Monochrome Memories in Second Life

Cayla (YumiYukimura): Monochrome Memories, June 2024

Cayla (YumiYukimura) invited me to visit her latest exhibition at Saint Elizabeth’s Studio and Gallery in Second Life, which opened on Monday, June 3rd, 2024. Entitled Monochrome Memories, and with the sub-title of Shades of Adolescence, its an exhibition that is somewhat personal for Cayla and which has – being frank – drawn mixed feelings from me on viewing it.

The personal aspect of the exhibition comes from the fact it is rooted in a physical work project Cayla undertook, as noted in the her introduction to the exhibition:

When I was a young teacher and photographer, I was invited to participate in a group exhibition at a prestigious local art gallery. I had to develop, process, mat, and frame the photographs in my own, one person, professional darkroom. During my free prep periods, at school, I would select a student, take them outside, and have them self pose against a wall of the school building dressed in their everyday attire. This was during the 1970s and 1980s. 
Unfortunately, all of my original photographs were destroyed in a flood, including the negatives. The AI-generated pictures presented here evoke memories of those I captured during that time. Just like the originals, these AI pictures are in black-and-white.

Cayla (YumiYukimura) on Monochrome Memories

Cayla (YumiYukimura): Monochrome Memories, June 2024

Cayla also note that during that original exhibition, several of the artists commented on how her images reminded them of the black-and-white photography of Indiana-born and Arkansas-based photographer Mike Disfarmer (1884-1959). He spent a good portion of his adult life living and working in a small photography studio where he would create and sell images of the local townsfolk and those from the surrounding area. As a working photographer, selling set of three photographs at 50 cents, Disfarmer never really garnered much attention during his life – and this might have remained true following his death, but for the 1970 discovery of a cache of his original glass negatives still located with the premises of his former studio.

Carefully catalogued, restored and preserved, these negatives formed the basis for two exhibitions of Disfarmer’s photography – and catapulted him into the realm of well-regarded and celebrated Outsider Artists, his ability to portray the lives of everyday folk in a starkly realistic manner which has come to symbolise life in the mid-west of the United States in the middle of the 20th century.

Cayla (YumiYukimura): Monochrome Memories, June 2024

Within Monochrome Memories, Cayla presents a collection of AI generated pieces which seek to both re-capture the core theme of her original physical world exhibition in that the subjects are (as per the exhibition’s sub-title) predominantly young / adolescent subjects pictured against a wall, whilst mixing-in a touch of Disfarmer in that that all carry either a neutral or (in some cases) slightly dour expression. In this way – and again like Disfarmer – they might be said to offer a stark, unblemished view of people joined not by art, but by the environment in which they live; thus offering a collective snapshot in time.

There is much that is attractive about this collection in its own right, as well as in the manner in which it seeks to offer an echo of a former display and present a reinterpretation of Disfarmer’s approach to photography. For example, I particularly liked the subtle use of self-portraiture (in terms of Cayla’s Profile image avatar) within the collection, and the little touches of humour (the bearded “JC” standing against a wall and reading a Bible-like tome and with a church steeple visible behind him, for example).

Cayla (YumiYukimura): Monochrome Memories, June 2024

That said, I will admit that the very fact these are AI images at their heart gave me issues; I have an admitted ambivalence towards such art for many reasons – including the way in which I feel it can all too easily detract from an artist’s intent more than add to it. Here, for example, it was just a handful of images that kept demanding my attention; not because of the artistry or narrative evident in them, but because they looked to me as if the AI tool had simply lifted from photographs of Tilda Swinton, Bob Dylan and James Dean, Phil Lynott and others. Whilst not Cayla’s fault, this reaction lifted me away from an appreciation of her work and into the realm of pondering the merits of AI tools – and for that, I apologise to her.

Nevertheless, I do see this as an exhibition worthy of viewing, and thus commend it to you.

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ONCEAGAIN: art and landscape in Second Life

ONCEAGAIN Gallery and region, May 2024 – click any image for full size

While writing about Splash the Gouache, the May / June 2024 exhibition by Onceagain (Manoji Yachvili) at Nitroglobus Roof Gallery (see: Splash the Gouache at Nitroglobus in Second Life), I realised it had been a while since I last visited Onceagain’s gallery. At the same time I learned that she holds her region open to public visits, and so I made a mental note to hop over and pay another visit as soon as time allowed.

That time turned out to be sooner rather than later after Onceagain contacted me to act if I would pop over and photograph the region in its current form, ahead of her closing the region for a summer make-over.

