Terrygold’s Black Box in Second Life

Back Box
Black Box

Black Box is the title of a new exhibition by Italian artist Terrygold, which opened on Sunday, March 13th, 2016. Located high above the Solo Donna club, home to the Art on Roofs series, Black Box is a compelling series, further enhancing Terrygold’s reputation as an artist with a considered eye for composition, nuance, framing and narrative in her work.

Following on from Ceramic Dolls (reviewed here) and Onirica (reviewed here), Black Box shares some aspects with the previous exhibitions, notably Onirica, whilst presenting new images and models, with the exhibition space itself very much as part of the overall installation in tone and form.

Back Box
Black Box

To appreciate Black Box in its fullest, it is essential you have Advanced Lighting Model (ALM) enabled through your graphics preferences. It is not required that you have Shadows enabled as well (which tends to be the heavy hitter when it comes to performance degradation); but as the exhibition space makes use of projected lights, ALM really is essential in order to gain the deepest exposure to the exhibit. Ambient Dark is also the recommended windlight setting.

As with Onirica, the visitor is led through a series of rooms (initially by a blue line on the floor), each of which offers 2D or 3D art (or a mix of both) created by Terrygold, finely lit using projectors, and each piece evocative in its own right. As with Onirica, elements of the exhibition space also form backdrops or elements within some of the images displayed, making for something of an almost recursive experience when appreciating those images. Also like Onirica, passage from one room to the next is, on a couple of occasions, through an element of the displayed art, again adding depth to the exhibition.

Black Box
Black Box

With her work, Terrygold always presents a fine eye towards the use of black and white and the inclusion of colour. This was much in evidence in both Ceramic Dolls and Onirica, and is so again with Black Box; and if anything the subtle ebb and flow of colour through the images brings an additional vibrancy to the pieces displayed here, whilst presenting Black Box almost as the third part or a continuing chapter in a series which perhaps commenced with Ceramic Dolls.

As well as ensuring you have ALM and a suitable windlight when viewing Black Box, be sure to came around carefully –   there are places where you’ll need to cam up to catch everything.

Back Box
Black Box

All told, Black Box is another exquisite blending of 2D and 3D and environment,  one which comes highly recommended, and which will remain open through until Sunday, April 3rd.

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The Edge: fashion and art in Second Life

The Edge Gallery - Miele Tarantal
The Edge Gallery – Miele Tarantal

Opening Sunday, March 13th, 2016 at 14:00 SLT is the inaugural exhibition at a new Second Life gallery. The Edge Gallery,is the latest addition to the Windlight Magazine family, forming a part of the magazine’s The Edge brand managed by  Eleseren Brianna.

The Edge is the fashion division of Windlight Magazine, with a focus on the artistic and cultural side of fashion in both Second Life and the physical world. Eleseren, an accomplished Second Life model and designer and the 2015 Miss Virtual World, serves as both editor for The Edge and curator of The Edge Gallery.

The Edge Gallery - Wicca Merlin
The Edge Gallery – Wicca Merlin

The inaugural display brings together artwork by Honey Bender, Wicca Merlin, Danity Mynx, Tempest Rosca, Miele Tarantal and Joanne Vuitton. Many of the images are original pieces by the artists, and are presented in a variety of mediums.

The Edge Gallery is a clean, modern design, reflective of its purpose to showcase fashion-focused art, and the opening will be marked with a performance by live singer  Saintess Laria at 14:00 SLT on March 13th. The exhibition runs through until April 23rd, 2016.

The Edge Gallery - Honey Bender
The Edge Gallery – Honey Bender

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Of Heritage and Wrecks in Second Life

Heritage: Wrecks
Heritage: Wrecks

Wrecks, which opened on Monday, March 7th, is the concluding element of a two-part immersive art installation created by Gem Preiz, the master of the high-resolution fractal landscape. It’s a piece, together with the initial part of the installation, Vestiges (which you can read about here), is presented under the over-arching title of Heritage.

“Heritage is the theme of the two exhibitions,” Gem explains of the pieces. “The heritage passed to us by our predecessors, and the one we shall bequeath to our descendants in the endless fight of life against Time.”

Vestiges, which opened in January, examined the first part of this statement: looking at the heritage passed down through the ages. We were cast into the role of archaeologists examining past (or perhaps even alien) civilisations; those which had come before us, as who influenced our existence.  With Wrecks, Gem poses a question to us: what are we going to bequeath to those generations that follow us?

