The Power of Hope at NovaOwl in Second Life

NovaOwl, May 2024: Christian Carter – The Power of Hope

The Power of Hope is the title of the May / June exhibition within the ground-level gallery space at the NovaOwl Gallery, operated by Uli Jansma and Owl Dragonash. It features images by Christian Carter (and marks for me, I believe, the first time I’ve encountered his work in a solo exhibition)which are linked by a core theme, as symbolised by a vibrantly coloured butterfly.

[In] this exhibition I wanted to be uplifting. We all need more positive things, more smiles, more light.
Here I am telling a story about a butterfly that symbolizes a Hope and travels around the World. Travel with me…
Once you choose hope anything is possible.

– Christian Carter, The Power of Hope

NovaOwl, May 2024: Christian Carter – The Power of Hope

What follows, across the two halves of the gallery space is a journey of images, some of them framed by quotes or aphorisms emphasising the power of hope, even in the more desolate or downtrodden aspects of life. The art is loosely grouped within the galley’s halls in terms of style and presentation: within the larger, airer hall are very large format pieces leaning strongly towards a black-and-white / monochrome finish, with the sub-divided space of the smaller hall presenting pieces sized to suit its wall space and within which the use of colour is much more prominent.

It’s a highly effective approach; with their focus perhaps more on the realities of day-to-day life as well as touching on the more metaphysical aspects of hope, the monochrome images give a clear symbol of the latter through the focused presence of colour or the considered use of reflections on glass to suggest brightness (and therefore hope), whilst their broader monochrome composition offers commentary on the realities of the present.

NovaOwl, May 2024: Christian Carter – The Power of Hope

It is within this section that the exhibition has perhaps its most poignant pieces in the form of There is Always the Light and Despite all of the Darkness, both of which particularly speak to some of the malaise affecting modern society (waste and destruction / homelessness and our too-often indifference to it) – and the expression of hope that one day we will all overcome these issues and attitudes for the betterment of ourselves and others.

Within the smaller gallery space, the images are perhaps more metaphorical in nature, reflecting the aphorisms (some of which might be seen as truisms, but which are nevertheless lifted above the trite through Christian’s excellent artwork and use of colour). These are perhaps more uplifting images in terms of the richness of colour within them, although the underpinning truths they contain speak as clearly as those framing the monochrome pieces. In addition, further touches of social commentary might be seen in both some of the expressions written on the gallery walls and in the little 3D elements Christian has put together is support of his images (such as the little homeless bear in one corner).

NovaOwl, May 2024: Christian Carter – The Power of Hope

Visually engaging and with a positive message for the future built on reflections on life, The Power of Hope will remain at NovaOwl through May and into June.

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Bella’s summer Lullaby in Second Life

Bella’s Lullaby, May 2024 – click any image for full size

Not too long ago I noted that I’d received notice that Bella’s Lullaby – a place oft covered in these pages –  was about to undergo a makeover as the hands of region holder BellaSwan Blackheart (thank you, Johann!), and so whilst waiting I toddled off to visit Bella’s other setting, A Place in the Sun (see Finding A Place in the Sun in Second Life). Well, turns out I didn’t have to wait long for the updated Bella’s Lullaby to arrive; it’s now once again open for business, so I bounced over to see what is new.

At the time of my last visit to the region, back in February 2024, I noted that the region had something of a North European feel to it – like a small island nestled along the Scottish coast or Europe’s Wadden or Baltic Sea coastlines. With this iteration, the region maintains something of a similar vibe – albeit one where the off-region mountains might suggest his location is further north and west and lying off of Norway’s marvellous “crinkly bits” (as Douglas Adams once referred to it) coastline.

Bella’s Lullaby, May 2024

There are certain similarities about this design and the last iteration of Bella’s Lullaby – and indeed, with A Place in the Sun – which gave me a subtle sense of being on an island-hopping journey with Bella through a place where the different islands are perhaps all part of the same chain. There are motifs and elements common to two out of the tree – or even all three – that can be spotted as one explores. This is common enough given the way items in inventory can be repurposed and / or reused, and certainly not to the region’s negative; rather the reverse in fact as it allowed my imagine to suggest a narrative linking these places together in my head.

