Cold Moon, September 2025 – click any image for full size
Back in July, I visited Lost Place of Norbu, a marvellous sub-tropical Homestead region design by Miri (SilentChloe). It was a place I found more than lived up to its the English version of its name (“jewel”), as I noted in Lost Place of Norbu: a sub-tropical jewel in Second Life.
More recently, I came across Cold Moon in the Destination Guide and saw it carried a Japanese theme – something which immediately caught my attention and causing me to add it to my list of places to visit. When hopped over to grab a landmark and saw the designer was Miri, I knew I’d be in for something special, as would anyone else paying the setting a visit, and decided to go ahead and write about it immediately.
Cold Moon, September 2025
As with Lost Place of Norbu, this is setting with an Adult rating, and which does include items which can be used for adult and BDSM activities. However, and again like Lost Place, these items are cleverly placed and designed to blend in with the overall design of the setting, and when not in use appear to be part of the overall décor, blending with the rest of the setting.
Cold Moon is a small island surrounded by the ocean. Discover the wild nature and enjoy the sound of the sea and the whistling wind. Enjoy your stay in this beautiful and mysterious place. This place is dedicated to Japanese pearl divers.
– from the Destination Guide entry for Cold Moon
Cold Moon, September 2025
The Landing Point is located on the southern and largest of the five islands making up the setting. Low-lying, somewhat rugged in nature, a fair portion of this island is itself flat, rain-swept rock, the water suggesting it has been subject to a recent downpour. An open-sided pavilion overlooks the Landing Point and provides one of several places to be found throughout the region where visitors might sit and pass the time.
Facing the pavilion from across the puddle rock is dedication to Japanese pearl divers in the form of the story of Lady Tamatori (Tamatori hime), the “jewel-taking princess” and legendary Ama (pearl diver). Just touch the dedication to receive a notecard to read her story.
Cold Moon, September 2025
Close to this dedication board, a path winds down to a long bridge spanning the waters to the second largest island. This is marked by high cliffs over which water tumbles and large statues. The low-lying part of this island offers a further place to sit and a shrine to a fallen warrior. Stepping stones also reach out over the shallow waters to one of the smaller islands in the group, this one dominated by another structure offering a further retreat in which to pass the time.
The remaining two islands lie between to two large islands and tucked into the south-west corner of the region respectively. The former is home to statues of a samurai and a geisha, whilst the latter is a rocky sentinel watching over a nearby floating bar and boat dock.
Cold Moon, September 2025
All of the above is little more than a physical description of the setting; what is harder to convey with words is the overall beauty waiting to be found in Cold Moon.
As with Lost Place of Norbu, this is a setting brought to life be the level of detail Miri has brought to it, from the birds and waterfowl, through the plants and trees to the décor and furnishings found within the various buildings and across the islands. On the water are little boats and a raft carrying with it the suggestion someone might be pearl diving), together with floating lanterns, the latter offer a sense of romance as they sit on the water around the statues of the geisha and samurai on their little isle.
Cold Moon, September 2025
All of this is captured under an ideal environment setting which brings both an edge of fantasy / mystery to the setting and a hint of autumnal days. Combine this with the sense of tranquillity within the setting, and Cold Moon makes for a genuinely engaging visit.
NASA’s Perseverance Mars rover took this selfie on July 23rd, 2024 (sol 1,218 of the mission). The “arrowhead” rock dubbed “Cheyava Falls” is centred in the image. The white spot on surface of “Cheyava Falls” is one of two points “cleaned” of surface dust so the rover could examine the composition of the rock’s surface directly. The second spot was created by the rover’s drilling mechanism in obtaining a core sample of the rock, the hole for which as be seen just below the abrasion patch. Credit: NASA/JPL / MSSS
A little over a year ago, NASA released a statement on a find made by the Mars 2020 rover Perseverance as it continued to explore an ancient river outflow delta within Jezero Crater on Mars. It related to an unusual arrowhead-like rock NASA dubbed “Cheyava Falls”, and which showed both white veins of calcium sulphate – minerals that precipitate out of water – running across it, and tiny mineral “leopard spots”, whitish splotches ringed by black material.
