The art of nature in Second Life

Art By Nature
Art By Nature

Ani (Anibrm Jung) is an award-winning photographer in the physical world who has been active in Second Life since 2006, where she has a gallery, Art By Nature, displaying her own work. And if you enjoy natural photography, then I can say up-front this is a gallery you’re going to want to visit.

Based in the Netherlands, Ani specialises in photographing nature, many of her images captured from her own garden, and all of them recorded using only her Nikon D60 camera and natural light. Everything is framed directly through the viewfinder, and no cropping nor image manipulation is used after the fact. In this way, we are able to see each picture exactly as she did when taking it, allowing us to share her own sense of closeness with her subjects.

Art By Nature
Art By Nature

The result is a stunning series of images, spread across the gallery’s two floors, offering a fine show case of the photographer’s skill in using macro, soft focus, depth of field, lighting, framing, etc., to produce works of art.

Not that any of the images on offer are in any way clinical or technical in look or feel; quite the reverse Ani’s skilled touch and eye with her camera really do enable us to share in the natural beauty and wonder of her pictures, some of which incorporate a unique approach to framing which can add to their depth whilst also again enhancing that feeling we are witnessing the scene with Ani as she captured it with her camera.

Art By Nature
Art By Nature

From the delicate touch of a bee collecting pollen through to the majestic power of rolling surf, going by way of the usually unseen intricacy of a single barb within a wire fence or the playful delight of a cat, there is so much here to capture the eye, making a visit more than worthwhile.

All of the images displayed are available to buy, and if you do visit the gallery, please consider a donation towards its upkeep.

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Flowing through The Path in Second Life

The Path
The Path – Split Screen

The Path is a new installation by Cherry Manga, currently being hosted at Dividni Shostakovich’s Split Screen installation. It marks her first major Second Life exhibit in around 18 months, Cherry having largely moved to FrancoGrid in 2014. It is also just a foretaste of things to come: Cherry is working on a much larger piece which will feature in FrancoGrid’s annual Fest’Avi avatar-focused art event, which opens in September 2016.

At the arrival point, visitors are invited to take and wear a free, full-permission avatar, Line of Light, as well as a memento of their time in The Path, prior to teleporting to the installation proper. Here, against a cosmic backdrop of stars, sits a circle of meditative pose balls on which visitors are asked to sit and partake of a journey. Hypnotic music ebbs gently around travellers as animated lines radiate outward from the circle and the heavens all around are filled with wireframe figures and patterns, while a  quote from Einstein, Creativity is contagious, pass it on, drifts and tumbles through the space.

The Path
The Path – Split Screen

There is a double meaning in this quote which is, for me beautifully reflected in this preview. On the one hand, it encompasses the idea that human creativeness is contagious, passing between us and between generations, driving us forward down through the ages as much as has our desire to understand all that lies around us. On the other, there a more cosmic element: everything that has happened since the dawn of time some 14.5 billion years ago, has grown from a single creative instant. Every galaxy, every star, every planetary system – each and every one of us – stem from that single point of creation.

These two concepts are perhaps embodied in the figures to be found in The Path. On the one hand, we have the constant figure holding forth a star-like sphere in which a smaller figure sits; a symbol of human creativeness passed from generation to generation, as well as, perhaps, the echo of creativity in its most natural form: birth and life.

The Path
The Path – Split Screen

Then there are the seated figures which flare into existence, follow their own path for a time before suddenly dissipating, with new figures appearing elsewhere. They are like the massive stars of the galaxy, which burn brightly, before throwing off their bulk in a vast, gaseous nova, through which the next generation of stars are born.

Travelling through The Path with these thoughts flowing through my head, another quote sprang to mind, which would also appear to fit here. As Carl Sagan once observed, “We are made of star stuff”; we are an inherent part of the creative process which gave birth to the cosmos. A process which continues to this very day, in everything we do, again as Sagan also observed when he famously said, “If you wish to make an apple pie from scratch, you must first invent the universe.”

