aZiLe: a Second Life curio

aZiLe; Inara Pey, May 2019, on FlickraZiLe – click any image for full size

We were directed towards aZiLe by Shakespeare, who dropped a landmark over to me recently. Occupying the bulk of a Full region (a corner parcel to the south-east is a separate private residence), it is a multi-faceted environment predominantly designed by Zoé (zoeliah), with assistance from Boro Moretto (boromir22) – within additional elements I’ll get to – that is a little hard to define.

With its mix of public and private residential units, the region might at first seem to be your typical rental estate – but to view it as such would be a mistake. The region also has an Adult rating and a D/s leaning – but to view it as a D/s role-play environment would also be a mistake.  There is also a strong arts flavour to the setting that offers a further twist of curiosity to it.

aZiLe; Inara Pey, May 2019, on FlickraZiLe – click any image for full size

Perhaps the easiest way to define aZiLe is to quote region holder Boro:

We wanted to create a space for relaxation in a welcoming setting of beach and holidays. The design is by Zoé, our architect and gardener whose design you will be able to appreciate by touring the sim. It is incidentally a residential space. If you would to live here, contact Zoé for parcel availability, and she will build your house on the beach in the spirit of the region.

aZiLe is above all a friendly space with freedom and a little note of madness because we like lightness and humour. And this offbeat touch gives the people who live here their group name: zinzins. We have no rules, except for common sense and courtesy between adults.

aZiLe; Inara Pey, May 2019, on FlickraZiLe – click any image for full size

To describe the setting would be a little self-defeating; it is unique enough to deserve to be seen for itself. While “beach and holidays” might be suggestive of sands, surf, palm trees and shady parasols, this is most assuredly not aZiLe. Instead, the region has a certain “shabby chic” run-down look to it that is quite captivating.

The landing point sits just off-centre within the region, looking out over a small beach that has something of the appearance of a holiday setting – albeit it a possible low-cost one. The sand flows down to a small bay where inflatables sit on the water and flamingos strut under the umbrella of trees and palms while a bar sits on one shore, offering a place to sit and relax.

aZiLe; Inara Pey, May 2019, on FlickraZiLe – click any image for full size

Beyond this, gravel paths, steps and walks wind among an eclectic mix of building, some stone and or brick, many wood; some old, some new. Not all of the building – particularly those near the coast – are private residences, but others are open and sit as galleries or spaces where light D/s role-play might take place – such as the church. Although again, this is not a place in any way devoted to D/s and / or RP.

aZiLe is not a D/s sim and at the same time, some of us are D/s lovers. Since we established we’re a crazy tribe, we’ve decided to try to combine a friendly sim, welcoming everybody, with a spicier side, that we want present, but discreet. We are quite normal people; we need to relax and breathe and laugh. We found the D/s world of SL to be a little too heavy for our taste. The constant need to have rules, the hierarchy, the eternal question “To RP or not RP”… We don’t fit in that mould. We love the exchange. But as conversations, not discussions. We like the idea that SL is like RL. One evening we’ll act light and stupid, or will go dancing, or will simply cuddle. But the other evening we might get deeper.

aZiLe; Inara Pey, May 2019, on FlickraZiLe – click any image for full size

The art to be found within the region is as broad as the setting itself: sculptures by CioTToLiNa Xue and Mistero Hifeng share space with pieces by Bryn Oh while hippos and giraffe stand within the waters and open spaces. Off to the north-east of the region, there sits on a sandy headland the Gallery Pinot Gris. It stands like a giant bunker and offers a circular display space featuring the art of Rob Barber (Rob Steenhorst in the physical world).

Eclectic and fascinating, aZile is a step outside the more “usual” public region, and well worth the time taken to explore it. For those who take photographs, there’s also a Fickr group where they can be submitted.

aZiLe; Inara Pey, May 2019, on FlickraZiLe – click any image for full size

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  • aZiLe (Satotage, rated: adult)

 

The magic of images and words in Second Life

The Edge: ViktorSavior and AlenaPit

Currently open at The Edge gallery curated by Ladmilla, is an ensemble exhibition entitled Visual Poems. It features pairings of art and poetry, with some of the artists providing both the words and images, others working in pairs: one producing the images and the other the words.

Pieces are spread between two of the gallery’s exhibition spaces: the castle – notably the upper rooms and the parapet walks around the curtain walls – and in and alongside the cathedral. Those participating in the exhibition are: Mirabelle Sweetwater (images and words); Kapaan (images and words); PatrickofIreland (images and words); Thomascrown11 (images and words) VenicioArmin (images and words) Pearl Grey (images) and Klaus Bereznyak (words); TaraAers (images) and Oleanhorok (words); ViktorSavior (images) and AlenaPit (words); and Ladmilla (images) and Eli Medier (words).

