JolieElle’s artistry in Second Life

Vision Of Beauty Art Complex: JolieElle Parfort

Currently on display at the Vision of Beauty Art Complex is an exhibition of art by -Jolie- (JolieElle Parfort). Spread across two levels of the gallery space, each connected to the other via a teleport system, this is a fabulous introduction to Jolie’s landscape paintings for those who may not have previously encountered her work.

Jolie describing her art as post-impressionism. This school of painting tends to be denoted through the use of heavy brush-strokes and an eschewing of impressionism’s accurate depiction of light, opting instead for the use of vivid and sometimes unnatural colours and tones, whilst often including a degree of geometric form and / or a distortion of form for visual effect.

Vision Of Beauty Art Complex: JolieElle Parfort

Much of this is very much present in Jolie’s work, as demonstrated in the selection she offers in this exhibition. Her flamingos strikingly bold in colour, which also saturates the vegetation behind them, for example (see above right), while geometry and the passage of strong, firm brush strokes are also clearly in evidence through several of the pieces.

So too are pieces that feel much closer to the work of the great impressionists. For example, Gulf Afternoon and Morning Rushes, which can both be seen in the banner image for this review each off a sense of light, motion and the passage of time which leans them towards impressionism, the heavy brushwork evidenced in the former notwithstanding. Similarly, other pieces such as Hurricane Frolic have about them a wonderfully subtle tone of abstract.

Vision Of Beauty Art Complex: JolieElle Parfort

Thus, to offer a single encompassing descriptive style to this exhibition is – to me – doing the pieces offered within it something of as disservice. While Jolie’s art may well have a focus on post-impressionism, it encompasses so much more, and quite marvellously so, with a depth and richness that is completely captivating to the eye.

This beauty is enhanced particularly by the rooftop setting for part of the exhibition. With its wooden deck and piers, and wind-rippled water, this part of the exhibition draws the visitor into the rooftop display – and I would suggest perhaps flicking you viewer over to a midnight setting as well as viewing them in the ambient daylight; this again brings forth their depth and richness quite marvellously.

SLurl Details

Exploring Iona Shores in Second Life

Iona Shore; Inara Pey, June 2019, on FlickrIona Shores, June 2019 – click any image for full size

I’m always a little wary of blogging residential regions for a number of reasons. While many are open to the public to visit, for example, I’m uncomfortable in recommending them where there is a risk that visitor trundling in and out could be off-putting / annoying to those trying to live on them.

To this end, I use a (and admittedly very rough-and-ready) rule of thumb, which encompasses looking at the overall ratio of public and private space(s) in the region, the ease with which a region can be navigated without necessarily encroaching on people’s private residences, general public attractions, whether or not parcel ban lines are in force (often – although by no means always – a sign that people are somewhat narked by the idea of passers-by wandering through the gardens / yards), etc.

Iona Shore; Inara Pey, June 2019, on FlickrIona Shores, June 2019

Iona Shores is a region that sits almost exactly within in the middle ground between “to blog” and “not to blog”.  A homestead region, the landmass is pretty evenly split between public spaces, in which visitors are invited to space time and explore and take photos, and three large rental parcels with, it would seem, room for a potential fourth.

However, there is no doubting the region has been beautifully designed – the work of Adalynne Romano (AdalynneReed), who along with her SL partner, Doc Battitude, is responsible for the delightful Candlewood (see Touring CandleWood in Second Life) and the designs used for Bay of Dream (see The seasons at Bay of Dreams in Second Life and Destiny Gardens (see Destiny Gardens in Second Life). This alone would be enough to bring me to Iona Shores, being an admirer of Adalynne’s work, but the fact it came recommended by Shawn and Max increased my interest; and the rental spaces are clearly enough differentiated from the public spaces to allow for exploration by those not living there.

Iona Shore; Inara Pey, June 2019, on FlickrIona Shores, June 2019

The landing point sits towards the middle of the region, on a long south-pointing finger that extended itself from the eastern side of the largest of the region’s three islands. A low, cinder-beached promontory rising from calm seas, the headland is dressed as something of an aged garden, completed with greenhouse (the landing point) and paved terrace before it. To the north sits an dry stone wall with tired iron gates marking the way to where the land rises up to a flat crown of fir trees in the midst of which sits one of the three rental properties.

Two bridges sit on the headland, the first forms a double strand of wood and rope reaching across the inlet cutting inland by way of a little nub of rock, to reach a western promontory. Another cinder uprising, it sits a little higher than the landing points and offers the open space that could potentially be used by another house. For now, however, it is topped by trees and a small wooden deck, stone steps leading down to a rough, dark beach on the seaward side.

