Vanessa Jane’s Endymion in Second Life

NovaOwl Sky Gallery: Vanessa Jane – Endymion

Open through until September 25th, 2022 at the NovaOwl Sky Gallery is a exhibition of Second Life art by Vanessa Jane (VanessaJane66), which stands a both a celebration of the beauty of Second Life, and also as a reflection of some of the artist’s thoughts on matters within the world at large.

Placed across the two floors of the gallery space are 26 images of locations around Second Life, all of which offer reflections of all that might be found here in terms of landscapes and similar. They encompass townscape, pastoral and rural scenes, coastal studies, street scenes and life studies (primarily and intentionally using NPCs that can be found within various locations in SL, rather than avatars).

NovaOwl Sky Gallery: Vanessa Jane – Endymion

As one would expect with Vanessa’s work, these are all pieces that have been carefully framed and focused so as to offer a single frame story; one enhanced by Vanessa’s considered use of post-processing techniques to evoke mood and narrative. For example, the painting-like finish to pieces like Orkney Croft, Mist Lake and Sunset Trees) gently calls forth thoughts of the great landscape masters; meanwhile, the more photo-like finish to the likes of The Horses, The Picnic Spot and The Bend in the Road, entice us with ideas of romance as bound within the words of the great romantic poets. Together, they remind us of the enduring beauty and power to be found within life’s passage.

However, this is not simply an exhibition of yet more tranquil and / or engaging places we can visit in Second Life. Set between the above are other pieces that are more subtle in their narrative tone. They start as subtle whispers through the likes of The End of the Holiday, The End of the LineAftermath, The Room, Bleak House, and reach full voice within the upper floor trio of The Lights in the Sky, The Innocents and The Cornfield, three pieces specifically produced in response to the war in Ukraine.

NovaOwl Sky Gallery: Vanessa Jane – Endymion

As Vanessa explains via her Artist’s Statement located that the top of the stairs accessing the galley’s mezzanine-like area, this is an exhibition that offers reflections on both the enduring beauty of life (and art), and also its great fragility – and the inherent risk that in only focusing on the one (beauty), we forget the inherent nature of the other (fragility), putting that beauty at risk of being torn down and broken by darker forces within our natures, unless we awaken and take proper action to avoid such fates.

To underscore this, Vanessa has called the exhibition Endymion, after the romantic poem by John Keats (published 1819, and itself building on the Greek legend of Endymion the shepherd / astronomer of Greek mythology and his love for Selene, the Titan goddess of the Moon), with the first stanza of the first book also quoted within the exhibition.

It is a poem which focuses on the idea that whilst it is easy to dream of eternal love in the arms of another (book 1 of the poem), it is much harder to achieve the same whilst awake; requiring as it does earnest travail and conscious effort (as depicted in Endymion’s journeys, recounted through books 2-4 of the poem). Thus its is only through conscious effort and action, rather than dreamy reflection, that we can truly appreciate – and safeguard – the real beauty and power of life.

NovaOwl Sky Gallery: Vanessa Jane – Endymion

In this, perhaps, there is also a reflection on Second Life itself: it is a places of dreams and the imagination kept alive and available through our daily conscious effort of logging-in and devoting our time and attention on it.

Evocative, beautiful, and personal, Endymion is thus a rare and thoughtful journey through Second Life, life, and the thoughts and reflections of the artist.

SLurl Details

A return to Green Acres in Second Life

Green Acres, August 2022 – click any image for full size

Back in March 2019, I dropped into Green Acres, a Homestead region designed by Alsatian Kidd with assistance from Iniquity Constantine. At the time, the setting presented a slice of rural Americana in a very photogenic setting, one I enjoyed exploring and photographing (see A Trip to Green Acres in Second Life).

Three years is a long time in Second Life; it’s a period sufficiently long enough that it can see many changes take place. This is certainly true with Green Acres; much has changed, making a re-visit (as suggested to me by several people over the last couple of weeks) very worthwhile; although at the same time, the changes are such that they show a natural progression for the setting in its rural appeal, rather than a complete revolution in its style and sense of place – a fact that makes a revisit even more appealing.

Green Acres, August 2022
Green Acres provides the three R’s. Rustic. Rural. Retreat. This adult-themed region has open vistas providing opportunities for photography, horseback riding, and hanging out. Explore the farm with livestock, crops and a farmers market.

– Green Ares About Land Description

The land retains its split between rugged grassy uplands and equally green lowlands. The former run from the south-east corner of the region and point their way inland and northwards. Nestled to the east of them sits the landing point, located between a copse of trees and the main path which runs around most of the island.

