Of Gingerbread and the Woodies in Second Life

Gingerbread and the Woodies, December 2024 – click any image for full size

Gingerbread and the Woodies is the title Alpha Auer has given to her 2024 seasonal design for her Alphatribe Island. Alpha describes it as a “sort of” continuation of her Ragville – but if you didn’t see (or don’t recall) that work, have no fear: Gingerbread and the Woodies stands on its own two feet as a delightful place to visit.

Alpha notes that the installation is made possible through the support of Olympes Rhode – so to her also go thanks for making the setting possible. Alpha goes on to note that the setting is best seen using the supplied Shared Environment, Draw Distance set to 256 metres and that shadows are enabled in the viewer.

Gingerbread and the Woodies, December 2024

While I’d certainly agree that shadows and the Shared Environment are a must, I’d very politely disagree over the need to set Draw Distance to 256 metres; while the region has clearly been optimised to help boost performance, should you have a system that might get a little grumpy with things like frame rates at so high a setting, I’d suggest going for whatever your system can comfortably manage, rather than feeling you cannot visit on account of that setting.

Given Gingerbread and the Woodies is a seasonal setting, it should come as no surprise that it is a snowy location; possibly somewhere in the far north, or at least where the temperature is such that the trees have their trunks coated in frost, and the waters seem particularly cold.

Gingerbread and the Woodies, December 2024

The Woodies of the title are the local inhabitants of the land; they live in gingerbread and cookie homes – some of which are quite grand – and share the landscape with the local wildlife. They appear to be a hardy folk; despite the cold look of the sea, some have just returned from a voyage to collect more seasonal things to put out around their houses or perhaps with which to dress their gingerbread trees.

If any of the goods on the boat are to be sold, then the local market is likely where they’ll be headed; here to join all the pastries, cakes, wreaths and other goodies. And should you feel particularly taken by some of the offerings within the market – you can buy them as well; even Alpha’s raccoons, bears, squirrels and owls are available to be purchased and taken home!

Gingerbread and the Woodies, December 2024

The houses and Woodies are scattered through the setting so exploring is a must in order to see everything. Alpha suggests leaving the Sun as is within the environment settings, but I confess that for some photos here and when filming, I did move it a little.

There are some good opportunities for photography with the Woodies  (they’re very friendly in this regard!), with Santa and a couple of his little helpers ready to pose with you. Rezzing is open for those wishing to use props – but while Auto Return is set (60 minutes), please remember to pick up after, rather then leaving them to be returned.

Gingerbread and the Woodies, December 2024

But really, this is a setting not so much for describing, but enjoying.  As noted, the region is nicely optimised, so hopefully most folk can follow Alpha’s recommendations for viewing the setting when visiting. However, and as I also hinted at above, I did take the liberty of doing some filming whilst visiting – more of an entirely unofficial “teaser”, if you will.; I hope it encourages you to pay Gingerbread and the Woodies a visit!

Enjoy!

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Cica’s Snowflakes in Second Life

Cica Ghost: Snowflakes, November 2024

Cica Ghost is back with a wintertime setting to see out 2024 with Snowflakes, and in doing so, offers us a little insight into the fact that even snow monsters appreciate a little warmth on cold winter nights when the stars shine brightly.

In a darkened world where hills rise like comical bumps a cartoon character might suffer after taking a bop to the head, birch tress point boughs bereft of leaves towards the nigh sky, as if trying to to pull down the blanket of stars to wrap around themselves and stave off the cold. All around, snowflakes drift towards the ground to join their siblings already there.

Cica Ghost: Snowflakes, November 2024

Night-time can be one of the most magical times to witness gently falling snow when the wind is calm and the air is fresh; there can be a wonderful sense of mystery, particularly when walking through wooded land  – and believe me, as one who has partaken of late evening walks through the park adjoining my home, walking under naked tress and over the bridges panning the local stream, I speak from experience!