These spots, together with black marks referred to as ”poppy seeds”, are common on Earth rocks when organic molecules react with hematite, or rusted iron, creating compounds that can power microbial life. “Cheyava Falls” was the first time such formations had been located and imaged on Mars, and marked the rock, roughly a metre in length and half a metre wide to become the target for more detailed study before the rover eventually moved on.
This study resulted in more discoveries hinting at the potential for organic processes to have perhaps once been at work within the rock, as I noted in Space Sunday: Mars Rocks and Space Taxis. However, the matter was complicated both because “leopard spots” can also be the result of an abiotic chemical reaction rather than the result of any organic interaction, and the further examination of the rock revealed the presence of olivine mineral.
These images provide details on the route taken by Perseverance as it investigated the outflow plain in Jezero Crater in mid-2024 and highlighting the location of “Cheyava Falls” within “Bright Angel”, together with other locations investigated by the rover. Credit: NASA/JPL / ASU / MSSS
The latter is no friend to organics, as it generally forms within magma at temperatures deadly to organic material. This suggest it and the phosphates and other organic-friendly minerals within the rock may have been deposited at temperatures which would have killed off any organics present long before they could have resulted in the “leopard spots” forming, leaving the latter’s formation purely a matter of inorganic reactions.
But the matter is complicated, and for all of its capabilities, the science laboratory aboard Perseverance is limited in how much it can do. What is really required is for the samples gathered from “Cheyava Falls” to be returned to Earth and subject to far more extensive study – something which in the current political climate in the United States, isn’t going to happen in the near-term.
Considerable caution needs to be taken when discussing matters of microbial life on Mars. The planet is a highly complex environment, and while there are many indicators that it may have once been a far warmer, wetter and cosier environment which may have formed a cradle for the basics of life, that period might also have been extremely brief in terms of the Mars’ very early history. And therein lies another twist with “Cheyava Falls”; the rock appears to have formed some time after that period in the planet’s history.
Captured on July 18th, 2024 (sol 1212 of the mission) using the WATSON imager aboard the NASA rover Perseverance, this image of the rock dubbed “Cheyava Falls” show to of the large white calcium sulphate veins running across the rock, and between them bands of material whose reddish colour indicates the presence of hematite, covered in millimetre-sized light patches surrounded by a thin ring of dark material, and referred to as “leopard spots”. Similar spots can form on sedimentary terrestrial rocks and are frequently an energy source for microbes. Also annotated is one of a number of nodules of pale green olivine. Credit: NASA/JPL / MSSS
If nothing else, the likes of ALH84001 – the meteorite fragment discovered in the Allen Hills of Antarctica in 1984 and shown to have originated on Mars – encourage a lot of caution is required when it comes to trying to determine whether or not something is indicative of organic interactions having once been present on Mars.
In that particular case, the team studying the fragment in 1996 reported they may have found trace evidence of past microscopic life from Mars. Unfortunately, their findings were over-amplified by an excited press to the point where even in the face of increasingly strong evidence that what they had discovered – what appeared to be tiny fossilised microbes embedded in the rock – was actually the result of entirely inorganic processes, members of the science team involved in the ALH84001 study became increasingly adamant they had for evidence of long-dead Martian microbes. It wasn’t until around 2022 that the debate over this piece of rock was apparently settled (see: Space Sunday: pebbles, ALH84001 and a supernova).
With this in mind, an international team set out to subject the data and images gathered from “Cheyava Falls” and its immediate surroundings, referred to as “Bright Angel”, and where other samples were taken for analysis by the rover, in an attempt to try to identify the processes at work which may have resulted in the formation of the “leopard spots” and “poppy seeds”. They published their findings on September 10th, 2025 – and those findings are potentially eyebrow-raising.
