A Beautiful Suicide in Second Life

Beautiful Suicide; Inara Pey, May 2016, on Flickr Beautiful Suicide – click any image for full size

Beautiful Suicide is an enigmatic region designed by Jaidens Rancid (Jaidens) which has been featured in the Destination Guide for the last couple of weeks, thus attracting my attention.

“Embrace yourself,” the Destination Guide entry reads, “for something has happened here.”  Quite what that something might be, is left to our imaginations to conjure: and there is certainly enough here to get the thoughts ticking over. Cast into a perpetual dusk under the default windlight, this is a place of dark mystery, offering some interesting photo opportunities.

Beautiful Suicide; Inara Pey, May 2016, on Flickr Beautiful Suicide

Everything seems normal enough on arrival; there is even a hint of romance about the landing point. This is a bridge on the west side of the largest of three main islands, softly light by lanterns and fairy lights draped over the branches of the tree on either side of the water it spans. There’s even a hint of mist to add to the atmosphere. But look again, and see how the posts from which the lanterns hang have a hint of the gallows about them; the first sign that things here aren’t always as they appear.

That this is the case can further be found under the bridge, where a great troll stands knee-deep in water. And here too, is something of a conflict: on the one hand, we tend to associate trolls with dark and bad things; but this one holds a gem within its cupped hands, as if offering it to us in friendship.

Beautiful Suicide; Inara Pey, May 2016, on Flickr Beautiful Suicide

This juxtaposition of the safe and friendly with the dark and dangerous echoes throughout the region. On the east side of the main island, for example, sits a private house. within it sit all the signs of a  comfortable home; in the conservatory, a table is laid for a dinner party. It all seems so normal – until one looks up on the roof.

And whilst the nearby ruin of another house might suggest an opportunity for snuggles or a quiet escape from the world, A look behind the stairs or a glance up on to the upper floor reveals this place also has a certain macabre edge, reminding us of the question posed by the region’s Destination Guide entry Where did all the people go?

Beautiful Suicide; Inara Pey, May 2016, on Flickr Beautiful Suicide

But it is not all darkness; the region is, as I’ve noted, quite photogenic, and there are places to be found where time can be spent in idle thought on in the company of a loved one: down on the pier of the inlet, or sitting at the pool terrace alongside the main house, etc. There are even opportunities for a little fun in the form of flying saucer and boat rezzers, allowing visitors to zip through the sky or across the water surrounding the islands.

If you like your visits and / or romance edged with a darker touch, tinted with a drop of the macabre and a drizzled suggestion of black magic, Beautiful Suicide offers a more unusual destination you might enjoy taking a look at. Should you enjoy your visit, as I did, please consider making a donation towards the region’s upkeep so that other might also enjoy it.

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A Small World for art in Second Life

Small World Gallery: toysoldier Thor
Small World Gallery: Toysoldier Thor

Update, August 2016: Regrettably, and as a result of illness, Small World Arts Gallery has closed.

Silas Merlin poked me in the direction of the Small World Arts Sim and Mall (SWA for short), operated by Mikey Jefford (mikeythai) – and I have to say, as galleries go, it is an impressive space. While not completely occupied, the gallery occupies two wings of a building reaching up to 4 stories into the air, and located in lush surroundings in which further art and attractions can be found, spread over two regions.

Designed by Addi Tachikawa (Adrienne Falconer), the gallery builds offer a modern wood, glass and steel design which provides plenty of exhibition space – artists have a number of linked side halls apiece, which all open off of the main halls dissecting each wing.

Small World Gallery: Maghda
Small World Gallery: Maghda

“I opened 2 weeks ago,” Mickey informed me as we chatted during my visit. “But it was half the size then, so we have not officially had a gallery opening yet.” That’s in the planning stages, and Mickey hopes to make an announcement soon. In the meantime, the gallery spaces – which are filled on the basis of invitation – offer a rich cross-section of art.