But here, among these trees, are other wonders to be found. This is because, with the Sun long set and darkness all around, the local snow monsters have come out. Although in fairness, “monster” here is more due to a matter of their scale rather than any wicked intent on their part. Indeed, and as noted all they are seeking a little of the forementioned warmth – both the kind born of a warm fire and the kind from friendly companionship – or having a little fun building a snowman.

Cica Ghost: Snowflakes, November 2024

These chaps clearly mean no harm (although beware the falling snowballs near some of them!); one even looks a little looks a little unhappy and lonely on the cold night, possibly because there’s a nice little house close by (one of a number sharing the landscape) which could well be a lot warmer inside than it is outside – but he’s a little too big to get through the front door!

For those who like a little fun, there are Cica’s dances to be found and a pair of “snow rollers” to ride around on. The setting is accompanied from a quote from Lorelei Gilmore from the 8th episode of the first season of The Gilmore Girls, A show I’d never heard of until reading the quote – and subsequently finding the episode – love and War and Snow – is one of the most highly regarded of the show’s entire run. However, it expresses the mood of Cica’s Snowflakes perfectly:

Everything’s magical when it snows
Cica Ghost: Snowflakes, November 2024

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A Sweet Surrender in Second Life

Sweet Surrender, November 2024 – click any image for full size

Sweet  Surrender is a Full region held and designed by  Giulliana Dallaʂ (Giulliana Palen) and Fotis Dallas. It offers a multi-faceted location, rich with opportunities for exploration and photography, making full use of the available space to offer a little something for everyone. Whether you like tropical beaches, ancient ruins, brightly flowered gardens, hidden coves, underwater playgrounds, romantic spots, opportunities to dance or simply having somewhere to sit and talk or cuddle, then you’ll enjoy Sweet Surrender.

Sweet Surrender is a dreamy, romantic haven where love fills the air. It’s a place designed for intimate moments and magical connections. Soft lanterns cast a warm glow over cozy nooks perfect for cuddling, while a charming dance floor invites couples to sway under a canopy of twinkling stars. The gentle melodies of live acoustic music float through the night, creating an enchanting atmosphere where every glance, touch, and step feels like poetry in motion. Sweet Surrender is where hearts meet, and memories linger forever.

– Sweet Surrender About Land

Sweet Surrender, November 2024

The Landing Point sits within the north-west quarter of the region, just outside the Café de Paris. After being greeted by the local bird as he sings from a Tsukbai just outside the café, The basin looking to be employed as a means for patrons to rinse their hands after eating. From here, gravel paths offer several routes of exploration – which you take is entirely up to you.

You could for example, set out westwards to where the local lighthouse serves as a little store for Giulliana’s products whilst offering a lookout point over the sea and the sailing ship passing by, and to the headlands sitting to the north and the south.  Between the lighthouse and each are, respectively, a shingle cove and the region’s tropical beach. However, the beach cove is only one of two to be found to the south; the second, and smaller of the two home to one of the region’s romantic / cosy locations.

Sweet Surrender, November 2024

The beach is accessible from the path running to the lighthouse and from a second path as it runs south to loop around a rocky hill topped by some of the ruins scattered throughout the setting. From here it is possible to reach the smaller cove mentioned above and also climb up along the top of the southern headland to reach another retreat, this one with a shine alongside it.

This loop of path also give access to another elevated lookout point, this with a southern beach below it. In forming its loop, the path also passes by one of the setting’s inland bodies of water. Another such body sits at the northern end of the region the broadest point of a spine of rock rising to run north from just behind the Café de Paris. This second body of water, fed by waterfalls, offers a place to dance or to sit on the deck of an overlook, a little camp site below.

Sweet Surrender, November 2024

A stream cuts the region in two from north to south, two bridges spanning it, one towards the middle of the region, the other crossing the gorge formed by the upland in part occupied by the dance area and waterfalls, and a large cabin presenting another retreat. A path runs running down the east side of this plateau to another shingle beach.

