A Beloved Poetic Moon in Second Life

Poetic Moon, January 2025 – click any image for full size

Beloved is the name Anu Papp has given to the latest setting presented on her Homestead region of Poetic Moon. Designed by Dandy Warhlol (Terry Fotherington), the setting is – to me, and for various reasons – potentially one of the best he has produced thus far.

There is a genuine and natural flow to the landscape which is captivating, and the placement of building and structure within it, the form of the island, just draws the eye through it, offering both a photogenic beauty and a sense of tranquillity and wholeness with nature, the industrial elements scattered about notwithstanding.

Poetic Moon, January 2025

A creative talent herself, Anu is perhaps best known for founding and leading the Muse Dance Company, however in-world she is also a designer, photographer-artist and builder. These are all talents reflective of her physical life presence and talents, which extend into music, spiritualism, yoga and more, as noted within her Second Life Spotlight article, published in May 2023. All of this is also reflected somewhat within Beloved.

The setting itself forms a rugged temperate island, its coastline mostly cliffs of hardened rock or softer sandstone, the later carved by time and tide into shallow bays or ribbons of low-lying shoreline. Whilst hardly what one might call beachy, the latter offer opportunities to walk alongside the push and pull of the tide, splash through pools of seawater temporarily cut off from the rest of the waters surrounding the island.

Poetic Moon, January 2025

This is a place with a high water table of its own – across its rugged back are two large and one smaller bodies of water (one of which carried subtle hints of perhaps being man-made rather than a natural occurrence. It is close to the largest of these bodies of water that the Landing Point is located (although it is not enforced), and it was on arrival that I immediately felt a comforting sense of Deja-vu; despite it being my first visit to the setting, I felt I knew it. As I cammed around, I quickly realised why: with the windswept ruggedness, the large body of water with a trail running alongside it, Beloved bought to mind an old-time favourite those who are long in the tooth (like me) might recall): Roche.

Now, to be clear, there is nothing intrinsically linking the two designs; in fact when taken as a whole, there are utterly different; but the fact that Beloved did bring memories of my multiple visits to Roche between 2012 and 2015 nevertheless gave me a sense of belonging as I started to explore Beloved.  Many of the buildings scattered across Beloved perhaps aided that sense of the familiar with me, again not because of any similarities with Roche, but because they offered a similar sense of space between them, a space visitors can wander and absorb in quite solitude or in company.

Poetic Moon, January 2025

Anu has a love for the works of Jalāl al-Dīn Muḥammad Rūmī, the 3th-century poet, scholar, theologian and mystic; she quotes him in her Profile and with Beloved, she offers part of A Great Wagon, a poem associated with spiritual growth.  In particular, the verses she has selected offer with might be considered a pivotal truth on the journey to spiritual awareness: that we are not human beings sometimes having moments of spiritual experience; we are spiritual beings travelling through a human experience.

In stating this truth, Rūmī, notes that as humans, we function in dualities: beauty and ugliness; truth and and lies; good and bad; black and white; and this duality of mode is the cause of all our conflicts. But as spiritual beings, we should recognise that nothing is either one or the other; that within the void of being, everything flows – there is no black and white to divide us; no sectioning of thoughts or emotions, we are simply one.

Poetic Moon, January 2025

This is a concept that can get the grey matter working overtime to try to understand – and in this, Beloved is an ideal place in which to consider Rūmī’s words and the notions of self and oneness. As well as the region’s rugged beauty, there are multiple places to sit in contemplation, listen to the local sounds, to enjoy the ebb and flow of the waters surrounding the island – and the ebb and flow of shared company, if desired. Places where we can – as Rūmī might have put it – see beyond our physical bodies and understand our true essence as beings of the spirit.

In acknowledgement of this, and  – if I might be so presumptuous – I would add to Anu’s use of the poem, I would perhaps offer a further quote:

In the body of the world, they say, there is a soul
and you are that.
But we have ways within each other
that will never be said by anyone.
Poetic Moon, January 2025

For those who prefer to focus on the region’s picturesque beauty, there is certainly no disappointment to be had. Dandy’s attention to detail here is superb, with many touches to draw the eye and the camera lens, from the cost interior of the brick cabin by the lake through the egrets gathered above the northern cliffs to the little birds gathered on a powerline  – something which might, except for the absence of a shoebill, put some in mind of a certain Pixar short and thus raise a smile – and more besides.