Many of the names behind the art on display will be familiar to regular exhibition goers: Silas Merlin, Giovanna Cerise, Toy Soldier Thor, Nino Vichan, Gem Preiz,  Kayly Iali; others may be less familiar, but no less captivating in their art.  In terms of the 2D art displayed, there is perhaps a lean towards art from the physical world being favoured for exhibition over art from “within” Second Life, such as avatar studies and SL landscapes. I asked Mickey if this was deliberate.

Small World Gallery: grounds
Small World Gallery: grounds

“No, not really,” he replied. “I just select what I like and what I think looks good and I think if ‘I get it others will’.” Certainly, the bias does not in any way detract from the gallery. Rather the reverse in fact: it again demonstrates that SL is a valid medium in which to present art from the physical world.

Within the grounds, there is more art to be discovered, as well as walks through the woods, either along paths or greenswards, places to sit and relax  – there’s even an old house boat offering table-top games for visitors. The paths and trails through the regions offer pleasing opportunities to explore, and It’s worthwhile taking your time when meandering if you want to catch all of the art that’s on display.  I should also point out that there is a third region (Wizard Forest) connected to the two gallery regions, however, access to this is restricted, containing as it does a private home.

Small World Gallery: grounds
Small World Gallery: grounds

With a mall with spaces available to rent by artists, indoor and outdoor art displays, a rooftop garden and events venue, SWA certainly has a lot to offer, and represents a significant commitment to art is Second Life. As such, I have absolutely no hesitation in recommending it as a destination for anyone with an interest in art, and / or who enjoys exploring and appreciating new spaces and locations in-world.

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Visiting Royaume de Versailles in Second Life

{Ville Par La Mer} / Royaume de Versailles; Inara Pey, May 2016, on Flickr {Ville Par La Mer} / Royaume de Versailles – click any image for full size

{Ville Par La Mer} / Royaume de Versailles (literally “city by the sea” and ” Kingdom of Versailles”) caught my attention whilst browsing the Destination Guide. Both a private home (this being located in the north-east corner of the region), and a public destination,the region is the work of Dolly Everleigh Versailles (Dolly Morrisey), on behalf of the Versailles Family. And it is another picturesque region that is a genuine pleasure to visit.

The landing point is a little terrace area in the south-west of the region, where sit little boutique shops – a hairdresser, an ice-cream parlour and a delightful café bar. A pier runs along the south side of the island from here, crossing an inlet to reach the local beach, presenting one of two ways a visitor can start their explorations of the island.

{Ville Par La Mer} / Royaume de Versailles; Inara Pey, May 2016, on Flickr {Ville Par La Mer} / Royaume de Versailles

The other is to climb the steps to one side of the terrace and follow a road as it winds around the island heading west, then north and then back east. This will eventually bring you to the house in the north-east corner, which as noted, is a private residence. However, it is possible to walk around the extended grounds below the house proper, where there are several vantage points and places to sit and / or snuggle.

A vineyard and barn occupy the low-lying centre of the island to the north-west, a dirt track offering a path past them from the foot of the steps leading down from the big house. meandering by both vineyard and barn, the track leads to another series of stone steps which climb up to the broad top of a gorge which cuts from north to south through the region, revealing a hidden treasure below and across the narrow channel of water: a tropical-like hideaway, reached from the main beach by a rocky arch.

{Ville Par La Mer} / Royaume de Versailles; Inara Pey, May 2016, on Flickr {Ville Par La Mer} / Royaume de Versailles – click any image for full size

Follow the grassy walk along the lip of the gorge eastwards, and a natural stone bridge offers access to a picturesque plateau where there are places to set and play Greedy, Greedy, all watched over by the tall sentinel of a wooden lighthouse. A switch back path from here offers a way back down the the beach below.

This is a charming region, with plenty of opportunities for photography and a fair few places to sit and relax, have a cuddle and enjoy the ambient sound scape. If you do take photos of your visit, you are invited to add them to the Royaume De Versailles Flickr group.

{Ville Par La Mer} / Royaume de Versailles; Inara Pey, May 2016, on Flickr {Ville Par La Mer} / Royaume de Versailles – click any image for full size

All told, a lovely design that’s well worth a visit.

