A return to Mount Campion National Forest in Second Life

Mount Campion National Forest: Roscommon Ridge

In July 2020, we made our first visit to Mount Campion National Forest, the marvellous setting created by Marz (Mar Scarmon) around the highest peak on Second Life’s mainland continent of Heterocera (see: The climbs and caves of Mount Campion in Second Life).

Rising towards the peak of the mountain and encompassing the razor back ridge that runs down from it, the forest is a stunning place of beauty, both above ground and underneath it – for within the granite cliffs and high steps of rock runs a network of tunnels and caverns that is so natural in look and feel, it is possible to imagine them having been formed in ages past by the passage of water through the rocks.

Mount Campion National Forest: Roscommon Ridge

Fast forward six months, and a lot has changed for the forest.  It has expanded mightily, actually tripling in size to just shy of (at the time of writing) 100,000 square metres – that almost 25 acres, for those who prefer to work in “old money”. It runs through three region of Heterocera to offer Second Life users both the opportunity for extensive out-door exploration and the opportunity to actually rent a property within it and fully appreciate its splendour.

I know this because Marz recently invited Caitlyn and I back to the forest for a further visit – and truth be told, I’m writing this article between our bouts of wandering the paths and trails above ground and exploring the further caves and tunnels that lie beneath them.

Mount Campion National Forest: Roscommon Ridge

We started our return visit  – on Marz’s recommendation – at  the high plateau of Roscommon Ridge to the north-west of Mount Campion. Here can be found numerous paths and trails – the main ones of which lead the way past some of the rental properties to be enjoyed here, so if visiting, do avoid trespassing and invading people’s privacy.

The plateau is also home to small lakes among the trees, together with fast-flowing streams – perhaps fed by the thaw (a small corner of the plateau still exhibits snow) as much as by the lakes. A short walk from the landing point is an entrance to the cave system under the plateau, one that includes a neatly tucked away rentals vendor providing details on the houses available for rent within the forest.

Mount Campion National Forest: Roscommon Ridge

Through the considered use of many of the same landscaping elements found within the “original” Mount Campion setting: flora, tracks, landscaping elements,  etc., Marz has layered the entire forest, from Camion through the south-western corner of Highflyer and then through Spinach, with a sense of continuity of featuring and setting that is both natural and which encourages explorers to continue their wanderings.

Those who do keep a an eye out for the unusual when exploring may come across one or two little surprises along the way, such as a Sasquatch enjoying a stroll along the banks of a stream or the outhouse that have been placed for the … convenience … of visitors, and more, both above and underground (I’m not going to give all that we found away!).

Mount Campion National Forest: Roscommon Ridge

As well as the Roscommon Ridge additions, I believe I’m correct in saying the cave complex in Campion has been extended, with a series of tunnels and caverns that are partially flooded (if these were around in July 2020, then silly me for missing them on our fist visit!). Find the right way into these, and it is possible to take an air mattress from a rezzer and paddle through the waterways – just mind the waterfall that marks one of the routes out!

The goal of the National Forest is to have a public place of scenic beauty that encourages exploration. A secondary goal is to renew interest in mainland SL. The National Forest has the highest mountain in SL (Mount Campion), miles of scenic trails, forests, canyons, and of course the largest connected cave system in SL. I hope you will visit us again, I am giving you the location for one of our newer areas, but again the areas are all adjacent and connected by trails and caves so I hope you will roam around. Thanks and I look forward to seeing you there.

– Marz (Mar Scarmon)

Mount Campion National Forest: Roscommon Ridge

A captivating beauty spot since Marz took it on, Mount Campion Natural Forest was always a worthwhile visit, and this expansion has increased its attractiveness, offering multiple reasons for a visit. As noted above, at the time this piece was written, Caitlyn and I hadn’t completed our own explorations – so maybe we’ll see you there!

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Taking in an American Shot in Second Life

Nitroglobus Gallery: American Shot

Update February 2nd: part 2 of American Shot is now open at Nitroglobus.

Opening today at Nitroglobus Roof Gallery, curated by Dido Haas, is the first element in a two-part exhibition entitled American Shot, by Milena Carbone.

Both Nitroglobus and Milena have reputations for presenting and creating thought-provoking exhibitions that challenge perceptions and thoughts; and in this exhibition, we have one of the most expansive and provocative installations I’ve seen within Second Life. For her canvas, Milena essentially takes the entirety of human history, using it to outline the rise of civilisation – notably western civilisation – and the corruptions that have inevitably followed, with a focus on the American Empire.

To  say American Shot is richly layered would be an understatement; truth be told it is a complex piece that, for some at least, might make for uncomfortable viewing, given it is exceptionally timely in its presentation, indirectly touching, as it does, on events that have recently unfolded in the United States.

