A trip to Huntington Beach in Second Life

Huntington Beach, October 2019 – click any image for full size

Note: The Huntington Beach build has closed, and the region reposed.

Huntington Beach is a seaside city in Orange County in Southern California, located 35 miles south-east of down town Los Angeles.

– From About Land, Huntington Beach

So reads the introduction to Jade Koltai’s new public homestead region of Huntington Beach that opened to the public earlier in October. Jade is, as many will be aware, Serene Footman’s long-time collaborator in s range of region designs, many of which I’ve written about in these pages down through the years. So on hearing about this build (via my ever-vigilant region spotter, Shawn Shakespeare 🙂 ), I was keen for us to go take a look – more so, perhaps, as (a good while ago now) I travelled through the real Huntington Beach while on a trip following the Pacific Coast Highway.

Huntington Beach, October 2019

Today, the town is best known for its almost 16 km (10 mi) long beach, the tides of which have led to Huntington Beach to becoming known as Surf City, and being granted trademarks as “Surf City USA” (both of which were the cause of, and factors within, a long-running dispute with Santa Cruz, California that was finally settled in 2008). However, the city has a long and colourful history, part of which is reflected in Jade’s design.

Huntington Beach perhaps came to prominence in the early part of the 20th century (although settlements in the area obviously go back much further than that). At that time, people were encouraged to settle in the area by an encyclopaedia company offering free parcels of land in the area to those purchasing the entire set of their books for US $126 (roughly US $3,200 in today’s terms). Those who did so found their parcels ballooned in value when oil reserves were found beneath them, leading to something of a oil rush. The first well to extract this oil was established in May 1920 – and within 18 months, the number of well heads had grown to 59, giving the coastline of Huntington Beach its distinctive “forest” of giant oil derricks dominating the skyline – and it is this aspect of the city that is reflected most clearly in Jade’s design.

Huntington Beach, October 2019

For her inspiration, Jade uses a series of photos of the Huntington Beach and the neighbouring coastline as it appeared during the heydays of oil production, headlined by one taken from Huntington Beach Pier (one of the city’s lasting landmarks) in the 1960s. These sit to the south east of the region, the beach running north-west, complete with a nod towards the pier (first established in 1904). The latter is understandably not as grandiose as the original, because that would take a couple of additional regions to achieve, given it is 560 metres in length, but it presents a starting point for exploration, home as it is to the region’s landing point.

The derricks are divided by a central road, reflecting a further photo in the series, albeit one of derricks divided by a road in Long Beach, a little further north around the coast. However, it is largely with the initial 1960’s image to which Jade sticks: at the northern end of the road is a smattering of buildings suggesting the edge of a town, all of which – along with the cars scattered among them  – have a ’60s vibe to them.

Huntington Beach, October 2019

The beach has a similar feel to it as well, the sand looking a tad tired and the advertising in that 50’s-60’s style, although unlike its namesake, this beach benefits from palm trees hiding the marching lines of oil towers from those deciding to partake a walk along the sand or out onto the pier.

Oil production does continue at Huntington Beach today, although the massive derricks have long since been removed to leave the city looking a lot more naturally suburban, the ocean front and beach protected from over-development. However, production is in decline; the US Geological Survey estimates no more than perhaps 866 million barrels of oil remain, although best estimates put the amount that can be reasonably extracted at some 370 million barrels. This means that the remaining oil extraction work is liable to come to an end in the near future, leaving Huntington Beach city fairly exclusively reliant on tourist and vacation trade for revenue generation – hence the city filing for, and being granted, multiple trademarks related to it being “Surf City USA”.

Huntington Beach, October 2019

While fossil fuel extraction and use are both messy and driving a fair amount of pollution, Jade’s Huntington Beach nevertheless offers a reminder of a boom-time past in America’s history, one that burst into life on the west coast in the early decades of the 20th century and echoed through to the end of the millennium. Needless to say, it offers numerous opportunities for photography, although I personally found the default Windlight perhaps a little too oppressive – not that others cannot be used if you feel the same way. Photos that are taken may be submitted to the region’s Flickr group, and tips towards the region’s upkeep are welcomed at the pier.

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Harbor’s Alter Ego at Ribong Gallery in Second Life

Artspace 2535, Ribong Gallery – Harbor Galaxy, October 2019

Now open within the Artspace 2535 area of Ribong Gallery, curated by Santoshima, is a collection of images by Harbor Galaxy. entitled Alter Ego, it features some of the artist’s favourite avatar characters, and it offers an intriguing walk through her imagination.

And I do mean “walk” in a literal sense: the arts is set out in s series of rooms the visitor is encouraged to walk through it turn from the landing point. Each offers at least one piece of art and these are – to borrow a phrase from the introduction to the exhibition – monumental in size. They tower over visitors, drawing us into each them, allowing, perhaps for a greater appreciation of the narrative each holds within it.

