Category: Reviews

De*cid*u*ous – click any image for full size

De*cid*u*ous is a full region designed by Trip (TrippingDaisy) and landscaped by his partner, Tate (Tate Ghost). It needs only one word to describe it: enchanting.

Sitting under a Windlight suggestive of an early morning, when the Sun’s rays cause a gentle ground mist to rise of the dew gathered on grass and leaf,  De*cid*u*ous is a mix of stunning landscaping and personal expression on love, life, relationships and the passage of time given in words of prose and  poetry – and it is a place deserving of careful and thorough exploration as there really is a lot to see.

De*cid*u*ous

“What if a virtual land could represent a real life?” Trip asks those arriving at the landing point in the north-west corner of the region, before he continues with an invitation: “Take a journey with me. Enjoy the meticulous landscaping designed by my partner, Tate. Stand in line at my heart to witness the fate of some.” And thus we’re off on a journey, following paths and trail, crossing bridges, exploring settings and passing through caves and caverns.

Along the way – most notably in the caverns and tunnels connecting them, but elsewhere as well – are easels visitors are invited to touch. Doing so will offer up a note card with a passage or poem intended to complement the scene where it is found. Collectively, the shape moments from a life – happiness, love, melancholy, regret, anger, freedom – and all should be read as a part of any deeper journey through the land.

De*cid*u*ous

Following the path down from the landing points takes visitors to first of several water crossings: a bridge and deck where time can be spent sitting at cable roll tables or sitting in the rowing boats moored alongside. Beyond, the path winds through trees, forking before an ancient ruin, one arm leading to a Romany camp between ruins and water, where restful times can be had.

The other arm of the path points the way onwards to a second bridge, joined on the far side of the channel it spans by wooden boards marching over the grass to where they also fork. Turn left, and the way leads to Trip’s heart, as mentioned in the welcoming note card, and another poem of life  and reflection. Continue onwards from the path to the heart, and the trail leads to a clearing and another choice: left and out to where a Ferris wheel sits in the light of the rising Sun, or onwards to where the entrance to the caverns awaits.

De*cid*u*ous

Neither option should be missed. The Ferris Wheel sits within another scene, an easel offering up a poem. The caverns wind up through a pyramid-like hill, each offering a scene or settings, each with at least one poems to accompany it. As Trip hopes the scenes and settings throughout the region will speak personally to all visitors passing through, I’m not going to shade your thinking on encountering the caverns by offering my thoughts here.

From the top of the hill, and the cottages sitting on it, the way back down to the lowlands takes the form of a switchback path – but do check around the slopes of the rocky crown carefully, lest you miss the fort built into its southern face and the cosy hideaway it offers. From the foot of the path down the side of the hill, it is possible to continue onwards and discover the remaining secrets of the region and the various places for contemplation and quiet company it offers.

De*cid*u*ous

De*cid*u*ous is, as noted, a stunning region, offering a series of individual scenes beautifully brought together as a whole through the landscaping. The default Windlight throws the region into a misty half-light, but the land lends itself comfortably to a wide range of environmental settings, and Trip and Tate encourage photographers to experiment. They also ask that those so minded consider submitting their work to the De*cid*u*ous Flickr group. Those requiring props for their images can obtain rezzing rights by joining the region group – but do please remember to pick up your items afterwards!

All told, an eye-catching visit for any Second Life region-hopper. Mix in the poetry and prose that accompany many of the scenes found across the land, and you have a new level of engagement when visiting.  Definitely not a place to miss.

SLurl Details

• De*cid*u*ous (Deciduous, rated: Moderate)

Long Journey Cafe – click any image for full size

In March 2017 Caitlyn and I visited Long Journey on the advice of friends Shakespeare and Max – and we thoroughly enjoyed our visit. We headed back there in August after Shakespeare IM’d to say the parcel had undergone a relocation and a rebuild, and is now known as Long Journey Café.

The redesign is every bit as atmospheric and charming as the one we visited in March, which trains a tracks once again playing a role – and further shows that you don’t necessarily need an entire region, Full or Homestead, in order to make something unique and photogenic.

Long Journey Cafe

A visit begins on one of the four levels the parcel has been split into, at the terminus of a small tramway. The tram itself appears to be just arriving, and going by the camera set up close by, is the subject of a film or documentary. The tram tracks pass over a cobble surface, which provides access to a little café – one of several in the parcel – alongside of which is a set of steps leading to one of the upper levels.