The Edge: TaraAers) and Oleanhorok

This is a fascinating exhibition  – and one that, by virtue of the its scale, may require more than one visit to fully appreciate. The combining of words and images is always an interesting concept (something we have often explored with Seanchai Library with exhibitions at Holly Kai Park), perhaps doubly so when the creator of an image is entrusting their work to the imagination of another to produces the words around it.

Hence, within this exhibition there is an attractiveness to the pairing of artist and poet that can captivate, and without wishing to appear to select favourites, I admit to being particularly drawn to the pieces by Viktor and Alena (two of which form the banner image for this article). There is a minimalist beauty to Viktor’s images that is perfectly balanced by Alena’s 4-line verses. Together they paint a complete story that is deeply evocative.

The Edge: Mirabelle Sweetwater

Alena is a prolific writer, having produced more than 200 poems, and what fascinates me with this particular pairing is the question of which came first: the image or the poem? Or perhaps they have independent origins, with the artists matching words and pictures after the fact.

All my feelings from the heart and soul are reflected in poetry, which makes up most of my life in SL and RL. I write about different things: about romantic relationships, about feelings, about family, about nature, about hope and love. Many people say that my poems are positive and easy. I hope you leave me your opinion about them too. I write poems in Russian, but now I begin to prepare translations into English and arrange visual exhibitions in SL art galleries.

– AlenaPit on her writing

The Edge: Venicio Armin

Alongside the gallery’s cathedral is Venicio Armin’s selection of images for the exhibition, and I must again confess I found these to be completely engrossing. Presented in monochrome the images and words, provide a story of two relationships: the relationship between a man and a woman and the love Argentines have for the Tango. Through six images and short poems bother are beautifully framed and presented in magnificent depth, with Venicio also offering the opportunity to hear the music of the Argentine Tango.

Also on offer at the gallery is an exhibition of art by  anibrm Jung and 3D art by Sempiternel and Mariemadeleine38. These add further depth to an engaging visit – but again, you should allow time to give the exhibitions the attention the deserve.

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Happy Days at NorderNey in Second Life

IMAGO Art Gallery: Happy Days at NorderNey

Currently open at IMAGO Art Gallery, curated by Mareea Farrasco, is an ensemble exhibition celebrating NorderNey (closed to public access at the time of writing), one of Second Life’s more popular photogenic regions (and which I confess to having covered in these pages in 2014, and 2017, although I really should have taken the time to visit it more recently).

Happy Days at NorderNey is a small but enticing exhibition, featuring images by Maxie Daviau, Ninny Dazy, Sorcha Tyles and Mareea herself in a space specially prepared to resemble a part of the region with a sandy beach, the foaming wash of a tide, under an overcast sky.

Each of the artists presents four pieces of art, somewhat split between landscapes of the region and avatar studies that using the region as a backdrop. Together they form – as the title of the exhibition suggests – memories of happy times spent within NorderNey in one of its more recent iterations.

IMAGO Art Gallery: Happy Days at NorderNey – Maxie Daviau

What is particularly interesting in the sixteen images presented is the way that all of the artists have selected more-or-less the same aspects of the region to include in their images: the path to the beach with bicycles leaning on the fence, the sailing boats moored off-shore the scooter sitting at the boundary between tall grass and warm sand for example.

In doing so, each presents unique perspectives on the setting through the use of colour, tone, and post-processing to bring out the clouds, or to offer a feeling of summer warmth or the overcast of an autumn’s day, and so on. Thus, each group of four images may feature some of the same elements as the others, but overall they present different moods and stir different emotional responses.

A small, easy-to view exhibition featuring a group of richly talented Second Life photographers.

IMAGO Art Gallery: Happy Days at NorderNey – Ninna Dazy

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Yúcale: an arts community in Second Life

Yúcale; Inara Pey, May 2019, on FlickrYúcale – click any image for full size

Update: Yúcale has closed, and the host parcel is now home to the OHM Valley hangout).

Saturday, May 4th, 2019 saw the grand opening – in fact the official return – of a base of operations for the Yúcale project and community in Second Life, Originally called the Yúcale Café Gallery (the name by which it is still known on Facebook), the project has a long history, as founder Samiraa Adderstein informed me during the second of two visits at the weekend.