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{Ville Par La Mer} / Royaume de Versailles (Rated: Moderate)

 

Art in trees and Tiny hosts in Second Life

Raglan Shire Art Walk
Raglan Shire Art Walk

The 2016 Raglan Shire Art Walk opened on May 15th, and runs through until Sunday, June 19th. One again it is a big affair – at the last count, over 150 Second Life artists and photographers were participating, and free slots within the exhibition spaces were still being filled.

The Art Walk, a traditional event in this delightful Tiny community which is not into its 10th year of life, will be the first opportunity for many to see the new build for the regions as well, this having only been completed in April – and there is a lot to see, quite apart from the extensive Art Walk, making a visit doubly worth while. Given the size of the community and the exhibition, knowing quite where to start can be confusing, so I’m using the Raglan Shire Welcome Centre as the SLurl for this piece.

Raglan Shire Art Walk
Raglan Shire Art Walk

Also, given the size of the event, getting around can also potentially be a little confusing – or tiring on the feet (particularly if you opt for Tiny form for your visit!). Fortunately, the organisers have recognised this, and brightly coloured teleporter stations are available to carry you directly to each of the regions. There are also touring hedgiepillars you can rez’n’ride at any tour rezzing post.

And, of course, if you’re feeling particularly brave, you can try the local mode of transportation – the catapults which can be found throughout the regions, which will shoot you to a number of destinations (not  all of them related to the Art Walk) with a satisfying “bwong!” as they fire!

Raglan Shire Art Walk
Raglan Shire Art Walk

As is usual for the Art Walk, the majority of 2D art is in mounted on the hedges found on the tree platforms, while 3D pieces tend to be at ground level. Given the volume of participants, the cross-section of art, both 2D and 3D is enormous, and touring the regions it is easy to come across familiar names (pauses to wave to Bear and Derry) sitting alongside those who are perhaps less familiar on the art circuit, but no less gifted. Whilst touring, it is also likely art lovers will encounter pieces displayed past exhibitions elsewhere. When this happens, tit’s a little like encountering old acquaintances – that warm rush of familiarity on sighting them among the crowd.

For those who enjoy a broad cross-section of SL art, or who are interested in discovering how broad a range of art can be found in Second Life, the Raglan Shire Art Walk is undoubtedly the place to visit – and you’ll always be assured a walk and friendly welcome from the Tinies!

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A summer’s farewell to Frisland

Frisland; Inara Pey, May 2016, on FlickrFrisland – click any image for full size

The time has finally come to bid farewell Frisland’s golden reign…

We have shared two amazing years since opening Frisland back in March 2014, and have been blessed with so many precious moments shared with all of you, which we shall carry with us as treasured and priceless memories in our hearts and minds.

So reads, in part, a note from Charlie Namiboo, Anna (Annabell Barzane) and Frislanda Ferraris announcing the forthcoming closure of their photogenic and popular region, Frisland.

Frisland; Inara Pey, May 2016, on FlickrFrisland

I first visited the island on March 23rd, 2014, shortly before its public opening. An invitation had been extended to me to do so by Charlie, something I was more than happy to accept. And like many who have visited the region, I instantly fell in love with it – and with the fact the over the intervening two years, other than marking the passing of the seasons in the northern hemisphere, it has changed little over time, presenting itself as a familiar and welcoming place with each visit.

The region came into being as a result of happenstance. . “A few weeks ago,” Charlie explained back when the region was about to open for the first time, “Frislanda did a search on Google about the origin of his name and found an article about a phantom island called “Frisland” in the North Atlantic. He just asked us what we would think of creating a region in Second Life based upon the idea of that phantom island.  We were all for it! And so we started the project with the working title Frisland’s rebirth …”

Frisland; Inara Pey, May 2016, on FlickrFrisland

As I noted at the time, the “original” Frisland first started to appear on maps of the North Atlantic from about the 1550s, and continued to do so for at least the next 100 years, although its position was prone to movement, travelling as it did from south of Iceland to close to the British Isles then back across the Atlantic, where it was imagined as a southern spur of Greenland, separated from the rest by an ocean strait.