This upper level road comprises a small motel, not exactly in its prime, and neighbouring cafés and eateries before it ends in a rickety looking, but quite sound, set of wooden steps and walkway raised on a wooden scaffold. These provide access to the remaining levels in the build – a railway carrying viaduct with a canal below. More little boutique café sit on platforms under the arches of the viaduct, reached by a wooden walkway running parallel to the bridge. These little eateries face an entertainment stage built out over the canal and a modest floating restaurant.

Long Journey Cafe

Follow the board walk along the canal far enough, and you’ll find steps offering a way back up to the tram level and another little street of shops, or wooden stairs making their way up the railway line. Nor is this all; a second set of steps descend from the elevated walkway, giving access to the large warehouse sitting at the northern end of the parcel, while the path around the film camera sitting at the end of the tram station can be used to reach a tattoo parlour, if you’re so inclined.

All of this is presided over by the tall figure of an Indonesian statue – although this, and many of the details in the region may not always be easily seen. On our first visit, Caitlyn and I arrived at night, with snow falling and which showed up the local lighting to good effect; it also meant we had to explore carefully in order not to miss anything. However, on a return visit, 24 hours later, the parcel was bathed in sunlight, suggesting its environment changes according to the owner’s whim or perhaps a schedule.

Long Journey Cafe

Yang (Sun2idea) has an eye for detail, and this latest iteration of Long Journey demonstrates this once again.

SLurl Details

• Long Journey Cafe (Guzel Ada, rated: Moderate)

Les Reves Perdus – click any image for full size

I try to avoid returning to regions visited as a part of my Exploring Second Life series too soon after blogging about them. However, a tweet from friend Miro Collas prompted me to suggest to Caitlyn we head back to Les Reves Perdus (“Dreams Lost”), the homestead region designed by Chanell (zaziaa) for another look despite having only blogged about it in June.

As Miro pointed out in his tweet, a lot has changed in the two months since that visit. The provincial look has now gone, replaced with something far more Nordic in expression, but which is nonetheless as photogenic, particularly under the right environmental conditions.

Les Reves Perdus

The setting is a Viking settlement, the surrounding hills and waves breaking in the distance beyond them suggesting it is perhaps set upon an island towards the mouth of a fjord or deep-cut river valley. A visit begins towards the centre of the island, on a small bridge linking the low-lying village with a set of fortifications. The latter has tall wooden walls marching between square towers which look ready to withstand attackers – but which also appear to be protecting a flooded area of land or a former inlet, rather than the village itself.

This arrangement at first seems a little odd: the village sits on a low-lying stretch of land between the fortifications and the high cliffs of a plateau to the east, open to access from the surrounding waters – which are deep enough for longships to sail or row right up to the wharves. It thus seems to be without protection, exposed to any attack which may come. Where one might expect the village to nestle, within the protection of the fort-like walls and towers, horses and sheep graze beside the inland waters.

Les Reves Perdus

Perhaps the walls and towers are the remnants of a more violent time, when there was a need for fortifications. Perhaps they once completely encircled the lowlands of the island, joining at either end with the rocks of the plateau, but more peaceful times and circumstance led to the removal of part of their protection  to make way for the village buildings.

Whatever the reason, the village sits on open land, thatched huts and semi-stone barns offering homes and shelter for animals. Goats, chickens and cattle roam the gasses outside the huts as fires burn to cure cut meat and racks of fish are being dried on the wharves. Across the strip of water from the wharves sits an ancient circle of standing stones, a henge suggesting this island has been settled in the past as well.  Elsewhere, longships lie off-shore or moored close to the village – one of which is even ablaze, although I suspect this might be a funeral ship, rather than it being aflame as a result of battle.

Les Reves Perdus

The high plateau, reached by steps cut into the living rock, passing a tall statue as they climb upwards, is home to a great hall, where fires burn, plans are being made. It’s easy to imagine much carousing and drinking of ale and mead within its walls in the long evenings.  Although the fort-like walls run outward from the plateau, there is no way to reach them easily, other than scrambling over the rocks; nor is there any way to get up to their walkways from the lower ground areas. Whether this is intentional or the result of the region still being tweaked, I’ve no idea.

This is in some respects an oddly eclectic region design, About Land suggesting it is for exploration and perhaps role-play. While the design is primarily Norse, there are also oddities hinting at other genres / activities. There is, for example a very fantasy-leaning collection of statues representing the four elements, while the great hall contains a medieval iron maiden in one corner. But none of this detracts from the setting offering good opportunities for photography (with a suitable windlight selected) and exploration.

Les Reves Perdus

SLurl Details

• Les Reves Perdus – Kattegat (rated: Adult)