Yúcale started in December 2014, we ran from then until June 2018, when I had a half years break from SL due to RL stuff. I started with a 300 LI parcel back then, and we’ve grown a lot since then, and actually moved three times!  We also had some smaller events before the official re-opening, and a benefit for Feed A Smile.

– Samiraa Adderstein founder of the Yúcale Coffee Gallery

Yúcale; Inara Pey, May 2019, on FlickrYúcale

Now called Yúcale Giramondi Virtlantis, the new location for Yúcale covers just under 1/3 of a Full region, and has been designed by Samiraa  – Samum to her friends – with the support of Pater Bac (Bacoo Balut) to be a place for mixed arts: exhibitions by photographers and painters (which will change bimonthly), together with readings by authors, music events. It is also a place where people can – as the About Land description notes, “meet every now and then to play games, listen to radio plays or watch movies together”.

We used to be the Yúcale Coffee Gallery, but I changed the name this time, because Kip Boahn of the Virtlantis language project sponsored us for almost a year, and it is a way for us to say “thank you”. Also, Giramondi was a small café in my home town that ran events like we do here. It has now sadly closed, but I wanted to remember it in our name.

 – Samiraa Adderstein explaining the name change

Yúcale; Inara Pey, May 2019, on FlickrYúcale

The new design for the community has a pleasantly Mediterranean feel to it. With a southern aspect and shoulder to the west and east by high cliffs, there is an intimate village feel to the location. With moorings down at the water’s edge connected by path and steps to the village above, it’s easy to imagine coming across it whilst sailing along the coast of Italy or Spain, and deciding to come alongside and enjoy an exploratory stroll up to the village square.

For the official opening, Yúcale features art by Belice Benoir, Jaëlle Faerye, Xirana Oximoxi, Balbera Resident and Samiraa herself. Individual exhibitions are located in different buildings both in the village and the parcel as a whole – Jaëlle’s work is displayed within the out warehouse in the south-west corner of the region overlooking the southern moorings and outside of the village, while Belice’s art can be found up in the little chapel looking down on village from a perch on the eastern highlands.

Yúcale; Inara Pey, May 2019, on FlickrYúcale – Balbera Resident

Yúcale is less a place than an idea. We do cooperative events quite often. On Sunday May 12th we have Sunday Lounge, a travelling event if you like. And As May 25th is International Towel Day, we’ll be holding an event to honour Douglas Adams with author readings, etc.

– Samiraa Adderstein

Scattered around and between the art locations are various venues for music – notably the village square and the circus tent down close to the waterfront, while some of the gallery spaces are large enough to accommodate music and dancing during openings. A restaurant / bar sits to one side of the village square, while a little book store (still being finalised at the time of our visits) pays homage to Yúcale’s café origins. In the unlikely event you have problems finding your way around, major venues within the location are linked via a teleport system as well.

Yúcale; Inara Pey, May 2019, on FlickrYúcale

Details of events at Yúcale are published via the Yúcale Café Gallery public Facebook page, the in-world .::Yúcale::. (subscribers at the location), and via a Flickr group. A new in-world publication has also been started, again available from Yúcale.

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City of Solace in Second Life

City of Solace; Inara Pey, May 2019, on FlickrCity of Solace – click any image for full size

Sitting just off Wellington Road as it arcs around the southern bulk of Jeogeot, sandwiched between Route 9 and 10 sits the City of Solace, a region-wide, futuristic city design by Jean K. Smit (jeankyn) and of Bill R. Smit (BlackBlade Smit). It’s an interestingly curious place, easily accessible by road, and with a direct teleport set to deliver people to the main rental office high overhead.

From this latter comment, it should be obvious that this is a location offering rentals – both residential and commercial; however, it is also a place open to visitors, and where casual role-play is potentially encouraged, the Destination Guide description noting:

Solace. A city of wonder, mystery, and amazing vistas. The City of Solace could be considered a city of tomorrow, today. Futuristic architectures, places to see and visit, things to see and do. In accordance to the city, there is also a space installation to explore, named S.O.A.R. Rentable habitation pods, access to starships, etc. There is lots to do for avid role-players.

City of Solace; Inara Pey, May 2019, on FlickrCity of Solace

At the time of our visit, a number of the city units had been rented, so some care is perhaps in order when exploring at ground level. This is reached via a teleport booth outside of the rental office, should you arrive there first. This gives access to three ground level locations: a nightclub, the city’s motor centre (which also supports Get The Freight Out), and the SmitCo headquarters.

The majority of the ground-level city is laid out along a network of enclosed roads which in turn provide access to both Wellington Road as noted above, and with the airport at Annyong to the north-west. Thus those driving through the Mainland or flying over it can pay a visit to the city if they wish.

