Ending and starting the year with Seanchai Library

Seanchai Library

It’s time to highlight another week of storytelling in Voice by the staff and volunteers at the Seanchai Library. As always, all times SLT, and events are held at the Library’s home unless otherwise indicated. Note that the schedule below may be subject to change during the week, please refer to the Seanchai Library website for the latest information through the week.

Monday, December 30th

13:00-15:00: Live Music from The Dickens Project

  • 13:00: Russell Eponym.
  • 14:00: Grace McDunnough.

19:00: Grey from The Wizard of London

Gyro Muggin’s reads an extract from Mercedes Lackey’s The Wizard of London, the 4th volume in the Elemental Masters series.

Set in a Victorian London where magic is real and Elemental Masters control the powers of Fire, Water, Air, and Earth, the novel follows Lord Alderscroft, Master of the British Elemental Masters Council-the most powerful Fire Master ever to lead the Council. Loosely based on The Snow Queen, The Wizard of London delves into Lord Alderscroft’s youth, when he was bespelled by an evil Elemental Master who hoped to use him for political gain.

In Grey, Sarah Jane is sent from her home in Africa to school in London because her parents felt it would be better for her health. But given the conditions in London, however, she might have been safer in the African jungle.

Tuesday, December 31st 12:00 Noon The Dickens Project

The Last Words: join Dubhna Rhiadra, Patch Linden, Kayden Oconnell, and Caledonia Skytower for the last of the stories from The Dickens Project 2019.

Wednesday, January 1st, 2020: The Dickens Project

The last dance at The Dickens Project:

  • Noon: DJ Aoife spins “Blues with a Brogue”.
  • 14:00: DJ Caledonia spins “Rock Guitar Classics”

Thursday, January 2nd, 2020 19:00: Tikta’ Liktak

A young hunter is trapped on an ice floe and marooned on a barren island. He must survive  freezing weather, an attack by a polar bear, and a long journey to return home.

Shandon Loring reads James Houston’s tale for younger readers (Also in Kitely – grid.kitely.com:8002:SEANCHAI).

Mimmo’s garden setting in Second Life

Mimmo, December 2019 – click any image for full size

A group design led by Elise Sirnah with LeviCord and Shadeng Krokus, Mimmo is a Homestead region “designed for those interested in photography”. It’s a location we’ve visited a couple of times, although this is the first time I’ve written about it here.

The design of the region has changed between those initial visits and its appearance as seen here. Whether this is a sign it is renewed at regular intervals or not is hard to say: there are now a couple of rental properties within the region that may limit future terraforming efforts (at least in part) if they are retained.

Mimmo, December 2019

At the time this most recent visit, the region presented a summertime setting with a temperature / tropical feel and a very defined north-south lay to the land. To the north, the land is raised into high hills and a curtain wall of cliffs, beneath which the landing point sits on a broad shelf of rock that is also home to a photographic gallery and information about the region.

This shelf offers a view out over the rest of the region as it drops away to the south, cut in two by a stream flowing south and east from falls that drop to a pool below the north-side cliffs. The stream forms a neat divide between the inland grasslands and the south coast beach.

Mimmo, December 2019

Both parts of the landscape include numerous points of interest, with the inland area laid out in a way that suggests it is all part of the same property, marked by a Tuscan villa / farmhouse to the east, the ground flowing to the west past a fenced meadow that is home to grazing sheep and goats, to arrive at a small summer house matching the general style of the villa as it looks out over the sea to the the south-west and one of the two rental properties, sitting on a small island.

Reached via two bridges – one of which is little more than felled tree trunks – the beach offers space for music, sitting, music and an open-sided bar to be enjoyed by all.

Mimmo, December 2019

The above barely scratches the surface of the region’s offerings. Within the circle of ancient stone walls sit an ageing piano, which although old, might still be enjoyed by those seeking a set for photography, the rose-entwined harp alongside it offering a suitable backdrop.  Another ruin that sits alongside the fast-flowing stream, offers another set for photography, partially lit by a portable movie lamp.

In keeping with the region’s photographic theme, a camp cabin towards the north-east and just below the land point rock shelf is set for photo-processing, with the suggestion of reporters being somewhere in the region: a video camera and an interviewer’s microphone are sitting on the worktables alongside the photo developing kit. Beyond it, and tucked into the north-east corner of the region under the lee of the hills, is the second of the two rental properties, iron gates marking the edge of the parcel.