An engaging and visual setting, ideal for exploration, contemplation and appreciation – kudos to Anu and to Dandy – and my thanks to Susann De Cuir for the hat-tip.

Poetic Moon, January 2025

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  • Beloved (Poetic Moon, rated Moderate)

Michiel Bechir’s Beyond Borders in Second Life

Hermit Gallery, Saint Elizabeth’s University, January 2025: Michiel Bechir
In 2009 I embarked on my journey as a Second Life photographer.  I like to share the richness of the creations from various sims, by trying to show all their aspects in my pictures. During my in world travels, I encounter numerous individuals from around the globe who share their backgrounds, passions, and interests with me, for which I am very grateful.

– Michiel Bechir

With these words, Michiel Bechir introduces himself – if such an introduction is even required, his work being well known with in the SL arts community as both a photographer-artist and as the owner of his own gallery where he promotes other artists – and his latest exhibition, which opens on January 6th, 2025 at the Hermit Gallery of Saint Elizabeth’s University.

As a fellow traveller across Second Life, Michiel has done much over the 15 years he’s been recording his travels to capture the beauty of many places across the grid, sometimes casting his photographic net wider to include avatar-centric photography. In that time – as do so many of SL’s talents – he has refined his technique and learned to use editing tools with a fine touch in order to enhance his images and imbue them with further sense of mood and/or genre / and uniqueness.

Hermit Gallery, Saint Elizabeth’s University, January 2025: Michiel Bechir

Within Beyond Borders: A Visual Journey, he offers a selection of his work as both a demonstrations of his art and as a mini retrospective of his photography over the years. And when better than to hold a retrospective than, perhaps the beginning of a new year, thus offering a look back even whilst eyes might be set on the future?

Spread across the gallery’s three levels – with some also out on the roof terrace, the collection is focused on a given theme within each area of the gallery: Animals, History, Landscapes, and Flowers. While the collection is bracketed within the period 2009-2024, the majority of the images lean towards the latter years, being particularly focused on the period 2020-2024. Whilst this is far from a negative per se, I would have enjoyed perhaps seeing a wider spread of images in terms of years, so as to better appreciate Michiel’s evolving style; but this is a purely subjective comment.

Hermit Gallery, Saint Elizabeth’s University, January 2025: Michiel Bechir

As it is, what is presented is engaging and rich display of Second Life photographic art, the use of sub-themes split between the different galley levels allowing each to stand as a mini-exhibition in its own right, and I have no hesitation in recommending Beyond Borders for a visit.

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Luminara: reflection and introspection in Second Life

Luminara, January 2025 – click any image for full size

Luminara is a Full region lovingly designed by Sedona (Sedona Starchild) to offer the peace and tranquillity of a woodland setting, mixed with touches of whimsy, all of which offer might offer more than first appears to be the case, as the setting’s entry in the Destination Guide hints.

Luminara is a space created with care, where every detail holds a deeper meaning if you’re open to it. You’ll find mirrors, keys, and other interactive elements designed to spark reflection; alongside peaceful surroundings meant to calm the mind. Whether you uncover deeper insights or simply enjoy the beauty of nature, may your time here feel meaningful in its own way.

– Luminara’s Destination Guide description

Luminara, January 2025

However, this description barely scratches the depth of meaning one might find within the region, because this a a setting of a very personal nature. It is both a reflection of Sedona’s journey through life and a visualisation of the kind of questions many (all?) of us may ask when all the noise, bustle and distractions of everyday living fade into the background, and we have the time to contemplate is this all I am?

This isn’t just a virtual space; it’s a piece of my heart, filled with the thoughts and questions that have shaped me. Every detail, every message, holds something I’ve discovered along the way.
I want to be honest: part of me created this space to connect, to feel seen, and to share something meaningful with others. There’s a vulnerability in opening up my inner world, and I’ve come to accept that my motivations aren’t always selfless. But my deepest hope is that Luminara offers you something—a moment of reflection, a sense of peace, or even a little inspiration to take with you.

– Sedona Starchild

Luminara, January 2025

The Landing Point sits on the west side of the region. Close by is a general information board providing hints about exploring the setting, and also a Greeter which should offer you group membership together with a notecard from Sedona. If these are not offered then touch the mirror sitting alongside the tree above the noticeboard. Standing opposite the footpath is a deck with an over-the-water view and a tree of wisdom “sharing insights inspired by Naval Ravikant”.

