Terrygold’s mountain winter in Second Life

Eccapaiari Mountains , November 2021 – click any image for full-size

We’re getting to the time of year when Second Life tends to be awash with winter / Christmas / end-of-year themed regions, all rich with snow and winter wonderland settings to tromp through and enjoy.

One such place that recently opened as a winter’s setting is that of Eccapaiari Mountains, a charming quarter-region design by Terrygold, located on the ground level of the Solo Arte parcel, where it replaces her earlier Osta Nimosa setting (see: Resting in Osta Nimosa in Second life). As with that setting, this snowy design is easy on the eye, but offers plenty to see whilst forming an ideal backdrop for photography.

Eccapaiari Mountains , November 2021

From the landing point, a cart track winds its way around the edge of the parcel, high cliffs to one side, rough lowland to the other spotted by trees, shrubs and bird houses, all of them – cliffs, rocks, bare ground, flora and bird houses  – brushed over with snow, which also frosts the shrubs and plants bordering the track.  As the this track curves to follow the base of the cliffs, so the land to its right opens out to reveal a broad lake, its water frozen into stillness.

As the land opens, so too do buildings come into view: a small chapel and outhouses for a farm, the track splitting before reaching them, one arm following the edge of the lake, the other curling back on itself to pass by the outhouses and reach the low-slung farmhouse, its roof heavy in an insulating blanket of snow. A small summer house sits across the trail from the farmhouse, its interior heated by a wood-burning stove, with both farmhouse and summerhouse thus offering cosy retreats from the snow for those who seek them.

Eccapaiari Mountains , November 2021

The lake offers the opportunity for skating – there is a skate giver sign on the edge of the ice as the track loops around a rocky outcrop to bring its two arms back together into a single path. Here, sitting outdoors, visitors can enjoy a hot glass of mulled wine  or, if skates aren’t to their linking, rez a sled from a second sign and scoot their way around the ice.

Beyond the little hut serving the hot drinks, steps climb up to a small viewing point looking out over the off-region elements of the setting. Those who are so minded might find the dance system as well, sitting in the lee of the tree that also helps shade the little hut, while across the ice a love seat sits within a little wooden shelter where couples might cosy up together.

Eccapaiari Mountains , November 2021

Rounded out by an outdoor fire pit with chairs awaiting those who wish to use them, and the a large sled that also offers single sits and couples cuddles, Eccapaiari Mountains is hardly going to tax anyone’s viewer and is nicely finished with a suitable soundscape. For photographers, the local EEP setting are fine, although for the images here, I opted to use one of my personal settings, which I hope gives a sense

My thanks to Terrygold for the invite to visit!

Eccapaiari Mountains , November 2021

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Gods, woods, steampunk and Wonderland

Seanchai Library

It’s time to highlight another week of storytelling in Voice by the staff and volunteers at the Seanchai Library. As always, all times SLT, and events are held at the Library’s home in Nowhereville, unless otherwise indicated. Note that the schedule below may be subject to change during the week, please refer to the Seanchai Library website for the latest information through the week.

Monday, November 8th, 19:00: The Stone God Awakens

A 20th century scientist is rendered frozen at the molecular level, and then reanimated millennia later by a freak accident. He finds himself in a strange world populated by sentient, anthropomorphic animals, who take his awakening to be the fulfilment of prophecy.

He accepts the mantle of godhood and sets about discovering this brave new world, hoping to find clues to the past while finding his place as the last human. But his quest leads to to question the reality of his status – might other humans also have survived? To find the answers he must lead his tribe of feline worshippers to the heart of a rival god: a great tree spanning half a continent.

Join Gyro Muggins as he reads a novella by the fantasy and sci-fi author Philip José Farmer.

Tuesday, November 9th

12:00 Noon: Russell Eponym

With music, and poetry in Ceiluradh Glen.

19:00: The Wild Wood

A young artist returns to her cabin in the deep woods of Canada to concentrate on her illustrations. But somehow, strange and beautiful creatures are slipping into her drawings and sketches. The world of Faerie is reaching out to her for help – and she may be its last chance for survival.

With Willow Moonfire.

Wednesday, November 10th, 19:00 Steampunk Stories

Finn Zeddore opens the pages of Lightspeed magazine to read Carrie Vaughn’s Harry and Marlowe Escape the Mechanical Siege of Paris.

Harry looked out the window and thought: At least I saw Paris one more time before it was destroyed in the bombardment.
The city was as beautiful, eventful, and astonishing as any young woman who’d read too many novels could wish for. She’d traveled here several years before on her grand tour and had thought herself quite worldly and jaded this time around. But the sight of the Seine, lined with magnificent buildings, palaces, parks, and galleries, with a promise of so many treasures and adventures waiting to be discovered, excited her beyond her expectation. Brought tears to her eyes, even. Eiffel’s new tower from the World’s Fair several years previous stood watch, lurking above the city, an iron skeleton.