ONCEAGAIN Gallery and region, May 2024
The invite was offered without any request for me to blog the region- Onceagain was extremely generous in her comments about my efforts in photographing Second Life regions – but having spent time wandering through the landscape, I felt it more than worth the time to write about, and I believe that Onceagain is going to hold-off closing the region for its makeover for a few more days so that people can see it as I’ve written about it here.

The first thing to note about the setting is that it is a place that freely mixes art – Onceagain’s work as well as pieces by other artists and photographers active in Second Life – with landscaping; as such those familiar with exploring countryside and similar settings in-world should not expect the region of have a central theme or styling; rather, it should be enjoyed for its own innate beauty and for the art within it.

ONCEAGAIN Gallery and region, May 2024

The landing point is located on the south side of the region, within a warehouse-like building which presents the first confirmations of the artistic lean, within images and pieces by a number of SL artists. Also to be found here is the teleport up to the main gallery space. The latter is going through a state of flux at the moment as Onceagain makes changes; nevertheless the range of art on display is more than worth the time taken to visit.

Outside of the landing point the landscape sits under the custom EPP setting, which I would suggest is the best way to view everything (World → Environment → Use Shared Environment), although admittedly, I’ve blended skies in the images used here.

ONCEAGAIN Gallery and region, May 2024

Where you wander once you do set out is simply a matter of letting your feet take you towards whatever catches your eye; scattered across the landscape are several more buildings which are home to displays of art, whilst 3D pieces can be found outdoors as well as indoors.

The art offered throughout is captivatingly broad, but I will confess to being particularly drawn to a collection of Onceagain’s own work located within a raised building on the east side of the region. Here she has used her art to illustrate a series of poems (touch each picture for a copy of the poem it represents). Alongside of this (figuratively speaking, as the two are in different buildings) is another selection of pieces by Onceagain which frame quotes on art by artists.

ONCEAGAIN Gallery and region, May 2024

All of the buildings across the region are open to the public, with the possible exception of the house located in the north-west corner. Whilst not formally marked as private, it is a visual ode to the kind of home Onceagain would love to have in the physical world; a place set behind hedgerows and at the end of a well-set Zen garden.

Sitting within its own parcel, the house combines a place to live with a home studio any artist would probably love to call home. As it is separated from the rest of the setting by hedgerows and gates, I would advise staying outside and gently camming around if you want to take a peep, rather than potentially intruding. That said, the Zen garden is available to spend time in, and makes for a restful space in which to spend some time.

ONCEAGAIN Gallery and region, May 2024

One of the reasons I found the region so inviting on a personal level lay not only in the flow of the landscape and the blending of nature and art, but also in the fact that Onceagain and I share a similar taste in design aesthetics and Second Life creators. We both have a fondness for the work of Alex Bader, Sasaya Kayo, Kriss Lehmann and Krystali Rabini and for the architecture of Marcthur Goosson – all of whom are represented within my main island home. Thus, in walking through the setting, I felt a certain kinship, although her region and my island are vastly different in terms of look and feel.

Calm, inviting and with a superb selection of art, Onceagain’s gallery and region is well worth a visit by anyone appreciative of art, photography or simply visiting a creative, well-designed region in Second Life.

ONCEAGAIN Gallery and region, May 2024

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Splash the Gouache at Nitroglobus in Second Life

Nitroglobus Roof Gallery Annex, May/June 2024: Onceagain (Manoji Yachvili)

Currently open within the Nitroglobus Roof Gallery Annex, operated and curated by Dido Haas, is a fascinating mixed-media exhibition of art by Onceagain (Manoji Yachvili). It brings together gouache painting, Second Life avatar photography and software post-processing to produce a series (or should that be part of a series, given this is apparently not the full collection?) of 16 utterly engaging pieces of the artist calls Splash the Gauche.

As a self-taught artist, Onceagain has a creative range to her work that is as impressive as it is visually engaging. She notes in her own introduction to A Splash of Gouache, that part of the inspiration for the pieces contained in this exhibition came by way of having recently completely a course in tempera painting whilst also experimenting software tools focused on painting and drawing, before going on to state:

So I took some photos of my avi on SL and then post-produced them with this software and printed them on watercolour paper, giving them some real touches. I’m old school, I need to experiment first hand by touching and not just looking at what I’ve produced on a monitor and I often hang what I like on the walls of my home … The mix between three media: SL, SW and RL seemed like an interesting path to experiment and I simply enjoyed working on this.

