Holly Kai Park: Art at the Park new season in Second Life

Saturday September 24th 14:00 SLT!
Saturday September 24th 14:00 SLT – Art at the Park resumes at Holly Kai Park

The Art at the Park series resumes at Holly Kai Park on Saturday, September 24th, with a new exhibition by four top artists and photographers … and me.

Running through until Sunday, October 23rd, Art at the Park features the work of:

  • Anibrm Jung – award-winning photographer
  • John Brianna – physical world and virtual world photographer and artist
  • Giovanna Cerise – renowned physical world and virtual world artist
  • Wildstar Beaumont – popular and well-regarded Second Life photographer.

I’ll be bringing-up the rear to make up the numbers 🙂 .

You can find out more about the artists on the Holly Kai blog.

Gala Opening

Erin68 Frog and Satin will be singing at the opening
Erin68 Frog and Satin will be singing at the opening

To mark the new exhibition, we’re having a formal opening at 2:00pm SLT, featuring the music of our good friends and supporters of the Park, Erin68 Frog and Satin. They’ll be performing for our dancing pleasure at the new art events area, which is also located on the top of the art hill.

As is usual for our openings, we as that guests are formally dressed. Also, in keeping with our policy, the venue won’t be taking tips – but we hope that if you do come along – and we home you will – that you’ll consider donating to our adopted charity Stand Up To Cancer, which, this month is the focus of SL Concerts to Benefit Stand Up to Cancer.

Art at the Park event area - top of the steps from the landing point
Art at the Park event area – top of the steps from the landing point

Stories at the Park – Sunday, October 19th, 15:00 SLT

Coinciding with the exhibition, we will once again be hosting Stories at the Park in association with Seanchai Library.

Each month, story writers and poets from Seanchai Library and beyond are invited to visit Holly Kai Park and view the 2D and 3D art on display, and then to write a 100 word story (a “drabble”) on the art piece or pieces that inspires them – or, if they prefer, to write a poem of up to 100 words.

At Stories at the Park, the submitted stories and poems are read in a live voice session in the Storyteller’s Garden. Authors can either read their own works, or if they prefer, have one of the Seanchai Library staff read them. Submitted stories are also published on the Holly Kai Park blog.

If you would like to submit pieces for Stories at the Park, and either read them yourself, or have them read on your behalf, then visit the Art at the Park exhibition at Holly Kai Park, and write about the picture(s) or 3D art which inspire you. Stories must be exactly 100 words long, and poems, in any form – blank verse, iambic pentameter, haiku, sonnet, etc.), can be up to 100 words in length. Finished works should be submitted via note card to either Caledonia Skytower or myself no later than Wednesday, October 12th, 2016.

So – welcome to a new season at Holly Kai Park, and we look forward to you visiting!

SLurl Details

  • Holly Kai Park – Art at the Park (Holly Kai Estates, rated: Moderate)

Holly Kai Park makes a Second Life Editor’s Pick!

Yay! Holly Kai Park in Editor's Picks
Yay! Holly Kai Park in Editor’s Picks

Holly Kai Park made it into the Destination Guide on Friday, September 23rd – and was selected as an Editor’s Pick (see above)!

The Park’s entry (shown at the foot of this article), can be found in the Nature and Parks section of the Destination guide, with the usual teleport links.

We’re pleased to have the park featured, as this weekend see the opening of our new Art at the Park Exhibition, which will run from Saturday 24th September through to Sunday 23rd October, 2016.  The artists featured in this exhibition are:

  • Anibrm Jung – award-winning photographer
  • John Brianna – physical world and virtual world photographer and artist
  • Giovanna Cerise – renowned physical world and virtual world artist
  • Wildstar Beaumont – popular and well-regarded Second Life photographer
  • Inara Pey – (who she?)

The exhibition opens at 2:00pm on Saturday, September 24th at our new hill-top art display area, with Erin68 Frog and Satin providing the music at our new art events area on by the art displays.

Holly Kai Park - now in the Destination Guide
Holly Kai Park – now in the Destination Guide

I’ll have more on the exhibition in a post here shortly – but you can get the low-down through the Holly Kai blog.