An artist’s rendering of the Mars 2020 rover Perseverance exploring and studying Jerzero Crater. Credit: NASA/JPL
On Earth, all living organisms obtain energy through oxidation-reduction (redox) reactions, the transfer of electron particles from chemicals known as reductants to compounds named oxidants. An example of this is mitochondria found in animal cells which transfer electrons from glucose (a reductant) to oxygen (an oxidant). Some rock dwelling bacteria use other kinds of organic compound instead of glucose, and ferric iron instead of oxygen.
Ferric iron can be similarly reduced, resulting in water-soluble ferrous iron, which can be leached away or reacts to form new, lighter-coloured minerals, resulting in the “leopard spot” deposits very similar to those found on “Cheyava Falls”. In particular, these latter reactions can result in two iron-rich minerals, vivianite (hydrated iron phosphate) and greigite (iron sulphide). Again, on Earth the formation both of these minerals can involve organic interactions with microbes – and both vivianite and greigite appear to be present within the “Cheyava Falls” samples analysed by Perseverance.
However, as noted, above “leopard spots” – and by extension vivianite and greigite – can be formed through purely aboitic reactions. The most common means for this occurs when rock containing them is formed, due to the transfer of electrons from any organic matter (which is not necessarily living organisms) trapped in the rock to ferric iron and sulphate. But this process requires very high temperatures in order to occur – and given the age of “Cheyava Falls”, the required temperatures were unlikely to have played a role in its formation. However, the presence of living microbes in the rock could result in the spots and the phosphate and sulphide minerals found within them.
Given this, the research team focused on trying to find non-biological interactions which might produce the minerals in question – and they were unable to do so.
The combination of these minerals, which appear to have formed by electron-transfer reactions between the sediment and organic matter, is a potential fingerprint for microbial life, which would use these reactions to produce energy for growth.
– NASA statement of the mineral composition found within samples of the “Cheyava Falls” rock
So, does this mean evidence of ancient microbes having once existed on Mars? Well – not necessarily; nor do the research team suggest it is. As they note in their paper, while no entirely satisfying non-biological explanation accounts for the full suite of observations made by Perseverance, it doesn’t mean that there isn’t one; it’s just that while the rover’s on-board analysis capabilities are extensive, they are also limited. In this case, those limits prevent the kind of in-depth examination and analysis of the “Cheyava Falls” rock sample which might definitively determine whether or not microbial interaction or some currently unidentified inorganic process is responsible for the deposits.
The only way either of these options might be identified is for the samples to be returned to Earth so they can be subjected to in-depth investigation. But again, as noted, that’s unlikely to happen any time soon. A major flaw with the Mars 2020 mission has always been that the samples it gathers can only be returned by a separate Mars Sample Return (MSR) mission. This has proven hard to put together thanks to the complexities of the mission being such that its design has cycled through several iterations and suffered spiralling costs, reaching US $11 billion by 2024 – with the timescales constantly being pushed back to the period 2035-40.
The Rocket Lab Mars Sample Return mission concept would utilise three craft and require the Mars 2020 rover to deliver the samples directly to the lander / return vehicle – although the rover has already cached numerous sample tubes on the surface of Mars, possibly complicating sample selections. Credit: Rocket Lab
More recently, there have been more modest proposals put forward for the MSR mission, such as that from Peter Beck’s Rocket Lab, which offered a simplified approach to collecting the Perseverance samples in 2030/31 at a cost capped at US $4 billion. However, that is currently off the table as the entire idea of any MSR project is currently facing cancellation under the Trump Administration’s proposed cuts to NASA’s 2026 budget. Whether it remains so has yet to be seen.
Following the publication of the new “Cheyava Falls” study, NASA acting Administrator, Sean Duffy, has voiced a belief MSR could be carried out “better” and “faster” than current proposals – but failed to offer examples of how. Further, it’s not clear if his comment was a genuine desire to retrieve the Perseverance samples or bluster in response to China’s Tianwen 3 mission. Slated for launch in 2028, this is intended to obtain its own samples from Mars and return them to Earth by 2031.