Artspace 2535, Ribong Gallery – Harbor Galaxy, October 2019

This walk through the rooms also symbolises a part of Harbor’s philosophy on art and creativity, that “the path of creation travels in one direction, then back again.”, although in this case, the walk takes us through the exhibition and then onward to an opportunity to visit the rest of the Ribong gallery spaces.

The art itself is visually striking – not just because of its physical size, but also in framing, content and presentation – so much so that individual descriptions of pieces are perhaps wasted, and viewing first-hand is required, particularly as the setting with its use of light and colour is very much a part of the overall exhibition. That said, I will admit to being particularly drawn to the two Mage images and Toxic Dreams a couple of rooms beyond them. Precisely why these images in particular caught and held my eye isn’t entirely clear to me, although I suspect with the Mage images, a degree of mythology played a part; looking at them, I found myself caught with thoughts of the shaman-like version of Herne the Hunter once popularised in a UK TV series.

Artspace 2535, Ribong Gallery – Harbor Galaxy, October 2019

With a “formal” launch at 14:00 SLT on Saturday, October 19th (having has a “soft” opening on Friday, October 18th), Alter Ego is an engaging, somewhat immersive exhibition.

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A Shadowlands Retreat in Second Life

Shadowlands Retreat, October 2019 – click any image for full size

DylanShadows presents his Homestead region of Shadowlands Retreat as a “relaxing sim with series of photographic areas. Enjoy a walk around, horseback ride, a dance or cuddle with someone special,” and there is little to argue with in this description. There are number points throughout the region for photography, for spending time with friends and for enjoying that romantic cuddle or dance.

Surrounded by off-region hills that match the autumnal feel of the region, Shadowlands Retreat offers a series of areas within it that are very mixed in their individual attractiveness, from a beach through rocky outcrops with winding paths, to open grasslands offering paddocks and ancient ruins, to hints of fantasy and mysticism and which include woodlands, a high plateau, and more – all of which weave themselves into a landscape rich its attraction for exploration.

Shadowlands Retreat, October 2019

The region’s landing point – which is unenforced – can be found on a large deck area built over an artificial water close to the Western side of the island’s central plateau. It sits close to a stone cottage and alongside a tall windmill that points a blunt finger to the sky. A sea of late summer blooms washes across most of the plateau, flowing under the shade of trees to one side and breaking against islands of rock and water in what can only be described as a garden of wild flowers, waterfowl and restful spots, be they on the deck, under the boughs of trees or within the cottage or the gazebo keeping it company.

Below and surrounding this central flat-topped hill are the island’s lowlands that can be reached through several means: by the simple expedient of walking down the steep grassy slopes that vie with rocky cliffs to support the hill, or by finding one of the numerous paths offering a way down. Some of the latter are obvious – such as the worn, winding trails running down either side of the waterfalls to the south side of the hills; others are still rocky, but perhaps not-so-obvious at first glance, like the fern covered path running down the east side of the hill, or the aged blocks of rock close to it that offer more of a switchback route down.

Shadowlands Retreat, October 2019

Whichever route you take, there is much to be found between the hill and the water’s edge. To the north, for example, visitors will find a barn, complete with tractor and a small mix of livestock. These add to the suggestion that cottage and windmill above were perhaps once part of a working farm. However, whatever animal husbandry is now performed is perhaps more about self-sufficiency than the setting being a working farm.

Just around to the west, and beyond a stone henge, the farm element continues with a small paddock of horses. As these are Waterhorse rideables, I wondered if they would be set to allow the horse riding described in the region’s description, but it would appear not. As we also didn’t find a horse rezzer in our wanderings (although we could have missed it!), this led me to conclude that riding required ownership of your own wearable horse.

Shadowlands Retreat, October 2019

A hint of ancient mysticism is enfolded into the setting as well. The region is bracketed to the south-west and north-east by the stern faces of Moai, for example. Looking inward, they appear to be keeping an eye on all the coming and goings by visitors. More hints of an ancient past are also awaiting discovery: old stone rings, the broken wrist and hand of what must have once been a huge statue (now converted into a cosy cuddle spot), the broken statue of what appears to be a elf maiden at rest… All of these add an air of mysticism to the region, while the numerous little seating spots and dance areas scattered between them present further reasons to tarry within Shadowlands Retreat and explore.

Nor is this all; for those who enjoy beaches and sand, these can be found to the south and east of the region, curving as they do around the island’s high point: a large table of rock rising on vertical cliff faces from the sand.  A path winds its way up this cliffs to the flat summit where can be found a gazebo kept warm by a stone built fireplace, sharing the space with more ruins of different eras, while a crooked promontory thrusts its way across the lower-lying plateau towards the cottage, a further path winding down it.