Iona Shore; Inara Pey, June 2019, on FlickrIona Shores, June 2019

The second bridge reaches across a sliver of water to where rocks step their way up to a broad plateau where sits the second of the rental homes. The base of this island offers a public path around the south-west of the rocks, passing stepping stones that breach another tongue of water to reach the three of the larger islands, the home to the remaining rental house.

Throughout all of this, there are places to discover: a little studio space, a rowing boat offering singles and couples seating, horses grazing on the scrub grass, while wolves and deer wander parts of the landscape. All of this is watched over by the revolving eye of a lighthouse as trawlers chug by on the waters below it.

Iona Shore; Inara Pey, June 2019, on FlickrIona Shores, June 2019

Finished with a gentle sound scape, Iona Shores makes for a photogenic and visually pleasing visit. For those seeking a place to living that offers space and a feel for the wilderness, it come offer the ideal home. For the rest of us, it presents a delightful sense of escape.

SLurl Details

Da Vinci and Steampunk in Second Life

Astral Dreams Project: 500 Leonardo

The latest edition of the Astral Dreams project, curated by Jack Davies and Mina Arcana, opened its doors at the start of June 2019 to present 500 Leonardo “celebrating 500 years since the death of Leonardo da Vinci in [a] Steampunk setting”.

Featuring art and models by Nabreji Aabye, Caly Applewhyte (Calypso Applewhyte), Sergio Delacruz, Desy Magic, Lara Tommaso and Ciottolina Xue, this is something of an installation in two parts: a celebration of the works of Leonardo di ser Piero da Vinci, the most famous polymath of the Italian Renaissance, and a selection of steampunk inspired displays.

Astral Dreams Project: 500 Leonardo – Sergio Delacruz

The setting is a series of island floating in the sky dome, the largest of which features the Leonardo Museum and the landing point. In the grounds are marvellous models of some of da Vinci’s inventions: notably his proposal for a wheeled fighting machine, and his aerial screw.

While neither of these was built in da Vinci’s time (and the fighting machine would have been impractical under battlefield conditions), the fighting machine contained a number of elements and ideas still found in modern tanks and armoured vehicles, while the aerial screw is regarded as an antecedent of the helicopter. Sharing the outdoor space with both is a model of his catapult, all three beautifully modelled by Sergio Delacruz.

Astral Dreams Project: 500 Leonardo – Sergio Delacruz

Within the museum building is a broader celebration of da Vinci’s work, featuring reproductions of some of his paintings and his anatomical sketches, together with more models and reproductions of drawings of some of this other inventions – most notably his flying machine, celebrated in both model and drawing. Information in Italian on all of these, and the models outside, can be obtained via web links supplied by touching individual drawings / paintings or the easels alongside the models. In this, the display may well have been made more accessible to a visiting audience by providing language options in the links.

Just outside the door to the museum building are teleports that will take visitors to the installations by Nabreji Aabye, Caly Applewhite, Desy Magic, Lara Tommaso and Ciottolina Xue. These all focus more on the steampunk element of the installation, offering both 2D or 3D works by the respective artists. The teleports come in two flavours: a plain disk system that will auto-teleport you around the artists’ installations, and a menu-driven teleport unit (with a large floating sign) that allows you to choose your destination.

Astral Dreams Project: 500 Leonardo – Desy Magic

500 Leonardo is a curious mix; on the one hand the celebration of da Vinci’s life and the installation celebrating steampunk and art stand distinctly apart; on the other, they are somewhat linked.

As an engineer, inventor and visionary, de Vinci saw far ahead of his time, developing tools and technology that were far ahead of their time, from winches to the aforementioned fighting and flying machines; so too is steampunk associated with invention and machines. Da Vinci was also a cartographer, a science associated with exploration, and steampunk often encompasses the idea of exploration and discovery. I also have little doubt that da Vinci himself would be fascinated by the whole steampunk genre and its inventiveness as it sits within its 19th century framework.

Astral Dream Project: 500 Leonardo – Ciottolina Xue

SLurl Details

The return of Calas’ Santorini in Second Life

New Santorini; Inara Pey, June 2019, on FlickrNew Santorini, June 2019 – click any image for full size

Once upon a time within the Calas Galadhon park regions lay a tribute to Santorini, the largest island of a archipelago in the southern Aegean Sea. Officially called Thira (Thera in classic Greek), the island is world-renowned for the brilliant, white-washed walls of its buildings – most keenly, perhaps, exemplified by photographs of the principal city, Fira.