New Study Complicates Search for Life on Enceladus
Enceladus, may be a small icy moon orbiting Saturn and just 500 km in diameter, but it has been the subject of intense speculation over the years as a potential location for life beyond Earth. Like Jupiter’s larger moon Europa, Enceladus has been imaged by space probes giving off plumes of water vapour through geysers, suggesting that under its icy surface it might have a liquid or semi-liquid ocean, warmed by tidal forces created by Saturn and its other moons.
These geysers have been shown to contain organic molecules, suggesting that the moon’s ocean might be habitable. However, new research presented during a planetary science conference hosted by Finland provides strong evidence for many of the organic molecules detected in the geysers are actually formed by interactions between radiation from Saturn’s magnetic field and the moon’s surface icy surface.
Specifically, a team based at Italy’s National Institute for Astrophysics recreated conditions on the surface of Enceladus in miniature using an ice chamber and freezing samples of water, carbon dioxide, methane and ammonia – all constituents found within the ice covering Enceladus – down to -253ºC. Each sample was then bombarded with high-energy “water-group ions,” the same charged particles trapped around Saturn that constantly irradiate Enceladus, with the interaction monitored using infra-red spectroscopy.
A dramatic chain of plumes sprays water ice and vapour from the south polar region of Saturn’s moon Enceladus. Credit: NASA/JPL / Space Science Institute
In all five cases, the samples outgassed carbon monoxide, cyanate, and ammonium in varying amounts. These are the exactly the same core compounds as detected within the water plumes of Enceladus as detected by NASA’s Cassini spacecraft in the early 2000s. Further, the five experiments all additionally produced more complex organics – carbamic acid, ammonium carbamate and potential amino acid precursors including methanol and ethanol, as well as molecules like acetylene, acetaldehyde and formamide – all of which were also detected in small quantities within the plumes escaping Enceladus, but which have never been recorded on the moon’s surface.
That all five samples produced broadly similar results in both basic and complex compounds can be taken as a strong indicator that the presence of those compounds within the Enceladus geysers could be as much due to the interaction of radiation from Saturn with the surface of the moon as much as anything organic that might be occurring in any ocean under the moon’s ice.
Although this doesn’t rule out the possibility that Enceladus’ ocean may be habitable, it does mean we need to be cautious in making that assumption just because of the composition of the plumes. [While] many of these products have not previously been detected on Enceladus’ surface, some have been detected in Enceladus’ plumes. This leads to questions about whether plume material is formed within the radiation-rich space environment or whether it originates in the subsurface ocean.
– Grace Richards, Enceladus study lead for EPSC-DPS2025.
The study also notes a further complication: the timescales necessary for radiation to drive these chemical reactions are comparable to how long ice remains exposed on Enceladus’ surface or in its plumes. This further blurs any ability to differentiate between any actual ocean-sourced organics with Enceladus’ plumes (if present) from those produced by the demonstrated surface-born interactions.
As with the “Cheyava Falls” rock samples, potentially the only way of really determining whether or not some of the organics in the geysers on Enceladus have a sub-surface / oceanic source is to go and collect samples. Again, this is not going to happen any time soon.
Currently, NASA has no current plans for a robotic surface mission to Enceladus; while the European Space Agency has outlined a complex mission to explore several of Saturn’s moons – Titan, Rhea, Dione, Tethys, Enceladus and Mimas, and which will release a lander vehicle to the south polar region of Enceladus in order to study the geysers and collect samples for in-situ analysis. However, if approved, this mission will not take place until the 2050s. The same goes for a three-part mission outlined by China’s Deep Space Exploration Laboratory (DSEL) to specifically map the surface of Enceladus and use a lander / robot drilling system in an attempt to drill down 5 km through the moon’s ice and directly sample the moon’s ocean at the ice-ocean boundary and seek out potential biosignatures. As such, any answers on the potential habitability (or otherwise) of any potential ocean within Enceladus are going to be a long time coming.
The following notes were taken from my chat transcript + the video recording by Pantera (embedded at the end of this summary) of the Open Source User Group (OSUG) held on Friday, September 12th, 2025. My thanks to Pantera as always for providing it.