We hope you can join us for the opening – but if you can’t, do please drop into the park and have a wander around. It’s there for everyone to enjoy.

 

ArtIfacs in Second Life

DaphneArts : ArtIfacs
DaphneArts: ArtIfacs

“it’s not a misspelling,” Seafore Perl (aka Nick Friess, Master of Fine Arts in the physical world) notes of his exhibition, called ArtIfacs, now open at DaphneArts Centre, “but a deliberate play of words. My art (I) resulting in facsimiles, (facs).”

Having served in the United States Army Special Forces – the Green Beret – as a medic, deployed to both the tri-border area where Laos, Cambodia and Vietnam meet and to Delta area near the Cambodian border, Seafore uses his art as a means to explore his wartime memories. In doing so, he also considers matters of self perception as coloured by memories and emotions.

DaphneArts : ArtIfacs
DaphneArts: ArtIfacs

With ArtIfacs, he presents a series of images, most of them paired or in a group of three, each offering an interpretation of a scene in different mediums. So, for example, there might be a photograph, a digital rendering and an oil painting, all of the same scene. While the same subject matter might be used, each image is entirely unique in its interpretation, the individual use of colour, tone, lighting, and emphasis on elements within each piece drawing the eye differently to each one, so that different aspects become prominent s we shift focus one to the next and back again.

In this, ArtIfacs – for me at least – presents itself in three layers. In the first, there is the literal presentation of “artistic facsimilies”: the majority of the images, be they photographs, digital renderings or paintings, are of physical world object; thus, each image is literally a facsimile of the objects it represents. In the second, there is the element of the artist processing he experiences of active duty through his art; thus there are semiotics perhaps present, “artistic facsimiles” representative of his own thoughts, reactions, feelings and perceptions of he time on active duty in a hostile environment.

Then there is the third layer: how we respond to the images each in turn. Why are we perhaps drawn to one over the other(s), when all represent the same scene? What is colouring our own perception of, and reaction to, each piece? Is it the way different aspects of the scene are given prominence, or something else? What role do semiotics play in shaping our response, and how much of it is driven by our own internal processes – our own artefacts of memory and self, if you will – impinging themselves upon our conscious reaction?

DaphneArts : ArtIfacs
DaphneArts: ArtIfacs

Also included in the exhibition are insights in Seafore’s creative processes through a 3D model of one of his pieces and drawings showing the development of his ideas. There is also a large image of the avatars he has used over the years, making for another intriguing opportunity for interpretation.

As with Awakening, which I reviewed here, this is a deeply thought-provoking exhibition, albeit far more deceptively so. Nuanced, and with more to see than may first meet the eye. Like Awakening, Seafore’s ArtIfacs is fully deserving considered time and attention. It will be open through to mid-October.

SLurl Details

A return to The Shire in Second Life

The Shire; Inara Pey, September 2016, on Flickr The Shire – click any image for full size

The Shire. For anyone who has entered the realms of J.R.R. Tolkien’s Middle Earth, that is a name synonymous with Hobbits, the house at Bag End, and the place from which Bilbo and Frodo Baggins each in turn left behind all they had ever known to set out on quests very different in nature, but ultimately part of the same history. It is also a place beautifully brought to life in Second Life by Chocolate Aftermath, working with region holder Imabean Algorythm (Ima Peccable).

I first visited The Shire, Second Life, in March of 2015, and was utterly delighted with all I saw; a beautiful blending of places for Little and Big Folk, complete with a touch of Elven mystery. I confess to not having made a return trip in nigh-on a year, so seeing it featured in the Destination Guide highlights for September 16th put me in the mind to renew my acquaintance with the region, see what has changed and – most importantly of all – introduce Caitlyn to Chocolate’s interpretation of this corner of Tolkien’s world.

The Shire; Inara Pey, September 2016, on Flickr The Shire – click any image for full size

And I’m utterly delighted that while things have greatly changed since my last visit in (I think) August of 2015, all of the magic and delight of The Shire remain, offering a balanced mix of public spaces and private, for-rent residences. The latter comprise for the Little Folk, familiar double-fronted Hobbit Holes with large round front doors and little steps leading up their humped backs to “rooftop” seating areas; whilst for the Big Folk, more traditional slate-roofed cottages and farm houses are scattered across the region.