Thursday, November 11th, 19:00: Alice In Wonderland

Don’t fall down any rabbit holes, or allow yourself to get waylaid by airborne grins, because this is one tea party date for which you cannot afford to be late as Shandon Loring dives into Lewis Carroll’s popular tale – albeit this time a version with a certain Tim Burton twist!

2021 viewer release summaries week #44

Logos representative only and should not be seen as an endorsement / preference / recommendation

Updates from the week ending Sunday, November 7th

This summary is generally published every Monday, and is a list of SL viewer / client releases (official and TPV) made during the previous week. When reading it, please note:

  • It is based on my Current Viewer Releases Page, a list of all Second Life viewers and clients that are in popular use (and of which I am aware), and which are recognised as adhering to the TPV Policy. This page includes comprehensive links to download pages, blog notes, release notes, etc., as well as links to any / all reviews of specific viewers / clients made within this blog.
  • By its nature, this summary presented here will always be in arrears, please refer to the Current Viewer Release Page for more up-to-date information.
  • Note that for purposes of length, TPV test viewers, preview / beta viewers / nightly builds are generally not recorded in these summaries.

Official LL Viewers

  • Release viewer: version version 6.4.23.564172, formerly the Apple Notarisation Fix RC viewer, issued September 24th and promoted October 15th – No change.
  • Release channel cohorts:
    • No updates.
  • Project viewers:
    • No updates.

LL Viewer Resources

Third-party Viewers

V6-style

  • No updates.

V1-style

Mobile / Other Clients

Additional TPV Resources

Related Links

The art of Sophie de Saint Phalle in Second Life

IMAGOLand: Sophie de Saint Phalle – The Art of Water and Colour

Recently opened at Mareea Farrasco’s IMAGOLand Gallery (level 1B), is an exhibition of art by Austrian artist Sophie de Saint Phalle (Perpetua1010). Entitled The Art of Water and Colours, it offers a selection of Sophie’s work which may also serve as an introduction to her broader portfolio of work than can be found at her own gallery spaces, of which more in a moment.

The Art of Water and Colour, as the name suggests, showcases a selection of Sophie’s watercolour pieces that might be split broadly into two categories: landscapes and life studies, although all of them are simply captivating that speak to a talent steeped in, and with an innate understanding of, art and artistic expression.

IMAGOLand: Sophie de Saint Phalle – The Art of Water and Colour

Such is the beauty and skill found within these pieces, none of them really need any form of exposition here; each speaks plainly and clearly as to it’s subject and nature – and to Sophie’s skill as artist and teacher. Each is presented in a style that befits its subject, from the more abstract seen within Bodensee and the pair of “Namibia” scenes, through to the ink-and wash studies of the human form to the sheer beauty and power of Tanz (Dance), these are very much are pieces that speak for themselves.

As noted, these pieces can form an excellent introduction to Sophie’s work, and for those who haven’t witnessed it previously, I would strongly recommend a visit to The Art of Water and Colours be combined with time at Sophie’s own gallery, the SUBCUTAN Art Gallery and Multimedia centre.

SUBCUTAN Art Gallery: Sophie de Saint Phalle – Red Expressions

Here, across four galleries spaces one can more fully appreciate Sophie’s sheer versatility. From further studies of the human form through digital art that is as captivating to – at the time of my visit – the most glorious selection of political caricatures that are both fun and; this a richly diverse tour de force of art.

Set within a series of futuristic buildings by Colpo Wexler, which I know from experience – and as SUBCUTAN proves – are ideal as gallery spaces,  SUBCUTAN also encompasses a small club and an information centre, which is rounded out by a fascinating media display that steps the visitor through her creative process in producing Lazy Afternoon, copies of which can be purchased on the upper floor of the main gallery.

SUBCUTAN Art Gallery: Sophie de Saint Phalle – Political Caricatures 

For those with a love of art from the physical world, Sophie’s work is not to be missed; whether you explore it through her exhibition at IMAGOLand or via her gallery – or both, for as long as The Art of Water and Colour is open – I cannot commend it strongly enough.

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A silent city in Second Life

Omerta, November 2021 – click any image for full size

Poking my nose into the Destination Guide recently caused me to spot an entry for Omerta City (actually now featured in the DG Highlights at the time of writing), a Full region design by Lux Voxel that leverages the additional private island Land Impact bonus.