Heritage: Wrecks
Heritage: Wrecks

The inspiration for Wrecks comes from the recent global summit on the threat of climate change held in Paris at the start of 2016, and what will happen if we continue to ignore the warnings nature is giving us as to the consequences of our continued abuse of the planet’s ecosystem, presenting one possible future our descendants might face.

Thus we are taken on a journey into the 22nd century, and a vision of a world which has come to ruin directly as a result of our failure to act responsibly. We become a part of the crew and passengers aboard what is perhaps the last vessel capable of leaving Earth in the hope of finding a new home far out within the Kuiper Belt.

Heritage: Wrecks
Heritage: Wrecks

This voyage takes the form of a physical journey through 15 rooms, each one with one of Gem’s magnificent fractal pieces standing together with a journal entry. Some of the latter appear to be from passengers, other are clearly from the crew. All make soulful reading: personal fears, anguish, melancholy, even despair, at  all that has come to pass, founded on a lament for an Earth thoroughly ruined by the hubris and folly of humanity.

What if, as one entry hints, as the space vessel Orpheus transit the Moon, we had heeded the gentle warnings of the first astronauts to stand on those desolate plains, only to look back at Earth and recognise it as a fragile, precious jewel of life suspended in a coal-black sky?

Meanwhile, the images serve to both underline and also counterpoint the essence of the text. While the landscapes and scenes presented may appear desolate and shattered, so to do they remind us that humanity and nature are powerfully creative forces: what might come from us combining our inane abilities with those of nature, rather than simply putting our needs before those of nature?

Heritage: Wrecks
Heritage: Wrecks

If this sounds an overly dark piece, rest assured it isn’t. Rather it is a layered, nuanced piece which aims to get us thinking about matter of ecology, climate change, and our relationship to this one cradle of life we have: Earth. Yes, there is the warning that if we don’t mend our ways, if we fail to act responsibly towards this fragile environment surrounding us, then we are ushering in the potential of ruin and heartache for future generations.

But so to is there a message of hope; a reminder that it is not yet too late. Just as the crew of the Orpheus, in the final chapter of their voyage, find the means to return to Earth, to reunite with those left behind and offer a way to recover and restore the planet, so to are we reminded that there is still time. We can still take the firm, committed step of ceasing our self-centred denials, excuses and procrastinations and decide we will act more responsibility towards this planet, and in doing so lay the foundations by which we can bequeath a rich, vibrant and healthy world to our children and those who follow them. All it takes is a little collective courage.

Heritage: Wrecks
Heritage: Wrecks

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Skip Staheli at The Living Room

Skip Staheli at The Living Room
Skip Staheli at The Living Room

Skip Staheli is a photographer who needs no introduction. His avatar studies are legendary in Second Life – and with good reason. He composes some of the best on the grid, often mixing elements of both digital and physical worlds to produce stunning images. He’s now the featured artist at The Living Room through until March 29th.

“For my  Second Life work I use PhotoShop CS6 and plug-ins like FilterForge and Alien Skin,” Skip says of his technique. “But I would be nowhere without my Bamboo drawing tablet; a lot of my work is drawn by hand. For two years I’ve taken art classes and draw with pencils and charcoal. Second Life showed me how much I could enjoy drawing,  and if not for it, I probably wouldn’t have learned about my creative side.”

Skip Staheli at The Living Room
Skip Staheli at The Living Room

From starting out taking shots of friends for fun, Skip’s reputation quickly grew to the point where he is very much in demand. So much so, that his PA, Delinda Dench, has closed his appointment book until June so that he’s not completely overloaded.

For the Living Room exhibition, he’s displaying over 20 pieces, across the three floors of the gallery space, all of which amply demonstrate the breadth and depth of his skill. From portraits to action poses to fantasy, all of the pictures present Skip’s signature attention to detail and his ability to frame a story in a single frame.

Skip Staheli at The Living Room
Skip Staheli at The Living Room

The exhibition comes at the first anniversary of The Living Room opening its doors, and as such, Skip is a superb choice of artist to be displaying there. Over the course of the past 12 months I’ve had immense pleasure in reporting on each exhibit Owl, Daallee and Nora have staged, and have witnessed some wonderful talents there (some of whom I’m hoping to “steal” and have exhibit at Holly Kai Park!). And on occasion of their anniversary, I’d like to pass on my congratulations to them, and my hope that it is the first of many.