This is again a design where less is more –  an approach at which Bella is exceedingly good. The landscape presents a semi-rugged, low-lying island. Forming the same of a “C”, it sits with the open mouth of the “C” pointing westwards to cup a shallow bay in the island’s grassy arms. A single thumb tack of an island is pinned in the open mouth of the bay, a lighthouse atop it providing warning of the shallow waters within. There are no hills here, just a gentle undulation across the landscape as it keeps itself above the rippling of the surrounding waters, the coastline moss and grass-topped rock that drops sharply into those waters without feeling the need for any intervening shoreline of shingle or sand.

Bella’s Lullaby, May 2024

As well as the lighthouse, the island is home to a house and a cabin. Both are topped with turf on their roofs to help with insulation, with the house offering a attic space large enough to form a bedroom, although only a sofa occupies it. Who lives here is open to the imagination – but whoever they are, they certainly love their cats! Despite being barely furnished, the house has a cosy feel to it, possibly because of the overgrown nature of the grounds surrounding it; shrubs and flowers hem it in, combining with the  vines climbing the walls to give the house a sense of warmth and hideaway.

A rough path runs around the shore of the bay to reach the cabin. This is a much smaller affair, and appears to be more of a washroom / garden house than a home.

Bella’s Lullaby, May 2024

The two arms of the island are of slightly different width, broad where it is home to the larger house, then narrowing gently as it sweeps around past the cabin, giving the impression of a tail trailing away from the main body of land. As well as the house and cabin, the wider portion of the island boasts a large coppice of trees between cabin and house with a smattering of outlying small tress to either side which appear to be standing guard over this side of the island. The tail, however, is without trees and displays more of the island’s rocky underpinning as it points back past the lighthouse.

Within this landscape is wildlife and animals a-plenty: the cats already mentioned (more of which are to be found outside), chickens, geese, goats, cows – not to mention the local birds. A sound scape adds further depth here, offering the bleat of goats and the musical joy of birdsong.

Bella’s Lullaby, May 2024

This is a place very much for wandering and photography; the open nature of the landscape allows for multiple opportunities for landscape photography, whilst the scattered elements of smaller details encourage more focused pieces. And believe me, camming around carefully is well worth it, Bella’s ability to put together little vignettes that suggest her settings are living, breathing places is excellent, and there is a rich clustering of these around the main house – some in plain view, others perhaps requiring a little patience to focus in on.

If you’re looking for cuddle spots, then it is possible this setting might appear to disappoint; just be sure to take a closer look. There are places to sit aplenty, all neatly spread across the region indoors and (particularly) out, and several include single and couple sits, with one also including options for taking a plunge in the waters of the bay (and for engaging in a little kung fu or practicing anything you may have learned at Hogwarts!).

Bella’s Lullaby, May 2024

Bella always produces memorable settings to explore, appreciate and photograph, and this iteration of Bella’s Lullaby is no exception – so do be sure to pop along and pay a visit.

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A Sunbird’s Nest in Second Life

TheNest : Sunbird, May 2024 – click any image for full size

I recently had the opportunity to visit TheNest : Sunbird, a Full private region leveraging the available Land Capacity bonus designed by Second Life partners  Adam Cayden (whisperinmyearz) and Lya Seerose, together with Tessa (Tessalie). The region offers a mix of photogenic public spaces and private rental – the latter of which are very imaginatively placed in order to help tenants maintain their privacy.

Come visit our blossoming city hidden in the mountains, enjoy the lake and its blooming scenery, our blissful rentals and enjoy the beauty from the smallest flower to the tallest of trees.

– TheNest : Sunbird About Land

TheNest : Sunbird, May 2024

The city in question is nestled in the south-east corner of the region, adjacent to the landing point, itself sitting on the southernmost tip of the land and facing an arch leading into the city, with two routes around the headland angling away from it on either side. A signpost offers hints as to what to look for when exploring, although at the time of my visit, the sign appeared to be on the wrong side of the archway, directing people around the waterfront (itself a nice walk!) to reach the city, rather than through the archway.

