A little Edelweiss in Second Life

The CONVAIR Edelweiss Chalet at Isla Caitinara with a Trompe Loeil pavilion on the deck

In December 2020 I picked up the CONVAIR Bridge House by Tobias Convair for use on our main island home in Second Norway (see: A Bridge House in Second Life). It’s a nice looking house with a good internal layout and it fits well with the Second Norway environment, having something of a Scandinavian feel.

It is also a design that gave me something of a taste for CONVAIR builds. So when we recently visited The Redwoods (see: Exploring The Redwoods of Second Life) and saw another CONVAIR build being used as the park lodge, I started getting the itch to see how well it might fit as yet another alternative for our house – and as it turns out, it does so fairly well.

The design in question is the Edelweiss Chalet, a two-storey design with wood exterior and exposed beams and woodwork inside. Unfurnished at purchase, it is priced at L$2,200 both in-world and on the Marketplace, and is supplied Copy and Modify. While delivered boxed, it doesn’t come with a rezzer. Instead, the entire 99 LI building is a single item that can be pulled out of inventory and positioned as required.

The layout comprises a single large main room on the ground floor with two smaller rooms at one end. the upper floor area is split between a bedroom and gallery overlooking the main room and one end and reached via a staircase, with a loft-like space accessed via a ladder located at the other end of the house. This sits over a broad verandah that also continues along the length of one side of the house.

The CONVAIR Edelweiss Chalet at Isla Caitinara with a Trompe Loeil pavilion on the deck

This verandah is one of the attractions of the house. As it is raised on stilts, the house can sit partially over water, making the long arm of the verandah – with suitable modification – ideal for mooring boats.

Having said that, the slits were something we needed at Isla Caitinara, as the water’s edge there is sufficiently elevated. This allowed me to locate the house at ground level, the verandah neatly forming a part of the existing moorings while also allowing me to remove the eternal steps leading up to the verandah and to the two doors leading into the house on the other side, together with their attendant transparent prims. Making the space available to boats was then a simple matter of removing the railings guarding the edge of the verandah.

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In terms of living space, this is a house that really has a lot to offer: the main room has plenty of space for use as a living / dining / kitchen area, as I hope the slideshow above demonstrates. The two additional downstairs rooms could be used as a separate bathroom and toilet or as a small bathroom / toilet and second bedroom. The upstairs bedroom has a reasonable amount of space, although given the slope of the ceilings, fitting taller furnishings might be a little difficult.

I particularly like the gallery overlooking the main room; this both offers a lower ceiling for a kitchen area helping to make it feel cosier, whilst also offering a nice location for one of my pianos so that it isn’t crowding out the main room – but the space could just as easily be a little office area or similar. Across the main room, the “loft space” is similarly very flexible – it could be a little reading space with books or – as we’ve done, a little snuggle spot, made warmer through the addition of a wood-burning stove that uses the main fireplace flue.

That said there are a few niggles with the build. There is a slight over-reliance in the use of transparent prims. The main floor,for example, uses a mesh and two transparent prims – so why not simply forego the former and make the latter visible and texture hem? That’s what I did. The use of baked shadows can also be an annoyance when modding the build. Again, replacing the main floor solved this in part, although I had to retexture the exterior walls in order to get rid of other nuisances. Finally, some of the textures are disappointingly blurred: I’m still fiddling with options to replace the texture used for the wooden beams.

A mug of hot chocolate before bed, after outfitting the new house

Fortunately, there aren’t insurmountable problems;  as noted above, I solved them easily enough, allowing for fixing the texture blurring. I will admit I felt this let what is otherwise a very capable and worthwhile design down. certainly, the interior mesh faces are more than sufficient to allow comfortable re-decorating of the walls if you wish (I did!), and as noted you get a good deal of space in which to make a home – indoors and out.

Link and SLurl

Moki Yuitza’s CELLS in Second Life

The Sim Quarterly: Moki Yuitza – CELLS

CELLS is a new region-wide animated installation created by Moki Yuitza that is now open at Electric Monday’s The Sim Quarterly. As is common with exhibits in this Homestead Region – and as indicated by the region’s name – the installation will remain open for a period of three months, allowing people plenty of time to visit and re-visit.

Moki’s work embraces many subjects – the art of creativity, the relationships between sound and colour, perception, the inner workings of the mind, the interpretation of dreams, explorations of abstraction, geometry  and more. Several of these aspects are combined within CELLS to present a unique environment that is both frustrating and fascinating at the same time.