City of Solace; Inara Pey, May 2019, on FlickrCity of Solace

The residential units appear to be of two sizes, single floor and split level, while local businesses occupy some of the high-rise buildings. There was no sign of role-play when I dropped in; but given the city appears in the Destination Guide’s Recently Added category, and elements of the supporting infrastructure – such as a promised web site – still appear to be under construction, this is perhaps not surprising as the city is still building is residents and businesses. Or perhaps role-play is more focused on the space station.

Located in the sky, the space station is officially called the Solace Orbital platform for Astromineralogy and Research (SOAR). It is reached via a separate teleport system to the main pods, being based on Stargate SG-1 style ring systems. One of these can be found just outside the rental office, lying within a grassy dimple. Another can be found at ground level in a circle of trees towards the south-eat corner of the city, just below the turn-off from  Wellington Road that’s marked by the tall Blue Star truck stop and travel centre sign.

City of Solace; Inara Pey, May 2019, on FlickrCity of Solace

SOAR is a large facility offering both research and residential opportunities. In fact, with its docking facilities, a mid-level public deck, that sandwiches habitation pods between itself and the biodome of the uppermost level, where visitors arrive when using the ring system teleport. One might be tempted to comment it is “a port of call – home away from home – a place of commerce and research…”, even if it isn’t big enough for a quarter million humans and aliens….

The multiple decks of the station are connected by a central elevator system, and while some areas are devoid of content, the public deck offers a bar and a cafeteria area looking out over the docks and their varied visiting spacecraft. The outer sections of the station feature restricted access and contain the main administrative offices and research facilities. Again, usage at the time of our visit appeared light, but this may grow over time as people discover the city and the station.

City of Solace; Inara Pey, May 2019, on FlickrCity of Solace

Overall, there could perhaps be a few more public spaces – the apartments feel a little cramped in their vertical stacking in the city – but overall, City of Solace and SOAR is an interesting – if unexpected – find whilst motoring through Jeogeot. It’s also a place that offers an interesting potential backdrop for photography.

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Waifs and Lala in Second Life

Lalalala Gallery: CybeleMoon: Waifs

I received an invitation from CybeleMoon (Hana Hoobinoo) to drop in to a boutique exhibition of her work at the Lalalala Gallery complex owned and curated by Lala Lightfoot. An invitation that allowed me to both visit CybeleMoon’s work – which is something I’m always only too happy to do, being a confirmed fan of her work – and pop in to see Lala’s current exhibition and see preparations in hand for a new exhibition.

Waifs, located in the North Gallery provides a gathering of Cybele’s art focusing on children, and carries with it a definite Parisian theme. It mixes physical world and virtual world images in another captivating display of art with a story, helped among by Edit Piaf via the easel-mounted media board.

Lalalala Gallery: CybeleMoon: Waifs

Those familiar with Cybele’s work will likely recognise a fair few of the images on offer. However, this doesn’t lessen the impact on seeing them here, particularly when framed by their groupings: Place de la Sorbonne, Boulevard Montmartre, Rue Poissonnière. These provide a uniquely Parisian feel to the set of images on each of the walls, and are centred on at least one of Cybele’s pieces in-world art, which perhaps binds images and place names together.

Take Rue Poissonnière (“Fishmonger’s Road”), for example, or Boulevard Montmartre. Both offer images of young children – the waifs of the exhibition’s title. The former brings to mind the route fish would take to the market of Les Halles from Boulogne and other ports, with Cybele painting The Siren’s Call offers and image of a little girl dreaming, perhaps of taking flight like the gulls overhead, or of diving into the waters and becoming a mermaid, free to escape the troubles of land life. With Gigi sitting among the images of Boulevard Montmartre, there is an echo of the Basilica of the Sacré-Cœur (admittedly, there are no domes on the house to assist in the suggestion – but the echo is there). This, together with the image of the Eiffel Tower roots the surrounding images in thoughts of the artists who once painted the street life of the district, and he views it offers across Paris, maintaining the Parisian thread through the exhibition.

Lalalala Gallery: LaLa Lightfoot

The rest of the gallery complex comprises two exhibition spaces, one of which was being prepared for a further exhibition by Lala, and other of which features a collection of her paintings, and Lala’s studio space, a cosy social space.

A physical world artist, Lala offers a number of her painting through the exhibition space, all of which  – again at the time of my visit – were on a floral theme. Most (all?) appear to be pastel images, rich in colour and presented in an uncluttered style. The new exhibition appears to be focused on digital art, and I look forward to returning to Thistle in the future to visit it.

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