The path here runs north-south, with another arm running inland. Which you take is entirely up to you: just be sure to keep an eye out for the mirrors and keys along whichever route you take – and other items and creatures offering themselves as advisors or presenting opportunities of reflection, introspection and / or affirmation.

Luminara, January 2025

Whilst contiguous in nature and presenting a  naturally flowing landscape, the region is designed such various locations within it have a sense of privacy and seclusion such that they are both a part of the whole and also apart from it. This is achieved through the use of curtain walls of rock, bodies of water, screens of trees and bushes, and considered use of elevation. EEP settings are also used to offer environments in keeping with aspects of the region – so be sure to have Used Shared Environment checked.

The paths winding through the region will lead you to the majority of the locations to be found within it; however, I’m not going to describe everything the region offers here; a major part of Luminara is that of discovery both in terms of personal discovery through the aforementioned mirrors, keys and advisors, and in terms of the beauty of region itself.

Luminara, January 2025

That said, some of the more obvious areas to look out for include the Luminara swamp with its summer house; the open-air theatre, the music deck built over one of the bodies of water and which has sitting alongside it a modern lounge in the form of the Scarlet Creative Hoxton Loft, while the deck itself offers access to a more secret hideaway for those who can find it.

Elsewhere there are follies where couples and individuals might dance, a hilltop retreat, a terraced pool, and places to sit under trees, on the water, alongside the coastline, most of which will be found as one wanders the paths an trails, whilst the Tatra Dance circle holds a particular magic.

Luminara, January 2025

Throughout all of this are the touches of detail and whimsy which both bring a smile to the lips and perhaps offer further symbolism. The former might be found on the water, where racoons are enjoying themselves with a little skinny dipping (or is that furry dipping?) whilst taking a trip on a little rowing boat. Elsewhere unicorns add a sense of dream whilst deer, foxes, bear  and rabbits might be found throughout the landscape.

The whimsy comes in many forms, some clearly intended to attract attention and stir the brain cells – such as the White Rabbit; others are more curious, such as the figure rising from the water near the music deck – it is simply seeking Seymour, or indicative of disquieting thoughts  and reflections? You decide.

Luminara, January 2025

Finished with a subtle soundscape, Luminara presents an engaging, richly evocative and through-provoking setting with multiple opportunities for discovery and exploration. It is also a place given to evolution as well – and as much about what we put into it as find within it, as Sedona notes. So, ensure your curiosity is engaged with dropping in.

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A Second Life Hooray for Hollywood

Andante Art Galley, January 2025

Just before Christmas 2024, Iris Okiddo (IrisSweet) invited me to visit the latest exhibition she and Jules Neveille (Jules Catlyn) are hosting at their Andante Gallery, entitled Hooray for Hollywood.

This is an ensemble exhibition organised by Iris and Jules, featuring piece by Alsatian Kidd, Angel Kavanagh, Awesome Fallen, Ben J, Carter Holloway, Daimaju Clowes, Inka Enkeli-Neville, Jazz Delenz, Jo Aquacade, Ludi Taurus, Mimi Soleil Firelight, Morgan Talbot, Orion Octane, Partee Mytili, Simone Landes, Sparklebottom Lasertits, Tamara Aristocrat, Tupper Moran,
Valeries Muircastle and Vexx Daines with a piece each form Iris and Jules.

Andante Gallery, January 2025: Hooray for Hollywood
Jules and myself have again asked several photographers to give us their interpretation of a theme. This time we asked the invited photographers to send us a picture that would pay tribute to movies and/or moviestars. This wonderful new exhibition is the result. We are very grateful to all the photographers who have agreed to take part.

– from the introduction to Hooray for Hollywood.

The result is a highly expressive  – and in places humorous – largely avatar-centric series images celebrating some Hollywood’s most iconic films, movie stars and franchises, spread across the two halls of the gallery and the intervening courtyard. Some of the references are all too clear, others perhaps not so much, depending on your knowledge of films and actors.

Andante Gallery, January 2025: Hooray for Hollywood

To go through all of them would spoil the pleasure of seeing them first-hand, but I will say Jo Aquacade’s 188921977 is a beautifully-framed tribute, whilst Alsatian Kidd’s  Iron Man is a very clever tribute to two modern blockbusters; once of which has a soundtrack that sits in my all-time top ten film soundtracks, and Iris Okiddo’s Another Fine Rezz definitely had me smiling.

