La Maison d’Aneli, curated by Aneli Abeyante, relocated mid-year to a new home in the skies of VeGeTal PLaNeT. In making the move, the gallery space has also been redesigned, the former two-level build giving way to a more labyrinthine space that retains the open plan nature of the former venue whilst also making one’s passage through it more interesting by splitting individual display spaces across multiple levels, both “up” and “down” relative to one another, linked by stairways and walkways, together with a number of individual display spaces – all of which work together to encourage exploration and discovery.
At the time of my visit, a new set of exhibitions was due to open on Wednesday, September 18th, featuring work by: Eylinea, Akim Alonzo, Desy Magic, Jolielle Parfort, Megan Prumier, Olympes Rhode, and Moki Yuitza, all of whom present a rich mixing of 2D and 3D art. While all are opening at the same event at 12:30 pm SLT, I have to admit that I was drawn to dropping in ahead of time after receiving personal invitations to see the exhibits by Akim and Moki.
Located in one of the individual galley halls, Akim presents The Matrix, a series of images he’s created based around his love of The Matrix movies. While some of them have previously been displayed at Akim’s own gallery (see: Water and a Matrix: reflections on life by Akim Alonzo), I was drawn back to them because of both their captivating nature and because they are so nuanced and layered. Not only do they offer an interpretation of the manifold memes on the shaping of reality as found within the films and as we can create for ourselves within SL; they also present a commentary on identification – that perennial theme common to Second Life -, as I noted back in April when writing about these images:
Within these pictures is a subtle reminder that, no matter how hard we might try to distance self from character within SL, no matter what the roles we play in-world, the backstories we build; the fact remains that facets of our own natures, our own identities, will be impinged on those characters. They are inevitably a projection of self into the virtual. What’s more, their daily encounters and experiences within the virtual realm equally reflect and inform upon our physical selves. Thus, we have a genuinely visceral intertwining between the “real” and the “virtual”.
Moki also has one of the individual gallery spaces to present a 3D installation entitled Ascension. This is a mobile piece offering an interpretation of the subject matter title – the ability for us to ascend our current state mentally, spiritually or potentially physically. Beautiful to witness, this is also an interactive piece, with poseballs available for those wishing to participate in the installation.
Within the more open areas of the gallery space, I found myself drawn to Eylinea’s 2D and 3D animated art; this being the first time – at least that I can remember – I’ve seen her work on public display. There are intricate and fascinating, drawing a number of approaches – geometric, fractal, and abstract to produce some fascinating pieces.
When visiting the gallery, I do recommend following a certain order to progress through the exhibits. From the landing point provided, take the stairs (on the left as you look out over the gallery) down to the main hall space to visit the individual exhibition space housing Moki’s Ascension. After this, explore the open spaces on their various levels and the hall containing Akim’s The Matrix, before moving to the final individual hall, home to Jolielle Parfort’s always engaging art drawn from Second Life.
This route doesn’t give any deeper context for the exhibits – each stands on its own merits -, but it will offer a logical path through the gallery and the exit point tucked into the hall featuring Jolielle’s work. From there is is then possible to visit the other exhibition areas around la Maison d’Aneli, including region holder vroum Short’s visually captivating Mirror (which I’ve also previously written about). All of these spaces are equally worthy of a visit, but which will be subject for other articles in this blog.