Re-visiting David Rumsey in Second Life

David Rumsey Maps

A January 12th, 2021 Destination Guide blog post by Linden Lab reminded me that it has been seven-and-a-half years since my first – and up until now, only – visit to the remarkable David Rumsey Maps in Second Life (see: If maps are your thing, Rumsey’s the king!). A length of time that marks a return visit as long overdue, so I decided to jump over and renew my own acquaintance with the four-region facility.

As both the Linden blog post and my own post from 2013 note, David Rumsey Maps in Second Life is a direct annexe to the David Rumsey Map Collection. This an on-line collection of more than 150,000 maps with a focus on rare 16th through 21st century maps of North and South America, but which includes maps of Asia, Africa, Europe  and Oceania. The collection stretches back over 30 years, with a programme to digitise them all commencing in 1996.

The collection’s website is powered by LUNA, one of the world’s leading digital asset management tools, one that is used world-wide around educational, research and science institutions. In particular, the software allows visitors to the website to view multiple maps from different time periods side-by-side and also to create and curate their own collections of maps from the library, according to their interest / requirements.

David Rumsey amid items of his map, atlas and globe collection, circa 1996. Credit: David Rumsey Collection

This ability to interact with the collection was expanded in 2008, when the Rumsey collection realised Second Life could be a unique environment by which people could visit and interacts with elements of their collection in a unique manner, and their presence in Second Life has been periodically updated since then.

The core of the facility comprises a visitor centre and a 4-region terrain elevation map of Yosemite Park dating from the 1880s, and which visitors are free to fly over / down town and walk across (to see it all, you should set your draw distance to at least 512m). Around the outer edges of the four regions – which are arranged in a square – is a series of panels – up to 50 on a side – displaying individual maps that can be studied by taking a walk around the boundaries, together with a 3D view across the Grand Canyon amidst the panels on one side.

David Rumsey Maps

Within the visitor centre are more maps – forty of which are available to collect at no charge – and several of what should be interactive elements – map viewers, a media recording of a presentation by David Rumsey himself, etc. Unfortunately, on my return visit, none of these would respond to being touched, nor would the large world map directly outside of the visitor centre, which is designed to allow you to rez a pin on your physical world location and place it on the map with a message of up to 140 characters.

Two skywalks extend from this map platform, each one displaying a ribbon map that can be walked. The first – and longer of these – is featured in the Second Life blog post. It is a reproduction of a map of the Tōkaidō road (“”eastern sea route”), the most important of the five great trade routes linking Edo (as Tokyo was then known) to other major Japanese centres of commerce – in this case, Kyoto on the east coast of Honshū. The second ribbon map,on the shorter skywalk  (which connects to the outer map walk) is a reproduction of a map from the late 1800s showing steamboat routes on the Mississippi.

We built the 4 {regions} in 2008 and have continued to update them since then. One of the things that fascinated me early on was the potential to “walk” on the historic maps and fly around them in SL. The Yosemite map which forms the floor of the site was built with a full elevation model so that it is accurate and in scale. The map is the first truly accurate map of the Yosemite Valley made by U.S. Army topographers in 1883.

– David Rumsey, via Linden Lab

David Rumsey Maps

While flying is not required to see all the maps, it is needed to see the two large globes floating over the Yosemite map. Eash is a reproduction of globes created by Giovanni Maria Cassini (not to be confused with the astronomer, Giovanni Domenico Cassini) – one of the earth and the other of the heavens surrounding it. Both can be flown in, where information boards can be found describing each of them, set over two orreys modelled on the time of Cassini – each fails to record Neptune and Uranus, as those planets had yet to be discovered.

Despite some of the interactive elements not appearing to work, David Rumsey Maps remains an engaging and educational visit.

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Eclectic Dreams in Second Life

Sinful Retreat Janus I gallery: Eclectic Dreams

Eclectic Dreams is the title of an exhibition of art that recently opened (January 9th, 2021) within the Janus I Gallery at Chuck Clip’s Sinful Retreat. Featuring Lash VV’s work from the physical world, it is one of the most raw and vital selections of art I’ve come across in recent times.