Green Acres, August 2022

The path partners with a stream originated the foot of falls which drop from the inner highlands, the two running north before parting way once more, the stream turning to follow the foot of the hills and then joining a broader river flowing along their west side, the path continuing to run close to the coastline as it also turns westwards.

Go south along the path and it steps its way up onto the feet of the hills, offering a climb up wooden steps up to the hilltops and the large pond nestled there, reaching the water by way of the deck and cabin facing it – the cabin being a public space. For those who prefer, the point at which the steps commence also offers a grassy climb up to the spine of the hills.

Green Acres, August 2022

Westwards, the land is largely flat or low-lying compared to the hilly east. The majority of it is separated from the hills by a rocky escarpment and a river which flows north from a broad lake at the foot of the cliffs. This land is home to the Green Acres farm, the farmhouse set back overlooking the west coastline, the farm’s outbuildings – barns, farm produce store and greenhouse – all scattered around, set between fenced meadows where livestock and horses graze, and  where crops grow.

A point to note here is that while the farm’s outbuildings are available to the public, the farmhouse itself is a private residence, so please keep that in mind when visiting.

Green Acres, August 2022
There is no direct route over the hills from the landing point to the farm; if you want a safe way to go from one to the other, it have to be by following the footpath north and then west. This brings visitors to Sahar Point, occupying the north-west corner of the region, and Constantine Harbour.

This is marked by a broad, dune-waved beach nestled in a small cove watched over by a lighthouse sitting between it and the river estuary that forms the waterfront for the harbour, the wharf and harbour buildings the home to a seafood market. A stout bridge spans the neck of the river just before it broadens into the estuary, presenting a crossing-point to reach the farm.

Green Acres, August 2022

Rich in places to sit – just check the annotated map at the landing point -, with wildlife waiting to be found throughout and finished in a fitting soundscape, Green Acres remains a beautifully photogenic visit.

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A musician’s abstract art in Second Life

The Miller Gallery – Ryan Miller

Second Life resident and reader of this blog, Robicheaux, recently forwarded me a landmark to a gallery they came across while strolling through Bay City, together with a recommendation that I pay it a visit.

The Miller Gallery, developed and managed by Kimsy Shamen, is home to the physical world art of Ryan Miller, who has  – by Kimsy? – ben encouraged into Second Life to expand his audience base for his art. While small, the gallery demonstrates the richness of Ryan’s abstract work together with insights into his creative processes and inspirations, this making a visit a highly engaging experience.

The Miller Gallery – Ryan Miller

Sporting an avatar with something of a passing resemblance to him, Ryan Miller has for most of his career been a freelance musician. However, in 2018 he started following along with videos of artist Bob Ross and learning to paint. Some may know Ross as the creator of the television series The Joy of Painting (1983-1994), and which following his untimely passing, became a major You Tube hit, Ross’s very personal (to the viewer) folksy approach to teaching painting and painting techniques encouraging many to give art a try.

Starting with landscapes, Miller found he had a passion for painting, one which quickly caused him to broaden his inspirational horizons which lad him into the world of abstract, and the influence of the likes of Jackson Pollack and Yayoi  Kusama, occasionally mixing in surrealist/magic surrealist elements of Friedensreich Hundertwasser. In doing so, his technique has extended to embrace acrylics as ell as oils and encompass experimentation in texture as well as style, and to even use music and musical instruments as influences, In this, his work has become much sought-after in terms of commissions from collectors, for use with album covers and pieces produced in support of charitable endeavours – fund-raisers, etc.

The Miller Gallery – Ryan Miller

The galley offers 25 pieces of Ryan’s art, carefully placed to make full use of the available space. While primarily all abstract in nature, these are incredibly approachable pieces, and even without the liner note Ryan has provided with each of them, anyone with a passion for art will recognise Kusama’s influence, the touches of cubism that pay homage to Picasso together with the Salon Cubists such as Metzinger, and more.

Supported as they are by detailed liner notes from the artist – some of which include links to his website and others to other resources, these are more than mere reproductions of art imported from the physical world; they are voyages into the eye and mind of the artist (quite personal voyages in places) – which further adds to the sense of vitality to be found in each and every piece.

The Miller Gallery – Ryan Miller

Richly engaging, each with its own attraction (as an amateur musician, I found myself particularly drawn to the two pieces from Ryan’s Frequency series, and longing to her the beat and tones  as I have a fascination with the Theremin which gave rise to Blue Composition), making this a gallery well worth visiting.

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A walk on the Wild Branch side in Second Life

Wild Branch Brewing Co, August 2022 – click any image for full size

Note: Wild Branch has relocated.