– Onceagain (Manoji Yachvili)

Nitroglobus Roof Gallery Annex, May/June 2024: Onceagain (Manoji Yachvili)

For those not familiar with them, tempera and gouache are somewhat similar techniques, each with a very long history. They consist of combining pigments with a water-soluble binding agent (often egg yolk in the case of tempera, or gum arabic in the case of gouache). Both are long-lasting, and can infuse the paper on which they are painted whilst being very opaque when dry. Tempera is perhaps the faster drying of the two, with gouache capable of being moistened again to dry in a matte finish.

Within Splash the Gouache – the title presumably referring to the overall finish to the pieces in the collection – Onceagain presents a series of avatar studies, some of which feature sufficient nudity to potentially be considered NSFW. All of them have a feeling watercolour lightness combined with the gouache aspect of lighter tones appearing to have perhaps dried darker than than they had originally been, and the darker tones similarly lighter. This gives all of the pieces a blending of colour and tone that – even in those leaning towards darker tones and shades – have a certain lightness of being about them; a sense of life and vitality as the eyes are inevitably drawn to the figure within each piece.

Nitroglobus Roof Gallery Annex, May/June 2024: Onceagain (Manoji Yachvili)

Also present within each picture – again in part thanks to the combining of technique and the use of colour as much as the subject’s pose – is a sense of emotion and / or reflection of mood which more traditional means of imaging and portrayal might not so easily convey. There is narrative within each piece, although what that narrative might be is likely to vary according to the eyes viewing the pieces. In all they are tactile in the manner in which they hold the eye and mind – which is not unfitting, given Onceagain’s own preference for making physical contact with her art, rather than just rendering on a monitor screen.

Running through to the latter part of June 2024, Splash the Gouache is well suited to the large image format utilised at Nitroglobus, allowing us to fully appreciate the beauty of the pieces and Onceagain’s mastery of both her art and her use of technology. Thoroughly recommended.

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Time at Hylia’s Lake in Second Life

Hylia’s Lake, May 2024 – click any image for full size

Occupying a Full private region leveraging the 30K Land Capacity bonus, Hylia’s Lake is a charming public / residential location which mixes North American and northern European influences to offer an engaging and photogenic visit and, for those seeking it, a place to call home.

Operated by Anastasia Juriya and Gianella Melodious, the region is laid out around the central lake of its name, which forms a significant body of water without the rest of the region feeling in any way cramped. In this, the region is assisted through the use of off-region surrounds which have been blended into the region’s edges as much as possible to give the setting the sense of being within a verdant landscape of rolling hills, with some of the gaps between the landscape surrounds serving to look like further bodies of water sitting within the distant folds of land.

Hylia’s Lake, May 2024

The landing point sits on the south side of the region and within a small lakeside hamlet which combines several influences and which has at least on rather surprising (actual) place of business (the region is rated Adult). However, like its real-world counterparts, outside of the neon signage, the place is discreet in terms of no windows displays! It sits at one end of a row of virtual business and alongside the local chapel, patrons of which might well disapprove of being sandwiched between the shop and the local night spot – but c’est la vie.  Book-ending the row at its other end is the local pub, which as well as offering a pint and a game of pool also has a bike rezzing rack outside for those wishing to good for a ride.

Across the road is a car park / paved square which forms the actual landing point for the region. Here visitors can enjoy an outdoor drink, a meal at the marina restaurant or pick up the region’s rules and learn about the available rentals. The rules are worth reading – not because of any significant “do’s or “don’ts”, but because they provide information on available activities within the region which may or may not be available; during the winter, for example the ski lift appears to be operational, as is the slope alongside it, although for summer it is shut down (for obvious reasons!).

Hylia’s Lake, May 2024
Hylia’s Lake is a place to walk, take photos, or live with the seasons. Cottage rentals, chalets, or trailers are available for rent. The destination lives with the seasons and changes its appearance, winter invites itself with snow and at first the flowers spring forth. A small ski resort comes to life in winter with its chairlift and ski slope. There is a place to dock your boat and sail the lake.

– From the Destination Guide Entry

The rules also highlight the slipway rez zone, where boats and water vehicles of up to 100 LI might be rezzed to take out on the water (please mind the waterfowl also making use of the lake and avoid cross the marker line into the waters reserved of swimmers at the beach.

Hylia’s Lake, May 2024

For those who don’t have a boat, the slipway includes a jet ski rezzer – just sit on the one on the trailer and let it slip down onto the water, whilst to the side of the slipway there is a a Snipe 2.2 rezzer for those who might like sailing around the lake as well.Jet skis, sail boats and bikes are not all that is available to rez and use. A horse rezzer might be found on one side of the square for those who wish to ride around the region (and you can always slip on a wearable horse for riding around the region), with a quad bike rezzer in the parking area. The quad bike is a good choice, as the paved road running through the hamlet quickly gives way to a rutted track that circumnavigates the lake. Whilst cars could well likely make it around the track, the quad bike is more fun.