Before visiting the installation, you should make sure your viewer is correctly set-up:

  • Enable Advanced Lighting Model (ALM) – Preferences → Graphics → ensure Advanced Lighting Model is checked. Note there is no need to have Shadows enabled as well.
  • Set your Draw Distance to greater than the width of a region – I would suggest 300m.
  • Ensure your viewer is set to Use Shared Environment – menus → World → Environment → make sure Use Shared Environment is checked.
  • Consider using the region’s audio stream  as it adds a certain aural depth to the installation.
The Sim Quarterly: Moki Yuitza – CELLS

Teleporting will initially deliver you to a sky platform over the main installation where a note card on the installation will be offered. Be aware that the avatar mover at the landing point can be a little aggressive – it planted me in a wall with sufficient force to leave me stuck and in need of a teleport offer from Caitlyn to get free.

Once safely on the platform, touch the blue glowing sphere in the opposite corner to the landing point to be transferred to ground level and the installation itself, which Moki describes as an attempt to look inside the brain of an artificial intelligence to determine how it works, and what we might see as a result.

It’s a highly abstract idea – we all probably have our own views on the matter – and Moki’s presentation is thus justifiably abstract and entirely unique. Blending light, colour, motion and – if you opt to have the audio stream active – sound, the installation is perhaps best described as a kind of lattice of cube-like (or the most part) spaces that climbs upwards through several levels.

The Sim Quarterly: Moki Yuitza – CELLS

Within the cubic spaces of this lattice are groupings of spheres – some coloured and solid, some themselves a simple lattice, some large, some small. Some sit within defined cubes, others float freely. Every so often, and frequently in close succession, these groupings on sphere will rotate around a central axis (with those inside a defined cube turning with the frame of the cub itself) to create new alignments with their neighbours.

Given the context of the installation, this motion perhaps suggests the passage of thought and / or the firing of individual synapses and the AI brain processes information. And visitors can become part of this: at the centre is a double helix-like strand of ramps that climb up through the installation. I doubt their form is accidental, but I’ll leave it to visitors to determine how they interpret them. Along the way they pass through the levels of the installation, allowing visitors to step off the ramps and wander through the spheres as they rotate.

The Sim Quarterly: Moki Yuitza – CELLS

It is here that frustration creeps in as frankly, travelling on foot through CELLS diminishes both its beauty and its complexity. This an installation that should the soared through and witnessed from within and without. As such, I urge you to consider taking flight when visiting (and if you’re comfortable flying in Mouselook, so much the better), or if (like me) you are graced with a 3D mouse – make use of it.

Simply put, beings able to free translate movement from vertical to horizontal and to be able to rise and fall through this installation without constraint utterly alters one’s perspective and heightens appreciation of, and engagement with, CELLS.

The Sim Quarterly: Moki Yuitza – CELLS

A colourful, engaging, potentially mesmerizing and visually impressive, installation, CELLS is definitely worth taking time to visit and explore (again,particularly aerially). For those who like hunting gifts, look out for the conical white prims that are scattered through the installation and rotate   around their own axes. Touch the right one and accept the folder it offers, and you might just gain a reward for your efforts.

SLurl Details

  • CELLS (The Sim Quarterly, rated Moderate)

 

 

 

 

 

2021 SUG meeting week #7 summary

The Isle of Elar, December 2020 – blog post

The following notes were taken from the Tuesday, February 16th, 2021 Simulator User Group (SUG) meeting.

Server Deployments

At the time of writing,  this is yet another week without published release notes. However, there was no deployment to the SLS Main channel on Tuesday, February 16th, leaving it on simulator release 555570.

Simulators on the BlueSteel channel are due to be subject to “some experiments” – one of which apparently involves splitting up the simulators currently on that channel into smaller channels.  It is not anticipated that any of these experiments will have any user-visible impact.

Mazidox Linden also indicated that the LeTigre deployment channel may also be subject to being split into smaller channels, although this has yet to be confirmed.

The aim of this work is to hopefully to make it easier to tune groups of simulators for better performance on their underlying servers, with Oz Linden noting:

We have many more possible system types than we had before… we picked one for the initial uplift, but there are lots of others and many configuration options…. finding the best combinations requires lots of experimentation.

SL Viewer

The Simplified Cache viewer, which incorporates a replacement for VFS caching, was promoted to Release Candidate status on Tuesday, February, 16th, 2021 with the issuing of version 6.4.13.555641.

