the grid, and it started the same regions multiple times, which didn’t go well. And of course it didn’t do that on the beta grid.
Since his initial attempt at correcting things, Simon has been engaged on other work (such as getting group chat fixed), but he is hoping to get back to working on this problem at some point in the future.
Opening on Wednesday, September 2nd, 2015 at Dathúil Gallery, owned by Max Butoh and curated by Lυcy (LucyDiam0nd), is a new exhibition by Maloe Vansant, entitled Faces of Longing and Grief.
As the title suggests, this is a series of studies of the human face – mostly female (Maloe herself, I believe), although Maloe’s partner, Burk Bode, is also featured – in which the focus is very much on the emotions either displayed within the subject’s expression, or conveyed by the pose itself.
Maloe uses quotes to describe the exhibit, of which a short extract from Barnacle Love, by Canadian novelist Anthony De Sa is perhaps the most informative:
The Portuguese call it saudade: a longing for something so indefinite as to be indefinable. Love affairs, miseries of life, the way things were, people already dead, those who left and the ocean that tossed them on the shores of a different land — all things born of the soul that can only be felt.
And indeed, there is a longing and a sense of sadness, a hint of grieving, an echo of death to be seen as one wanders through Dathúil’s hall and examines each of this large format images in turn. But to think of this as a “dark” or “depressing” exhibition would be a mistake.
There is a raw, emotive power to each of these images – either within it, or in the response the observer has to it, or both. It is very hard, for example, not to imagine learning into one and kissing the worries of the subject away and giving a loving reassurance, or taking the hand of another in comfort and offering to share the burden of sadness.
The use of colour and of black and white in the images is equally striking in how they bring the emotions of an individual piece to the fore and regulate the observer’s response. A series of four full-colour images on one wall (seen above), for example, tend to evoke a very strong – dare I say “louder” – emotional response when compared to the black-and-white studies, where the emotional content is perhaps more constrained within the image itself, and our own response is similarly toned down by the more monochromatic presentation.
Some of the images balance the use of the colour against a more monochrome look – as with A touch of Melancholy and Just Want to Blend In (seen below), for example. The result is something of a different texture and feel to the emotion / feeling s captured within the image and in one’s own response. I admit to becoming quite captivated by these two pieces in particular.
All of which is a long way of saying that these are studies where it is next to impossible to not yourself feel emotionally involved. The story behind each image may not be clear, but the desire to offer comfort, support, love, companionship is unavoidable.
This is yet another outstanding exhibition of an artist’s work which further enhances Dathúil’s reputation as one of the leading galleries in Second Life. Lucy is to be commended for arranging Maloe’s exhibit, and Maloe herself congratulated in bringing together images to present such a powerful and emotive subject.
Faces of Longing and Grief formally opens at 13:00 SLT on Wednesday, September 2nd, and will remain open through until September 30th, 2015. You can also find more of Maloe’s work on her Flickr stream.
Update, September 4th: Please note there will be a Bright Canopy community meeting in-world in Second Life at 11:00 SLT on Saturday, September 5th, at the Bright Canopy island. All those wishing to catch-up on the latest situation for the service are invited to attend.
Saturday, August 29th saw Bright Canopy, the new cloud streaming service delivering Second life (and the viewer) directly to your web browser, officially launch.
Already extensively previewed by SL bloggers – you can catch my overview of the service here – the launch was given a further boost when the Lab also blogged about it. announcement of the formal launch led to a huge amount of interest being shown in the service.
While there were the inevitable hiccups which tend to accompany such launches, it was the overall demand which perhaps caused the fledgling company the most problems. So much so, that Bright Canopy have been forced to revise their subscription model, and suspend the service while they do so.
The news of the change to the subscription model came via an e-mail to existing subscribers which was also posted to the Bright Canopy blog. Currently the plan is that:
From Sunday, September 6th, those signing-up to the service will be charged $17.00 a month for up to 20 hours of use. Additional time will be charged at $0.013 per minute
From now until 12:00 am on Sunday, September 6th, those who signed up for the service will be charged $7.00 for 20 hours, then at the $0.013 per minute
All existing subscriptions have been cancelled, and all existing users will need to subscribe to the new plan once the door is open to subscriptions once more.
Bright Canopy are the first to admit this is hardly an ideal situation, and the hope is that it will be an interim measure, until more favourable terms can be introduced in the future, once a few more things have been put in place.
Discussing the situation with me, Bill Glover, Bright Canopy’s founder said, “It’s been a whiplash weekend. We had more than 1000 sign-ups in just a few hours and that actually worked really well.”
However, there were some niggling issues as the launch progressed into the weekend. Transitioning those users who had been on the beta / pre-launch service raised a few problems, as did the migration for those users best served by it to Bright Canopy’s US East coast POP, which also came on-stream as a part of the launch. It was while working on these issues the alarms started ringing around unconstrained cost risks due to the volume of use, forcing Bright Canopy to take action.
“The alarms required us to throttle down use,” Bill told me. “When the experience suffered long wait times, I pulled the plug [on accepting subscribers]. We’re not going to charge people unless we can be sure this is going to be there for them and they will get value for the money.”
The throttling also meant that over the launch weekend, users were limited to one hour’s in-world time before they were disconnected and had to re-log. To compensate people for this, Bright Canopy have indicated they’ll not be charging anyone for their time over the weekend of 29th / 30th of August.
To understand why the pricing structure change was required despite the good response, it is necessary to understand how Bright Canopy is provisioned. Currently, when logging-in to the service, users are hosted on individual servers, supplied by Amazon’s Spot Instance bidding system. The problems here are twofold.
On the one hand, using an entire server to host just one user isn’t terribly efficient; Frame, as Bright Canopy’s infrastructure partner, are already working to offer more efficient means of hosting without impacting individual user’s experiences with Bright Canopy. On the other, and as I’ve previously reported, Amazon’s Spot Instance mechanism, so long the most cost-effective means of obtaining server space, has become subject of bidding wars which have caused sudden and unpredictable spikes in service pricing.
While Bright Canopy were aware of this, and developed contingencies they hoped would be sufficient to handle pricing fluctuations, etc., until such time as better hosting options were ready to roll, the sheer volume of demand for the service meant that these contingencies were burnt through in the course of the first weekend, thus prompting the current situation.
As noted earlier in this article, Bright Canopy hope the new plan will be an interim measure. The problem here of course is that 20 hours + $0.013 a minute isn’t going to be that attractive an offering to users – something Bright Canopy is all too aware of. With many users spending tens of hours a week in-world, the additional costs could easily mount up, and so people are understandably going to be more focused on the potential for additional costs than on the potential for improved pricing down the road.
As a result of the overall situation, Bright Canopy have opted to keep the service suspended while discussions on the situation continue.
“We are verifying and double verifying so that when we come up, we stay up,” Bill said to me as the announcement was sent out.
I’ll have more updates on this as further information becomes available / announcements are made.