Cica’s Frogs in Second Life

Cica Ghost: Frogs
Cica Ghost: Frogs

Frogs, Cica Ghost’s latest region-wide installation in Second Life opened on Sunday, February 5th. After the poignant, provocative Burning (which you can read about here), Frogs sees Cica in a lighter mood, with a little play on fairy stories – albeit with a little touch of pathos.

Across one of Cica’s familiar undulating landscapes sits a huge house. Or at least, part of a huge house. We’ll return to that in a moment.  A few trees, some a little scrawny, others tall or fat, are scattered across the landscape, some with their trunks ringed by flat circles of round stones. But these hold the attention for the first few seconds after arrival, before eyes are drawn inevitably to the frogs of the title. Given their size, they are a little hard to miss!

Cica Ghost: Frogs
Cica Ghost: Frogs

By default, seven of the amphibians occupy the region, sitting either individually or in little groups, their croaking filling the air as they bounce up and down on their hind legs as little children might seem to rise and fall when suffering a bad case of hiccups.  All of them crouch with forelegs folded over the top of pot bellies, mere bumps caught between belly and folds of fleshy throats. Wide-eyed and horned, six of these frogs are green, while the seventh sits alone and aloof, upon the stump of a tree. Its skin glistening and brown, it stares out to sea unaware that it is being watched by one of Cica’s crows, also perched on a tree stump.

It’s a wonderful, whimsical sight – although it is hard to know quite what to make of it on first sight. But then the fact that it brings a smile to one’s lips, and the opportunity to join in the fun by donning the free frog avatar Cica provides at the landing point, and go hopping off across the landscape is reason enough to simply enjoy the moment.

Cica Ghost: Frogs
Cica Ghost: Frogs

It is at the aforementioned huge wall where the mood shifts. The side facing the landing point has a little girl dressed in a simply knitted dress, feet shod in heavy boots, drawing what might be a self-portrait upon it: a little girl dreaming of a prince who might sweep her away to a different life. On the far side of the wall (touch the huge door if it is not open when you arrive), we catch a glimpse of her threadbare life, complete with an image of times past.

The juxtaposition between the poignancy surrounding the little girl and the whimsy of the frogs is striking, while the link to childhood fairy stories so subtle it might at first glance be overlooked – but it is there. If you need more convincing of the connection between little girls and the frogs hop (so to speak) onto the table in front of her little girl, and make a choice. Might it even be that the lone brown frog is, in her imagination, an enchanted prince, hence its difference to the rest of the frogs on the island?

Cica Ghost: Frogs
Cica Ghost: Frogs

Frogs is another gem from Cica, offering a gentle blending of humour and pathos, where visitors themselves can become a part of the scene. Should you pay a visit, do offer a donation towards Cica’s work so more delights like this can be shared.

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  • Frogs (Aggramar, rated:  Moderate)

Can you help the East River Community in Second Life?

East River Community
East River Community

Located on the mainland continent of Sansara, the East River Community (ERC) will this year celebrate its ninth year of operations in Second Life – although it can trace its roots as far back as 2006 with the MBYC, one of the first sailing clubs in Second Life – and sailing remains very much a part of the ERC’s activities.

Comprising a federation of groups, the intent within East River has always been to create an open, collaborative and convivial space for residents and businesses, nurturing the growth of relationships, friendships, personal projects, and encouraging collaborative activities  with both members and non-members of the community.

ERC has always been particularly engaged in fostering cultural activities and in enhancing the Mainland experience by demonstrating an attractive residential and commercial environment can be created purely through resident action. Newcomers are always welcome to explore the community’s regions, which offer a wide variety of public spaces including art galleries, cafés horse riding tracks, entertainment venues, nautical events, a harbour and airport for boating / flying enthusiasts and, for those wanting to get their first taste of water-based activities, a variety of free-access zero-cost boating.

Arriving at one of East River Community's airfields
Arriving at one of East River Community’s airfields

One of the mainstays of ERC has been its founder, Indigo Mertel – who has also contributed immensely to the Second Life community as a whole through a wide range of user-focused activities from establishing and building East River through to her work in curating and disseminating Second Life news form a wide range of notable sources, to the benefit of all users.

Indigo Mertal by Paola Tauber
Indigo Mertal by Paola Tauber

Not only did Indigo found East River, and has been active within the community throughout its live and growth, she has been responsible for holding and managing six of the community’s regions, including meetings much of the financial cost in maintaining them. She recently contacted me with some sad news – and with her permission, I’m reprinting it here in the hope that one or more people might be able to step forward and help.

“I’ve been contributing to the East River Community with land for years,” Indigo revealed in a note she passed out to bloggers on Sunday, February 5th. “But many things have changed in my physical life these past months, and I am now in the sad position of no longer able to contribute to the community as I have done in the past.

“I’ve procrastinated this decision for a long time, because I was very uncomfortable with the idea of harming or breaking a community many have put so much effort into helping to build. But eventually, I had to come to a decision.

