Qaldera’s picturesque presence in Second Life

Qaldera, July 2026 – click any image for full size

Occupying a Homestead region, Qaldera is the work of Adius Curzi (Adiabatic), and serves as both home to him and his partner, Snow (SarcasticSmile), and public space open to visitors.

Surrounded by tall peaks open the sea on one side, the description of the setting suggests the off-region surrounds are intended to be the walls of a caldera, a kind of sinkhole created when the magma chamber feeding the volcano is suddenly fully or partially evacuated, leaving it unable to support the mass of the rock above, which then slumps.

Qaldera, July 2026 

Calderas can be hundreds of metres to kilometres in diameter. If there is still active magma left, then new volcanic cones and craters might form in further eruptions; if not, the caldera might over time fade into the landscape or be flooded to form a lake.

In this case, it’s not hard to imagine the setting many have once been a shallow shield volcano on a coast somewhere. Then, in the ages following the formation of the caldera, the seaward wall eventually collapsed under erosion, allowing the sea in to leave the central mound of the slumped land remaining as a small island, now turned into a haven of retreat.

Qaldera, July 2026

The enforced Landing Point sits to the north-east of the island, down on the foreshore. It is located on the courtyard of a large warehouse which, surprisingly given this is a residential island, appears to still be in operation. The slips alongside the warehouse appear to be built for smaller vessels, adding a further little twist as to how the containers within the warehouse might be shifted.

South of the Landing Point is the curve of a tan beach, suggesting that at least some of the rock making up the island contains quartz, feldspar and iron oxide, which the wash of the sea has worked down the years  to break down into the sand.

Qaldera, July 2026

Behind the Landing Point sits a pond, both home to Peking ducks and their offspring and a place for casual bathing going by the raft and various floating toys. Between the beach and this pond, a wheel-worn track winds its way up the east side of the island, forming a route to the main house. As it starts its way up the hill, the track branches, allowing an arm to reach down the north side of the island to touch large barn (which can also be seen from the Landing Point).

It is here that a degree of warning should be given. Qaldera sits within an Adult rated region, and Adult activities – including BDSM – are permitted. Most of this activity and equipment is focused on the barn, where the majority of the equipment resides; so if you’re not keen on such things, then you might want to avoid the barn. While other such items of are scattered around the island, they are subtle in nature and blend into their surroundings far more that stand out, so they don’t interfere too much with explorations.

Qaldera, July 2026

The remaining building on the island is one with another industrial look about it. It sits on a rocky promontory overlooking the beach and whatever its original purpose, now fulfils the role of a coffee bar. It can be reached via wooden steps leading up to from the sands, or via a further branch of the track leading up to the main house.

The house and its grounds sit on the upper reaches of the island, the house with its back to a stream possibly fed by the waters which create a set of high falls also behind the house. Beyond the stream, the land falls precipitously down to the waters below.

Qaldera, July 2026

The house itself is expansive and stylishly furnished (I didn’t actually go in as it is a residence, even if open to the public and instead peeked through the windows), with the land on the south side given over to growing grapes and outdoor party space. A bridge across the stream at the back of the house leads to a way down the cliffs to where a little secret might be found (which can also be reached via a tunnel in the stonework below the front of the house).

For those wishing to see the island from the water, keep an eye out for the little motorboat rezzing dock.

Qaldera, July 2026

Throughout all of this, the island is perfectly landscaped and inviting. Places to sit and relax (or engage in a little adult-orient fun) can be found throughout, and the local Shared Environment gives a sense that the island is just waking up with the early morning Sun.

Static NPC have been used in places – such as at the Landing Point and on the beach. For the most part, these are not too intrusive and give a sense of occupation to the setting. However, for those not so keen on them and who use a suitable viewer, remember that Derender is your friend if taking photos!

Qaldera, July 2026 – click any image for full size

Visitors to the region are asked to do so in human form. Rezzing is open with a 5-minute Auto Return, so I assume limited rezzing of props for photography is permitted (just don’t quote me on this! 🙂 ). In all, an engaging and photogenic visit.

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Carelyna’s Phantasmagoria II in Second Life

IMAGOLand Art Galleries, July 2026: Carelyna – Phantasmagoria

In October 2023, I visited and wrote about Phantasmagoria, an exhibition of art by Carelyna hosted at Mareea Farraco’s IMAGOLand gallery. For July 2026, Carelyna has returned to IMAGOLand with an continuation / extension to that exhibition entitled, appropriately enough, Phantasmagoria II.

As I noted with the original exhibition, while the title might well evoke thoughts of ghosts and spectres, it can also reference the idea of a sequences of haphazardly associative imagery as seen in dreams. This latter interpretation is close to what we see here (and as was the case with the original Phantasmagoria – from which several of the pieces in this exhibition have been drawn), a juxtapositioning of images that speak to ideas of memory, emotions, absence – perhaps even loss – and the inner workings of the mind.

IMAGOLand Art Galleries, July 2026: Carelyna – Phantasmagoria

The 16 images on display are offered within a darker surround that the original exhibition, one that presents a more immersive sense of night and dreams to those inner thoughts of the mind as we become lost in subconscious, rather than conscious, thought. Candelabras which further imprint the idea of being within a hallowed place of memory and remembrance.

All of the 16 is a sepia-rich pieces, with their washed tone and faded or ghost-like images designed to represent both fragments of memory –  events recalled through the mists of time in which ghost-like individuals appear sometimes almost clearly, others almost completely washed out – and of emotions and feelings.

Some of this might be gained by peeking at the individual names of the pieces via a right-click & edit; but it is far better to spend time contemplating what each means to you, and how they speak to how memories important to us, together with their associated emotions and feelings, never truly vanish – although they might over time become transformed by the passage of time and by our own growth and change. They can come unbidden and jumbled, but they can also be a journey through times past, reframing them and comforting or even healing us as they give us a second chance to recall those times.

IMAGOLand Art Galleries, July 2026: Carelyna – Phantasmagoria

An evocative, poignant and enchanting exhibition.

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