Tag: Exploring Second Life 2026

The Garden of Hope is a joint venture between Calas Galadhon and The Grove Estate and features the creative work of Tymus Tenk of Calas Galadhon and Patch Thibaud from The Grove. It came into being during the 2023 Relay for Life season Hope Floats as a memorial to all those who have lost their lives to cancer, and has now been restored as a lasting place of peace and remembrance.

Its return, coming during the 2026 Second Life Relay for Life season and (more personally) on the heels of my own emergence from the shadow of cancer (for the second time in a decade, albeit this time being somewhat more worrying than 2018), led it to being added to my list of places to visit.

In fact, given its ties to Calas – a place that has long been close to my heart – it quickly percolated to the top of my list, hence this article. I was also, frankly, curious as to how Calas and The Grove came together, The Grove being another place which – while I’ve not really covered it in these pages due to much of it being residential in nature – I’ve enjoyed wandering through in past visits.

The answer to this latter question, how do the two design approaches come together, is “extremely well”. The Garden of Hope is a simply beautiful setting, rich in detail, beautifully created with a multitude of spaces in which to remember those we may have lost – and serves as a fitting memorial to Crito Galtier, the original owner of The Grove, who provided guidance in the development of the Garden prior to his passing away at the end of 2023.

The Landing Point offers an engaging description of the region – which is joined to the rest of the Calas Galadhon estate, sitting as it does close to the Garden’s northern edge where it joins Calas’ Glanduin. A path leads up to this northern boundary, whilst another points south and takes visitors deeper into the region.

This southern path is, in some respects, the “stitching” that brings the “Grove influenced” and “Calas influenced” parts of the region together, the former sitting on the eastern side of the path (and meeting it at its southern end) and the latter running more down the west side of the region.

However, whilst there is this sort-of split to the region’s design, with either side of the path directly designed by Patch and Ty, the overall blending of the landscapes and features within them is a lot more subtle than their meeting simply being denoted by a path; something that becomes clear as one explores and moves from east to west and back again.

The architecture on the east side of the region, for example is clearly drawn out of the influence of Patch’s work at The Grove, whilst to the west, the Garden carries the natural loo and feel of the countryside found within many of the Calas regions. As noted, they are linked by paths and trails with – one or two exceptions duly noted in a manner that present no divide, and thus presents both halves as a whole.

The Garden also neatly brings together two very contrasting architectural styles into a single whole. Patch’s work very much speaks to Mediterranean themes and elements, leaning towards a modern take of Greco-Roman design and Tuscan influences. Ty’s work, meanwhile, as well as embracing the natural themes from Calas Galadhon, carries a strong oriental theme and motifs.

When walking through the Garden of Hope, it is hard not to be absorbed by its beauty and wrapped in a sense of thoughtful contemplation. Whether the latter is in remembrance of those we’ve lost or the great good fortune we’ve had (as in my case) in coming through an immediate threat posed by the disease, or simply in reflection of the care and love poured into the region’s design doesn’t really matter: Garden of Hope is a place which bestows a wonderful sense of tranquillity to all who pass through it.

Throughout the Garden are places to sit or dance, and secret places to discover as they pass underground. There’s also more to come, as Ty noted to me during my visit: he and Patch plan to add a memorial wall where visitors can submit a name of someone they’ve lost, together with a short message. This will likely include an interactive element (Ty suggested a lotus on one of the bodies of water) visitors can touch and have a small golden orb rise to the skies as a prayer or wish for healing.

In all, the Garden of Hope is a place of piece, harmony and beauty which should not be missed.

Slurl Details

• Garden of Hope (rated: Moderate)

I was drawn to explore Loulou Forest after coming across it in the Destination Guide as it has been designed and executed by Elyjia Baxton, working in concert with the region holder, 7 (Seven Kaptane). Elyjia – or Ely as she likes to be called – is responsible for some of the most natural landscapes and setting found in Second Life, and I’ve has the pleasure of visiting and blogging about many of them since 2017.

Occupying a Full private region, Loulou Forest is part of a 4-region estate held by 7. Of the remaining three, two – Annabel and Eden Roc – provide rentals homes with decently-sized parcels and a mix of over-the-water and rural settings.