“We all want the East River Community to survive, and so I’m putting out a call to everyone, both within ERC and beyond, in the hope we can find donors willing to offer tier to the group so that East River can continue to be a vibrant part of Second Life. And with this in mind, I intend to continue covering the costs involved for a limited time, so that those with a desire to help ERC can contact me directly.”

If you are in a position to help ensure ERC continues as we know it today, regardless of whether you are active in the community or not, please contact Indigo in-world.

You can find out a lot more about ERC by visiting the ERC website, and by watching a Designing Worlds special on the community, which I’ve embedded below.

 

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Angi Manners at DixMix Gallery in Second Life

DiXmiX Gallery: Angi Manners
DiXmiX Gallery: Angi Manners

In Lust We Trust is the title of an exhibition of 15 images by Angi Manners (Anj4) which opened on Saturday, February 4th at DiXmiX Gallery, curated by Dixmix Source.

A creator of avatar skins and co-owner of the Polar Bear brand of erotic poses designs for photographers, Angi regards photography as her passion. For In Lust We Trust – and as the title might imply – she presents a series of erotically charged pictures, together with three or four which veer more towards the sensual end of the scale than the erotic, but all of which might be considered NSFW.

DiXmiX Gallery: Angi Manners
DiXmiX Gallery: Angi Manners

There is no doubting the artistry involved in all of the images: the composition, framing, lighting, posing, is all exquisite; yet I initially found myself drawn more towards those I regarded as being more sensual than outright erotic – such as Let Me Think About It, The Body Applier (both of which are seen at the top of this article), That’s Not So Funny (directly above) and Pole Dancing.

It’s a reaction I found interesting: I consider myself broad-minded; in both the physical world and in Second Life I’ve been involved in many “adult” activities, yet I’ve always regarded sexual engagement between two people as a deeply personal thing, and can suffer so degree of inner discomfiture when seeing sexual acts openly performed / displayed.

DiXmiX Gallery: Angi Manners
DiXmiX Gallery: Angi Manners

This is not in any way a negative reflection of Angi’s work. Far from it; rather, it speaks to the power of her images as I found myself pondering my reaction to those which are more explicit and erotic, questioning what actually triggers that inner sense of discomfort I can feel around overt public eroticism. Thus, In Lust We Trust  – for me at least – offered a fascinating play on emotions and reactions which, quite conversely, drew me back to the more erotic series of images to study them further, adding a further subtle twist to the title of the exhibit.

In Lust We Trust in located in the gallery’s Black Gallery exhibition space, occupying both the lower and upper floors, and will remain open through until March 4th.

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Artful Expressions in Second Life: Blip and Nekonuko

Artful Expressions: Blip Mumfizz
Artful Expressions: Blip Mumfizz

Sorcha Tyles opened the next exhibit at Artful Expressions, her boutique gallery, on Saturday, February 4th, and it  not only includes two guest artists, but also presents a new design for the gallery itself.

Now occupying a two-storey structure, a teleport board linking the ground floor with the upper, the gallery has twice the floor space of the previous unit. The lower floor is devoted to Sorcha’s own photography  – which is more than worth a visit in and of itself; she has a marvellous eye for subject, mood and setting, and her studies are entrancing.

Artful Expressions: Socrha Tyles
Artful Expressions: Socrha Tyles

The upper floor is given over to Sorcha’s invited guest artists, and in this lies another of the attractions of Artful Expressions: Sorcha actively seeks out those who may not have exhibited widely in Second Life in the past, or have perhaps been overlooked by other galleries. Thus, her gallery is an ideal location for discovering the work of artists and photographers you may not have previously come across in-world.

“I am an improviser by nature…in life and in my art,” Blip Mumfuzz says of herself and her work. “My images are typically the result of an unplanned, spontaneous interaction with my environment.”  She goes on to state that she became interested in SL photography as a means of recording her travels across the grid. But then, “I noticed that I started seeing differently … I found that once I found saw something interesting I’d start moving the camera around.  Looking over and under, behind and between.  I began looking less at the things themselves…and more at visual and spatial relationships things.”

Artful Expressions: Blip Mumfizz
Artful Expressions: Blip Mumfuzz

The result is a set of studies offering  a unique perspective on the virtual world in which we roam and which utilise a refined use of line, form and use of colour to create images which are deceptive in their elegant simplicity, inviting us to look into them and discover the story each contains.  You can see more of her work on Flickr.

Nekonuko Nakamori, the second artist Sorcha is exhibiting through February, is a physical world artist with a grounded in Japanese art and who specialises in conceptual / abstract art in oil.

Artful Expressions: nekonuko Nakamori
Artful Expressions: nekonuko Nakamori

Within Second Life, and as Blip started out, she uses photograph as a visual journal of her travels within the grid. Each piece, a precise 1:1 ratio image, presents a location she has visited, usually with nekonuko herself somewhere within it – sometimes prominently, other times distantly. Carefully post-processed they are offered not only as a record for her wanderings, but as a painting, almost of a waif at large in the world.

Both Nekonuko and Blip will remain on display at Artful Expressions through until the end of the month.