Once again I followed Shawn Shakespeare’s lead and headed for a location which has been on my “to visit” list given it has often popped up in my searches of the Destination Guide, but which I had not got around to hopping over to. That place is the Wild Branch Brewing Co.

Nestled in a secluded area of Riverbook, scattered with lush shrubbery & green foliage, the Wild Branch Brewing Co. is a first of it’s kind craft beer brewery experience in Second Life.
Immerse yourself in rustic tranquillity with luxury amenities for the perfect nature getaway.
It’s your time to be adventurous, be secluded, be daring, be free – our retreat lets you do all of that and more. Come visit us to unwind.

– Wild Branch Brewing Co,  region holder Lexy Nexen

Wild Branch Brewing Co, August 2022

Occupying a Homestead region held by Lexy Nexen, with a design by KaidenTray, this is a richly wooded region, rugged in nature and cut into by water, offering a mix of public spaces and short-term rental spaces suitable for the Second Life “vacationer”.

The landing point is located on the east side of the setting, tucked between the pub with its micro-brewery and a cosy art gallery which at the time of my visit featured a modest display of Second Life focused art by Jennifer Steele.

Wild Branch Brewing Co, August 2022

The pub – based on the superb Kierna Ranch design by Cory Edo (a design I’ve been eyeing for potential use on Myvatn – maybe, someday!). sees the large deck of the default build turn into an open-air music and seating area, the pool neatly converted into the dance floor overlooking the inlet cutting into the region’s heart.

A north-south footpath runs through the landing point and between the pub and the gallery; To the south, it descends to where a finger of an island points westwards, home to a second, outdoor bar, again with its own DJ space. To reach this, on crossing the channel of water separating the main island from the smaller, the path turns past one of the short-term rentals on the region, a small cabin sitting on a deck built out over the water. Beyond the bar, the path continues to where a kayak rezzer sits on the water for those fancying a paddle around the waters of the region.

Wild Branch Brewing Co, August 2022

Northwards, the path doglegs to run along the coast, passing a fenced-off campsite (also available for short-term rent) and a corner rental cabin before turning west to reach further rental cabins clustered either side of a waterfall and pool. A further pool of water sits between the pub and the camp site. Offered as a possible swimming hole fed by another waterfall, this is also a haven for local wildfowl.

The inlet cutting to the heart of the region offers 7-seas fishing and also, at its south-western headland, a further rental property, a substantial 2-storey cabin offering more space and seclusion than the other rentals on the region. Both fishing and cabin are best reached via the kayak mentioned above, although obviously, be aware the cabin might be rented already, and so privacy might be expected. The eagle-eyed might also spot paddleboard rezzer on the shingles of the inlet, whilst another rezzer alongside the 7-seas fishing presents floats for those who fancy cooling down while splashing around in the waters of the inlet.

Wild Branch Brewing Co, August 2022

Surprisingly devoid of an accompanying soundscape – outside of the cracking of a fire in the campsite -, which does leave the setting a little less immersive than might otherwise be the case (no birdsong in the trees? no rumble or splash of water tumbling from vertical or stepped falls?), Wild Branch Brewing Co., is still nevertheless highly photogenic and an attractive visit.

(Note, these is a region surround present that might not be obviously reflected in the photos here; this is because my viewer decided it did not want to fully render the entire surround, so rather than having chunks of it “missing” and random lines crossing through the sky, I opted to de-render the surround.)

Wild Branch Brewing Co, August 2022

SLurl Details

  • Wild Branch Brewing Co. (Riverbrook, rated Moderate)

Ekphrasis: the rhetorical nature of art in Second Life

Artsville: Angelika Corral – Ekphrasis

Now open within Gallery 1 within Artsville, the arts hub operated by Vally Lavender (Valium Lavender) and managed / curated by Frank Atisso is Ekphrasis, a selection of highly visual pieces of art by Angelika Corral, a Second Life photographer of note, and former co-operator of Daphne Arts in SL.

Comprising 10 individual pieces which – I believe – started as Second Life avatar studies, but which have been have been subject to considered post-processing to present a set of unique images created by the artist with the express intent of evoking a response from all who see them. But not, however, a purely emotional (or even visceral response); rather, the intent is evoke responses along more ekphrastic lines.

In its simplest form, ekphrasis is the use of one medium of art (traditionally the written word, be it prose, poetry or lyric) attempts to define and/or describe the essence and for of another, and in doing so, illuminates the art to a wider audience through its description. Some of the pieces I write in this blog on art exhibitions, of example, might be said to be examples of ekphrasis, in that they attempt to present an interpretive commentary on the art to which they relate. A motion picture based on a novel might also be seen as a latter-day form of ekphrasis, bringing the essence and form of the novel to an audience, allowing them to absorb and interpret it more freely than through the written word itself.