The remaining region is home to Loulou, a region-sized venue established by 7 in 2025. With indoor and outdoor settings, the club is open on Wednesdays and Fridays through Sundays, all between 12:00 noon and 15:00 SLT, and again between 18:00 and 21:00 SLT.

Sitting on a region called – appropriately – Ely, Loulou Forest makes use of the majority of the region’s landmass, allowing for the off-shire areas around the coasts. The Landing Point sits a short distance from the region boundary linking the forest to the club region to the west, and Directory sign board offer direct teleports to the club, or across to the edge of the Annabel residential region, or the estate’s rental office for those interested in perhaps making either Annabel or Eden Roc their home for a time.

Loulou Forest is a place where nature invites you to explore. Every corner is designed to offer a moment of calm—a place to recharge and reconnect with what truly matters. A peaceful getaway in the heart of the Loulou universe.

– Loulou Forest About Land description

Dusty tracks provide the primary routes for exploring the forest, winding their way between the trees, passing across bridges, past bodies of water and low waterfalls and to where public buildings await to offer places of rest and refreshment.

However, it should be pointed out that whilst Annabel and Eden Roc are the primary rental regions in this estate, there are a number of private residences located along the southern, eastern and northern extents of the forest – so do take care to avoid trespassing into someone’s privacy.

The tracks are wide enough for vehicles, and indeed a couple are to be found on the verges. However, I would suggest a better source of transport – if you have one available – is a wearable horse (or a rezzable one, if you join the local group and obtain rezzing rights). The trails are ideal for riding, and while I did look around for local horse rezzers, I didn’t notice any.

Given this is a design from Ely, the region is packed with natural detail. Birds reel overhead, geese swim on the inlands waters; there are places to sit and pass the time, be they under the shade of a gazebo or sitting at the roadside or take the form of boats on the waters.

Elsewhere, Bees buzz, horses frolic, young foxes scamper and local cats put their paws of ownership on all they survey (naturally) – including the one hoping to put its paws on a bird, despite the latter’s attitude suggesting it is aware of the plan and will take flight before the cat can do it any harm.

This is a place where exploring can be as quick or as gently as you like, and where opportunities to take photographs and / or pose for selfies abound. The natural beauty of the setting encourages gentle exploration and invites visitors to sit and pass the time here; something also encouraged by the fact that the private residences are spread such that they don’t lead to a feeling one is about to trespass at every turn.

Travel far enough in your explorations, and you will likely encounter the boundary with Annabel. Like the boundary with Loulou, this is clearly denoted if you are following the main tracks around the forest. Casual visits to Annabel are not discouraged – but (again) do keep in mind it is primarily a rental / residential setting, and so opportunities for exploration are limited more to the unpaved roadways as they run through the region to provide access to the private homes.

Rounded-out by a subtle soundscape and richly picturesque, Loulou Forest makes for a rewarding visit for the Second Life explorer / photographer, and sits as a further tour de force of Ely’s ability to design and build spaces in SL which have a natural sense of presence to them.

SLurl Details

• Loulou Forest, Ely, rated Moderate)

It’s been a while since I’ve visited one of LeLooUlf’s Second Life settings, so was intrigued to learn that at some time between my last visit to her half-region setting (back at the end of 2023) and now, she had established a new setting on the mainland continent of Heterocera LeLoo’s World Mainland.  However, in catching it via the Destination Guide, I decided I had to hop over and take a look.

LeLoo’s settings have always been themed affairs, mostly changing with the seasons, and this also the case with LeLoo’s World Mainland; the themes sat the time of my visit being those of outdoor theatre and gentle relaxation in a summertime setting.

This setting is a little deceptive when first arriving, seemingly quite small and self-contained garden with a roughly north-south orientation, the outdoor theatre mentioned above sitting at the southern end of the garden.

However, the location in fact straddles two regions, the gardens being in one, and a lake and gardens sitting below it in the neighbouring region. Signs close to the Landing Point indicate both and provide basic directions to help new arrivals to chose which way they want to go.