Nitroglobus Gallery: American Shot

This layering starts with the title of the installation itself. The “American shot” (or plan américain), was a term from French film criticism. It refers to a medium-long (“knee”) film shot used in the early years of cinematography to record a group of characters engaged in complex dialogue,  with all of them visible to the camera, thus negating the need for a more complex (and time-consuming at the time) multiple shots that might otherwise be required were close-ups of individuals to be used. It particularly became a staple of early American western movies of the 1930s and 40s, thus earning it the name.

Within the exhibition, the term refers not so much to the framing of the images, but to the idea that, in the history of world shaping civilisations, it is currently the “American Empire” that holds sway  – is calling the shots -, although it now appears to stand at a junction in its own history, the paths before it leading either to further greatness for the benefit of humankind, the other leading to collapse and decay.

Further layering comes in the form of presentation: for the first part of the exhibition, fourteen out of 28 images are presented; these will be swapped at around the mid-point of the exhibition’s run for the remaining fourteen. Each of these images offers something of a reflection on humanity and / or the American experience, the commentary within them both clear and subtle.

Nitroglobus Gallery: American Shot

The “clear” commentary among the first fourteen images is perhaps best exemplified in Million Dollar Priest, an underscoring of the way in which the Christian religion has been subverted over the decades in America through the rise of the “tele-evangelists” with their messages of godliness being invariably tied to the idea of their own personal aggrandizement through the acquisition of wealth through the concept of prosperity theology.

The inclusion of this image also brings into focus one of the themes that can be found throughout Milena’s art: questioning the nature of God and religion. Nor is it the only one of her themes. Also to be found here are thoughts on the collapse of humanity, the roles of science and spirituality, our perception of fiction, reality and consciousness. Some of the pieces also are relevant to the current US situation in their commentaries on the nature of authoritarianism and the role of violence in  shaping civilisation – again, notably, but not exclusively, Army of Bataclan.

I’ve selected the latter image both to highlight the the point made above, and because it encompasses another element of the pieces here: a neo-classical linking of modern civilisation with the great empires of the past. These are again both somewhat clear in places, and elsewhere subtle, with some also layered in broader references. The mirage of democracy, for example, reminds us that the democratic ideal has been the goal of western civilisation – but is something that can easily be subverted (as seen with the Rome Empire and, again, the events in the United States of the first week of January 2021).

Nitroglobus Gallery: American Shot

Much more awaits discovery within this installation, including a a book that helps chart the way through the images and Milena’s ideas in American Shot. Rather than forming a simple expositional piece, however, the book actually forms an integral part of the installation, offering categories for the images that help with their context as well as a story that brings together Milena’s ideas and focus for the installation. It can be found for sale both at the landing point for the gallery and at the café, and I recommend visitors consider purchasing it.

There really is a lot to unpack within this exhibition, as such a visit is highly recommended – as is a return when the second group of images in unveiled (all 28 are contained with the accompanying book), something I’ll be doing later in the month. As such, I’ll finish her by pointing out the official opening takes place on Monday, January 11th at 12:00 noon SLT.

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Behind the Scenes in Second Life

Hermes Kondor: SL Behind the Scenes

Hermes Kondor is a photographer and artist I’ve come to greatly admire since first witnessing his work in 2020. Whether presenting his photography from the physical world or his digital art, Hermes has a remarkable range of artistic expression that always engages the eye and the brain. Given this, his Kondor Art Centre with its multiple art spaces, always makes for a worthwhile visit – as I noted in The art of Hermes Kondor in Second Life.

On January 7th, 2021, Hermes opened his latest exhibition, providing an excellent reason to both appreciate his artistic vision and to explore his art centre. Entitled SL Behind the Scenes, he presents a portfolio of art made within Second Life, but with a truly unique perspective, originating as they do with images taken while running the viewer in Wireframe mode.

Hermes Kondor: SL Behind the Scenes

For those unfamiliar with Wireframe – or wire-frame model, it is the the visual representation of a three-dimensional (3D) physical object used in 3D computer graphics. As such it is common in all virtual environments, be they games, animations using computer graphics, environments such as Second Life, and so on. In the case of SL, the underpinning wireframe model can be revealed via the Developer menu (under the rendering sub-menu) or by pressing SHIFT-CTRL-R (use the same option / shortcut to turn wireframe off again).

The mode has a number of uses in SL (particularly where content creation is concerned). However, I’m not going to delve into them in what is an arts review. Suffice it to say that if you’ve not witnessed the wireframe view of SL before, it can be both confusing and intriguing – and for Hermes, it offered a new way to present images of the places and events he’s recently visited.