Meeting Purpose
The OSUG meeting is a combining of the former Third Party Viewer Developer meeting and the Open Source Development meetings. It is open discussion of Second Life development, including but not limited to open source contributions, third-party viewer development and policy, and current open source programs.
This meeting is generally held twice a month on a Friday, at 13:00 SLT at the Hippotropolis Theatre.
Dates and times are recorded in the SL Public Calendar, and they are generally conducted in text chat.
The notes herein are a summary of topics discussed and are not intended to be a full transcript of the meeting.
In order for PBR lighting to render anywhere close to correctly, alpha blending had to be switched from SRGB to linear colour space. This can cause some older content using Blinn-Phong, to look either more opaque or more transparent than in did pre-PBR.
The plan is all BP content will default to gamma space blending to get around the problem of permissions on older content without introducing another ugly permissions hack.
A fragmented discussion on LL possibly offering better Linux support in the future (and subject to priorities) and on Linux packaging in general, which ran through a good portion of the meeting.
A discussion on alpha being inverted on PBR vs. Blinn-Phong (e.g. 1 is fully transparent on BP and fully opaque on PBR), and on whether one of the values should be flipped. Geenz indicated that no flipping would occur, due to the risk of confusing for people, given the two (PBR and Blinn-Phong) are distinct workflows.
Appearance fixes #3492 for current Outfit Folder (COF) issues is potentially being looked at for inclusion in the 2025.08 viewer update.
CoACD is being considered (alongside other options) as a replacement for Havok mesh decomposition.
Again, please refer to the video for the rest of the discussion.
† The header images included in these summaries are not intended to represent anything discussed at the meetings; they are simply here to avoid a repeated image of a gathering of people every week. They are taken from my list of region visits, with a link to the post for those interested.
The latest Linden Homes theme – this one for Premium Plus subscribers – was launched on Thursday, September 12th, 2025. Entitled Ridgewood Enclave, it comprises twelve home styles overall, split into six pairs (one partially or fully open-plan, and the other with the lower floor divided into separate rooms / spaces).
The overall style is that of a contemporary US setting, rich in palm trees sweeping roads and footpaths (or sidewalk, if you will 🙂 ), with attractive planters often bracketing the access points for parcels, neatly marking and a general sub-tropical up-market feel.
Ridgewood Enclave: Brackenrock / Verdemont Styles
These access points mark one of the feature to this theme: until now, Linden Homes have never really connected directly with any local roads or trails forming a part of the overall region landscaping. If a home owner wanted to have a direct link from their parcel to the local roadside, then they’d have to fits one themselves, making sure the root prim was anchored within their parcel.
The Ridgewood Enclave homes all appear to have a driveway link prepositioned (generally with planters to either side) outside of the actual parcel (so part of the protected land), with house rezzing oriented such that the driveways included with each house style aligned to this linkway so as to form a direct access point between the house and the local road. It’s a neat solution for a problem that has in the past caused a certain amount of grumbling among some Linden Home owners.
Outside of this, all of the house designs utilise PBR, with some having additional features such as interior windows from upper floor rooms overlooking the ground floor rooms; rooftop balconies – some quite extensive, and water feature / planter options. All of the parcels are 2048 sq metres in keeping with Premium Plus Linden Homes, allowing a number of the designs to be of a fair size and still leave room for a garden space.
The following is a summary of the styles available within the theme.
Ridgewood Enclave: Craigspire / Hardcastle StylesCrestline / Veilstone: single story home with either a large, roughly L-shaped open-plan ground floor or with solid wall dividers to break up the ground floor space, and a small box room (Veilstone). Both versions have water features / planters to the front and rear.
Duskledge / Greyledge: a two-storey design with an open plan lower floor incorporating an arch which could be used as a separator between the front room and a small back room area (Duskledge) or with two ground floor rooms running the length of the house (Greyledge). A spiral staircase to the rear of both leads to a single bedroom with a large front balcony. A full height tower occupies part of the front aspect double doors provide access to the rear.