Mimmo, December 2019

Those seeking a cosy corner in the region might want to direct themselves to the east side behind the villa, where creative use has been made of two sections from the f8f Storyteller’s Burrow to create two sheltered sitting spots linked by a small cobblestone patio, sitting above a narrow ribbon of sandy shale beach.

There is still more to be found within the region, but the above should be enough to whet appetites. Finished with a matching sound scape, the region has a natural flow to its design and layout, and while there are some odd rough edges to the build, Mimmo in no way fails to deliver on the promise of offering a photogenic location.

Mimmo, December 2019

SLurl Details

  • Mimmo (Pomerania Park, rated Adult)

Name Changes: poll update

In Name Changes: $40 per change(?), some thoughts and a poll (December 17th, 2019), I offered some thoughts on the proposed US $40.00 fee for name changes, together with a (very) rough-and-ready poll on how people feel about the capability and the fee (so rough-and-ready that on reflection, I should have structured it a little differently and  used Google Forms for the poll for greater flexibility rather than the tools provided by Automattic for WordPress.com users, which are perhaps a little too basic).

As I noted in that piece, since last names were eliminated in 2010 in favour of “Resident” and the use of Display Names, there have been frequent calls for them to be “returned” to SL. These calls started almost immediately after “Resident” was introduced, through both forum threads and via Jira feature requests. Such was the demand, that by late 2011, LL were actively looking into bringing last names back, although ultimately they gave up on that attempt.

However, I also noted that the fee itself might be a limiting factor (together with the fact that the option will be limited to Premium members), and whilst admittedly a small sampling, the results of my very straw man poll would seem to support this. Just under 61.5% of respondents indicated that they probably won’t use the service, whilst over 80% of those responding the the question on the fee indicated that they felt it was too high.

Results from my (very) rough-and-ready Name Changes poll

Given that most people will naturally be opposed to paying almost any kind of fee for anything (even the L$10 upload fee for textures / sounds / animations is a source of grumbles), then opposition to the Name Change fee is to be expected. But the volume of negative responses, together with the level of disinterest expressed in the capability, would seem to point to the fact that  – again allowing for the fact it is limited to Premium members, and the responses to the poll likely came from Basic members as well – the $39.99 fee may will be a limiting factor for users after Name Changes go live beyond the natural pause LL hope it will provide against too-frequent changes that might otherwise impact services – and might in time prove counter to the degree of effort LL have had to put into implementing the service.

Fee aside, comments that followed my December 17th article and made through the likes of Twitter and direct IM, suggest that Premium members who are eligible for the service may well be put off from using it due to what they perceive as a another potential shortfall: the inability to re-use last names previously made available by LL. Those who wish to take their partner’s last name, for example, are effectively unable to do so except by continuing to use Display Names, while those who have a favourite last name that has previously been offered by by the Lab will similarly be out of luck.

Sample comments on how the lack of the re-use of “old” last names is seen as a limiting aspect of Name Changes

Again, this is only a small sampling, and one that uses a very basic poll to gather feedback. Nevertheless, it does suggest that Name Changes may well face a very mixed reaction once deployed, the former interest among users to have a last names make a return to SL notwithstanding.

Dhyezl’s art at Ani’s Gallery in Second Life

Ani’s Gallery: Dhyezl, December 2019

Currently on display on the upper floor at Ani’s Gallery is an exhibition of Second Life art by a relative newcomer to the scene – and apparently to Second Life as a whole.

Dhyezl appears to have joined Second Life just over a year ago, and the exhibition at Ani’s Gallery – which actually closes at the end of the month, so my apologies to him for getting to it so late – is Dhyezl’s first public display of his art. It features some 27 images, all of which fall largely into the category of landscape images, although many have an avatar-centric lean to them as well.

Ani’s Gallery: Dhyezl

Dhyezl says of his work:

As life is full of surprises, I discovered here a passion for photography. If I remain silent, maybe it’s because you speak in voice and I don’t understand everything, or maybe it’s because I am taking a photo!

I’m still learning, so if you are a photographer I would be happy to share about your techniques, or collect advices.

I actually think he is being far too modest. There is considerable technique in his art, and this exhibition demonstrates this to the fullest; there is a rich vein of narrative to his pictures. In addition, some of the pieces have been gathered together somewhat thematically. Three pieces featuring water, for example have a sandy element before them, representing a beach or river bank. Another three, all of which might be called countryside images, are placed over a mini-scene of a meadow, complete with a broken cart among the flowers.

