A virtuoso performance and a Dickens of a tale

Dickens-2013Sunday December 1st, 2013, Saw two special premieres take place in Second Life and in the same time-frame. The first was for the opening season two of The Blackened Mirror. The second was a very special presentation of A Christmas Carol, forming the return of The Dickens Project to Second Life – and its first presentation in real life.

The presentation took place at the Greek Archon Theatre in Cookie, where Caledonia Skytower, Shandon Loring and Kayden Oconnell took to the stage before an audience of invited guests to present Dickens’ most popular Christmas tale. At the same time, Caledonia’s real-life persona, Judith Cullen, was seated in the Pythian Lodge in Tacoma, Washington, before an audience who had also gathered to hear the story, and who could  watch in-world activities via a large screen. As is the magic of Second Life, Kayden joined her via voice from Minnesota and Shandon from Nebraska.

As with the original run of The Dickens Project, performed over Christmas 2012, the reading took place in a specially created set representing a scene from Dickens’ time and which, when the project re-opens its doors to the public later in the month, will provide a special walk-through of Charles Dickens’ life, works and the times in which he lived. The outdoor stage, sans props, provided a simple and effective focal-point for the reading, with Caledonia and Kayden sharing the role of the story’s narrator and taking on the various supporting roles, while Shandon once again reprised the role of Ebenezer Scrooge.

Shandon Loring reprises his role as Ebenezer Scrooge
Shandon Loring reprises his role as Ebenezer Scrooge

Prior to the reading commencing, the audiences in both worlds were told something of the history of the Knights of Pythia and the lodge in which the real world audience were seated. To help them understand Second Life better, Judith / Caledonia gave a very short overview of the platform, and members of the digital audience were encouraged to interact – if only one-way – with the real-life audience through greetings, etc. Nor was the performance entirely static for the audience in Tacoma; to give them a greater feeling of involvement, the in-world feed was monitored by another SL user, who used the viewer’s camera to show actors, audience and setting.

The performance, using a text adapted and annotated by Dickens himself when he presented the story in person, together with some additional text from the full novella, was presented with aplomb and style by the three artists. From my own perspective, I found it to be as much an engaging and virtuoso performance as the time I saw Sir Patrick Stewart perform A Christmas Carol as a one-man show; so much so that, other than the need to flick away for some 20 minutes to take care of other commitments, the time simply flew by for me.

The Knights of Pythia Temple, Tacoma, where the performance took place in RL
The Knights of Pythia Temple, Tacoma, where the performance took place in RL

For Judith / Caledonia, who conceived, directed and produced The Dickens Project, I know that this is very much a personal triumph; she has been working towards The Dickens Project being both a real life and virtual experience for the better part of a year. If the audio feedback was anything to go by for those of us in the virtual world, the performance was very well received in Tacoma and generated a number of questions about the story, the idea and Second Life from the audience there.

While the presentation was, in terms of a combined SL / RL event, a one-off (at least for now!), The Dickens Project will be returning to Second Life for a seasonal run commencing on Friday December 13th. I’ve no details on the schedule at the moment, but will publish them here once confirmed.

Caledonia Skytower, Shandon Loring (centre) and Kayden Oconnell is an evocative shot of the perfromance by Bear Silvershade
Caledonia Skytower, Shandon Loring (centre) and Kayden Oconnell in an evocative shot of the performance by Bear Silvershade

If you’ve not seen a performance of The Dickens Project, I urge you to take the time to do so once the new season opens. Anyone with a love for literature and especially for Dickens’ famous tale of a miserly old man, ghosts, and ethical and emotional transformations, will love this performance. Kudos to Caledonia, Shandon and Kayden and to all those who helped make The Dickens Project a reality once more – and in both the real and digital realms!

Related Links

Both the real world and SL presentations of A Christmas Carol were free admission. However, audiences at both were offered the opportunity to donate to one of two charities: War Child North America in the case of the SL audience and My Sister’s Pantry for those in the real world audience.