Is is on this eastern side of the setting that the region’s third inland body of water can be found, imaginatively formed by water piped through an old grand piano. Gravel paths wander over the grass and flowers and under the trees here, as with the western side of the region; and like that side of the setting, they lead visitors to the many attractions to be found here.

Sweet Surrender, November 2024

I’m not going to describe all that lies here – better for visitors to discover; What I will say that within this part of the region is an event space which – I think – will be the venue for music events within the region, starting on Friday, November 29th, and thereafter on the second Friday of each month; those who don’t feel like walking can take a horse if they wish. I’ll also say that the underwater element to the setting can be found to the north as well – look for the the arch under the stone and Poseidon standing guard.

With greenhouses covering dance floor, grottos hiding places to pass the time or dance, many places to sit with friends or a loved one, the aforementioned ancient ruins to explore, Sweet Surrender offers much for romantics and explorers alike – and with winter drawing in for those of us in the northern hemisphere, it offers and engaging summertime visit.

Sweet Surrender, November 2024

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We Orange the World 2024, in Second Life

We Orange the World 2024: Debra Katz

Monday, November 25th, 2024 saw the opening of the 2024 edition of We Orange The World, hosted by the Artsville Galleries and Community, and organised by Jerzzie Reece-Redstar. Featuring the work of 24 women from across Second Life, the exhibition is now in its 4th year, and is intended to run alongside the United Nations Women’s 16 Days of Activism Against Gender-Based Violence, which runs annually from November 25th through to December 10th inclusive.

According to the  UN Office on Drugs and Crime (UNODC), violence against women  – notably femicide, the intentional murder of a woman or girl purely on the basis of her gender – is on the rise globally. In 2023 alone, the UNODC produced data which showed that every ten minutes through the year, a woman or girl was murdered by their partner or a member of their family, and one in four adolescent girls was abused by a family member. Nor is the violence restricted to physical abuse: psychological violence is a very genuine thing – one that can extend into virtual spaces as well, thus adding a further layer of relevance to We Orange the World.

We Orange the World 2024

The United Nations Women’s 16 Days of Activism Against Gender-Based Violence was initiated in 1991 at the inauguration of the Women’s Global Leadership Institute, in an attempt to reverse the use of violence against women. It is used as a nexus strategy by individuals and organisations around the world to call for the prevention and elimination of violence against women and girls. Initially a civil society initiative, the campaign has – since 2008 – been supported by the UNiTE campaign,  which runs parallel events with the aim of ending violence against women by 2030.

Within We Orange the World, now in its fourth year, artists have been invited to submit 2D and / or 3D art related to the general theme of the beauty and empowerment of women around the world. Entrants were asked to keep pieces positive, uplifting and empowering rather than negative in nature, otherwise subject matter and presentation were left up to the artists.

We Orange the World 2024

Participating artists for 2023 include: Blip Mumfuzz, Gwyn Evergarden, Duna Gant, Raven Arcana, Carelyna, Ilyra Chardin, Mareea Farrasco,  Dido Haas, Margo Hollak, Jaminda Moon, Selen Minotaur, Rhiana Rhiano, Sina Souza, Lori Bailey, Cana Restless, Masggie Runo, Marvayu Anante, Jerzzie Reece, Maloe Vasant, Scylla Rhiadra, Redi Bixchin, Tess Carfagno, Lizzy Swordthain, and Debra Kaz.

The exhibition area follows the same format as recent years: a central outdoor art display around the main event space as it sits under an appropriately orange sky (the use of orange and black through the setting, with other colours gently intruding, is striking in and of itself). This area hosts individual pieces by the majority of the artists as well as offering gifts to visitors.

We Orange the World 2024: Selen Minotaur

On the four cardinal point of the event / exhibition space, are are four indoor exhibition halls, each dedicated to larger exhibitions by Debra Katz, Selen Minotaur, Tess Carfagno and Ilyra Chardin; with Debra, Selen and Ilyra mixing 2D and 3D pieces in their installations. Finally, the four corners of the event area offer places of reflection, contemplation, music and remembrance.