Obviously scaled-down, the Calas tribute to Santorini was nevertheless a marvellous build. So, when in 2014, Ty Tenk and Truck Meredith, owners of the Calas park regions, announced the Santorini build would be closing at the end of  that year (see A farewell to Santorini, December 2014), the news was greeted with disappointment among Calas Galadhon fans – myself among them.

New Santorini; Inara Pey, June 2019, on FlickrNew Santorini, June 2019

However, in April 2019, Tapped me with a photo of him standing in one of the Santorini terraces looking up at the distinctive houses and with the comment, “Just thought you’d enjoy seeing what we are working on 🙂 still a big secret but I know you loved the original ..all mesh 🙂 “. To say I was excited would be an understatement.

The new build – called, appropriately enough, New Santorini – was unveiled by invitation only on May 25th, 2019 – and Caitlyn and I were fortunate enough to be along those invited, although we were like all the guests, asked to keep quiet about what we saw until after the public unveiling, which took place on the weekend of June 1st / 2nd, 2019.

New Santorini; Inara Pey, June 2019, on FlickrNew Santorini, June 2019

Located on the Calas “holiday regions” of Eriador and Erebor, New Santorini recaptures almost everything from the original (although the waterfront café / events area has been replaced by a new open-air events area called Phoenix, sitting across the water from the main build, and within Erebor (Santorini itself lies within Eriador). However, being mesh and finely designed and implemented New Santorini offers much for explorers to discover both within its whitewashed walls and on and under the surrounding waters.

The landing point lies off to the east side of the region, within a semi-submerged cave. Follow the signs, and you’ll be led from this cave to a watery footpath that will present you with your first view of Santorini and the new events area (you may have to pump your draw distance up to see both, if your computer can handle things). This paths passes the gateway and steps leading down to the submerged gardens of Thera – an attraction in their own right, and again seeing a happy return (with a few revisions) as an ideal for merfolk to enjoy – although folk with legs are free to explore them as well.

New Santorini; Inara Pey, June 2019, on FlickrNew Santorini, June 2019

The town offers a lot to see: terraces offer places to sit and to dance, stairs climb between houses and buildings, plants offer bright bursts of colour and cafés beckon the weary. Around the base of the main island and on the surrounding islets are hints of a much older civilisation, echoing Minoan Thera. Some of these are best seen from the automated boat tour around the islands that starts at the Santorini end of the long, low causeway linking the island with the Phoenix events area.

One aspect of the town that should not be missed is the updated interiors of many of the houses. These represent a fine mix of different historical / cultural styles that are a complete delight to see, each one decorated, I understand, by Truck.

New Santorini; Inara Pey, June 2019, on FlickrNew Santorini, June 2019

Just how long new Santorini will remain is uncertain, and Ty candidly informed me.

We weren’t sure how we were going to show it off. We wanted it to be a special build, but we weren’t sure people would let us pack it up! But these are the regions we use for the holidays and our other special builds … although [as] both [Erebor and Eriador] are full regions now, we could put our special sky builds above where we have the [Phoenix] venue now. I’ve kept scripts down on Erebor to make room for builds above, so we’re still mulling it over.

– Ty Tenk on the new Santorini build and the future

However, the fact that it is back is a cause for celebration, and if you never got to see the original build (first built back in the days when prims were everything), then I cannot recommend finding the time to partake an excursion to New Santorini enough.

New Santorini; Inara Pey, June 2019, on FlickrNew Santorini, June 2019

As it is, Phoenix will be the focus for all of the planned Calas musical events through June. These start on Sunday, June 2nd, at 14:00 SLT with Samm Qendra, and will include Reggie Sunset, Savannah Rain, Djembe Dragonfire, Voodoo Shilton, Antonio Galloway and Chapman Zane. There will also be two special themed FlyGearz events in June – Toga & Greek Mythology and Pirates. To stay informed of all Calas Galadhon events, be sure to check out the Calas Galadhon website and the Calas in-world group.

SLurl Details

Art with a touch of HippiMagic in Second Life

HippiMagic: Fuyuko ‘冬子’ Amano

Update: due to illness in Sophie’s family, and as per Fuyuko’s comment below, the opening has been postponed until 14:00 on Wednesday, June 5th.

HippiMagic Art Studio and Gallery opens its doors for its first public exhibition at 12:00 noon SLT on Sunday, June 2nd, 2019, featuring the art of TaraAers and Fuyuko ‘冬子’ Amano (Wintergeist), supported with art by the gallery’s curator, Sophie Dunn (Sophie72 Congrejo) and a pair of fractal pieces by Raytracer (rinomon).