The main street of the townscape a has been neatly pedestrianized in part, presenting plenty of opportunity for wandering. Most of the building here are façades, relying on external elements for their attractiveness – tables and chairs, outdoor stalls, etc., – a combination that makes for plenty of opportunities for photography without the need to load-up shop interiors. The two exceptions to this are the rental office with details on some of the rentals available in the region, and the coffee shop.

TheNest : Sunbird, May 2024
We tried our best to give SL wanderers an interesting blend of urban city with a lively feel and intense blooming nature, building our rentals with the most wonderful views, trying to build a community of people to share it with … And we plan to do little events pretty often, festivals and more quiet things too!

– Lya Seerose, The Nest : Sunbird, co-owner

There’s a lot of small details in and around the city centre which make wandering a pleasure, from the fountain in the middle of the street, all the way around the southern waterfront, complete with its static figures to add a sense of depth and place, and which offer more opportunities for photography.

TheNest : Sunbird, May 2024

Other details to be discovered include the pet parking area, the mix of English / French / American influences (the telephone boxes, the subway and taxi, and the rooftop bar- club – and more. North of the town, the land rises significantly, curling around a deep-cutting inlet to offer broad uplands to the west, surmounted by the rental properties.

To the east, the route up to the higher elevations is marked by a tree-lined track leading up to a deep meadow bounded at its northern extent by the sheer walls of cliffs which again rise up to more of the local rentals. Those leaving the town on its eastern side, where the local road suddenly peters out, can also make their way along the coast to where the cliffs start to rise, and use a wooden board walk to climb up to the slopes above, and then walk up to the meadow from there.

TheNest : Sunbird, May 2024

With small glade-like area to one side offering shade across the head of a short stream that feed down into the inlet below, the meadow offers numerous places to sit and pass the time and an opportunity to feed the local raccoons. A further path rises to the west, passing through a woodland area which itself skirt the line of cliffs and plateaux with their rental homes.  This path curves around the head of the inlet, offering a number of vantage points from which to look out over it, together with further places to sit. In addition, the path split to offer a route to the western extent of the region and down to the waters at the head of the bay.

There is a natural flow and beauty through this part of the region that is very visually engaging, whilst the use of the higher plateaux for the rentals ensures they are nicely distanced from the public spaces to avoid trespass (or indeed, from having intrude into photos) without them being completely divorced from the setting, allow those renting the properties the best of both worlds – comfortable surroundings, the opportunity to drop down into the region and share the walks, etc., some excellent views – and privacy of their own.

TheNest : Sunbird, May 2024

The rentals themselves come in four five styles with up to 5 units in each style. All are supplied furnished and with a Land Impact allowance for personalisation. Gardens are included, with the larger units having nicely landscaped outdoor spaces which give plenty of room for tenants to have a comfortable home life. Those interested in renting should visit the rental office in the town for more details.

Charming, light, with much to see and appreciate – not all of which is covered here – TheNest : Sunbird makes for a very pleasing visit – and potentially, a very engaging place to live, if you happen to be in the market for a ready-to enjoy home.

TheNest : Sunbird, May 2024

Note: the official opening for TheNest : Sunbird will be on Saturday, May 25th, 2024 commencing at 23:30 SLT with music by DJ Vic. Lea, Tessa and Adam extend a warm invitation for people to hop over and join the party!

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2024 Raglan Shire Artwalk in Second Life

Raglan Shire Artwalk 2024

Raglan Shire, Second Life’s Tiny community, is once again opening its doors to people from across the grid, as participating artists and visitors are invited to the Raglan Shire Artwalk 2024.

This year, the the event runs from Sunday, May 19th, through until Sunday, June 16th, 2024, inclusive. It  offers an opportunity not just to appreciate a huge range of art from both the physical and digital worlds, but to also tour the Shire regions and enjoy the hospitality of the Raglan Shire community – one of the friendliest and fun-seeking groups in Second Life.