The rest of the current pipelines remain as:

  • Current release viewer Dawa Maintenance RC Viewer, version 6.4.12.555248, dated January 25, 2021, promoted February 1st, 2021 – NEW.
  • Release channel cohorts:
    • Project Jelly viewer (Jellydoll updates), version 6.4.13.555567, February 5, 2021.
    • Custom Key Mappings project viewer, version 6.4.12.553437, January 7, 2021.
  • Project viewers:
    • Love Me Render (LMR) 5 project viewer, version 6.4.12.553511, issued on January 7, 2021.
    • Legacy Profiles viewer, version 6.4.11.550519, October 26.
    • Copy / Paste viewer, version 6.3.5.533365, December 9, 2019.
    • Project Muscadine (Animesh follow-on) project viewer, version 6.4.0.532999, November 22, 2019.
    • 360 Snapshot project viewer, version 6.2.4.529111, July 16, 2019.

In Brief

What does it look like when Second Life is lagging (or otherwise performing poorly) for you. What does it look like when Second Life is performing well?

This rather open question was asked by Mazidox Linden in an attempt to gain as wide a view as possible response – be it about “lag” that might be more directly attributable to viewer-side activities (e.g. rezzing / rendering, which are down to the viewer and may be using data already locally cached), or which are dependent on network connectivity or which may be attributable to definable viewer / server interactions (e.g. drops in general performance when the viewer receives the data relating to an avatar arriving in a region, slow script processing, etc.). From this, it is hoped a more detailed breakdown of server-side impacts for which metrics can be obtained can be drawn up.

It has been noted that some timing appear to be “off”. Examples include:  landmarks failing to refresh, SLurl failing to copy correctly, through to issues of attachment load with RLV that sees the latter engage before all of the former have properly loaded in the viewer). LL are not aware of any Uplift changes that may have caused this (although some – such as the RLV issue were known to exist prior to Uplift).

Land Store – the recent Land Store issues (non-availability of new regions) appears to be down to assumptions made prior to Uplift that “didn’t hold up”, resulting in the need for a back-end bug fix. In the meantime, regions can be obtained by filing a ticket with Support.

The next SUG meeting – Tuesday, February 23rd – will be a farewell party for Oz Linden, who is retiring from the Lab on Friday, February 26th – see: Oz Linden announces his forthcoming departure from Linden Lab.

Lab invites users to suggest new SL last Names

via Linden Lab

On Thursday, February 11th, Linden Lab announced the release of a new selection of last names for Premium members as a part of the Name Changes capability.

As I noted at the time, the 15 new names added to the list (which also saw the removal of a number of the less popular names from it) included some suitable for the Valentine’s period, and comprised a mix of names suggested by users during the 2019 Last Names competition that was held prior to the launch of Name Changes, and names selected by Linden Lab.

This makes for a quite varied selection of names for those wishing to change their avatar’s last name – but the Lab is always looking for new names that might be suitable.

To this end, the Last Names Suggestions form has been created, allowing anyone who has a suggestion for a potential Second life Last Name to submit it to the Lab for consideration.

When doing so, there are a couple of caveats to note:

  • The Lab does have an extensive list of names already, so submitted and selected names may not immediately appear in any updates to the list of available Last Names.
  • At this point in time, the Lab is not re-using any “legacy” Last Names (those users were able to select prior to 2010) – so be sure to check the list of legacy names before submitting your ideas.

About Name Changes

Name Changes is a Premium-only benefit that allows Premium subscribers to change their first name, their last name or both their first and last name on the payment of fee (US $39.99 + VAT  / sales tax, where applicable at the time of writing). Through it, users can opt to use any first name of their own choice, while last names are selected from a pre-defined list.

If you are unfamiliar with the capability, you can read more via the following links:

 

Oz Linden announces his forthcoming departure from Linden Lab

Oz Linden, circa 2014

On Tuesday, February 16th, 2021, and in a surprise to Second Life users, Linden Lab’s Vice President of Engineering, Oz Linden (aka Scott Lawrence in the physical world) announced his forthcoming departure from the Lab.

Oz joined Linden Lab in 2010, taking on the role of Director of Open Development. At that time, the viewer was in something of a state of flux; the “new” Viewer 2 had not long been launched, the development of which had largely excluded the user community and, particularly, developers who had long been associated with viewer development through the submission of code contributions.

As a result of this and other factors, users and developers alike were at the time feeling alienated and disenfranchised – facts that Oz immediately recognised and sought to address.