The Path
The Path – Split Screen

I will admit to finding the jerky motion of the pose balls a little distracting when following the path through the installation (as was the presence of other avatars sitting with me). However, this is still a fascinating glimpse of what should be an interesting immersive installation at Fest’Avi – and it is certainly one built on ideas which strikes a chord in me.  The Path will remain at Split Screen through until the end of July.

Postcards from the Subconscious in Second Life

Nitroglobus Hall: Postcards from the Subconscious
Nitroglobus Hall: Postcards from the Subconscious

Currently open at Nitroglobus Hall, curated by Dido Haas, is Postcards from the Subconscious, a series of 15 images by Maloe Vansant and Burk Bode. Offered in the familiar large format seen at Nitroglobus, the pictures have a distinctly dark edge to them, which is not entirely what the artists intended.

“This exhibition is like a child. It was planned friendly and glamorous,” Maloe and Burk say of the works on display. “But as always our unconsciousness send us postcards. Feelings like bubbles coming up that told us we had to make just this picture and no other.”

Nitroglobus Hall: Postcards from the Subconscious
Nitroglobus Hall: Postcards from the Subconscious

The result is a series of images which, if not the stuff of nightmares, are certainly the kind thing which might creep into our dreams at three o’clock in the morning to poke at us as we sleep. At the same time, some of them provoke an entirely different response.

Take, for example, Ha Ha Said the Clown and The Dolls, both by Burk Bode. Here we have the embodiment of the hidden menace some of us see within a clown’s make-up, or the suggestion of possession contained within some gaudily painted dolls. At the same time, and while their titles might carry a hint of darkness, we have  Maloe’s Crooked and Who’s That Voice Inside My Head? Two pieces which seem to present a more contemplative frame of mood, largely free of menace, prompting a similar response in the eyes of their beholder.

Nitroglobus Hall: Postcards from the Subconscious
Nitroglobus Hall: Postcards from the Subconscious

All of this adds up to a fascinating exhibit, even if the artists feel it’s not entirely what they originally had in mind. “At the end our child is not what we planned it to be,” they note. “It became somebody dark and nasty. Looking at us like a misbehaving child and telling us: ‘I don’t like you’.”

Be that as it may, it is hard for parents not to love their children, however they turn out, as Burk and Maloe admit in their introduction to the exhibition. It’s also very hard not to be captivated and drawn into these images, Dark might be the subject matter, but the artistry is beautifully evocative and marvellously executed. Open through until June.

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Recreating Buckingham Palace in Second Life

Regency Buckingham; Inara Pey, May 2016, on FlickrRegency Buckingham – click any image for full size

Jacon Cortes recently invited me to visit a project on which he has been working on for the last several years, and which finally opened its doors to the public in late 2015: an exquisite reproduction of Buckingham Palace. Intrigued, I hopped over to take a look, and Jacon and KarenKate Sands were kind enough to join me.

“We call it Regency Buckingham,  Jacon, a period role-player known in-world as  Jacon Cortes de Béxar (the historians might note his surname being indicative of another of his interests) told me. “Altogether, it’s been three-and-a-half years in development. and we’re still  building project, and it is still a work in progress; we still have some rooms we are working on. But we have reproduced twelve of the staterooms, which people can tour.”

Regency Buckingham; Inara Pey, May 2016, on FlickrRegency Buckingham – The Grand Entry

Those more familiar with the modern-day Buckingham Palace might be a little surprised on their arrival. The familiar East Wing of the Palace, which stands before the Mall and is home to the famous Royal Balcony, is entirely absent; its place taken by Marble Arch. This isn’t an error in the design or imaginative thinking; rather it is the first indication that this is not Buckingham Palace as it is, but rather Buckingham Palace as it was, during its construction; hence the name Regency Buckingham.