Hermes Kondor: SL Behind the Scenes

The result is a fascinating collection of compositions that, whilst originally captured in wireframe mode, have been richly post-processed and composited (possibly with “natural” images of the same scenes, although I’m by no means sure of this) to focus on specific elements within the captured scene to present us with views of Second Life that are genuinely unique and contain a marvellous sense of narrative.

Some 22 images are presented across the two floors of the gallery, each one using solid colour to draw the eye into their detail and frame its story, whilst careful elimination of aspects of the wireframe helps to add further depth and provides a quite enticing sense of life and / or motion to many of them.

Hermes Kondor: SL Behind the Scenes

Visually stunning, SL Behind the Scenes takes us into Second Life in a most individual manner That genuinely sets this exhibition of places and art in Second Life well apart from others, offering as it does – as Hermes notes – an opportunity to draw back the curtain and see into “the Matrix” of Second Life.

Highly recommended – and don’t forget to use the teleport disk outside of the gallery to visit the rest of the facilities at the centre.

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A magical Wildwood Gardens in Second Life

Wildwood Gardens, January 2021 – click any image for full size

With the end of an old year and the start of a new one, thoughts inevitably change from those of winter and snow to the arrival of spring and the rebirth of nature’s colours. Given this, I decided to hop over to Legallyblondmod Demonista’s setting of Wildwood Gardens.

Occupying a little over half a Full region, this is a richly detailed environment that is rich in colour; one that attracted me through the promise of a timeless setting within its description, and I was far from disappointed.

Wildwood Gardens, January 2021
Enjoy lakeside deep forest and exotic caves gardens among the ruins of old. Where hints of ancient magic still linger. Relax and take time to explore.

– Wildwood Gardens About Land description

The lake in question lies on the east side of the setting, at the far end of the woods and their gardens relative to the western landing point. This sits on a small headland that looks out over a narrow channel of water sitting between Wildwood Gardens and an off-region ribbon of an island  and overlooking a west side beach.

Wildwood Garden, January 2021

With its flower-bordered track running south along the back of the beach and lit by iron street lamps, together with the offer of a Teagle horse rezzer for those who might want to ride, and a folly-style rotunda sitting on the grassland on the far end of the beach, this initially has the feel of a simple garden, but there is fall more awaiting discovery, as the About Land description hints.

Proof of this comes by following the track as it passes along the back of the beach before turning inland to arrive at a junction. One arm of this points towards the rotunda on the coast, the other turns east, passing along the foot of a large elven hall that brings a slight flavour of Tolkien to the region.

Wildwood Gardens, January 2021

Elven in style the hall maybe, it has a  distinctly contemporary feel to its furnishings. There’s nothing wrong it this; the two styles compliment one another perfectly, offering a unique look to the hall. A further element of this magic can be found along the branch of the track pointing towards the rotunda near the beach. Following it will reveal it passes by the rotunda to arrive at the entrance to a network of tunnels and caverns.

The network is surprisingly extensive, winding its way under the highlands that form the southern side of the setting, and it is worth both following the suggestion of the sign at the entrance and set your viewer to Midnight and in  taking time to explore underground; the caverns offer hidden waterfalls and pools of water, exotic flowers and crystals and a choice of routes back to the surface.

Wildwood Gardens, January 2021

One of these offers a way back to the main track which, after passing over a stone bridge near the elven hall, passes through the denser trees, side paths branching off to reach places to sit – a camp ground here, a swing seat there, or a parasoled banket – look carefully and you’ll find them.

The remaining route through the cliffs leads to the southern bank of the lake and a hidden tree house that awaits discovery and enjoyment. It is overlooked by a cliff-edge stone pavilion that offers another Middle Earth feel, even though it is not intentionally designed as such. It stands as a hint of another secret to the setting: the cliff-top gardens that also await discovery.

Wildwood Gardens, January 2021

These offer multiple points of interest – a pond with cosy summer house, a walled garden that further combines hints of fable with a contemporary design, a wooden gazebo  – but how do you get up to it is the question. All I’ll say is, find the ruins watched over by unicorns that lies below the cliffs  – you’ll find them further along the track from the main hall, and the entrance to a tunnel and steps that lead up to the plateau are not far away. Should you miss it, you can still carry on along the track to where a bridge spans a gorge linking the lake with open water and another table of grass-topped rock that offers another wild garden with its own attractions,  and when finished there, find the tunnel stairs on your way back.

And all of this just scratches the surface of the beauty and magic of Wildwood Gardens, which is genuinely a place in which to lose oneself. There are multiple places to sit and share, a profusion of colours that naturally blend through flowers and plants, that captivating mix fable and contemporary that gives the setting a truly magical depth and sense of timelessness, all of which is rounded out by a perfect sound scape.

Wildwood Gardens, January 2021

An altogether enchanting design.

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The art of … well, me, actually!