Occupying a 4096 sq m parcel, the gallery is split between in-door and out-door spaces in which the art is displayed, the landing point area neatly linking the two, and acting as an information point.

HippiMagic: Fuyuko ‘冬子’ Amano

Within the gallery building is the display of Fuyuko’s art, which shares the gallery’s two levels with Sophie’s work (you might need to right-click on some of the images to determine the art through the Edit / Build floater, as the placement of the art is deliberately mixed). The upper level of the gallery also features a study space reserved for staff / invitees.

Fuyuko is well-known for her landscape art captured from within Second Life, and this is encompassed within the selection on offer here – but it is also mixed with some of her physical world photography to further demonstrate the breadth of her work. And in this, I confess to being constantly drawn to her photograph Past is Prologue, which has a beautiful melding of light, reflection, colour, symmetry (with the candle bowls), and the subtle hint of standing on the cusp between old and new years, all of which builds within it a wonderful sense of story.

HippiMagic: TaraAers

Out in the garden (although with a couple of pieces tucked into the gallery building as well), Tara presents a selection of her art with each piece paired with a verse by Olean (Oleanhorok). This makes the selection something of a partner to her selection of images paired with Olean’s words for the May 2019 Visual Poems exhibition at The Edge Gallery (see: The magic of images and words in Second Life).

Each image  – captured from within Second Life – is rendered as a painting, with the  images displayed in the garden split between a version framed as a picture, and an unframed version that has been paired with Olean’s words. Both versions of each piece are offered for sale (as are Fuyuko’s pieces inside the gallery), offering those interested in the art a choice of potential purchases. There is a softest of colour and tone that makes Tara’s work attractive in its own right, and there is something captivating about the blending of her images with Olean’s verses.

HippiMagic: TaraAers

A short wander in the garden in the direction of the 1960’s decorated VW camper van will reveal Raytracer’s fractal pieces neatly tucked into a candlelit corner, while indoors, Sophie’s work mixes will with Fuyuko’s to complete the exhibition.

The opening event for the gallery will feature both the key artists and music by DJ Phee Wonder. It will run through until 14:00 SLT.

SLurl Details

The waters of Blaylock Island in Second Life

Blaylock Island; Inara Pey, May 2019, on FlickrBlaylock Island – click any image for full size

Occupying a Homestead region, Blaylock Island – Where Peaceful Waters Flow is a stunning design by Jaccy (Jaccaranda Jael) with the support of Magenta Silverfall and Tira Langur (Tira Yalin), that has rightfully been getting a lot of attention from bloggers and photographers of late.

The region presents a wonderful feeling of being on a remote, rugged island where the weather is such that it has encouraged the growth of a local rain forest which does much to canopy the islands rocky splendour, whilst the coastline presents a veritable tropical paradise.

Blaylock Island; Inara Pey, May 2019, on FlickrBlaylock Island

It is on the coast that a visit commences, the landing point being on a long tongue of land extending into the western sea, rocks and breakers to the north testifying to shallow waters there. further around this curve of sandy coast sits one of a three major dwellings on the region. These do not appear to be private residences, but given they appear to belong to Jaccy, Magenta and Tira, some circumspection when visiting might be in order if they are present during your explorations.

Blaylock Island; Inara Pey, May 2019, on FlickrBlaylock Island

This is a place defined by the action of water. The central peak and high cliffs of the island feature great falls of water that tumble into bays and channels that cut through the landscape, forming deep ravines and sand banked waterways that twist their way to more open waters whilst also splitting the land somewhat. These waterways can be navigated using the little motorboat awaiting passengers close to the landing point, and which will periodically re-rez.

For the more adventurous, the island’s cloud-wreathed peak offers a series of wooden platforms linked by steps. These climb around the mountain to a final platform where a zip line can be taken back down to a raft anchored with one of the island’s bays, a short wade / swim from one of the beaches.

Blaylock Island; Inara Pey, May 2019, on FlickrBlaylock Island

Amidst the verdant trees and undergrowth sheltering the waterways, visitors can find other points of interest – a houseboat moored among mangroves, tree houses sheltered from the waters falling from above by a great natural arch of rock, and a variety of wildlife from flamingos to seals.

Throughout it all are numerous places to sit an relax and appreciate the setting, as well as those options for exploration, all of which – together with the rich sound scape – add depth to Blaylock Island that encourages the visitor to tarry beyond a brief visit.

Blaylock Island; Inara Pey, May 2019, on FlickrBlaylock Island

This is another very different and very engaging region design that offers numerous opportunities for exploration and photography. Beautifully present, it is easy to explore without significant impact on the viewer, and one will worth taking the time to visit and appreciate.

SLurl Details