How it came to be on maps in the first place is a mystery – although one romantic notion had it as a last remnant of Atlantis. However, for Fris, Charlie and Ana, it offered the opportunity to present a part of the island as it might look today, sitting in the Atlantic and quietly settled.

Frisland; Inara Pey, May 2016, on FlickrFrisland

The result – as noted – has been a beautifully imagined and much photographed and loved region, one that will be missed when it finally follows its namesake and vanishes from maps. However, there is still time to visit, either for the first time, or to say a fond farewell. The region will remain open until Saturday, June 4th. And then? Well, as Ana, Fris and Charlie remind us, “when one door closes, another one opens … who knows what fabulous adventure will be coming next!”

I hope to get back to Frisland before it closes and film there. However, just in case time conspires against me, here’s a video I made back in December 2014. It’s a little long in the tooth, but I hope it serves as a reminder of a winter’s Frisland.

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Cica’s Web in Second Life

Cica Ghost: Arachnid
Cica Ghost: Arachnid

Arachnid is the title of Cica Ghost’s latest installation, which opened on May 22nd. As the title suggests, it’s one that might have arachnophobes (like me!) a little cautious about entering. However, this is Cica’s work, and so it contains much of her delightfully fanciful outlook, rather than being intended to outright scare – although I did find possible hints of double meanings here and there which may or may not have been intended.

On arrival, visitors find themselves inside a large cage within a foggy environment. Are the bars perhaps a warning about venturing forth? Or are they there to present a feeling of security and safety?

Cica Ghost: Arachnid
Cica Ghost: Arachnid

Other cages loom nearby, some on the ground, others on pedestals. Several present a bedroom scene; beds are a frequent motif in Cica’s work, and thus we have something of a connection between this and her earlier installations, such as Moonlight. Here however, the bedrooms seem to offer one of those double meanings.

“Rooms are a kind of hiding places,  so they look like cages.” Cica said to me as we talked about her work. I suggested there’s another aspect however: bedrooms offer us the comfort of sleep, but also the risk of dark dreams, which oft can feature spiders; thus our bedrooms could be cages trapping us in our nightmares. “Could be,” Cica replied, enigmatically.

There’s certainly a hint of this darker aspect to be found as you explore: in one corner of this landscape, filled as it is with strange, twisted tree-like forms, a web holds a couple of human victims. Suspended above the ground and cocooned to their necks in spider silk, looking for all the world like they are snuggled in sleep.

Cica Ghost: Arachnid
Cica Ghost: Arachnid

Elsewhere, webs strung across the strange trees have captured large butterflies, wings flapping helplessly, alerting the spiders to their presence. The butterflies in turn, seem to have emerged  from a huge garden cloche, where some are still feeding on the vegetables growing beneath it.  Given cloches are intended to protect the items grown beneath them, is there perhaps another message here in keeping with the (false?) security suggested by the cages?

Whether one chooses to seen meaning or message in the installation or not, time should be taken to explore, as there is much that is presented here which might easily be missed. One of her little stick figures from the likes of Ghostsville resides within a wardrobe, for example, while touching the televisions in some the cage bedrooms will, if you have media enabled in your viewer, play music videos. Be sure to click around elsewhere as well, as there are spots you can sit and float and become part of the setting.

Cica Ghost: Arachnid
Cica Ghost: Arachnid

Meanwhile, towards the south-east corner of the region, a pianist plays on a stage, his only audience a crow and little rat. Hie seems oblivious to the surrounding webs, although one has captured some of the butterflies close by, and he pays scant attention to a spider lurking nearby. If the music videos on offer through he televisions are not to your liking, then the sound stream offers a perfect accompaniment to his playing.

And the spiders? Yes, they’re here as well, both on the ground and overhead. But again, arachnophobes need not fear. These aren’t prone to pouncing, stinging, wrapping or devouring. Rather they are content to observe the comings and goings of visitors; and if they do spin webs, it’s likely to happen we all aren’t looking!

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