In the first instance this was done by replacing the open-source viewer Snowglobe project with a new Snowstorm project, intended to bring as much of the viewer development out into the open as possible – an approach Oz continued to push for throughout his time at the Lab, thus bringing order and surety out of a time that might be best described as having been “chaotic”.

The most obvious areas in which this was demonstrated was his adoption of weekly Open Source Meetings, initially held on Mondays before moving to their current Wednesday slot. These meetings continued alongside other technical in-world meetings such as the Server and Scripter meeting(now the weekly Simulator User Group), which took place even during the drought of other office hours meetings. He also implement the fortnightly Third Party Viewer Development meetings, allow Third Party Viewer developers to discuss all matters relating to the viewer directly with him and members of the Lab’s viewer engineering team.

In 2013, Oz oversaw the complete overhaul of the Lab’s internal viewer develop process, officially called the Viewer Integration and Release Process, which greatly simplified viewer update and viewer feature development. This project also brought me into my first direct contact with Oz when I offered a summary of the new process.  It marked the start of a long and informative acquaintance that I’ve continued to appreciate over the years.

As well as direct contributions to the viewer, Oz also helped open the door to user-led projects aimed at providing broader capabilities for the viewer. While constraints on what could / could not be accepted would always have to be enforced, this approach nevertheless resulted in the adoption of materials in Second Life, and helped to encourage project-based contributions to the viewer that have included capabilities such as the hover height slider, and graphics and camera presets. This approach also included major lab-led projects such as Project Bento also encompass direct user involvement pretty much from their outset.

While it has always been the Lab’s policy to try to recruit personnel from the ranks of users as and when there is a suitable “fit”, in his time at the Lab, Oz has become perhaps one of the most enthusiastic proponents of this approach, frequently seeking – and often succeeding – to recruit qualified users into technical positions under his management.

Oz in his human form. Credit: Linden Lab

As the Lab opted to start work on Project Sansar, Oz decided to pro-actively campaign to take on the work in continuing to develop Second Life, drawing to him those within the Lab who also wished to stay engaged in working on the platform. It is not unfair to say this resulted in one of the most intense periods of Second Life development we have seen, interrupted only be the need to focus on the work of transitioning all of Second Life and its services to run on AWS.

In 2019, Oz – together with Grumpity and Patch Linden – officially joined the Lab’s management team, taking on the role of Vice President of Engineering and putting an official seal on what Grumpity refers to as the Troika: the three of them being largely responsible for determining much of the product and feature direction for Second Life.

In announcing his departure, which sees his last day with the Lab being Friday, February 26th, 2021, Oz states that it has been something he’s been considering for a while:

Some time ago, I reached the point that I could afford to think about retiring but decided to stay to finish moving SL to its new cloud platform. I can’t imagine a better last act in my working life than ensuring that Second Life has this better platform for its future growth. Now that project is done (well, except for a few loose ends), and it’s time for me to move on to the next phase of my life.

He also emphasises – hopefully to prevent the rumour mill turning its wheels – that his decision to leave the Lab is not in any way connected to the company recently being acquired by new investors:

I want to emphasise in the strongest possible terms: my decision has nothing at all to do with the change in ownership of the Lab; the timing really is a coincidence. If anything, I regret that I have overlapped with them for only a few weeks; in that time (and in the time leading up to the change) I have come to respect and appreciate the skills and energy they bring to the company.

For my part, I cannot claim to know Oz as well as I would like to – but I’ve always found find his enthusiasm for Second Life never to be anything less than totally honest and infectious, and his high regard for users utterly genuine and sincere.

As such – and while his actual departure from the Lab is still more than a week away,  – I’d like to take this opportunity to offer him a personal and public “thank you” for all the times he’s provided me with insight and / or encouraged me to get involved in various projects, all of it has been greatly appreciated. I am, and will be, genuinely saddened to see him leave the Lab; we are all losing something in his departure, and the void left will not be easy for the management team to fill.

Skrunda-2 an atmospheric slice of Soviet history in Second Life

Skrunda-2, February 2021

Skrunda-2 is a Full region design that has – and quite rightly -been receiving a lot of attention since it opened. Held and designed by Titus Palmira with the assistance of Sofie Janic and Megan Prumier, the build is a representation of what was once a top secret Soviet facility that throughout the cold War era was never acknowledged to exist, but which today is now a most unusual tourist attraction.

The original Skrunda is a small and fairly unremarkable town in western Latvia, with a population of some 3,000 people, and granted “city” status in 1996. However, five kilometres to the north lies Skrunda-1, and it is this enigmatic place that is the focus of the design by Titus, Sofie and Megan.