Bur personal picks aside, all of the pieces are worth taking the time to view, and kudos to all of the participating artists involved – and my thanks to Iris for the personal invite.

Andante Gallery, January 2025: Hooray for Hollywood

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New Year in Wonderland in Second Life

Roxksie Logan: Wonderland, December 31, 2024 – January 3, 2025

If you’re looking for somewhere a little different in which to spend New Year in Second Life, then you might try visiting Wonderland, a pop-up art installation by Roxksie Logan (with the support of Sadiya Snow) which will be available briefly from December 31st, 2024 through until January 3rd, 2025 as a pop-up art installation. It offers an interesting fusion of two great literature classics, Alice in Wonderland and Charlie and the Chocolate Factory, both of which are brought together through the use of motifs, objects and both direct and indirect references in an immersive, semi-interactive environment offering a richness of colour, content and whimsy.

Fusing these two books is an interesting idea; there are both obvious similarities between the two – they are both viewed as children’s novels, for example; there is a degree of magic / mystery and some degree of nonsense involved in both (perhaps more so in Alice than Charlie), both have dark edges to them. some of these differences are far less obvious (such as eating / devouring), and both have a degree of satire and a touch of subtle allegory.

Roxksie Logan: Wonderland, December 31, 2024 – January 3, 2025

Most of all, however, the two books are filled with imagery which is very much locked in the public consciousness, not only because of their popularity as books, but because of their many adaptations (a part of me wonders how many of us are perhaps familiar with either / both on their basis of their many and various film and television adaptions rather than as a result of reading the books themselves).

It is these latter aspects primarily evident within Rocksie’s Wonderland, wherein many of the familiar motifs from Alice in Wonderland (and touches from Alice’s other adventures – such as the presence of unicorn heads guarding the entrance to the main installation) are mixed with reimagining’s of Wonka’s magical and mysterious chocolate factory.

Roxksie Logan: Wonderland, December 31, 2024 – January 3, 2025

Before getting to that however, do note that the Landing Point sits aloft the installation, and will request you join the local Experience – which you should do prior to jumping down the rabbit hole!

Within the main element of the installation, the mixes of motifs and ideas are everywhere: sweets and sweet snacks abound ( some of them very … bouncy … shall we say?); pumps deliver chocolate, giant candies form Christmas Trees; cats grin as they line up to guard the walk into a garden dominated by a familiar top hat as human-faced flowers look on; open-topped cakes offer a carousel ride (sit and touch the central handle of the plate on which they sit); card houses tower into the sky and more.

Roxksie Logan: Wonderland, December 31, 2024 – January 3, 2025

Elsewhere, meringues stand-in for snowy hills, gumball vendors and slushy-like drinks dispensers await the opportunity to dispense, and of course there is the tea party, chess boards, and more, all presenting a visual feast through which visitors can wander. There are also more subtle references within the build as well – at least for those who might want to seek them.

For example, just as mathematics and logic play a role within Lewis Carroll’s work (under his real name, he was a mathematician at Oxford’s Christ Church and some have seen Alice as a reaction against aspects of 19th Century mathematics), so too are geometric patterns used here here as representations of logic and mathematics: neat rows of rectangles set out to form a square; arrays of sweets, the grid pattern making up the rectangular dance floor together with it circular centrepiece homage to Alice herself.

Roxksie Logan: Wonderland, December 31, 2024 – January 3, 2025

Yet more might be written concerning this engaging installation, but really the best way to appreciate it is to enjoy it first-hand – and as noted, you can do so through until January 3rd, 2025.

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Loch Tredach Inn and Retreat in Second Life

Loch Tredach Inn & Retreat, December 2024 – click any image for full size

Loch Tredach Inn & Retreat is a Full region leveraging the Land Capacity bonus offered by Linden Lab. It is held by Isabelle Larkspur, who is largely responsible for the region’s design and for most of it being available as a public venue. I caveat things here because most of the north-eastern quarter of the region is given over to a private home and extensive grounds, which means it is both private and the landscape is their own.

Given that this part of the region is a private residence, it will play no further role in this article, other than to note it is possible to accidently wander into the property from the north side of the rest of the region – which is open to the public throughout – without spotting the signs warning of the private property. Should you witness a change in the local environment as you explore the ruins beyond the Aviary, you will know you have crossed the property boundary and at risk of trespass.