Viewer release summaries 2013: week 48

This summary is published every Monday and is a list of SL viewer / client releases (official and TPV) made during the previous week. When reading it, please note:

  • It is based on my Viewer Round-up Page, a list of  all Second Life viewers and clients that are in popular use (and of which I am aware) and which are recognised as adhering to the TPV Policy
  • By its nature, this summary will always be in arrears
  • The Viewer Round-up Page is updated as soon as I’m aware of any releases / changes to viewers & clients, and should be referred to for more up-to-date information
  • The Viewer Round-up Page also includes comprehensive links to download pages, blog notes, release notes, etc., as well as links to any / all reviews of specific viewers / clients made within this blog.

Updates for the week ending: December 1st, 2013

Official LL Viewers

  • Current Release version: no update.
  • Release channel cohorts (See my notes on manually installing RC viewer versions if you wish to install any release candidate(s) yourself):
    • No updates.
  • Project viewers:
    • No updates.

LL Viewer Resources

Third-party Viewers

V1-style

  • Cool VL updated on November 30th to:
    • Stable version: 1.26.10.2
    • Experimental version: 1.26.11.2
    • Legacy version: 1.26.8.39
    • Release notes (all) core updates: Legacy version: removal of SL mesh deformer supporter & addition of some support for Fitted Mesh; addition of “GetMesh2” capabilities support; FMOD Ex updated to v4.44.27; assorted fixes and optimisations; Stable version: as for Legacy plus rednering fixes imported from viewer-bear; Experimental: full support for Fitted Mesh; region caching fix; import of viewer-interesting fix for crashing when TPing across region boundaries; assorted fixes.

Additional TPV Resources

Related Links

The Blackened Mirror premieres

Blackened MirrorSeason 2 of The Blackened Mirror premiered on Sunday December 1st with a special showing to an invited audience at the Crescent Theatre in Seraph City.

As I’ve previously noted, the new season reunites the main stars of the show, Zander Greene (Scott Simpson in RL), Aisling Sinclair and Mavromichali Szondi, together with returning guest stars from the first season and two special guest stars in the form of Peter Jurasik and Gameela Wright (AvaJean Westland in SL), who will be making their presence felt in voice as the season unfolds.

In the first season, hard-boiled PI Harland Quinn, having been hired by Alais Alleyn, found himself drawn into a strange mystery as he attempted to help her to return “home” – a mystery which suddenly turned its focus very sharply upon Quinn himself as he, Alais and Mr. Biggins were confronted by Adam, Quinn’s bespectacled twin, in the season’s cliffhanger.

Gameela Wright and Peter Jurasik will add their voices to the show as the season progresses
Gameela Wright and Peter Jurasik will add their voices to the show as the season progresses. Gameela also pupeetered a number of the characters on behalf of those actors unable to be in Second Life for the actual filming

Now we rejoin Quinn to find him a prisoner in some kind of asylum or institution, held there by his strange twin, who both resents Quinn and takes a perverse pleasure in seeing him hurt. Doubtless, if left to his own devices, Adam would quite happily put an end to Quinn’s life. However, the choice is not Adam’s to make, because he answers to someone even more mysterious and potentially threatening – the Doctor.

The Doctor; dark intent where Harland Quinn is concerned?
The Doctor: one of the new characters introduced in the season opener

It’s a taut piece of story-telling, neatly opening-up a list of new questions, introducing new characters and which further and deftly twists the story a little more, a move which serves to both draw an audience already familiar with the story further into it, while also setting-up things such that anyone with only a loose understanding of season one will want to go back and watch it again.

Season two allows the show to make use of a number of additional tools to assist in the filming / production process. One of these is ReScene, an advanced choreographing tool developed for Second Life by Logan Bauer. This can best be thought of as a 3D “timeline” of a live cinematic scene that can be played and replayed with any number of avatars playing different roles, allowing precise control of avatar movement, animations and camera movement to be achieved.