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Navigating Natural Falls in Second Life

Sol Farm, Story of Infinite; Inara Pey, January 2017, on FlickrNatural Falls V

I was drawn to Natural Falls V in part after seeing Loverdag’s images of its predecessor, Natural Falls IV, at the end of last year. I didn’t get to see that iteration of the build. so when I saw the newest design in the Destination Guide, I took a rapid leap over to see for myself.

Natural Falls is the work of Dann (DannChris), who appears in Second Life as a highly industrious hamster with talent for, among other things, intriguingly descriptive prose. “Natural Falls,” he notes, “is located in an abandoned, flooded metropolis slowly decaying under a derelict, elevated railway.”  It’s an evocative description, and the build – which also sees Natural Falls located in a new sim – more than lives up to it while once again amply demonstrating Dann’s skill in increasing a captivating, atmospheric environment rich in content and potential narratives.

Sol Farm, Story of Infinite; Inara Pey, January 2017, on FlickrNatural Falls V

Visitors commence their time in the region at a boardwalk landing-point. This offers a variety of routes around the flooded setting, some of which end in stairways leading down to the water. Above this, seated on tall steel and concrete piers sits the elevated railway. From above, board walk and railway divide the region into an uneven grid-like pattern, as if sectioning this water-claimed city as it sits beneath a brooding sky complete with low-lying clouds.

Blocky, cement-like walls occasionally sit alongside the boardwalk, their many glass-less windows staring over the failing remnants of what was once a thriving urban hub, now reduced to deserted houses, shops and industrial units rising from the slow-moving waters. The detritus of a vanished community litters the flooded streets, and everything at first glance appears to be trapped in the gloom and grey of neglect and desertion.

Sol Farm, Story of Infinite; Inara Pey, January 2017, on FlickrNatural Falls V

But – look again, and you’ll realise there is more to see than you may have thought when arriving. Colour sparks across the region, be it from the broken windows of a long-empty shop, the bloom of flowers in a flooded garden, or the splash of graffiti on a wall. While in the distance sits the beckoning glow of many-hued lights. Once seen, this draws visitors to a mystical corner, a world of almost otherworldly allure, suggesting that that even amidst this urban decomposition, something  quite beautiful survives.

This blending of art and colour within the wider setting of decay and loss encourages exploration. Nor does everything reside outdoors as well. Thus, time and a careful eye are recommended as a part of any visit, lest something is overlooked along the way.

Sol Farm, Story of Infinite; Inara Pey, January 2017, on FlickrNatural Falls V

And when you feel you’ve toured the ground levels enough, remember to check the teleport mirror by the landing point. It’ll carry you up to a haven of light and colour above the clouds, a little island of cosiness to be enjoyed alone or with someone special.

Natural Falls V continues what has been – from the images I’ve seen on the Flickr stream – a fabulous unfolding story, rich in content and presentation, and most assuredly well worth a visit.

Sol Farm, Story of Infinite; Inara Pey, January 2017, on FlickrNatural Falls V

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The Recreation in Second Life

The Ladies Room: The Recreation
The Ladies Room: The Recreation

Either find your place or lose yourself in the grid of impressions and projection. Second Life is about you and the ability to find your own fascination. Find yourself. Position yourself. Be a part of the world which your imagination can create.  Take a picture!The lights are on you.

Thus Hills (Hillany Scofield) introduces The Recreation, one of two exhibitions of her art (and the art of others) she is currently showing at her gallery The Ladies Room. She goes on to note that The Recreation draws inspiration from an installation she provided for the 2016 Indie Teepee festival. However, for me, it stands as a marvellous expansion of her March 2016 exhibition Immersed, hosted at The Good Days Gallery (read here for more).

The Ladies Room: The Recreation
The Ladies Room: The Recreation

To appreciate this exhibition, it is essential you have Advanced Lighting Model (ALM) enabled in your viewer (via Preferences > Graphics), as it makes extensive use of projectors (you do not need to have Shadows enabled as well).

As with Immersed, The Recreation presents a set of large format images, before which stand faceless, female mannequins. Within this grouping is a pose system, and – as per  the introduction – visitors are invited to jump on it and create their own images within the space (a second pose system is located to one side as well).

The Ladies Room: The Recreation
The Ladies Room: The Recreation

Outside of the central display, the walls of the gallery offer further images under the title The Walls Are Alive. Also being examined by the faceless mannequins, this mix of slide show and projected images presents pictures taken by visitors to The Recreation who have taken Hills’ invitation and used the pose system. She notes that more will be added to this collection as the exhibit continues.

As an examination of the juxtaposition between physical life and virtual life, The Recreation is completed by text and verse which encourage us to ponder the realities and opportunities of both. It is also within the frame of juxtaposition – in this case individuality (in the shape of those taking photos of themselves in The Recreation) and uniformity (in the shape of the faceless mannequins), that this piece reflects (dare I say recreates?) much of the ambience and presence of Immersed.

The Ladies Room: The Recreation
The Ladies Room: The Recreation

When visiting, I also encourage you to tour Your Shine Through, Hills’ the second of Hills’ current exhibitions at The Ladies Room (to the right as you enter the gallery), which presents a series of monochrome pieces. Sensual / erotic in nature, they provide a story of intimacy between lovers.

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