Skip’s exhibition officially opens at 20:00 SLT on Tuesday, March 8th with music from the Vinnie Show, and will run through until 20:00 SLT on Tuesday, March 29th, when there will be  closing party with Aminius Writer.

Skip Staheli at The Living Room
Skip Staheli at The Living Room

The mid-month music party for March will take place on Thursday, March 17th, with Whirligig Rutabaga taking to The Living Room stage at 17:00 SLT, followed at 18:00 SLT by Oblee. And given this is the anniversary month, Owl, Daallee and Nora are promising more surprises as well – so make sure you get to the parties and keep an eye out for news from The Living Room!

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Artists and solitude in Second Life

Hana Hoo, Solitudes, CKB Gallery
Hana Hoo, Solitudes, CKB Gallery

Opening on Sunday, March 6th at noon SLT is an ensemble exhibition entitled Solitudes, which is taking place at  CK Ballyhoo’s CKB Gallery on Mistwood Isle.

On display are works by Whimsical Aristocrat, Jamisson Burnstein, Sera Galaxy, Hana Hoo, Rawnie Lane, Johannes1977, Peep Sideshow, Ceakay Ballyhoo and myself. As the title of the exhibition suggests, each artist’s works (three each) on the theme of solitude. Such are the different approaches each of us takes to our work, the result is a broad range of images, each set of pictures distinct from the others, yet all recognisably linked by the theme.

Sera Galaxy - Solitudes, CKB Gallery
Sera Galaxy – Solitudes, CKB Gallery

From avatar studies through ethereal, story-like images, to landscapes and sea views, the exhibition is set out on the slightly fog-bound beach at Mistwood Isle, the fog adding an appropriate level of atmosphere given the theme of the display.

“For this exposition I’ve asked some of my favourite SL-Flickr photographers to join me in displaying works around the theme Sollitude,” CK says of the exhibition, “I find it exciting to work with a theme and have guest artists at the gallery, because nobody looks at a theme in the same way and it is interesting to find other people’s take on things. The many different styles and angles are always a joy to discover!”

Solitudes, CKB Gallery
Solitudes, CKB Gallery

The opening will feature the music of Lisa Brune, and the exhibition itself runs through until the end of the month.

For myself,  I’m very honoured to have my pieces displayed among such a gathering of talent; particularly given some of them are artists I know well and admire for their incredible work. My thanks to CK for allowing me to be a part of it.

Solitudes, CKB Gallery
Solitudes, CKB Gallery

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Slow motion riot and a nude in Second Life

Slow Motion Riot and a Nude - Dathúil Gallery
Slow Motion Riot and a Nude – Dathúil Gallery

“I create in Second Life for my own amusement, things for photos, things to adorn my avatar with, things just to see if I can,” Zib Scaggs says of her work as a creator and photographer. “I share many of those creations with others who adorn their avatars and take their own photos too. Simple enough.”

Simple it may be, but it is also something that has led to Zib becoming the latest artist to be invited to exhibit her photography at Dathúil Gallery, operated by Max Butoh and Lυcy (LucyDiam0nd). Entitled Slow Motion Riot and a Nude, the exhibition opens on Thursday, March 3rd at noon SLT, and will run through until the end of the month.

Slow Motion Riot and a Nude - Dathúil Gallery
Slow Motion Riot and a Nude – Dathúil Gallery

“The images,” Zib says of the exhibition, “are of those things I have made, or avatars I adorn.” She also notes that she doesn’t look for hidden messages or nor deeper meanings in life or art.and doesn’t hide them in her own work. Thus,  Slow Motion Riot and a Nude presents a series of images, some in muted colours and tones, some black-and-white, which should be interpreted exactly as the eye sees them, and not with any idea that there is a particular story or nuance behind them.

Sitting between the images are little behatted zebras in ones and twos (and which also feature in one of the images in the exhibition). When touched, these will offer the visitor a little gift created by Zib, and which may be one of the items featured in the pictures around the gallery.

Slow Motion Riot and a Nude - Dathúil Gallery
Slow Motion Riot and a Nude – Dathúil Gallery

Given the artist’s statement about her work, I’m loathe to say too much on it, lest I perceive meanings which aren’t intended to be there. What I will say, however, is that each of the pieces offer at Dathúil is both intriguing and eye-catching; when taken together, they present another exhibition which should not be missed.

As noted towards the top of this piece, Slow Motion Riot and a Nude officially opens on Thursday, March 3rd at noon SLT, and runs through until March 30th.

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