An urban environment, this is a place packed with detail – although I’ll say up-front that this comes at a price; unless you’re running on a fairly robust system, you might find it heavy going if you tend to run the viewer with the likes of shadows enabled and / or a high Draw Distance, so be prepared to make some adjustments to your viewer!

Omerta, November 2021

Omertà is a Southern Italian code of silence and code of honour and conduct that is often associated with the Mafia, and I’d venture to suggest the selection of the name for this setting is no accident given it is sponsored through Lux’s own brand Mesh Mafia. Not that it is particularly mindful of Southern Italy or Sicily, being far more leaning towards being somewhere in the United States. However, it does have the feel for a corner of a city where one could well imagine organised crime keeping an eye – and hand – on things; and enforcing their particular brands of honour codes.

This is a location of multiple faces, with waterfront areas, low-lying and aging business areas overlooked by places of business topped by apartments occupying superior, elevated positions. Within all of this are a range of settings that make exploring the city something of an adventure. Many of the shops are outfitted with interiors that invite visitors into them; clubs and pubs present similar places to spend time within, at least one also containing the kind of racket one might associate with criminal activities as NPC exotic dancers seek to entertain those stepping through the doors.

Omerta, November 2021

Caught under a night-time sky by default, Omerta also has a sense of mystery to it: tucked away here and there are shops specialising in voodoo and magic, for example, whilst the bones of an old and long-deserted and ruined fun fair rises from and overgrown lot. There’s also a sense of life throughout: a corner that may have once been a shop topped by living spaces has been converted into a place for children to use their skateboards, as such corners so often get turned into places for childhood recreation where no formal parks or other spaces exist.

Elsewhere can be found roadworks and the suggestions that parts of the city may be about to undergo redevelopment. There’s also a feeling that the age of the city has lead to something of an unfortunate accident: the subway station sits with its platforms barred to public access, they and the tracks they serve being flooded.

Omerta, November 2021

As noted, Omerta can be heavy-going at times: there is both a lot of mesh  and an impressive number of textures which can take time to load and render, particularly if you are prone to keep shadows running at all times (I actually had some issues with texture loading with shadows disabled); as such, it can be a frustrating visit at times (possibly not helped by the region surround / dome).

However, it is more than worthwhile persevering, as the city is also filled with photographic opportunities throughout – and not just under the default EEP settings; as the banner image here hopefully shows, Omerta lends itself to other EEP settings as well.

Omerta, November 2021

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Fantasies and Illusions in Second Life

Lost Unicorn Gallery: Serina – Fantasies and Illusions

Currently open at the Lost Unicorn Gallery, curated by Natalie Starlight, is a superb exhibition of fantasy avatar studies by : SERINA :: ( SerinaK ) entitled Fantasies and Illusions.

Hailing from Japan, Serina is the owner of the Alter Ego mesh clothing brand, and I’m not sure how long she has been involved in SL photography – she joined Flicker in 2018; but I believe this is the first time I’ve see her work in a solo exhibition. And I use the term “superb” above quite deliberately: the pieces exhibited at Lost Unicorn are genuinely captivating.

As avatar / fantasy studies, the pieces presented in the exhibition are rich in colour, detail, motif and visual story, where everything has clearly been carefully considered in compositing and frame that makes them instantly attractive. Most are rendered in colour, although some monochrome pieces are hidden within the collection, their muted tones deliberately chosen to bring forth their story for the eye to see without the need to view any title.

Lost Unicorn Gallery: Serina – Fantasies and Illusions

Whilst focused on fantasy figures and framing, several of the images touch upon the surreal – perhaps most notably with Blind Justice, but elsewhere as well, in subtle touches. This reflects Serina’s broader interest in art that encompasses fantasy, surrealism and fine art. But there is more to be found within these pieces.

Although each an every piece can be appreciated as it is seen, its initial narrative ready to be captured by the eye, this is but an illusion; each carries a deeper story. In some, this might appear to be a personal statement, in others more a comment on society at large. I’m not going to point to individual images here as is often my wont, because these deeper narratives are best discovered by seeking the name of each piece through a right-click → Edit after each has been viewed free from preconceptions brought forth by knowing an particular picture’s title in advance.

Occupying the main lower hall at the gallery, Fantasies and Illusions makes for a grand exhibition – one that flows into the rest of the gallery space as a whole, where the fantasy theme continues with images by a number of artists. Thus the gallery offers a broader, worthwhile visit that I also recommend.

Lost Unicorn Gallery: Serina – Fantasies and Illusions

As noted above, this is the first time I’ve seen an exhibition focused on Serina’s work, and on viewing, I hope it is not the last that I have the opportunity to do so.

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