Shadowlands Retreat, October 2019

Ruggedly photogenic, finished with a rich sound scape and – as noted – plenty to see and enjoy, Shadowlands Retreat lends itself to a range of Windlight settings and to time spent in exploration and in enjoying the setting. Those taking photos are invited to share with through the region’s Flickr group.

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Art with zodiacal signs in Second Life

ArtCare Gallery: Signs of the Zodiac

Opening at 13:00 SLT on Thursday, October 17th, 2019 is a joint exhibition Signs of the Zodiac, featuring the photography of Mara Telling and the 3D art of Impossibleisnotfrench (aka Harry Cover), presented at ArtCare Gallery. I was kindly offered the opportunity to visit the exhibition ahead of the opening by Carelyna, the gallery’s curator, and Harry, whose work I’d only recently encountered at Ladmilla’s THE EDGE Gallery (see: Art and inspiration in Second Life) and had immediately become enamoured of it, so I was delighted to take up their offers.

As the title of the exhibition suggests, the theme is very much about the zodiacal constellations that have long been a part of human mythologies (alongside the constellations as a whole) and the subject of the pseudo-science of astrology. However, whether or not you identify with astrology or not is beside the point here; this isn’t an exhibition related to that subject per se. Rather, it is designed to offer a combination of pictorial representations of the 12 zodiacal signs and models of their twelve related constellations.

ArtCare Gallery: Signs of the Zodiac – Mara Telling

Mara Telling (Sign of Zodiac: Cancer) and Harry Cover (Sign of Zodiac: Leo) first met in June 2019 and became friends immediately. They’ve inspired each other from the very first chat and found out that they share a similar sense of humour and values. The idea for Signs of the Zodiac came up as Harry was looking for new themes for this mesh egg creations. Why not showing all signs of zodiac from the view of a mesh-creator AND a photographer?

– From the introduction to the exhibition

For her interpretations of the 12 signs of the zodiac, Mara notes that she had originally been planning on props and costumes for each sign, but in the end opt to go sans props and instead rely on just her avatar, her camera and a set of custom poses.

My own opinion is that she made the right choice; unencumbered by props and adornments, each image is a wonderful personification of the sign it represents. Some have a marvellous minimalism about them – Libra and Virgo, for example, are perfectly represented by the simple placement of arms and hands. Others offer a more evocative interpretation, as with Leo and Sagittarius, while several – Cancer, Pisces, Capricorn and, of course, Aquarius – fold into them the elemental aspect of their nature.

ArtCare Gallery: Signs of the Zodiac – Impossibleisnotfrench (Harry Cover)

Harry’s eggs offer miniature reproductions of the twelve constellations of the Zodiac, presented in two sizes per constellation. Clicking the top of an egg (if not open) will reveal the constellation rotating gently above a smaller version of Mara’s image of the zodiac sign, providing the link between the two.

He notes that this collection of eggs is something of a departure for him; until now his eggs have been informed by his own experiences with life from childhood onwards. As such, there has always been something of a personal connection to his work – one that actually enfolds anyone viewing it, both in terms of offering the observer the opportunity to share in his memories through an egg and, possibly, through recollections of their own past an egg my trigger.

ArtCare Gallery: Signs of the Zodiac – Impossibleisnotfrench (Harry Cover)

Given the much broader canvas of this exhibition, he admits to moving outside his comfort zone. Not that I think he has anything to worry about; each egg is also captivating and, for anyone familiar with astronomy, each constellation is clearly identifiable (even when rotated to fit its egg, as some have been), making these collectable pieces, perfectly finish through the inclusion of Mara’s art.

Included with each display is a vendor through which you can purchase a set of two eggs and 2 images for each star sign. In addition, Two information givers are available for each sign; when clicked one will offer to take you to further information on the constellation, the other to further information on the zodiac sign.

ArtCare Gallery: Signs of the Zodiac – Mara Telling

Presented beneath a dome of a starlit sky, the floor of which offers a familiar zodiacal ring centred on the Moon, Signs of the Zodiac is engaging to the eye whatever your level of interest in astrology or astronomy. The opening on October 17th will feature singer Lisa Brune, and DJ Jan Ross, and the exhibition will run for approximately 3 months. For those particularly taken by any one of the 12 signs, each is available for purchase in a pack comprising 2 versions of the image by Mara and the two versions of the constellation’s egg by Harry.

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The Boho Refuge in Second Life

The Boho Refuge, October 2019 – click any image for full size

The Boho Refuge is a homestead region designed by Jaccaranda Jael which recently opened to visitors, offering a mix of public spaces and private rental properties. We were alerted to its presence by Sorcha Tyles, who recommended we hop over and pay a visit.