Hailing from Serbian, Lash VV is an artist whose work tends to focus on a range of themes, including the spiritual, religious and erotic, that can often include motifs that can be primal and / or universal in suggestion, connecting his art to life and the vitality of living. In reflection of this, rather than confining himself to one or two styles of presentation, Lash VV, encompasses a broad range of techniques and styles,  including impressionism, abstraction, hints of fauvism and impasto. At the same time, he freely utilises watercolours, pen and ink paint, acrylic, oil, tempura, and compositing techniques (including digital compositing) to both emphasise and layer his work. 

Sinful Retreat Janus I gallery: Eclectic Dreams

All of these styles an approaches can be gathered under the core umbrella of expressionism in its broadest sense, in that Lash’s art is often a refection of his own memories and outlook on the themes his work enfolds.

In this, the choice of style used within each piece is, I would suggest, an essential part of its interpretation, adding, indeed, evoking, that raw vitality I mentioned at the top of this article. There is not a piece in this selection that doesn’t evoke a sense of life and / or offers an emotive sensation, From very human pieces such as the still life studies Blue Thoughts (which I admit to being the piece I found the most captivating in this portfolio of richly engaging pieces) and Woman in Blue, through to the abstract forms of Initial Frenzy through Passion, the selected technique does as much to bring each piece to life as does the (more usual) technique in using a dominant colour as a means of expression.

Sinful Retreat Janus I gallery: Eclectic Dreams

There is more here as well; in some of the images, the selected technique can give some of the pieces an unfinished edge to them that further adds a degree of life and, with some, brings to mind the work of past masters.

Tor example, take Cognition. Within it, the seemingly rough lines that hint at being hurriedly drawn, point towards Da Vinci pondering the beauty of the human head – and what might go on within it and using a sketch to capture thoughts that occur whilst engaged on other work. At the same time, the subtle use of colour demonstrates the fact that far from being incomplete, the picture is exactly as it is intended to be, a skilled study of art and form, and one reflective not just of a classical genius, but of Lash’s own unique skill – and his own contemplations.

Sinful Retreat Janus I gallery: Eclectic Dreams

With around 29 pieces on display, many of them carefully placed within small groups defined by style so as to present exhibits within an exhibition, Eclectic Dreams is a truly fascinating – dare I say masterful – collection of art from an artist who is, I understand, new to the SL art scene, but whom I have no doubt will be seen more widely as time goes by – and deservedly so.

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A return to Mount Campion National Forest in Second Life

Mount Campion National Forest: Roscommon Ridge

In July 2020, we made our first visit to Mount Campion National Forest, the marvellous setting created by Marz (Mar Scarmon) around the highest peak on Second Life’s mainland continent of Heterocera (see: The climbs and caves of Mount Campion in Second Life).

Rising towards the peak of the mountain and encompassing the razor back ridge that runs down from it, the forest is a stunning place of beauty, both above ground and underneath it – for within the granite cliffs and high steps of rock runs a network of tunnels and caverns that is so natural in look and feel, it is possible to imagine them having been formed in ages past by the passage of water through the rocks.

Mount Campion National Forest: Roscommon Ridge

Fast forward six months, and a lot has changed for the forest.  It has expanded mightily, actually tripling in size to just shy of (at the time of writing) 100,000 square metres – that almost 25 acres, for those who prefer to work in “old money”. It runs through three region of Heterocera to offer Second Life users both the opportunity for extensive out-door exploration and the opportunity to actually rent a property within it and fully appreciate its splendour.

I know this because Marz recently invited Caitlyn and I back to the forest for a further visit – and truth be told, I’m writing this article between our bouts of wandering the paths and trails above ground and exploring the further caves and tunnels that lie beneath them.

Mount Campion National Forest: Roscommon Ridge

We started our return visit  – on Marz’s recommendation – at  the high plateau of Roscommon Ridge to the north-west of Mount Campion. Here can be found numerous paths and trails – the main ones of which lead the way past some of the rental properties to be enjoyed here, so if visiting, do avoid trespassing and invading people’s privacy.