A non-juried exhibition, the Artwalk is open to any artist wishing to enter, and has minimal restrictions on the type of art displayed (one of the most important being all art is in keeping with the Shire’s maturity rating). All of this means that it offers one of the richest mixes of art displayed within a single location in Second Life, with 2D art is displayed along the hedgerows of the Shire’s pathways and tree platforms overhead and 3D art among the community’s parks.

Raglan Shire Artwalk 2024

Over 120 artists are participating in 2024, many for the first time. As such, the  depth and range of art on display is guaranteed to keep visitors exploring the paths and walks around and through the hedgerows – and if walking proves a little much, there are always the Shire’s tours to ease the load on the feet, together with the teleport boards to help move visitors swiftly around and through the different display areas. But that said, I do recommend exercising your pedal extremities and doing at least some of your exploration on foot – just keep in mind people do have their homes in the regions as well.

Given the number of artists involved, there isn’t a published list of participants, but anyone interested in the world of SL art is bound to recognise many of the names of the artists here. The Artwalk is also a marvellous way to see art from both our physical and digital worlds and for catch artists both familiar and new to your eye. Just don’t try to see it all at once; the Artwalk is open for a month, which gives plenty of time for browsing and appreciating the art without feeling overloaded.

Raglan Shire Artwalk 2024

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All of the Raglan Shire Artwalk regions are rated General)

Finding A Place in the Sun in Second Life

A Place in the Sun, May 2024 – click any image for full size

As we approach the half-way mark for 2024, spring is inevitably moving towards summer for many of us in the world at large. This is the time when many public regions across Second Life are lovingly given a make-over by their holders and friends, ready to accept visitors old and new with a fresh look to entice and engage.

One such region about – at the time of writing – to go through such a rebirth is that of Bella’s Lullaby, held by BellaSwan Blackheart, a place I’ve always enjoyed visiting and writing about; the last time being in February 2024. Hearing the news that things are about to change reminded me that I had yet to visit Bella’s “new” region design, that of A Place in the Sun – so off I hopped.

A Place in the Sun, May 2024

This is another of Bella’s designs that carries with it a marvellous understatement of natural beauty that immediately captures the eye and offers a richness of detail without in the least feeling forced or overloaded.

Feel welcome and embrace nature at its purest form. Just find a spot to sit and be comfortable, where you can take in the sights, sounds and beauty of nature ❤

– BellaSwan Blackheart

A Place in the Sun, May 2024

In tone, the setting is somewhat similar to the iteration of Bella’s lullaby I visited in February 2024, a low-lying island watched over by the revolving eye of a lighthouse at one end, caught under a sky painted in the feathers of clouds and where the touch of human hands has been minimal enough so as not to spoil the island’s beauty.

Such is the lay of the land that this is a place which might – at first glance, be within the same group of islands as February’s iteration of Bella’s Lullaby. This is largely due to the overall environment settings, which give the feel of both being under the same sky, although the birds and wildfowl present here also add to that sense.

A Place in the Sun, May 2024

However, the most notable difference here lay with the main building, a marvellous Tuscan style villa complete with a stone-slabbed terrace sitting under open-roofed arches, with a stairway leading up to a raise balcony-come-terrace, a perfect spot for relaxing on any enjoy a glass of three of wine on a summer’s evening. From this house a rough path formed more by the passage of feet down the years rather than being deliberately designed, winds to the water’s edge and then on to the lighthouse.

Much of the shoreline is such that boats can be beached in the shallows without undue harm to them – as can be witnessed in places – but here and there decks and boardwalks are provided for rowing boats and small craft to come alongside. Some of these – as with the boats – offer places to sit and pass the time. Further places to sit are scattered across the island in such a way as to suggest a hand has casually tossed them to leave them lie wheresoever they fall, whilst a large trailer caravan makes up the remaining structure to occupy the landscape.

A Place in the Sun, May 2024

What makes many of these little spots so appealing is the manner in which they are surrounded by, or close to, groups of the island’s winged inhabitants, allowing us all to become bird watchers. From white geese and Canada geese to sandpipers, godwits and ducks, to gulls, thrushes, starlings and more, this is a popular stopping-off point for those otherwise on the wing. Closer to the house, peacocks keep an eye on chickens, whilst the local cats watch with disinterest, contenting themselves to sit or lie with canine friends and soak up the Sun.