Hylia’s Lake, May 2024

The rentals within the region are all located around the shoreline of the lake and take a variety of styles well suited to the landscape. They all offer boat moorings and sit within their own parcels between the water and the track as it winds its way around the setting. In terms of public spaces, as well as the hamlet and the lake, there’s the aforementioned beach at the south- eastern extent of the lake (complete with a convenient horse rezzer if you have been riding and decided to dismount for time at the beach). The ruins of an old castle sit behind and above the beach (and are cut through by the meandering track), whilst elsewhere visitors might fight paths and trails meandering through the woodlands.

Swimming in the lake appears to be permitted, and the beach offers windsurfing  – but this is an activity for which local Group membership is required (fee: L$150, although the rules sate L$400). I’m not sure if other activities are Group limited, but joining appears to include rezzing rights for those wishing to place out props for photography – but as always, please clean up behind you!

Hylia’s Lake, May 2024

Considerable care has been taken with the landscaping and region design, making Hylia’s Lake exceptionally pleasing to the eye and camera, with the setting well suited to a range of EEP settings as well as the local default (I’ve used one on my own day settings for the images here). The accompanying soundscape rounds-off the region perfectly, with the entire atmosphere one of relaxed charm and gentle sophistication. As the rules note, and I mentioned above, this is an Adult region, so sexual activity is permitted, although I suspect the tenants and region holders might prefer this to be kept to with the rentals (all of which are fairly reasonably priced), and nudity is public spaces is discouraged.

A genuinely pleasing to the eye setting, well laid-out and with a sense of space and natural beauty that reaches well beyond the region’s physical boundaries, Hylia’s Lake is an engaging visit.

Hylia’s Lake, May 2024

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Hylia’s Lake (Riot, rated Adult)

The Power of Hope at NovaOwl in Second Life

NovaOwl, May 2024: Christian Carter – The Power of Hope

The Power of Hope is the title of the May / June exhibition within the ground-level gallery space at the NovaOwl Gallery, operated by Uli Jansma and Owl Dragonash. It features images by Christian Carter (and marks for me, I believe, the first time I’ve encountered his work in a solo exhibition)which are linked by a core theme, as symbolised by a vibrantly coloured butterfly.

[In] this exhibition I wanted to be uplifting. We all need more positive things, more smiles, more light.
Here I am telling a story about a butterfly that symbolizes a Hope and travels around the World. Travel with me…
Once you choose hope anything is possible.

– Christian Carter, The Power of Hope

NovaOwl, May 2024: Christian Carter – The Power of Hope

What follows, across the two halves of the gallery space is a journey of images, some of them framed by quotes or aphorisms emphasising the power of hope, even in the more desolate or downtrodden aspects of life. The art is loosely grouped within the galley’s halls in terms of style and presentation: within the larger, airer hall are very large format pieces leaning strongly towards a black-and-white / monochrome finish, with the sub-divided space of the smaller hall presenting pieces sized to suit its wall space and within which the use of colour is much more prominent.

It’s a highly effective approach; with their focus perhaps more on the realities of day-to-day life as well as touching on the more metaphysical aspects of hope, the monochrome images give a clear symbol of the latter through the focused presence of colour or the considered use of reflections on glass to suggest brightness (and therefore hope), whilst their broader monochrome composition offers commentary on the realities of the present.

NovaOwl, May 2024: Christian Carter – The Power of Hope

It is within this section that the exhibition has perhaps its most poignant pieces in the form of There is Always the Light and Despite all of the Darkness, both of which particularly speak to some of the malaise affecting modern society (waste and destruction / homelessness and our too-often indifference to it) – and the expression of hope that one day we will all overcome these issues and attitudes for the betterment of ourselves and others.

Within the smaller gallery space, the images are perhaps more metaphorical in nature, reflecting the aphorisms (some of which might be seen as truisms, but which are nevertheless lifted above the trite through Christian’s excellent artwork and use of colour). These are perhaps more uplifting images in terms of the richness of colour within them, although the underpinning truths they contain speak as clearly as those framing the monochrome pieces. In addition, further touches of social commentary might be seen in both some of the expressions written on the gallery walls and in the little 3D elements Christian has put together is support of his images (such as the little homeless bear in one corner).