We Orange the World traditionally includes daily events; unfortunately, no details beyond the first two days were passed to me in the invitation folder I received, and I didn’t find any information at the event itself. It is entirely possible such information is available of the event’s Facebook page, so if you have an account there (I don’t, so cannot confirm) do hop over and take a look for yourself there, just in case.

We Orange the World, 2024

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Sitting on a Frost Peak in Second Life

Frost Peak, November 2024 – click any image for full size
Update January 2025: Frost Peak has closed.

Winter is the quietest and most peaceful time of the year. Nature lies beneath a soft, white blanket, sleeping in gentle stillness. Snowflakes dance through the air like tiny, sparkling stars, quietly settling on the ground. Forget your worries for a moment and enjoy a warming mulled wine at the festively decorated Christmas market or an exciting train ride through the snowy landscape.

– Frost Peak About Land

Occupying a Homestead region, Frost Peak offers exactly what its About Land deception states:   a winter’s setting rich in snow and opportunities to forget worries, relax and take photos, wander a little market or ride a train through the surrounding woods.

Frost Peak, November 2024

Designed by Yoyo Collas with the help of AmyDenise, the region near seamlessly blends itself with the outlying surrounds to present a place nestled within high mountains. The Landing Point sits towards the eastern end of the landscape (itself laid-out roughly east-to-west), where steps lead up to an arched entranceway passing under a grand festive tree.

At the foot of these steps is the first opportunity for photography – a horse-drawn sleigh with sitting for individuals or couples. A further place to pose can be found just across the track from the sleigh, in the form of a little glass-canopied bench and where a white stag watches over a small herd of deer.

Frost Peak, November 2024

Stand close the tracks long enough, and an open-topped train will clatter past, hauling a line of open-topped little carriages. Mindful somewhat of Stevenson’s Rocket (albeit with a cow-catcher on the front!), the little train huffs and puffs itself around an oval of track passing through the outer sides of the region at a speed that makes hopping on and off very easy.

The train is a good way to see the outlying woodlands of the region and the wildlife therein – bears, fawns, deer – and pass by the cosy home at the western extent of the land (and which appears open to the public if you fancy popping inside and warming yourself up). The tracks will also take visitors past a bridge and a deck which both provide access to the ice-skating track area.

Frost Peak, November 2024

Broad enough for ice dance around the little island in its midst, and close to the deck and below the slope leading up to the house, this frozen part of the setting throws two smooth arms around the middle of the landscape, possibly allowing a race or two around it, the route carrying skaters under the Landing Point’s huge tree in the process.

Passing through the tunnel under this tree from the Landing Point brings visitors to the Christmas / Winter market set within the innermost oval of the land, walls around most of it lifting it above the ice skating, other than at its western end where the snow-covered ground slopes gently down to the ice, a road also curling tail-like around it it from the market or offer a path from one to the other.

Frost Peak, November 2024

The market is home to a range of stalls and little shops, together with fairground rides, places to sit and plenty of life. One of the rides is a novel carousel in which the riders’ seating and mounts remain still, and the rest of the carousel itself  slowly revolves around them! A curio it might be, but it also fits within the setting.

The life and liveliness comes in the form of static NPCs who are set as if wandering the stalls, seated in conversation, bartering over snacks, taking phots, and so on. They are joined  by a couple of cats who look to be about to have a disagreement, and the local Elf and welfare team taking a break from sweeping the snow from the cobbles, before they make their way gnome (sorry! 😀 ), while pigeons and stags round-out the animal representative and snowmen keep their eyes on things.

Frost Peak, November 2024

The NPCs in the market aren’t the only ones to be found here, as those who ride / follow the train tracks will discover – folk are out for a walk around the tracks as well, while those looking for little places to sit and pass the time might want to seek out the old cable car cabin as it sits out on the ice or perhaps the cosy little forest shed across the ice from it, and watched over by a friendly owl.