Although the outside of the house is rich in bric-a-brac, inside it is more austere. There’s a small kitchen, complete with freshly picked apples from the trees outside, whilst one of the two remaining rooms is solely occupied by a sofa and the other is a little painter’s studio. These give the suggestion that, rather than being a home, this is a retreat; a place to escape the rest of the world and create. It’s an engaging juxtaposition: the exterior of the house suggesting it is a cosy home; the interior giving the appearance habitation here is somewhat temporary, giving the villa an air of mystery.

A Place in the Sun, May 2024

Rounded off by a subtle and fitting sound scape (so be sure to have local sounds on), A Place in the Sun is wonderful in its minimalism – which is itself deceptive, given the obvious care and attention Bella has paid to the region’s appearance in order to present such an engaging setting for us to enjoy. So do be sure to visit.

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The First Day … at Nitroglobus in Second Life

Nitroglobus Roof Gallery, May 2024: Selen Minotaur – The First Day

Most of us have likely heard the expression “[Today / This] is the first day of the rest of your life” – but what exactly does it mean when we hear it / say it? What does it pertain to life and how we face it?

For most of us, the response to that question might well lean towards the promise that with each new day comes the opportunity to seize new opportunities, to put the past behind us and look forward to all the potential the future offers. For others, however, the expression might be seen as more a curse than an expression of hope, as Selen Minotaur explores in her exhibition The First Day, (subtitled of the rest of your life) which opened on May 13th, 2024 at Dido Haas’ Nitroglobus Roof gallery.

Nitroglobus Roof Gallery, May 2024: Selen Minotaur – The First Day

The easiest way to describe the installation – which encompasses 2D and 3D elements an multimedia, is to refer to Selen’s own words:

“The first day of the rest of your life” usually refers to a new beginning, full of promise and hope. But what if that first day was actually a repeat of the previous days, or worse, a nightmare?
This exhibition speaks of the fears, beliefs and fantasies that invade us in the face of the unknown. And the courage it takes to overcome them, mobilize and move forward. Because no matter what anyone says, the first day of the rest of your life remains a mystery…

In terms of the images, this brings forth a series of richly layered pieces which, depending on your mood and perspective on visiting, might be interpreted in differing ways, both within the context of the the exhibition’s theme and in a manner which might also encapsulate different aspects of both it and how we opt to interpret the underpinning expression.

Nitroglobus Roof Gallery, May 2024: Selen Minotaur – The First Day

Take The First Station, a marvellously layer image encapsulating ideas of trying to move forward in life whilst forever unable to leave what has come before as it seeks to pin us in place and blind our ability to see how we can move forward, instead making us look forever back at what has been rather than towards the freedom of what might be. Beautifully symbolised through the use of red colouring, the black and reaching out from between the rail sleepers, the tracks themselves and the eye in the mirror, the symbolic core of this piece is perfectly framed.

Then there is  First Sunrise. This is a piece which might be seen as one of those casting a wider net of potential interpretation. The promise of a new day, of open horizons and all the promise they hold – be they through the arrival of a new day which marks our decision to mark it as a new beginning, our “first sunrise”, so to speak, or the literal first sunrise of birth. At the same time, the Sun rises as a clock, the ever present reminder that life is finite; that no matter who or where we are, we are allotted a finite time. Do we allow it to dominate us, to cause us to live in fear of the every diminishing pile of minutes left to us? Or do we simply “live in the moment”? Where does the balance lay? Is life itself not a state of progress from the former to the latter?

Nitroglobus Roof Gallery, May 2024: Selen Minotaur – The First Day

There is more I could state here around the likes of the caged head, the face mask, and the 3d elements; in fact, I did start – but the reality is, The First Day should be experienced first hand and interpreted directly – and possibly over more than one visit. All I will say here is that I recommend viewing the images and sculptures first prior to viewing the video; in this way, ideas are neatly framed and the narrative then unfolds.

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