On Friday, October 21st, there will be a livestream edition of Lab Gab, featuring Linden Lab’s Vice President of Product, Grumpity Linden and VP of Product Operations, Patch Linden.
Both will be discussing Second Life development thus far, and will be announcing some upcoming features that will soon be appearing on the platform. In addition, they’ll also be answering question from residents.
If you have a question you’d like to to to Grumpity or Patch (or both!) to answer, the Lab is currently accepting submissions via the the Lab Gab Google Form, so be sure to make sure you send your while the form is available! Note that not all questions submitted may be asked during the session.
I hope to have a summary of the session available some time after it has streamed; in the meantime, the salient details are summarised below.
Viewing Details
Time and Date: 10:00 SLT on Friday, October 21st, 2022.
Perpetuity, October 2022 – click any image for full size
For those in the northern hemisphere who want to grab a last touch of the late summer before winter throws its chilly cloak over us, should consider hopping over to Perpetuity, the Full region held and designed by Camis and Tamara Sierota. For while the leaves there are turning golden brown for autumn, there is still a sense of summer warmth waiting to be found for a little while longer.
The last time I visited the region in April 2022, it offered the look and feel of Smalltown USA in the spring / early summer months, so a return to the region as the years starts to close out is perhaps appropriate. However, a greater reason for dropping in again is that the region, in keeping with the tradition Camis and Tamara have for presenting different settings for the appreciation of visitors, now appears to have its roots in southern Europe, with hints of Italy’s Tuscany and France’s Provence to be found nestling among its trees and overlooking its rugged shores.
Perpetuity, October 2022
A place for quiet moments and photography with areas to bring your partner or to come alone and relax surrounded by nature in all it’s beauty. Join the group to rez & support the sim.
– Perpetuity’s About Land Description
The first hint of this European styling comes at the landing point, tucked into the north-west corner of the region. Here visitors find themselves on the lower terrace of a distinctly Greco-Roman ruin, the upper portion of which stands as the remnants of an open-air baths, the water still fresh and inviting and overlooked by the weathered statues of gods or perhaps former patrons of whatever estate may have once stood within the lands south and east.
Perpetuity, October 2022
Suggestions that this was once an extensive estate are quick to locate: a broad cobbled road runs due east to where a walled villa and its outhouses sit before and a little above a broad expanse of beach. Rows of vines stand to attention on either side of this road, hinting that grapes and wine might have long been a part of the history here; and while the villa and its outhouses – like the tall clock tower close by – are clearly of far more recent times than the baths, the exposed stonework on the villa’s walls does suggest it has perhaps just material from a much older structure which may once have stood here.
The clock tower stands between two further roads that both run due south. The first dips down the undulating land to reach another Tuscan-style villa, this one sitting on a broad paved terrace fronting the sea, a single outhouse converted into a cosy and inviting café. Where the road to this villa descends, the second road alongside the clock tower rises, hopping up a gentle slope to pass under trees and between bushes and hedges to reach a further junction, one arm of which point eastwards once more, and the second curves left and right to reach the arms of an imposing Provencial summer house.
Perpetuity, October 2022
Built from great squared-off blocks of stone, this imposing build appears to be a club or resort of some description; its three buildings sitting on three sides of a terraced pool. The largest of these buildings forms the main part of the facilities, offering a central pubic room with two small rooms bracketing it. All are open to the public, as are to the smaller buildings flanking the pool, and the pool itself.
Away to the east, the remaining arm of the road is carried over a stream by a little bridge, itself just a short walk from where it falls down the face of sheer cliffs into a bay tucked between two headlands. The smaller and lower of the latter forms a part of the resort grounds, and offers a look-out point separating the bay from the resort’s span of beach. Meanwhile, the taller of the two headlands is home to a farmhouse which appears to have been converted into more of a vacation property, the road to it running past the head of another waterfall that feeds the bay below.
Perpetuity, October 2022
As well as the cobbled roads, tracks also run through the landscape, offering further opportunities for exploration, whilst the furnished nature of all the buildings, together with the fact that they are all open to the public, provide many opportunities to sit and pass the time, particularly with a loved one / partner. For those who prefer, there are also numerous outdoor locates scattered across the region offering places to sit.
There are some rules to take note of when visiting Perpetuity – nothing onerous, just make sure you accept the offered note card on arrival -, and those requiring photo props can gain rezzing rights by joining the local Group. The note card also references bike and horse rezzers, but I have to say, I didn’t notice either in my wanderings and camming so I’m not sure it these were from a previous iteration of the region or I simply missed them; either way, it doesn’t change the fact Perpetuity remains an engaging visit.
Perpetuity, October 2022
With thanks to Shawn Shakespeare for the suggestion of a re-visit.
The following notes were taken from the Tuesday, October 18th, 2022 Simulator User Group (SUG) meeting. They form a summary of the items discussed and is not intended to be a full transcript. A video of the entire meeting is embedded at the end of the article for those wishing to review the meeting in full – my thanks to Pantera for recording it.
On Tuesday, October 18th, the Main SLS and Events channels were updated with server release 575585.