The plateau is also home to small lakes among the trees, together with fast-flowing streams – perhaps fed by the thaw (a small corner of the plateau still exhibits snow) as much as by the lakes. A short walk from the landing point is an entrance to the cave system under the plateau, one that includes a neatly tucked away rentals vendor providing details on the houses available for rent within the forest.

Mount Campion National Forest: Roscommon Ridge

Through the considered use of many of the same landscaping elements found within the “original” Mount Campion setting: flora, tracks, landscaping elements,  etc., Marz has layered the entire forest, from Camion through the south-western corner of Highflyer and then through Spinach, with a sense of continuity of featuring and setting that is both natural and which encourages explorers to continue their wanderings.

Those who do keep a an eye out for the unusual when exploring may come across one or two little surprises along the way, such as a Sasquatch enjoying a stroll along the banks of a stream or the outhouse that have been placed for the … convenience … of visitors, and more, both above and underground (I’m not going to give all that we found away!).

Mount Campion National Forest: Roscommon Ridge

As well as the Roscommon Ridge additions, I believe I’m correct in saying the cave complex in Campion has been extended, with a series of tunnels and caverns that are partially flooded (if these were around in July 2020, then silly me for missing them on our fist visit!). Find the right way into these, and it is possible to take an air mattress from a rezzer and paddle through the waterways – just mind the waterfall that marks one of the routes out!

The goal of the National Forest is to have a public place of scenic beauty that encourages exploration. A secondary goal is to renew interest in mainland SL. The National Forest has the highest mountain in SL (Mount Campion), miles of scenic trails, forests, canyons, and of course the largest connected cave system in SL. I hope you will visit us again, I am giving you the location for one of our newer areas, but again the areas are all adjacent and connected by trails and caves so I hope you will roam around. Thanks and I look forward to seeing you there.

– Marz (Mar Scarmon)

Mount Campion National Forest: Roscommon Ridge

A captivating beauty spot since Marz took it on, Mount Campion Natural Forest was always a worthwhile visit, and this expansion has increased its attractiveness, offering multiple reasons for a visit. As noted above, at the time this piece was written, Caitlyn and I hadn’t completed our own explorations – so maybe we’ll see you there!

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Taking in an American Shot in Second Life

Nitroglobus Gallery: American Shot

Update February 2nd: part 2 of American Shot is now open at Nitroglobus.

Opening today at Nitroglobus Roof Gallery, curated by Dido Haas, is the first element in a two-part exhibition entitled American Shot, by Milena Carbone.

Both Nitroglobus and Milena have reputations for presenting and creating thought-provoking exhibitions that challenge perceptions and thoughts; and in this exhibition, we have one of the most expansive and provocative installations I’ve seen within Second Life. For her canvas, Milena essentially takes the entirety of human history, using it to outline the rise of civilisation – notably western civilisation – and the corruptions that have inevitably followed, with a focus on the American Empire.

To  say American Shot is richly layered would be an understatement; truth be told it is a complex piece that, for some at least, might make for uncomfortable viewing, given it is exceptionally timely in its presentation, indirectly touching, as it does, on events that have recently unfolded in the United States.

Nitroglobus Gallery: American Shot

This layering starts with the title of the installation itself. The “American shot” (or plan américain), was a term from French film criticism. It refers to a medium-long (“knee”) film shot used in the early years of cinematography to record a group of characters engaged in complex dialogue,  with all of them visible to the camera, thus negating the need for a more complex (and time-consuming at the time) multiple shots that might otherwise be required were close-ups of individuals to be used. It particularly became a staple of early American western movies of the 1930s and 40s, thus earning it the name.

Within the exhibition, the term refers not so much to the framing of the images, but to the idea that, in the history of world shaping civilisations, it is currently the “American Empire” that holds sway  – is calling the shots -, although it now appears to stand at a junction in its own history, the paths before it leading either to further greatness for the benefit of humankind, the other leading to collapse and decay.

Further layering comes in the form of presentation: for the first part of the exhibition, fourteen out of 28 images are presented; these will be swapped at around the mid-point of the exhibition’s run for the remaining fourteen. Each of these images offers something of a reflection on humanity and / or the American experience, the commentary within them both clear and subtle.