Ani’s Gallery: Dhyezl

These elements add a certain depth to the art on display; but the reality it, Dhyezl’s art is striking enough not to require additional props, and I look forward to seeing more of his art at future exhibitions.

Also when visiting, don’t forget to appreciate Ani’s art on the ground floor of the gallery as well.

SLurl Details

A late summer at La Clef des Champs in Second Life

La Clef des Champs, December 2019 – click any image for full size

Update, April 2025: Chef des Champs has closed. SLurls have therefore been removed from this article.

It has been some time since I’ve paid a visit to La Clef des Champs (literally, “the key fields”), the region setting by Rose Siabonne. When last I visited, in June 2018, Rose had relocated the setting from a Homestead to a Full region (see: A return to La Clef des Champs).

Part of my reason for not re-visiting is that some time after that last visit, the region appeared to close, and Rose later offered the homestead setting of Hors du Temps (see: An Out of Time experience in Second Life). However, in the latter half of 2019, La Clef des Champs made a return to Second Life (the region details show it as returning in August 2019), and with it, Rose has once again created a photogenic, somewhat Adult-oriented  region – one that was, as the time of my end-of-year visit, still caught in the warmth and colour of summer.

La Clef des Champs, December 2019

As with past iterations of the region, this is a place where Adult activities are allowed, provided they are kept indoors and do not spill over into the gardens and open spaces of the region. As such, some of the buildings scattered across the landscape particularly given over to adult pursuits (notably the two white, modern houses). However, those who prefer not to witness such things shouldn’t be put off from visiting: there is more than enough to see and do without entering the various houses, and some of the buildings – such as the pavilion on the uplands to the south-east.

This pavilion, as with a number of other points across the region offer echoes of previous Les Clefs des Champs for those familiar with previous builds (in this case the piano), without ever being derivative of past builds.

La Clef des Champs, December 2019, December 2019

Water plays a role in the overall design, with the setting split into a primary large island with three smaller isles spaced around it. The largest of these, to the north-west, has a cottage atop it, and while there is no indication the parcel is private, the décor and furnishings with suggest it may well be – so perhaps a little caution should be used when exploring to avoid undue trespass.

Elsewhere, a river cuts through the region, almost splitting it in two has it runs from a set of inland falls and to the east coast. In addition, beaches serve the two white houses, while to the south a bay offers rowing boats and a little café. These help to break up the landscape with places to sit and relax.

La Clef des Champs, December 2019

There are some rough edges to the design, but nothing that spoils the overall effect of the design, while the centre lowlands offer a pastoral setting, complete with farmhouse (unfurnished) with geese, chickens and goats. Between this farmhouse and the (furnished) Tuscan house set a little back from the river, horses roam the grass.

As ever, La Clef des Champs retains an eye-catching design that offers rich opportunities for photography and appreciation of the outdoors.

La Clef des Champs, December 2019

Suzie Anderton and Jaime Poutine in Second Life

ArtCare Gallery: Suzie Anderton

Currently open in Second Life, and very suitable for the holiday period if you’re seeking to appreciate some art whilst dealing with Christmas over-indulgence (not that this should be a primary reason for visiting) are two art exhibitions that are small enough to be enjoyed without over-exertion and which are individually engaging.

Freeze Frame at ArtCare Gallery (curated by Carelyna) presents a selection of images by Suzie Anderton (noted for her InWorld Films machinima brand). Taken from around Second Life, they present – as the title of the exhibition suggests – frozen moments in time that represent places, arts and events.

ArtCare Gallery: Suzie Anderton

What is striking about Suzie’s art is her use of colour and tone to add an emotional depth to many of her pieces. This, couple with her placement of the Sun in-world to provide light and her considered use of saturation within her images bring them to life.

Within Asmita Duranjaya’s InterStellART, meanwhile, is Untold, by Jaime Poutine, a collection of her physical world art. These are fascinating pieces, each one marvellously abstracted, inviting interpretation. They project a sense of ink injected into water to naturally spread to form swirls and clouds of colour swirling against the resistance of the water.

InterstellART: Jaime Poutine

At the same time, many of the images seem to carry ghostly, half-present outlines, the suggestion of something beyond the ink clouds and swirls,pointing to a possible story within the pieces where these “ghosts” are evident. Expressively rich in colour and form, these are remarkable pieces, and worth the time to view.

Two small, enticing exhibitions which are, as noted, well worth taking the time to visit and appreciate.

InterstellART: Jaime Poutine

SLurl Details