The Palace was essentially built on the orders of King George IV, after his father had initially purchased the older Buckingham House for conversion into a private retreat for Queen Charlotte. Inheriting the house on his ascension to the throne in 1820, George IV originally envisioned expanding it into a comfortable home, only to have it grow into a design for a Palace, which John Nash designed along classical cour d’honneur lines, with Marble Arch serving as the triumphal entrance to courtyard.

Regency Buckingham; Inara Pey, May 2016, on FlickrRegency Buckingham – The King’s Gallery

This has been a labour of love for Jacon and co-builders Crotian and Twelfthnight Cortes de Béxar, and is also something of a visualisation of what the Palace might have been like, had George IV had lived to see it finished  (in fact, neither George IV nor is younger brother and successor, William IV lived to see the Palace completed).  “We’ve tried to stay true to the building,” Jacon informed me.

The result is a build which exhibits an incredible level of detail and attention to detail, Jacon, Twelfthnight and Crotian drawing on numerous sources, including the National Trust, the Royal Collection Trust and the Buckingham Palace pages of the Royal website, in order to ensure the build is as historically representative and accurate as possible. For example, in keeping with the Palace’s period of construction through the reigns of George IV and William IV, none of the works of art reproduced within it date from later than the end of the 1830s. In fact, many of the reproduced pieces are drawn from the collections of George III and George IV.

Regency Buckingham; Inara Pey, May 2016, on FlickrRegency Buckingham

On offer at the landing point at the Marble Arch, is an information note card written by Tiamat Windstorm which is a must read. Not only does it present the Palace in is historical context as shown by the build, it provides detailed notes on the 12 available staterooms which can be explored, and provides a tour map for finding your way around them.

In addition, many of the staterooms offer images of their physical world counterparts, while hovering your mouse over portraits and paintings will often provide a short description of their subjects. All of this adds immeasurably to the experience of exploring the Palace.

Regency Buckingham; Inara Pey, May 2016, on FlickrRegency Buckingham – The Bow Room

Whether viewed as a historical reproduction, potential educational destination, role-play environment or labour of love, Regency Buckingham makes for an excellent visit, and is genuinely a must see.

My thanks once again to Jacon and Karenkate for taking the time to chat with me during my visit, and for providing me with some insight into Antiquity Estate – a subject and place to which I will be returning in future Exploring articles!

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Silas Merlin at Visions of Beauty in Second Life

Silas Merlin - Visions of Beauty Gallery
Silas Merlin at Visions of Beauty Gallery

Open now at the Visions of Beauty gallery, curated by dj12 Magic, is an exhibition of almost entirely new works by Maître Pastelliste (Master of Pastels), Silas Merlin, aka artist Jean-François Le Saint.

I make no apologies in being completely smitten by Silas’ work; I was hooked the first time I saw it at Gallery 24 in January 2016, and I’m still deeply pleased Silas came to Holly Kai Garden to exhibit his work there as well. For those unfamiliar with his work, the exhibition at Vision of Beauty could be no finer introduction. It features 18 pastel portraits and studies, and presents a number of Silas’ mesh sculptures – mesh being a medium he has recently moved into as a means of presenting 2D art through the 3D medium.

Silas Merlin - Visions of Beauty Gallery
Silas Merlin at Visions of Beauty Gallery

The pastel images are in a number of different sizes, allowing the visitor to see their rich, layered complexity – and appreciate why pastels are such an ideal medium for portraiture; in my opinion outshining both water and oil for the life-line tone and feel they give to the subject being studied.

Silas’ work very much focuses on children, generally those in period dress and attending traditional or medieval festivals in Brittany, and this exhibition again demonstrates this. Created from the hundreds of photos he takes while attending the events himself, Silas has brought together a select of pieces which very much put us at the heart of such a gathering, surrounded by children in period dress, some sitting earnestly, others at play or participating in a traditional dance, while others simply sit and talk or laugh together.