As I’ve noted before in these pages, writing a review about a region that offers rentals can be difficult; by its nature it is intended to offer people a private home, so providing a write-up that encourages people to drop in and wander around can interfere with the privacy those renting the properties might otherwise want. This can be particularly true if the balance between public spaces and private residences is biased towards the latter.

The Boho Refuge, October 2019

Fortunately, The Boho Refuge offers a good balance between public and private that makes a visit rewarding for casual visitors whilst keeping private residences reasonably well apart from the public areas. Most of the latter – 11 homes in all – sit around the coastline of the region or along the gorge that splits the region in two.

This gorge runs from west to east, leaving the bulk of the region as two rugged islands linked by a road bridge. The southern island offers the landing point, with the rental office sitting within a pink walled hacienda that looks like it might in another life offer a cosy bar / lounge, and that sits to one side of a dirt road that winds over the island from the bridge and down to a working quayside to the west. This, and the other little public buildings scattered  over the island offer plenty of opportunity for photography, while two of the rental properties lie on the southern coast and one on this side of the gorge splitting the region into its two main islands.

The Boho Refuge, October 2019

Follow the track toward the bridge and you’ll find it forks, one arm turning north to link with the crossing to the north island, the other continuing east. Follow the latter, and it will lead you down to the access points to the rentals, and also to a fourth private home at the eastern end of the region that sits on its own little isle; so do please respect the privacy of anyone renting the houses.

The slightly larger northern island is more rugged, and features seven rentals around its edges, either snuggled against the coast and facing to the north and east, or perched higher up on the cliffs and facing either north or west, a singleton tucked into the gorge rounding them out. A T-junction at the north end of the bridge allows visitors a choice of routes: west to the access point for rentals and a climb up to the island’s peak, or east and a curving route down to where the road becomes unsurfaced once more and splits to provide access to the homes at the eastern end of the island or to a small public beach (with a rental home just off to one side, so again, be careful when visiting).

The Boho Refuge, October 2019

The upper reaches of this island are open to the public, and accessed by stone steps or a board walk and wooden steps that curl around the highest peak from the western end of the island – although be aware that these were blocked at the time of our visit by a non-phantom tree throwing its physics across the steps. The tops of these hills offer an number of little points of interest: an outdoor spa, a little greenhouse that would make an ideal lovers’ meeting place, the old tower of an abandoned observatory and numerous lookout points.

Packed with plenty of detail, The Boho Refuge offers a fair amount to see, while each of the rental properties sits within its own parcel, making privacy possible for those renting them. They also include a security orb to help warn away straying feet. Finished with a rich sound scape and offering plenty of water fowl and otter to be spotted by keen-eyed visitors, the region could be a cosy home for those seeking somewhere to live – prices available from the rental office.

The Boho Refuge, October 2019

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Kultivate The Edge: October 2019

Kultivate The Edge: M8ty

The October exhibition at Kultivate’s The Edge Gallery opened on Sunday, October 13th. Primarily a black and white / monochrome exhibition space, The Edge features for this exhibition images from both Second Life and the physical world by aht1981, Angyel, M8ty, MTH63, John Bianna, Lena Kiopak, Anouk Lefavre, Moora McMillan, Veruca Tammas and Tintin Tuxing.

As with such ensemble exhibitions, this is a very mixed collection of art, each display offering something unique and potentially appealing to visitors.

Kultivate The Edge Gallery: Anouk Lefavre

Perhaps the most striking in terms of catching the eye due to the colour text used, is aht1981’s The Future Is Yours, a set of three portraits of avatars presented with mini interviews with each of the subjects, together with an introductory set of notes. The latter reveal the images are part of a planned larger project intended to present images and interviews of some 20 people, the interviews intended to give greater depth to the portraits of the interview subjects.

Along the back wall of the lower level of the gallery are three displays that particularly attracted me: those of M8ty, Angyel and Lena Kiopak. For his work, M8ty, presents a series of avatar portraits that are striking in their presentation and depth. Alongside of his work is the display by Angyel, a wonderful mix of landscape-style images some encompassing famous locations within Second Life and the physical world. Similarly, but equally fascinating in presentation are the half-dozen pieces presented by Lena Kiopak offering unique visions of in-world locations.

Kultivate The Edge Gallery: Lena Kiopak

When dealing with an exhibition like this, I often say that singling out one or two artists or pieces in an review like this isn’t entirely fair to the exhibition as a whole, which is why I emphasise that while I might only mention four artists here, all of the displays within this exhibition have much to offer, as noted above. As such, I do encourage those lovers of art in Second Life to drop in to The Edge gallery over the next four weeks and see this exhibition for themselves.

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