“It gives the actors a chance to focus on things like directed looks, expressions and so forth,” series director Saffia Widdershins told me ahead of the premiere screening. “It’s incredibly hard to hit a mark like that in SL. Either you end up miles away, facing in the wrong direction, or looking in the wrong direction and having to turn awkwardly.  Throw into the mix the fact that someone’s lips don’t move, and we have to shoot it all again.”

Operated by season one’s VFx veteran, Terra Volitant, ReScene has allowed the production to aovid many of these time-consuming pitfalls, and has brought a further level of realism to the show.

As a season opener, this episode of The Blackened Mirror has it all: mystery, intrigue, suspense and drama. Just how can Harland Quinn have a brother he does not remember? Are they even brothers by natural birth? The clues are there to suggest they are probably not; but who can tell at this stage? What happened to Alais Alleyn and Mr. Biggins between Adam’s arrival in the bar at the end of season one, and Quinn’s incarceration in the asylum? And who is the malevolent Doctor?

But don’t take my word for it – why not watch the first episode of the new season for yourself? Just make sure you watch it right the way through to after the end credits!

Related Links

Journey to the planets and to the heart of the tanglewood, and hear ghostly tales of old

It’s time to kick-off another week of fabulous story-telling in Voice, brought to Second Life by the staff and volunteers at the Seanchai Library SL.

As always, all times SLT, and unless otherwise stated, events will be held on the Seanchai Library’s home on Imagination Island.

Monday December 2nd, 19:00: Science Fiction: The Planets Series

With Gyro Muggins.

Tuesday December 3rd, 19:00: Treasure it the Heart of the Tanglewood

Faerie Maven-Pralou continues her reading of Meredith Ann Pierce’s 2001 novel for young adults.

TanglewoodHannah lives by the fearsome Tanglewood with a few talkative companion animals. She doesn’t age, and she has no memory of anything but this life of isolation. Once a month she plucks the flowers that grow from her head, a painful process in which “each yank made her whole scalp ache”, and brews them into a tea for the wizard who lives deep in the woods.

When Hannah falls in love with one of the many knights who seek the treasure of the book’s title, she starts to question the wizard’s motives, finding he has turned the knight into a fox.

Escaping the wizard’s manipulative grasp, Hannah sets out to find a cure for the knight, an adventure in which she discovers her own identity and the repercussions of some of her actions while under the control of the wizard.

Wednesday December 4th, 19:00: Beggar’s Day, the Beggar Prince

With Caledonia Skytower.

Thursday December 5th, 11:00: Christmas Ghosts: A Collection of Spooky Tales for a Winter’s Eve

Xmas GhostsHalloween may have come and gone for 2013, but the year’s end tends to be another traditional time for ghost stories to be read. This week, Shandon Loring dips into a collection of classic ghostly tales from the pens of writers past. This delightful volume of short stories comprises:

Christmas Eve on a Haunted Hulk by Frank Cowper
The haunted House by Charles Dickens
The Phantom Coach by Amelia B. Edwards
The Haunted Man by Bret Harte
Catherine’s Quest by J. Sheridan Le Fanu
Joseph: A Story by Katherine Rickford
The Abbot’s Ghost by Louisa May Alcott

—–

Please check with the Seanchai Library SL’s blog for updates and for additions or changes to the week’s schedule. The featured charity for November and December is Reading is Fundamental.

Related Links

Red Shoes: bringing the spirit and intent of Zapatos Rojos to Second Life

Red Shoes image by Mexi Lane
Red Shoes image by Mexi Lane

There’s a new art exhibit opening at MIC Imagin@rium at 14:00 SLT on Monday December 2nd. it is a unique collaborative venture featuring works by 25 SL artists, and which involves the exhibition in a real-life cross-over with the Il Margutta Gallery, Rome.

Elina Cahuvet at the 2012 El Paso, Texas,
Elina Chauvet

Red Shoes builds on the work of Mexican visual artist Elina Chauvet, who created Zapatos Rojos,  a display of red shoes and boots of all  designs and sizes, used to commemorate the high number of women and girls killed in the city of Ciudad Juárez, Mexico.