This release should contain two new functions llGetObjectLinkKey (specified under llGetLinkKey) and llSHA256String.
In addition, a slight change to the simulator code may help with the issue of people’s on-line / off-line status not being properly reported. It is not an actual fix for the problem, but LL would like feedback as to whether people are seeing an improvement. See : BUG-232037 for more information on the issue.
On Wednesday, October 19th, the simhosts on the RC channels will be restarted but remain on simulator release 575585.
Available Official Viewers
Release viewer: version 6.6.4.575022 – hotfix for Crash at ~LLModalDialog() – promoted September 15 – no change.
Maintenance 3 RC viewer, version 6.6.5.575257, September 23.
Maintenance P (Preferences, Position and Paste) RC viewer version 6.6.5.575055 September 19.
Project viewers:
Puppetry project viewer, version 6.6.3.575529, October 12.
Performance Floater / Auto-FPS project viewer, version 6.6.5.575378, October 4.
Love Me Render (LMR) 6 graphics improvements project viewer 6.6.2.573263, July 21.
Local KVP / “Linkset Data”
From the server deployment thread:
We have a new feature build on Aditi for a new feature called Linkset Data. This feature works similarly to Experience Key-Value store, but the data lives with the object that sends and receives the data. Only scripts in the same linkset will be able to read the data written with this feature. For more details, see the in-progress wiki pages https://wiki.secondlife.com/wiki/LSL_Linkset_Data. You can try out the new LSL functions related to this feature at the following Aditi Mainland regions:
We’re looking for feedback on this new feature including bugs and input on anything that might be missing or not work the way you’d expect. Please file a BUG Jira in all of those cases
This work is currently with the Lab’s QA team, and if cleared, could be a part of an RC channel deployment in week #43 (commencing Monday, October 24th, 2022.
These upcoming release sparked a conversation on data storage and access – please refer to the video for details.
In Brief
BUG-232037 “Avatar Online / Offline Status Not Correctly Updating” – LL believe that have a “handle” on the where the issue is originating, but there has been no time to take a deep dive into the actual cause as yet.
Further discussion on making multi-region crossings by vehicle more robust.
Tilia LLC, founded by Linden Research Inc., as a wholly-owned subsidiary specialising in virtual currencies and providing money services business solution to virtual platforms, has announced it has gained strategic investment from J.P. Morgan Payments, a part of the world’s largest bank (by market capitalisation), JPMorgan Chase.
Tilia has been running Second Life’s US $650 million dollar economy for the past seven years, handling over US $86 million is payments to users in the last 12 months alone. Tilia’s services have also been used by the likes of Sansar, Upland and Avatus, and leverages in partnerships with Unity (allowing Tilia’s API and services to be made available to Unity developers as an integrated end-to-end payment solution) and Applovin.
E. Drew Soinski, Senior Payments Executive, Managing Director at J.P. Morgan Payments joins the Board of Tilia LLC
While an (unspecified in dollar terms) minority investment, J.P. Morgan Payment’s involvement is liable to allow Tilia to increase pay-out methods and the number of currencies it can support, thus allowing it to provide a pay-out in local fiat currency for creators to pretty much anywhere credit cards work.
The deal has been in motion for almost a year, with effort being put into ensuring Tilia’s services are interoperable with those of J.P. Morgan Payments as well as structuring the overall financial elements of the deal. With its completion, E. Drew Soinski, Senior Payments Executive, Managing Director at J.P. Morgan Payments, has joined Tilia’s board of directors, serving alongside Brad Oberwager, Raj Date and Aston Waldman, who is also the company’s CEO.
From Tilia’s perspective, the partnership means the company will be even better placed to serve the emerging stream of “metaverse”-related companies, providing a wide range of currency services.
Tilia is money into the metaverse. It’s money moved into the metaverse and money moved out of the metaverse. And why this is so important is because you cannot have this concept of the metaverse without a social economy. It is both the social aspect and the financial aspect. Those two things must work in harmony. To do money, you need some virtual token to make money work. Money has to be rock solid. That is JP Morgan. That’s the partnership. What’s the value of Tilia? You can’t build a metaverse without user-generated content. You can’t build a metaverse without social interaction. You can’t build a metaverse without some sort of financial token that allows people to build a world.
– Tilia Director (and Linden Lab Executive Chairman) Brad Oberwager to Dean Takahashi in Gamesbeat
He further noted that in strengthening Tilia’s ability to provide these services to platforms, J.P. Morgan Payments are helping to both fuel new economies that directly benefit creators participating in them, allowing such economies to step away from the route of revenue generation through the invasive use of data farming and advertising.
“This is a good thing when creators can make money. There are people around the world who make their living by building things in Second Life … Here’s why I think it’s so important: these universes are social economies. If you don’t allow people to make money, if you don’t allow this economy to happen, if you don’t support creators, you’re going to have to rely on an advertising model to make your world work. That is a disaster. That would be the worst thing that could hit our society — an advertising-based metaverse.