Ridgewood Enclave: Duskledge / Greyledge Styles
Slatefall / Shadowline: a two storey block-shaped unit with a largely open-plan lower floor with a single additional box room (Slatefall) or the ground floor entirely open-plan (Shadowline). A dog-leg stairway provides access to an upper floor hallway serving two bedrooms, one with a view to the front aspect and one to the rear and accessing an open balcony (also accessed directly from the landing. An external stairway from this balcony then accesses the rooftop.
Verdemont / Brackenrock: an imposing 2-storey unit with a large rooftop balcony served by an enclosed spiral stairway rising through a tower at the rear of the house. The ground floor is open-plan (Verdemont) or with two large rooms (Brackenrock). The spiral stairway also accesses a curved gallery providing access to two bedrooms, one to the front aspect of the house and one to the rear.
Ridgewood Enclave: Claystone / Stonemont Styles
Cragspire / Hardcastle: a two-storey house with a turreted spiral staircase to the front aspect alongside the front door. The ground floor is open-plan, with a central raised ceiling (Craigspire) or split into three rooms, the largest of which features the raised ceiling (Hardcastle). Two upper floor bedrooms are reached via a spiral staircase to the front of the house and a large galleried landing, also overlooking the ground floor. Doors from the galleried landing also access a side balcony with further spiral stairs leading up to a rooftop balcony.
Claystone / Stonemont: a roughly square unit, two storeys in size, with a large open-plan lower floor (Claystone) or which includes solid room dividers (Stonemont) offering the opportunity to create a second room with its own access to the rear of the house. Three bedrooms are accessed via a dogleg staircase, two of which overlook the front of the house, and the third to the side of the house. The latter has an ensuite bathroom and a private covered balcony.
Ridgewood Enclave, September 2025
If I were a Premium Plus subscriber, I think Ridgewood Enclave would likely be attractive enough an urban setting for me to give it a go; it has the sense of being something of a general step up from previous Premium Plus and Premium Linden Home Themes. Demos of all the houses can be found at the BelliHub Linden Home Demo area and at the demo area within the Second Life Welcome Hub.
Nitroglobus Roof Gallery: Catherine Nikolaidis – Skin like Syntax
It was back to Nitroglobus Roof Gallery for me of late, to catch the September 2025 Main Hall exhibition. I was keen to do so as Nitroglobus owner and curator, Dido Haas, has invited Catherine Nikolaidis to display more of her art.
I’ve touched on Catherine’s SL-based photography on several occasions in these pages. Working predominantly in monochrome with a focus on avatar studies, she has a gift for framing her work as much a photo-essays in reflection of mood, emotion, beauty, vulnerability, and life. Her skill lay not only in the technicalities of composition, framing, processing, cropping, and so on, but in inhabiting her images with a depth of life and subtle detail rich in the power of communication.
Nitroglobus Roof Gallery: Catherine Nikolaidis – Skin like Syntax
This was very much brought home to me some two years ago, when I was able to catch two overlapping solo exhibitions by Catherine, hosted at Frank Atisso’s Artsville Gallery and at the Kondor Art Centre (see: Catherine’s black and white photography in Second Life), and it is further underlined within this Nitroglobus exhibition, which Catherine has called Skin like Syntax. The easiest way to describe this exhibition is to use Catherine’s own words.
Skin like Syntax explores woman and her body as a living language. In monochrome tones, I capture shifting moods and the balance between softness and strength, intimacy and distance.
Through my lens, real life turns into visual poetry, where light, shadow, and emotion blend together.
– Catherine Nikolaidis
Nitroglobus Roof Gallery: Catherine Nikolaidis – Skin like Syntax
The result is a stunning collection of images rich in context, subtle in narrative and utterly captivating in form and presentation. Within each of them is a story – or perhaps a poem might be a better term, given Catherine’s description – waiting to be told. In fact, such is the richness of expression to be found in each piece that offering words here is somewhat superfluous – and would merely be subjective on my part.