All of the hobbit holes and houses are placed within their own grounds and spaced across the region and both upon its hills and lowlands in such a way that tenants have a good feeling of privacy from one another, while the fences and walls surrounding their plots serve to steer casual visitors  along the public paths and tracks without huge risk of unwanted intrusion by the polite Second Life Explorer.

The Shire; Inara Pey, September 2016, on Flickr The Shire – click any image for full size

Visits to the Shire begin towards the south-east corner of the region where Bilbo Baggins’ (eleventy-first?) birthday is being celebrated. I didn’t notice any of Gandalf’s fireworks awaiting their time to be lit, but I’m sure they are there 🙂 . The Shire “proper” lies on the other side of a narrow sliver of water across by a set of stepping-stones which – in a nod to wider aspects of Tolkien’s world, is watched over by an Entish tree spirit.

Once over the water, the path divides, and where you go is really down to where your feet carry you. As noted the homes spread across the region are private, so please do note the rental status at the gates / paths leading to them and respect the privacy of the tenants. The paths and tracks wind their way gently around and over the hills of the region, presenting plenty of opportunities for exploration and to sit down (Hobbits love a good natter, you know).

The Shire; Inara Pey, September 2016, on Flickr The Shire – click any image for full size

There are other hints of un-Hobbity things to be found as you explore this little corner of the Shire as well. There’s a touch of dwarvishness to be found under hill, and little touch or two of an elven influence up on the hill (one of which has the region’s open-air art gallery which currently features Jewell Wirefly’s images). There’s also a hint that  trouble may have found its way to this part of The Shire – it’s not every day one comes across a watchtower with a rack of spears in the land of the Hobbits – has Saruman been up to mischief?

The Shire is, without a doubt, a joy to visit. Bird song fills the air and with all the hobbit holes, open windows and doors, it’s not hard to imagine the smell of baking and cooking being wafted gently on the breeze. Those interested in renting a hole or cottage can find information on cost and LI allowances on the rental boxes at the entrance to each plot. Those interested in photography will find plenty of opportunities, and those with a love of Tolkien will feel right at home!

SLurl Details

DiXmiX Gallery in Second Life

DiXmiX Gallery: Grazia Horwitz
DiXmiX Gallery: Grazia Horwitz

Opening on Saturday, September 17th at 12:00 noon SLT is the DiXmiX Gallery, a new venue for 2D and 3D art and for music in Second Life.

Designed by Megan Prumier (famous for Crimarizon and Deadpool) and curated by Dixmix Source, the gallery offers a large foyer area and three halls for art displays – the Black and the White Gallery Halls, which are apparently to be dedicated to monochrome art, with the Grey Gallery linking them. Art in these halls may be split over two levels, the ground floor and a mezzanine area, while a music venue, The Atom, completes the major facilities.

DiXmiX Gallery: Ariel Brearly
DiXmiX Gallery: Ariel Brearly

For the inaugural exhibitions, the gallery  presents a series of striking images by Ariel Brearly (directly above) on display in the spacious entrance foyer. These are from Dixmix’s personal collection of her work, and he notes he hopes to have her displaying in person at the gallery in the near future. Also on display is a selection from Megan’s personal collection of 3D art by Mistero Hifeng.

The Black Gallery and the White Gallery offer exhibitions of avatar studies by Grazia Horowitz and Dixmix Source respectively. The images by Graziamark the first time her art has been formally exhibited in Second Life. I confess to finding Grazia’s work hauntingly beautiful, with Aditi (seen as the banner image to this piece) in particular captivating me.

DiXmiX Gallery: Megan Prumier
DiXmiX Gallery: Megan Prumier

The Grey Gallery presents a set of Ziki Questi’s familiar panoramic images, these focused on art-related installations, on its two levels. Uncredited in the introductory notes, but also on display in the halls behind The Atom music venue, is a series of nude colour avatar studies by Megan Prumier (seen in the image above). Rich in tone, these stand in marked contrast to the monochrome studies found in the Black and White galleries, and are displayed with two 3D pieces also by Megan, which each offer a visual play on the old idiom, nature abhors a vacuum.