The piece came about as a result of Chauvet becoming increasingly aware of the high numbers of women and girls who were dying or simply vanishing within the city, a place where violence had at one time escalated to the point where the Mexican military were asked to intervene, a move which actually exacerbated matters. “In my visits downtown I was alarmed to see how many posters for missing girls were stuck to the telephone poles,” Chauvet explained to Canadian broadcaster and journalist Joyce Janvier in an interview about the origins of the project. “That’s when I realized that the women in Juarez were dying or disappearing. Then and there I began to ask questions but did not find answers. Stories of women went under-reported.”

She selected shoes as the focus for the display for two reasons. Firstly, as she had previously used shoes and a metaphor in the past, she felt they were a means by which she could give expression to her concern for the missing or dead women. Secondly, in researching the disappearances herself, she discovered that many of those who had vanished either worked in shoe stores, had been buying shoes at the time of their disappearance or were seeking work in a shoe shop.

Initially, the exhibit started with 33 pairs of red shoes donated by the women of Ciudad Juárez, arranged in a silent line, representing the missing women walking along the city’s Benito Juárez Street, which leads to the town’s oldest border crossing bridge into the United States.  Since that time, the piece has grown to over 200 pairs of shoes and boots and has become viral in nature, having been exhibited in cities in both the United States and Europe, and coming to represent broader aspects of violence many woman around the globe suffer in their daily lives. In May 2013, Zapatos Rojos returned to Ciudad Juárez.

Zapatos Rojos, Piazza Vecchia, Ciudad Juárez, May 2013
Zapatos Rojos, Piazza Vecchia, Ciudad Juárez, May 2013 (image courtesy of Alice Peretti, You + Me Equals)

The Second Life exhibition opens on December 2nd, 2014 and continues through until midnight on January 7th, 2014. It features individual installations by twenty-five SL artists, all of whom have taken their lead from a pair of red mesh shoes created for the project by Rumegusc Altamura, and the exhibits are displayed in an ultra-modern space designed by Colpo Wexler which sits atop the waters of the region, with a magnificent Romanesque backdrop also created by Rumegusc Altamura. The participating artists are: Swina Allen, Alpha Auer, Solkide Auer , La Baroque, Lookatmy Back, Giovanna Cerise, Cica Ghost, Viviana Houston , Kicca Igaly, Violetta Inglewood, Giorgio Mayo, Merlino Mayo, Myyns Mayo, Rubin Mayo, Paola Mills, Daniele Daco Monday, Nessuno Myoo, Sniper Seimens,  Mitaki Slade, Mila Tatham, Nexuno Thespian, Blue Tsuki, Maddomxc Umino, Nino Vichan, and MIC Imagin@rium’s own Mexi Lane.

Red Shoes: Rubin Mayo
Red Shoes: Rubin Mayo

Previewing the installation, I found that Coplo Wexler’s minimalist approach to the actual exhibition sets to be highly effective, allowing the observer to focus directly on each piece in turn with little or no visual distractions. Some of those on the “outer” ring of exhibit spaces are featured in their own three-dimensional “frames”, providing further focus on their subject matter, while others are open to the far horizon, blending with it to create great depth of experience – such as with Alpha Auer’s evocative piece. I mentioned earlier that the installation also has a unique real-life cross-over. This is because on December 10th, 2013, the Il Margutta Gallery in Rome will be inaugurating a new exhibition entitled, “Woman in Rock & Red Shoes”, and a machinima of the Red Shoes exhibit at MIC Imagin@rium will be screened at the gallery as a part of the inaugural activities.

Red Shoes: Alpha Auer
Red Shoes: Alpha Auer

Red Shoes is a powerful installation; I’ve no idea if Elina Chauvet is aware of it – if not, I hope someone does contact her concerning it. I’ve little doubt she would admire and appreciate the way her message is being carried forward in an immersive manner to again reach a global audience.

Related Links

Red Shoes: Giorgio Mayo
Red Shoes: Giorgio Mayo