Kultivate Loft Gallery, January 2021

As a rule, I’m not a great believer in self-promotion, however, I also have to admit to being delighted and honoured to be invited by John Huntsman to present some of my images of the places I’ve visited in SL in the opening exhibition of 2021 for Kultivate Magazine’s Loft Gallery.

As I’ve oft – and genuinely – stated, I do not consider myself as “artist” when compared to the many, many talents of genuine artists who have a genuine talent for bring Second Life and its avatars to life; my work is really attempts at illustrating the places I visit rather than trying to be any form of artistic statement. So, when I receive an invitation such as this, I am genuinely (and quite considerably) honoured and flattered. In  this case, very, very much so, given the calibre of artist who are generally invited to exhibit at the Kultivate galleries.

I’m also not great with opening events – I prefer to keep to the background and patter / putter around where I can’t be notice. However, and all things being equal, I’ll be at the Loft for the opening John and Tempest have arranged, and I hope that you’ll drop by either for the opening event from 12 noon SLT on sunday, January 3rd, or over the next few weeks and have a peek at the images I’ve selected for the exhibition.

Many thanks again to John and Tempest for arrange this exhibition.

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An Ambient Hideaway in Second Life

Ambient Hideaway, January 2021

Shawn Shakespeare got us off to our 2021 visits around Second Life with a suggestion we drop into Ambient Hideaway, a Homestead region that is a joint design by Yoyo Collas with the assistance of Mirias and Silly Snook.

A rugged setting currently caught beneath the cloak of winter, the region comprises a large island with a north-to south orientation with a smaller shelf of rock to the south-east, reached via a wooden bridge.

Ambient Hideaway, January 2021

Visits commence in the northern highlands of the main island, a plateau sitting atop cliffs rising from an icy sea.It is home to a cosy restaurant bar delightfully called The End in contrast to it actually being the start of a journey through the region. With seating space both indoors or out under the low-lying (mesh) clouds, the bar shares the plateau with a small hall where visitors can find out about the region’s photography contest which still had a few days to run at the time of our visit, the closing date being January 6th, 2021.

There are three routes down from this plateau, each of which offers its own opportunities for discovery. To the west, wooden steps and a board walk lead down to first a lower shoulder of the plateau and then to a finger of rock pointing west as a slender promontory. Deer wander here, and a wooden cabin lends the warmth of a fire within and that of a brazier to the rear, where the snowy slopes drop down over frosted rocks to the ice and cold waters of the sea below.

Ambient Hideaway, January 2021

Further steps  lead down to a deep bay that faces south-west, sitting between the western promontory and the southern lowlands of the main island. The bay holds within its arms a frozen beach and an old pier and deck extending into the waters, what might have once been a warehouse located on the deck now converted into a cosy snug.

Stone steps climb gently from the east side of the snow-covered beach to link with the second route down from the plateau with its bar and restaurant. Watched over by a Canadian goose and an impressive statue of a stag-headed female figure (“Hern the huntress”, perhaps?), this second path down from the landing point offers the way to a long, thin sand bar that points south and east to where a great circular tent stands in a suggestion of Genghis Khan, the horses walking the sandy finger perhaps adding the feeling one is travelling time to the Mongol times as one follows it to the tent.

Ambient Hideaway, January 2021

Also reached from the path is an open-sided gazebo with a hint of the Christmas just passed standing alongside it, as both stand over the bridge leading to the smaller island. A beach house awaits discovery on this small shelf of rock, and while it lacks a fire inside, a brazier on the deck outside offers an invitation for visitors to go in and a spend a little time away from the cold.

The third route down from the high plateau is by way of wooden steps and platforms to a low-lying out-thrust of flat rock with a shale beach on its north side. An old shipping create, perhaps washed ashore years ago, resides here, but rather than being left to rust and fall apart, it has been turned into a comfortable little hone, complete with windows and doors cut into its side, a large raised deck offering additional outdoors space as it overlooks the beach.

Ambient Hideaway, January 2021

This is a setting that appears to be a lot larger than the 256×256 metres of a Second Life region, the natural shaping of the land and the use of elevation and defined paths giving a sense of expansive space, while the sound scape adds to the sensation that this is place within the wilderness – perhaps an island in northern latitudes lying off the coast of a continent that is itself caught in winter.

There is a wealth of detail to be found within the setting as well – be it outdoors or within the various buildings. Couples are clearly welcome here; there are numerous opportunities for romance waiting to be found in the form of cuddle spots such as that waiting at the end of the western promontory or the old cable-car sitting on the edge of upper plateau.

Ambient Hideaway, January 2021

Photogenic – hence the local competition – richly designed and constructed, Ambient Hideaway makes for an engaging visit; just mind the rather exuberant humpback whale off the south coast! 🙂 .

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