All of the 2D art from the artists is available for purchase, and music for the opening will be provided by Nadja Neville in The Atom. Note that public access to the gallery will only be available from 12:00 noon onwards on September 17th.

SLurl Details

 

A vacation at Pandora Resort in Second Life

Pandora Resort; Inara Pey, September 2016, on Flickr Pandora Resort – click any image for full size

Note: this vision of Pandora Box of Dreams has closed.

Pandora Resort is the latest full region design undertaken by Lokhe Angel Verlack (Jackson Verlack). It’s a place I’ve eagerly been awaiting the opportunity to blog in detail about because it is, quite frankly, one of the most stunning regions I’ve had the privilege to visit and preview.

When writing about places to see in Second Life, it is easy to slip into hyperbole; everything is superb, excellent, wonderful, stunning, and so on – and more often than not, such descriptions are deserved. However, with Pandora Resort, it’s actually very hard to over-state anything: this really is an utterly gorgeous region in which superb use is made of space, both horizontally and vertically, to present  something truly unique and breathtaking.

Pandora Resort; Inara Pey, September 2016, on Flickr Pandora Resort

A visit begins at the local train station located on the west side of the region, where diesel locomotives stand, hissing and grumbling, hand carts of luggage awaiting their owners. The open doorways of the station beckon, leading new arrivals out into the sunshine and the little township of Iron Falls. Built around a garden square and church, and surrounded by tall craggy cliffs with snow-capped mountains beyond, this sleepy-looking town has opportunities for commercial rentals – and more.

A single road points the way from the station, forking left and right before the central garden and church, flowing around them in either direction to become whole once more at the steps and rocky climb up to the resort’s hotel. This is a grand wooden structure, looking out over the town from its elevated position nestled against tall cliffs. Depending upon which branch of the road you take around the gardens,  you may find other points of interest, such as the little café and the baker’s store, both of which look out over a craggy river gorge which has cut its way down through the rugged landscape over the aeons, and now offers fishing opportunities for holiday makers.

Pandora Resort; Inara Pey, September 2016, on Flickr Pandora Resort

Further along the road from these sits a secluded garden where wedding receptions can be held – with the weddings themselves taking place in the little church (newly-weds even get to enjoy a stay in the Honeymoon Cabin for a night, with the entire region locked down so they won’t be disturbed!) .

So far, so good; all of this makes the region sound photogenic, and the provision of business premises and a wedding venue are interesting but hardly unique – so what exactly makes this region so special? To answer that takes a little careful exploration. One clue comes in the cable cars, climbing up into the snow line above the resort hotel. These carry visitors by way of station and isolated peak, up into the foothills of the mountains, crossing deep gorges and – for the observant – revealing winding paths through the rugged land. It is these trails, snaking around rough shoulders of rock, skirting the edges of deep chasms, which lead visitors towards the hidden secrets of the resort.

Pandora Resort; Inara Pey, September 2016, on Flickr Pandora Resort

Accessible from ground level for the keen-eyed, the paths offer a number of routes through the more hidden areas of the region. In doing so, they lead visitors past camp sites and cuddle spots and  – for those wanting a place to stay – the vacation cabins which re available for rent, with a 75 LI allowance (the same as the commercial properties).

Finding your way around these paths should be done directly;  resist the urge to flycam on a first visit, as the impact of the scenery could well be lost. By simply allowing your feet to carry you along the trails as you find them offers the chance to be genuinely surprised with just how expansive the region seems to be, and the different sights you’ll come across.

Pandora Resort; Inara Pey, September 2016, on Flickr Pandora Resort

This really is a remarkable region design; for photographers, Pandora Resort offers some extraordinary opportunities. Rezzing rights can be obtained through a L$99 group membership to help with props. Those interested in renting any of the facilities should contact Sapphirejolla Resident or Glitta Magic.

For SL travellers, I cannot emphasise enough that this is not a region to be missed. Should you enjoy a visit, please consider making a donation towards the region’s upkeep. Congratulations to Lokhe and Miza on the opening – and a special get well soon to Lokhe, who was kept from the celebrations due to being unwell.