Loch Tredach Inn & Retreat, December 2024

But that said, even in respecting the privacy of those living in the region, the rest of the setting offers a lot to see and appreciate, bringing together as it does a mix of wild countryside, mystical locations, romance and opportunities for skating, dancing and simply relaxing. At the time of my visit, the region was dressed for winter, and as it was my first visit, I have no idea if only the seasons change here through the year, or if the majority of the region goes through periodic re-dressing; that’s something I’ll have to find out in the future!

Welcome to the enchanting Loch Tredach Inn and Retreat – a place where romance, vibrancy, and magic come together to create unforgettable memories. Step into a realm where every corner is a canvas waiting to be painted with the hues of love and joy. Capture the essence of the season. Every nook and cranny offers a picturesque backdrop for your lens to capture candid moments, from secluded gardens to the mystical ruins.

– from the Loch Tredach Inn & Retreat Destination Guide entry

Loch Tredach Inn & Retreat, December 2024

The Landing Point sits towards the centre of the region, on the west bank of a frozen lake where snow falls in mist-like sheets, and a pavilion sits out over the frozen water, held up by stout wooden legs oblivious to the cold, and a fire in the hearth awaits the opportunity to warm cold fingers as it provides  further cosiness to the pavilion’s genteel comfort. A somewhat Dwarven-looking Santa stand stands at the pavilion’s  boardwalk, ready to offer skates to those wising to take to the ice.

From here, it is a short walk south and over a bridge spanning the bubbling stream that feed the lake to reach the inn of the setting’s title, its red timbers announcing the promise of warmth and comfort inside. Nestled between the inn and a shoulder of the curtain walls of rock that run from here to the west and then northward along the coast sits another pavilion, this one fully enclosed by tall glass windows and doors, the home of a hot tub ready for use by guests at the inn.

Loch Tredach Inn & Retreat, December 2024

A path from here runs towards the western rocks, and following it gives explorers the choice of crossing another bridge and heading north, or turning south over the snow and into the arms of the cliffs, where a romantic little hideaway overlooks the stream’s high falls, the tumbling waters offering a rainbow to visitors.

Meanwhile, the route north passes steps leading down to snowy shelf of rock with chairs drawn close against a blazing brazier, and onwards to where a folly presents a bookworm’s retreat – although the weather might be a tad cold for wintertime use; just as well, then, that another pavilion stands close by with a fire of its own, and comfortable seating where books might be reasonably carried and read.

Loch Tredach Inn & Retreat, December 2024

Beyond this, the path passes through a rocky hallway to arrive back close to the Landing Point. A round folly stands close by, looking down on the lake as it guards the entrance to the setting’s more mystical elements. Here, trees bend their backs to present an aisled walkway passing between rock wall and gentle slope to arrive at a beautiful venue suitable for a range of events – and which I believe I’m correct in saying is available for hire by those seeking somewhere special for a party or wedding or similar.  Stone steps climb from the terrace overlooking this space to reach a mirror pond surrounded by crystal walls, within which more steps rise upwards through the clouds, presenting if not a stairway to heaven, then certainly one to a floating garden.

Overlooking the main venue with its flagstones serenely floating on the waters beneath and its beckoning ruins, sits the Aviary. Reached either by climbing another stairway rising up to it from the venue space or by climbing the slopes of the hill on which it sits from the Landing Point, the Aviary offers an indoor space suitable for a special events such as a wedding reception or more formal / romantic dance, and includes a terraced space outdoors with seating.

Loch Tredach Inn & Retreat, December 2024

As noted above, it is beyond the Aviary that the land belonging to the private residence commences, so explorers should proceed from it with caution.  This residence can also be reached via the trails on the south side of the island as they cross a high bridge to the east of the in.

Here the boundary between public spaces is more obvious, a pond and fast-flowing stream (which also tumbles its way down to the lake below) marking it for all eyes to see. Prior to reaching the stream, however, the path offers a chance to visit the local café and lighthouse.

LLoch Tredach Inn & Retreat, December 2024

With Itan dancing columns throughout, multiple places to sit  – not all of which are mentioned here – plus the general beauty of the setting, Loch Tredach Inn & Retreat makes for an ideal visit.

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