Artsville: Angelika Corral – Ekphrasis

In this, such interpretive broadening can be said to be rhetorical; they seek to persuade the audience towards a given reaction or response. Within her exhibition, Angelika embraces this concept, presenting ten images she encourages us to consider and interpret. to develop our own narratives and stories as we examine them; to allow thoughts and reactions to explore the spirit, if you will, of each piece. The fact that the narratives I see may differ from those you see, matters not.

And therein lies, perhaps, the broader genius of this exhibition; “traditional” ekphrasis is generally considered to be a rhetorical device – the words use by the poet or storyteller illuminating the art to which it relates. While this is certainly true here, it might be said that the images Angelika presents are themselves rhetorical devices; when we observe art, we do so entirely subjectively, our views coloured by our own sensibilities – hence my mention of an emotional / visceral response to any piece of art above.

So here, Angelika offers pieces that through their structure and form, themselves take on the role of narrator; they subliminally encourage us – through our own preconceptions / moods – to drive our personal narrative in a direction that is purely in-the-moment; a narrative that will more than likely shift and change the next time we view each one – be that an hour or a day or a month hence.

Artsville: Angelika Corral – Ekphrasis

Engaging, complex and a visual personification of a concept dating back to ancient Greece, Ekphrasis presents a thought-provoking exhibit of art.

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2022 SUG meetings week #32 summary

Bella’s Nocturne, June 2022 – blog post

The following notes were taken from the Tuesday, August 9th, 2022 Simulator User Group (SUG) meeting. They form a summary of the items discussed and is not intended to be a full transcript. A video of the entire meeting is embedded at the end of the article for those wishing to review the meeting in full – my thanks to Pantera for recording it.

Server Deployments

No deployment plan notes were available on the forums at this time of writing this update.

  • On Tuesday, August 9th, the simhosts on the Main SLS channel were restarted without any deployment, leaving them running simulator version 573176, comprising infrastructure updates.
  • On Wednesday, August,10th, all RC channels will updated to simulator version 573931, adding Premium Plus support to llGetObjectDetails() in LSL.

The long-promised new llReplaceEnvironment and llSetEnvironment should now go out in week #33, as Maestro had found a couple last minute bugs, which required the addition of an ability to override them at altitude and so prevented their inclusion in this week’s RC deployment.

Available Official Viewers

No changes to the current crop of official viewers at the start of the week, leaving them as:

  • Release viewer: version 6.6.2.573358 – formerly the Maintenance 2 RC viewer, dated August 1, promoted August 4 – New.
  • Release channel cohorts (please see my notes on manually installing RC viewer versions if you wish to install any release candidate(s) yourself).
    • Maintenance (N)omayo RC viewer, version 6.6.3.573882, August 5.
    • Profiles RC viewer, version 6.6.2.573372, issued July 21.
    • Izarra Maintenance RC, version 6.6.2.573282, July 20.
  • Project viewers:
    • Love Me Render (LMR) 6 graphics improvements project viewer 6.6.2.573263, July 21.
    • Performance Floater project viewer, version 6.5.4.571296, May 10.
    • Mesh Optimizer project viewer, version 6.5.2.566858, dated January 5, issued after January 10.
    • Copy / Paste project viewer, version 6.3.5.533365, dated December 9, 2019.

In Brief

  • More general discussion on parcel ban lines, security orbs and road / water / air vehicle travel (mostly, but not exclusively related to Mainland. This included BUG-231802 “Prevent vehicles from entering parcels their riders cannot access”), which is now being queued-up to be worked on at the Lab. While this will not help with aggressive orbs, it will help with issues of vehicle entering parcels set with restricted access and the passengers being ejected.
  • Scripted simulator communications:
    • Several people have reported llInstantMessage() is failing at times. This is proving hard to reliably reproduce, but the Lab is nevertheless investigating.
    • llRegionSayTo is also reportedly failing at times, but again, more investigation on this is required before definitive conclusions can be drawn.
    • These led to a wider discussion on simulator communications – please refer to the video for details.
  • Pivot points / object hierarchies. Following the discussion on these at the last Content Creation User Group (CCUG) meeting (see here), a Feature Request Jira has been raised (BUG-232445) and a bare-bones forum thread opened. Commenting on the linking of the two ideas, Rider Linden noted:
The whole discussion about object hierarchies is/was a bit tangential. Strictly speaking the two are not related. (It is a nice to have, but would be a huge multi-month effort to pull off).
  • For other general discussion and comments, please refer to the video below.