– Tilia Director Brad Oberwager to Dean Takahashi in Gamesbeat
A great strength with Tilia is that it utilises virtual tokens rather than blockchain-powered crypto-currencies. This means that it is better placed to offer day-to-day virtual currency stability. Crypto-currencies are all too often treated as a speculative securities; they are therefore vulnerable to market volatility, going up and down in value by the day. Such volatility can potentially damage the foundations of any social economy using them.
Add to this Tilia now having such a well-regarded name within the financial markets / payments environment as a strategic partner further enhances Tilia’s standing and reputation – with Oberwager noting that new clients are already “lining up”. At the the same time, the partnership provides J.P. Morgan Payments with access to a market sector that might otherwise prove difficult to access.
More on the partnership can be found in the links below:
It’s been barely a Kwarting¹ since I was last at Onceagain Art Gallery curated by Onceagain (Manoji Yachvili), with my last visit being to witness the B&W Group Exhibit (see: Onceagain with black and white in Second Life); and while a month is traditionally said to be a long time in politics, the same is very much true in Second Life. This is because in the time since my last visit the gallery has been relocated from the sky to the ground, and Manoji, and has expanded, its facilities.
Now located on the ground level of its home parcel within the Peaceful Mountains region, the Gallery comprises a number of halls and buildings separated by landscaped gardens. At the time of my visit, parts of the the gallery were still in development. However, this is to be expected because, as Manoji notes herself, she is always tweaking things and making adjustments (and in fact note that the Gallery might be closed on Mondays so that she can do so in peace) – but there is more than enough to occupy the eye even should some elements of the gallery’s lands be under development.
Onceagain Gallery, October, 2022
This being the case, the new facilities, which opened on October 16th, 2022, comprise:
The Main Gallery, alongside of which is the primary landing point for the Gallery spaces as whole (although the landing point is not enforced so that all remaining gallery spaces can have their own LP). The Main Gallery provides an ensemble exhibition of art.
The Private Collection, which as the name suggests, features art from Manoji’s personal collection.
The Personal Exhibition Gallery, featuring Manoji’s own work, which appeared to be under construction at the time of my visit.
A “Free to Rent” gallery, which was again under construction at the time of my visit, but once available, will be available subject to guidelines offered through a dedicated note card.
The Artist of the Month gallery, presenting the featured artist invited to display within the Gallery’s spaces – if I am understanding Manoji’s notes correctly, may be presented in one of a number of gallery space designs, as selected by Manoji after viewing the artist’s work.
Onceagain Gallery, October 2022
In addition to the above, at the time of my visit, the north side of the parcel was marked as Under Construction both for what I took to the Personal Exhibition gallery noted above, and to what appear to be three further boutique style gallery spaces and a little caravan park.
Between and around the buildings, the setting has been landscaped as a garden space, high granite cliffs forming privacy walls along two sides, and from which water falls, some of it to feed a stream burbling and bubbling its way through the land. A good portion of the garden has been constructed using Alex Bader’s always popular Zen Garden Building Kit, with the more open lawns being home to 3D art elements again from Manoji’s own collection, whilst towards the centre of the gardens sits what appears to be an office-come-bookshop / quiet spot.
For October, the guest artist is Kika Yongho who, along with Manoji, presents a light-hearted selection of images entitled I only have eyes for the Flamingo. Kika’s images are located on the upper level of the gallery (alongside the landing point), and clicking each piece will supply a note card offering something of a story to go with the image. Four further flamingo-centric images by Manoji can be found on the lower floor of the gallery.
Onceagain Gallery: Kika Yongho – I only have eyes for the Flamingo
Those wishing to have their art displayed at Onceagain as a featured artist should contact Manoji directly for information on how to do so – with information also being supplied via note card to those using the main landing point.
Kwartang (n.). A unit of measure for time in British politics named for Kwasi Kwartang, the former Chancellor of the Exchequer. It is roughly equivalent to three times the American political unit of measure, the Scaramucci – itself some 11 days in length. (Yes, folks, a touch of political humour to go with the time, if utterly divorced from the focus of this article.)
Logos representative only and should not be seen as an endorsement / preference / recommendation
Updates from the week through to Sunday, October 16th, 2022
This summary is generally published every Monday, and is a list of SL viewer / client releases (official and TPV) made during the previous week. When reading it, please note:
It is based on my Current Viewer Releases Page, a list of all Second Life viewers and clients that are in popular use (and of which I am aware), and which are recognised as adhering to the TPV Policy. This page includes comprehensive links to download pages, blog notes, release notes, etc., as well as links to any / all reviews of specific viewers / clients made within this blog.
By its nature, this summary presented here will always be in arrears, please refer to the Current Viewer Release Page for more up-to-date information.
Note that for purposes of length, TPV test viewers, preview / beta viewers / nightly builds are generally not recorded in these summaries.
Official LL Viewers
Release viewer: version 6.6.4.575022 – hotfix for Crash at ~LLModalDialog() – promoted September 15 – no change.
Release channel cohorts::
No updates.
Project viewers:
Puppetry project viewer update to version 6.6.3.575529, on October 12th.