Nitroglobus Gallery: American Shot

The “clear” commentary among the first fourteen images is perhaps best exemplified in Million Dollar Priest, an underscoring of the way in which the Christian religion has been subverted over the decades in America through the rise of the “tele-evangelists” with their messages of godliness being invariably tied to the idea of their own personal aggrandizement through the acquisition of wealth through the concept of prosperity theology.

The inclusion of this image also brings into focus one of the themes that can be found throughout Milena’s art: questioning the nature of God and religion. Nor is it the only one of her themes. Also to be found here are thoughts on the collapse of humanity, the roles of science and spirituality, our perception of fiction, reality and consciousness. Some of the pieces also are relevant to the current US situation in their commentaries on the nature of authoritarianism and the role of violence in  shaping civilisation – again, notably, but not exclusively, Army of Bataclan.

I’ve selected the latter image both to highlight the the point made above, and because it encompasses another element of the pieces here: a neo-classical linking of modern civilisation with the great empires of the past. These are again both somewhat clear in places, and elsewhere subtle, with some also layered in broader references. The mirage of democracy, for example, reminds us that the democratic ideal has been the goal of western civilisation – but is something that can easily be subverted (as seen with the Rome Empire and, again, the events in the United States of the first week of January 2021).

Nitroglobus Gallery: American Shot

Much more awaits discovery within this installation, including a a book that helps chart the way through the images and Milena’s ideas in American Shot. Rather than forming a simple expositional piece, however, the book actually forms an integral part of the installation, offering categories for the images that help with their context as well as a story that brings together Milena’s ideas and focus for the installation. It can be found for sale both at the landing point for the gallery and at the café, and I recommend visitors consider purchasing it.

There really is a lot to unpack within this exhibition, as such a visit is highly recommended – as is a return when the second group of images in unveiled (all 28 are contained with the accompanying book), something I’ll be doing later in the month. As such, I’ll finish her by pointing out the official opening takes place on Monday, January 11th at 12:00 noon SLT.

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Behind the Scenes in Second Life

Hermes Kondor: SL Behind the Scenes

Hermes Kondor is a photographer and artist I’ve come to greatly admire since first witnessing his work in 2020. Whether presenting his photography from the physical world or his digital art, Hermes has a remarkable range of artistic expression that always engages the eye and the brain. Given this, his Kondor Art Centre with its multiple art spaces, always makes for a worthwhile visit – as I noted in The art of Hermes Kondor in Second Life.

On January 7th, 2021, Hermes opened his latest exhibition, providing an excellent reason to both appreciate his artistic vision and to explore his art centre. Entitled SL Behind the Scenes, he presents a portfolio of art made within Second Life, but with a truly unique perspective, originating as they do with images taken while running the viewer in Wireframe mode.

Hermes Kondor: SL Behind the Scenes

For those unfamiliar with Wireframe – or wire-frame model, it is the the visual representation of a three-dimensional (3D) physical object used in 3D computer graphics. As such it is common in all virtual environments, be they games, animations using computer graphics, environments such as Second Life, and so on. In the case of SL, the underpinning wireframe model can be revealed via the Developer menu (under the rendering sub-menu) or by pressing SHIFT-CTRL-R (use the same option / shortcut to turn wireframe off again).

The mode has a number of uses in SL (particularly where content creation is concerned). However, I’m not going to delve into them in what is an arts review. Suffice it to say that if you’ve not witnessed the wireframe view of SL before, it can be both confusing and intriguing – and for Hermes, it offered a new way to present images of the places and events he’s recently visited.

Hermes Kondor: SL Behind the Scenes

The result is a fascinating collection of compositions that, whilst originally captured in wireframe mode, have been richly post-processed and composited (possibly with “natural” images of the same scenes, although I’m by no means sure of this) to focus on specific elements within the captured scene to present us with views of Second Life that are genuinely unique and contain a marvellous sense of narrative.

Some 22 images are presented across the two floors of the gallery, each one using solid colour to draw the eye into their detail and frame its story, whilst careful elimination of aspects of the wireframe helps to add further depth and provides a quite enticing sense of life and / or motion to many of them.