NovaOwl, May 2024: Christian Carter – The Power of Hope

Visually engaging and with a positive message for the future built on reflections on life, The Power of Hope will remain at NovaOwl through May and into June.

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Bella’s summer Lullaby in Second Life

Bella’s Lullaby, May 2024 – click any image for full size

Not too long ago I noted that I’d received notice that Bella’s Lullaby – a place oft covered in these pages –  was about to undergo a makeover as the hands of region holder BellaSwan Blackheart (thank you, Johann!), and so whilst waiting I toddled off to visit Bella’s other setting, A Place in the Sun (see Finding A Place in the Sun in Second Life). Well, turns out I didn’t have to wait long for the updated Bella’s Lullaby to arrive; it’s now once again open for business, so I bounced over to see what is new.

At the time of my last visit to the region, back in February 2024, I noted that the region had something of a North European feel to it – like a small island nestled along the Scottish coast or Europe’s Wadden or Baltic Sea coastlines. With this iteration, the region maintains something of a similar vibe – albeit one where the off-region mountains might suggest his location is further north and west and lying off of Norway’s marvellous “crinkly bits” (as Douglas Adams once referred to it) coastline.

Bella’s Lullaby, May 2024

There are certain similarities about this design and the last iteration of Bella’s Lullaby – and indeed, with A Place in the Sun – which gave me a subtle sense of being on an island-hopping journey with Bella through a place where the different islands are perhaps all part of the same chain. There are motifs and elements common to two out of the tree – or even all three – that can be spotted as one explores. This is common enough given the way items in inventory can be repurposed and / or reused, and certainly not to the region’s negative; rather the reverse in fact as it allowed my imagine to suggest a narrative linking these places together in my head.

This is again a design where less is more –  an approach at which Bella is exceedingly good. The landscape presents a semi-rugged, low-lying island. Forming the same of a “C”, it sits with the open mouth of the “C” pointing westwards to cup a shallow bay in the island’s grassy arms. A single thumb tack of an island is pinned in the open mouth of the bay, a lighthouse atop it providing warning of the shallow waters within. There are no hills here, just a gentle undulation across the landscape as it keeps itself above the rippling of the surrounding waters, the coastline moss and grass-topped rock that drops sharply into those waters without feeling the need for any intervening shoreline of shingle or sand.

Bella’s Lullaby, May 2024

As well as the lighthouse, the island is home to a house and a cabin. Both are topped with turf on their roofs to help with insulation, with the house offering a attic space large enough to form a bedroom, although only a sofa occupies it. Who lives here is open to the imagination – but whoever they are, they certainly love their cats! Despite being barely furnished, the house has a cosy feel to it, possibly because of the overgrown nature of the grounds surrounding it; shrubs and flowers hem it in, combining with the  vines climbing the walls to give the house a sense of warmth and hideaway.

A rough path runs around the shore of the bay to reach the cabin. This is a much smaller affair, and appears to be more of a washroom / garden house than a home.

Bella’s Lullaby, May 2024

The two arms of the island are of slightly different width, broad where it is home to the larger house, then narrowing gently as it sweeps around past the cabin, giving the impression of a tail trailing away from the main body of land. As well as the house and cabin, the wider portion of the island boasts a large coppice of trees between cabin and house with a smattering of outlying small tress to either side which appear to be standing guard over this side of the island. The tail, however, is without trees and displays more of the island’s rocky underpinning as it points back past the lighthouse.

Within this landscape is wildlife and animals a-plenty: the cats already mentioned (more of which are to be found outside), chickens, geese, goats, cows – not to mention the local birds. A sound scape adds further depth here, offering the bleat of goats and the musical joy of birdsong.

Bella’s Lullaby, May 2024

This is a place very much for wandering and photography; the open nature of the landscape allows for multiple opportunities for landscape photography, whilst the scattered elements of smaller details encourage more focused pieces. And believe me, camming around carefully is well worth it, Bella’s ability to put together little vignettes that suggest her settings are living, breathing places is excellent, and there is a rich clustering of these around the main house – some in plain view, others perhaps requiring a little patience to focus in on.

If you’re looking for cuddle spots, then it is possible this setting might appear to disappoint; just be sure to take a closer look. There are places to sit aplenty, all neatly spread across the region indoors and (particularly) out, and several include single and couple sits, with one also including options for taking a plunge in the waters of the bay (and for engaging in a little kung fu or practicing anything you may have learned at Hogwarts!).

Bella’s Lullaby, May 2024

Bella always produces memorable settings to explore, appreciate and photograph, and this iteration of Bella’s Lullaby is no exception – so do be sure to pop along and pay a visit.

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