Silas Merlin: Dancer at the Barre - Visions of Beauty Gallery
Silas Merlin: Dancer at the Barre at Visions of Beauty Gallery

The floorspace of the room is broken up by a set of Silas’ mesh sculptures, some of which are taken from his own studies, including Mock Fight, which made its debut appearance at Holly Kai Park.

However, of the sculptures on display, there is little doubt that Dancer at the Barre, located at the foot of the spiral staircase leading up to another gallery area, is the most striking.

A stunning 3D interpretation of the painting of the same name by Edgar Degas, Dancer at the Barre has beautifully captured Degas’ own unite style, his appreciation of his subject, the tone and colour of the original. In short the very essence of the original is marvellously raised in 3D.

Producing 3D versions of art is something that has long fascinated Silas; he’s previously voiced a desire to be able to produce such pieces, particularly with his own art, which he might then produce in the physical world via 3D printing. More recently, in discussing the idea, he’s suggested part of the fascination is to be able to see  – or at least imagine – what lies behind / beyond the core subject of a work of art, and present that as a part of a 3D piece.

Silas Merlin - Visions of Beauty Gallery
Silas Merlin at Visions of Beauty Gallery

For my part, I can say it has been a privilege and delight to see Silas realise this move into 3D art, and to witness his ideas for the medium evolve. I certainly look forward to seeing more of both his 2D and 3D work – and do genuinely encourage you to visit his exhibitions in-world, perhaps starting with this one, and to visit his studio space, should you wish to see more

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Returning to Alki in Second Life

Alki - click any image for full size
Alki – click any image for full size

I first visited Alki, the music and scenic region designed by Zoidyn (Zoidyn Kytori) and Alana Onyett, far back in 2013, which is Second Life terms, is almost a lifetime ago. Back then, it was described as an “evolving project inspired by the Pacific Northwest”, so I was curious to know what might have changed in the intervening years.

The overall answer might at first appear to be “not a lot”: the landscape is still the same, there’s the same mix of venues, the paths are familiar, and so on. However, the region has changed in subtle ways – but that’s the point of evolution; things don’t happen overnight, they happen over time.

Alki
Alki

The high plateau dominating the north side of the island is still there, but the Z&A coffee-house, one of several music venues in the region, and the neighbouring art studio both occupy different buildings when compared to my original visit. These now sit to one side of a slightly redesigned plateau, complete with sidewalk, street lamps and a large paved area on which sits a model of the original coffee-house and art studio.

Getting up to the plateau is a case of either following the tree-lined path which curls its way between cliffs and trees up to the heights, or via a steeper climb up the wooden stairs clinging determinedly to the east side of the plateau’s cliff. Getting down, however, is an easier affair: just grab the zip line that will take you across the landscape below to the rugged hills to the south of the region.

Alki
Alki

Well, easier to a point – it’s still a bit of a scramble to get down to ground level again, but when you do, the rest of the region is yours to explore – and there is a lot of it, whether it’s the west-facing beach, looking out over the bay with plenty of snuggle spots and under the watchful gaze of the Dragonfly Inn, or around the lake eastwards, through the woodlands to the camp-site and an activity area offering sailing, Greedy, Greedy, a children’s playground and a water slide; or northwards around the lake, under the lee of the platea, and along the path to the open-air music venues.

To the east sits a small island, reached by pedalo, with a contemplative oriental garden for Tai Chi followed by tea, and with caves to be explored below. Northwards of this, rising on sturdy wooden legs from the water, is the Z&A Fun Factory, where an assortment of table games, arcade games and other distractions can be found, including an annoyingly addictive game of rock, paper, scissors!

Alki
Alki

When regions seem to come and go, sometimes with barely a blink between arrival and departure, it’s good to see places like Alki continuing over the years, offering a place both familiar and new to visit and re-visit and enjoy. Should you decide to hop over and take a look, do please consider a donation at the landing point to help ensure it remains a place to be shared in the coming months and years.

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  • Alki (Rated: Moderate)