As such, I will close here, and leave it to you to visit Skin like Syntax and allow Catherine’s unique voice to speak to you.
Nitroglobus Roof Gallery: Catherine Nikolaidis – Skin like Syntax
Jade Koltai: Lake Bled – September 2025 – click any image for full size
For her latest region design based on a physical world location, Jade Koltai offers a personal take on the scenic beauty of Lake Bled, Slovenia.
Located close to the Julian Alps, Lake Bled has a long history, with links to Christianity, cults, healing, and – in more modern times – recreation and sport (it has been the location for the world rowing championships no fewer than four times).
Jade Koltai: Lake Bled – September 2025
Perhaps most famously, the lake with its forested surroundings is best known for Blejski otok (Bled Island), the home of a church dedicated to the Assumption of Mary. Dating from the 17th century, the church was a pilgrimage location, and includes Gothic frescos dating to the 15th century.
With her Lake Bled, Jade offers many of the highlights of its physical world namesake – the surrounding mountains, the forests and sense of peace – and, most obviously, the island and church – but take things in places in a slightly different direction to offer a location that carries with it an element of mystery mixed with the natural beauty.
Jade Koltai: Lake Bled – September 2025
The Landing Point is located on the expansive deck of a lakeside cabin now converted into a cosy café-come-rest-stop. With plenty of indoor and outdoor seating, the café offers its own alternatives to the culinary speciality of the Lake Bled region, kremna rezina (or kremšnita), in the form of a range of pastries and other delights.
The waterside length of the cafe’s deck offers a command view of the setting’s island and the shadowy form of the church thereon, but no actual way to reach the island directly.
Jade Koltai: Lake Bled – September 2025
For that, visitors should strike out southwards from the café, following the edge of the lake around to where a small wooden jetty offs boats to rez. These can be used to cross to the island and church, or to putter around on the water and perhaps visit the rafts floating out between the island and the lake’s southern shore.
Placing the boat rezzer a short distance away from the café encourages exploration, and it s possible to completely circumnavigate the lake by either setting off to the south towards the jetty, or heading north and following the steps and trail in that direction.
Jade Koltai: Lake Bled – September 2025
Which route you take is a matter of choice; neither direction out from the café holds any particular advantage (unless heading out on one of the boats is your particular aim!). As the route do circle the lake, effectively forming a single path around it, you will pass pass by or through all the points of interest along the lake’s shores, including a raised platform with its burning brazier offering an artificially elevated view over the lake; the little cabin tucked into a corner of the the setting and a peaceful hideaway; the paved overlook above the lake that is slightly suggestive of the remains of an ancient road, and more besides.
Given the limited space within a region, Jade’s Lake Bled offers a different take on the island church to its physical world namesake. While the latter offers a number of buildings as well as the church and its separate bell tower, the majority with whitewashed walls and tidy red-titled roofs, Jade’s small island presents a single chapel standing at the head of steps rising from the single small dock.
Jade Koltai: Lake Bled – September 2025
With its darkened walls, and seemingly abandoned interior coupled with the overgrown nature of the little island, the church offers that sense of mystery I noted, bringing a possible narrative twist to the setting: why was the chapel set here? Why is it now deserted? Is it a place of romance or something else? The crows gathered on the island perhaps add to the mystery present on the island, their dark plumage certainly a contrast to the more gaily-coloured birds to be found around the shores of the lake.
When visiting, I do recommend using the local environment settings. Whilst these place the Sun to west, suggesting that the day is ending, the fact that mist is in places hugging the waters of the lake and drifting through the grasslands at its edge conversely give a feeling of an early morning, and that time of day between first light and the Sun actually taking a peek over the horizon. It further adds to the romance of the setting, as well as that sense of mystery one might feel when visiting, the church and its island rising as silhouettes from the waters of the lake, guarded on either side by the tall peaks of the haze-softened mountains.
Jade Koltai: Lake Bled – September 2025
In all, and as ever with Jade’s work, a beautiful and evocative setting; definitely not one to be missed.