Rich in details, easy on the eye, Frosty Peak is well put together to make a nicely relaxing visit.

Simurg’s Winter Valley in Second Life

Simurg + Winter Valley, November 2024 – click any image for full size

It has been but a month since my last visit to Lintu’s (KorppiLintu) always-engaging Simurg, so this might seem a rapid-fire return. However, being the time of year that it is, the parcel has been redressed from its autumn / Halloween design to a winter / seasonal setting – and Lintu was kind enough to drop me a personal invitation to come and take a look.

Added to the above is the fact that Simurg is a parcel rather than a full region, and Lintu is adept at demonstration just what can be done to present richly engaging settings in Second Life without the need to go all-out on an entire region. This is something I have always admired when designers do so (and have tried to achieve myself within the parcels I’ve held / hold, even if I’m too selfish to share them!); thus visiting Simurg is always a personal pleasure for me.

Simurg + Winter Valley, November 2024

Simurg + Winter Valley sees the setting region to something of its “split level” design, with Lintu again using elevation to give a sense of space and quite literal depth to the location, whilst also allowing for the inclusion of another “hidden space” within it to further enchant visitors.

Visits commence on the elevated aspect of the setting and to its western side. Here, within a wooden gazebo visitors can purchase Simurg products via a wooden Christmas tree and look out over a snowy environment whilst deciding if they are suitably dressed for the winter. I most certainly wasn’t, my qipao dress being way to summery – so I fixed that by adding pair of elbow gloves 😀 .

Simurg + Winter Valley, November 2024

From the Landing Point, a path points  eastwards, bracketed to one side by a decidedly warm looking log cabin (one of Cory Edo’s excellent designs), with a large covered veranda complete with fireplace and blankets on the sofas to keep folk warm.

On the other side of the path, and close enough to the cliff edge to provide a view out over the valley below, is a boarded look-out point with warming braziers and wooden seats located behind a heavy rope set out along posts to prevent folk stepping too close to the edge and possible slipping over it.

Simurg + Winter Valley, November 2024

Also facing the cabin from across the main path is another, single-room cabin, reached by a shallow set of stone steps. With glazed walls and an open space before it again looking out over the valley, it is set far enough back so as not to be rudely staring into the dormer windows of the house directly below it. The main path passes behind this little cabin, skirting under a backdrop of rocky cliff faces and then descending gently down towards the valley below.

In descending the slope, the path passes by Lintu’s workshop (open to the public) and links to the end of another path leading down from the front of the little cabin. It then ducks under a lynch-gate before dipping again and curving around to meet the carriage track passing up along the valley from its very south-eastern corner. A stage coach guards the track here as it blends with the off-region landscaping (as does a fence to stop people colliding with the region’s edge).

Simurg + Winter Valley, November 2024

The track runs alongside a broad pond through which a local stream passes – although both are now frozen. The fact that they are means the pond can be used for ice skating – just touch the hearts floating over the ice. The track follows the edge of the pond to where it narrows into the neck of the stream. Here it is crossed by a little hump-backed bridge and the little village square on the far side, with its Christmas tree, little stalls, coffee shop and tailor’s shop.

Beyond the bridge, the frozen surface of the stream offers a way into the Fairy Cave, where more magic awaits other who venture inside, with two romantic little settings to be enjoyed.

Simurg + Winter Valley, November 2024

Throughout all of this are little touches and details that mark Lintu’s care and eye for creativity. Cats roam and play inside her workshop, the cabins and house are all furnished, places to sit can be found throughout, deer and wolves can be seen among the woodlands in the off-region landscaping (and within the region in a few places!) while white horses wait to greet you in the cave. And all the while the chimes of a music box playing When You Wish Upon a Star might be heard, landing another layer of romance to the setting.

All in all, Simurg + Winter Valley presents another photogenic and enjoyable setting form Lintu, and I recommend it for a wintertime visit!

Simurg + Winter Valley, November 2024

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