Hermes Kondor: SL Behind the Scenes

Visually stunning, SL Behind the Scenes takes us into Second Life in a most individual manner That genuinely sets this exhibition of places and art in Second Life well apart from others, offering as it does – as Hermes notes – an opportunity to draw back the curtain and see into “the Matrix” of Second Life.

Highly recommended – and don’t forget to use the teleport disk outside of the gallery to visit the rest of the facilities at the centre.

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A magical Wildwood Gardens in Second Life

Wildwood Gardens, January 2021 – click any image for full size

With the end of an old year and the start of a new one, thoughts inevitably change from those of winter and snow to the arrival of spring and the rebirth of nature’s colours. Given this, I decided to hop over to Legallyblondmod Demonista’s setting of Wildwood Gardens.

Occupying a little over half a Full region, this is a richly detailed environment that is rich in colour; one that attracted me through the promise of a timeless setting within its description, and I was far from disappointed.

Wildwood Gardens, January 2021

Enjoy lakeside deep forest and exotic caves gardens among the ruins of old. Where hints of ancient magic still linger. Relax and take time to explore.

– Wildwood Gardens About Land description

The lake in question lies on the east side of the setting, at the far end of the woods and their gardens relative to the western landing point. This sits on a small headland that looks out over a narrow channel of water sitting between Wildwood Gardens and an off-region ribbon of an island  and overlooking a west side beach.

Wildwood Garden, January 2021

With its flower-bordered track running south along the back of the beach and lit by iron street lamps, together with the offer of a Teagle horse rezzer for those who might want to ride, and a folly-style rotunda sitting on the grassland on the far end of the beach, this initially has the feel of a simple garden, but there is fall more awaiting discovery, as the About Land description hints.

Proof of this comes by following the track as it passes along the back of the beach before turning inland to arrive at a junction. One arm of this points towards the rotunda on the coast, the other turns east, passing along the foot of a large elven hall that brings a slight flavour of Tolkien to the region.

Wildwood Gardens, January 2021

Elven in style the hall maybe, it has a  distinctly contemporary feel to its furnishings. There’s nothing wrong it this; the two styles compliment one another perfectly, offering a unique look to the hall. A further element of this magic can be found along the branch of the track pointing towards the rotunda near the beach. Following it will reveal it passes by the rotunda to arrive at the entrance to a network of tunnels and caverns.

The network is surprisingly extensive, winding its way under the highlands that form the southern side of the setting, and it is worth both following the suggestion of the sign at the entrance and set your viewer to Midnight and in  taking time to explore underground; the caverns offer hidden waterfalls and pools of water, exotic flowers and crystals and a choice of routes back to the surface.

Wildwood Gardens, January 2021

One of these offers a way back to the main track which, after passing over a stone bridge near the elven hall, passes through the denser trees, side paths branching off to reach places to sit – a camp ground here, a swing seat there, or a parasoled banket – look carefully and you’ll find them.

The remaining route through the cliffs leads to the southern bank of the lake and a hidden tree house that awaits discovery and enjoyment. It is overlooked by a cliff-edge stone pavilion that offers another Middle Earth feel, even though it is not intentionally designed as such. It stands as a hint of another secret to the setting: the cliff-top gardens that also await discovery.

Wildwood Gardens, January 2021

These offer multiple points of interest – a pond with cosy summer house, a walled garden that further combines hints of fable with a contemporary design, a wooden gazebo  – but how do you get up to it is the question. All I’ll say is, find the ruins watched over by unicorns that lies below the cliffs  – you’ll find them further along the track from the main hall, and the entrance to a tunnel and steps that lead up to the plateau are not far away. Should you miss it, you can still carry on along the track to where a bridge spans a gorge linking the lake with open water and another table of grass-topped rock that offers another wild garden with its own attractions,  and when finished there, find the tunnel stairs on your way back.

And all of this just scratches the surface of the beauty and magic of Wildwood Gardens, which is genuinely a place in which to lose oneself. There are multiple places to sit and share, a profusion of colours that naturally blend through flowers and plants, that captivating mix fable and contemporary that gives the setting a truly magical depth and sense of timelessness, all of which is rounded out by a perfect sound scape.

Wildwood Gardens, January 2021

An altogether enchanting design.

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