Skrunda-2, February 2021

In brief, Skrunda-1 was established in 1963 as a radar surveillance and early warning centre intended to track incoming ICBMs using two Soviet Dnepr (NATO code-name “Hen House” on account of the two enclosed arms of the array resembling two lines of chicken coops). As a military garrison, the base was essentially a self-sustaining town, a home to an estimated 5,000 personnel and their families when at its peak, and with all the facilities and amenities one might expect of such a town: its own power and water supplies, 10 large apartment blocks to house families, a school, gymnasium, theatre, swimming pool, and of course all the facilities required to support the base itself – workshops, administration offices, an officer’s club and so on.

During the late 1980 / early 1990s, attempts were made to update the base with three installations of Russia’s latest phased array radar early warning systems. However, the collapse of the Soviet Union means this work was never finished, although the Russian Federation continued to use the base and the Dnepr radar until 1998, when they withdrew after negotiations to continue to lease the base to the start of the 2000s, fell through.

Skrunda-2, February 2021

In leaving, the Russians took with them all sensitive material and equipment, but left the 60 buildings of the town as something for the Latvian government to deal with – and they pretty much left the structures to rot where they stood. It is in this decaying, deserted stated that Skrunda-2 in Second Life presents the town – and does so very impressively.

Titus notes that the build was “inspired” by Skrunda-1, suggesting that it uses the original as a foundation before striking off on its own. however, while there is some artistic licence (Skrunda-2 appears somewhat coastal, whilst the original is more inland), the overall attention to detail and care taken in design means the Skrunda-2 is actually very reflective of the overall look and feel of its namesake.

Skrunda-2, February 2021

Take, for example, the landing point at the town’s main gates. It is marked by two aged block houses and iron gates with a road barrier beyond. They perfectly echo the original entrance to the Skrunda-1 base as can be seen in numerous Internet photos of the ageing town.

And while the hulking, featureless forms of the apartment blocks here may only number four rather than 10, they more than reflect the great white blocks of Skrunda-1 as they sit in lines facing one another across overgrown lawns and broken roads. Meanwhile, beyond the apartments sits a low-slung bunker that, while it lacks the out-flung “chicken coops” of the radar arrays, is an easy stand-in for their central block house command centre.

Skrunda-2, February 2021

After twelve years of neglect, the Latvian authorities decided to auction Skrunda-1 as a development site in 2010. It did not go well: bids started at just US $290,000 for the entire site, rising to U$ 3.1 million – only for the winning bidder and the runner-up to then pull out of any deal. A second auction was hastily arranged, with the town selling for just US $333,000 – but it remained abandoned for a further five more years.

In 2015, the Skrunda municipality purchased the site for just over US 14,500, ceding half of it to the Latvian army for training purposes and with the idea of redeveloping the other half. However, during this time the town started to attract tourists, drawn by its Soviet-era mystique (perhaps the rumours that it once being a centre for mind control experiments gave its allure an extra edge. While plans are apparently in-hand for the demolition and replacement of some of the buildings, the local government has acknowledged this interest  – by charging admission to the town at US $5.00 per head.

Skrunda-2, February 2021

Skrunda-2 perhaps represents the original not too long after its abandonment: old vehicles are still to be found in parking bays close to the apartment blocks, rubbish bags are still piled in some places, and so on, all of which adds to the location’s atmosphere. indeed, there is something to capture the eye literally at every turn, making the setting a photographic delight. And there are also little gems and secrets awaiting discovery – such as the inner workings of a bunker to one side of the town, or the Soviet-era posters and paintings, and the post-Soviet era graffiti and wall paintings that give Skrunda-2 its own unique sense of place.

But for me, the most fascinating little gem awaiting discovery is the one that might be so easily missed. It sits within one of the apartment blocks: a set of rooms still occupied – perhaps the home of the last inhabitant of the town, who departed towards the end of 1999. It’s a quite wonderful setting, that conjures mental images of someone perhaps elderly and clinging to a way of life that has now passed.

Skrunda-2, February 2021

Feeling a lot larger than a single region, Skrunda-2 is a tour-de-force in design and presentation; a place that really does carry within it a sense of history, offering insight into a past era that encourages one to go diving into the Internet to seek out more information on this strange town. At the same time, it offers the visitor and the photographer alike a grand amount to take in and appreciate.

Kudos again to Titus, Sofie and Megan for a superb design.

Skrunda-2, February 2021

SLurl and Details