As one would expect, the garden is packed with detail, presenting a place to wander and relax within.  Immediately adjacent to the Landing Point is a glass-roofed cabin or shack offering something of a writer’s retreat, whilst the main paths are marked by hewn slices of a tree trunk forming “stepping stones” over the grass.

Of these paths, one runs back to one of two  roadside entrances to the garden, the second points the way to the path down to the lake and the third towards the theatre. As it does so, the latter runs past steps leading up to a trailer-mounted greenhouse forming another little retreat, whilst just off the path leading to the roadside there is a charming little setting for artists, complete with easel-mounted paintings and an arbour to sit within if on your own, or cushions on which to stretch out either on your own or with a friend.

The theatre carries the interesting name of the Grassy Knoll Theatre. This is not any form of historical reference, but is simply due to the fact the theatre sits on a grassy knoll, sharing the space with a semi-circle of assorted seating for the audience. A smaller knoll sits close by, crowned by umbrella trees which a group of little costumed devils have chosen as their playground – presumably their squeals and shouts of excitement don’t interrupt performances!

Bounded by brick walls to either side, and passing through a narrow neck of stubby plateaus before gently opening itself open to the waters of the region beyond, the lake at LeLoo’s World Mainland is something of a secluded setting without actually feeling closed-in.

Located in the neighbouring region of Laothoe, the lake is is reached via a switchback path and steps running down from the gardens, and it is an absolute charm. Koi swim along its length; a bridge suspended by balloons spans the narrow gap between the two little plateaus; dolphins and orcas frolic in the outer waters; floats and boats offer places to sit on the water and shaded chairs and benches offer drier setting on the land.

Swans patrol the outer extent of the lake as it joins with the region’s waters, and they are in turn watched by troop of cast frogs having a little fun on the rocks. Rich in plant growth and easy to wander, the lake and its banks make a worthwhile visit in its own right as much as a part of a visit to the setting as a whole.

One of the things I’ve always enjoyed with LeLoo’s settings is her attention to detail and the inclusion of touches that both add a further sense of place to a setting whilst also offering opportunities for photography and / or giving slight twist to things.

Take, for example, the little water trough and its three water spouts located alongside the path leading down to the lake. Overgrown with flowers, it can be so easily missed; however, its presence and state give the gardens life in the suggestion that things here need constant tending – as does any garden – and that if things are left unchecked, such as the free growth of flowers, then things can in places get out of hand.

Similarly, up in the garden, the smattering of Curious Shrooms, with their waving “heads” and willingness to jump and down give the setting a little twist of fantasy – as does the giant snail keeping an eye on the theatre.

All of which can be taken to mean that LeLoo’s World Mainland makes for a delight visit.

Slurl Details

• LeLoo’s World Mainland (Gunda, rated Moderate)
• The Lake at LeLoo’s World Mainland (Laothoe, rated Moderate)

It’s been nigh-on three years since I last dropped into Missing Melody, the always eye-catching Full region held by Bambi (NorahBrent), with its regularly changing settings. As such, I felt it was high time for I reacquainted myself with the region to see what Spring and Summer 2026 have brought forth.

What is a Missing Melody? It’s that song in your head that you can’t get out but not sure how it really goes. It’s that temptation you want to have in your life so you can fight to resist. It’s that place in your heart that is always waiting.

– Missing Melody About Land / Destination Guide description

For this iteration, the region presents a small island lying to its eastern side and with an east-west orientation. In fact, such was the body of water within the region’s boundaries, I did wonder if Bambi had taken a dive underwater to present an aquatic garden or similar. But this is not the case; the island is presented on its own as a place ideal for photography and scene-setting.

On arrival, the Landing Point one is surrounded by the sound of bees going about their business among the flowers growing tall on either side of the footpath running through the Landing Point. Following the orientation of the island, this path is also lined on one side by a line of powerline poles, although these now seem to serve as a means of draping hanging plants along the side of the path to add a further touch of overhead colour.

The eastern end of the path provides access to a small teahouse formed from a converted greenhouse. Noticeboards at the gateway provide information on The Nature Collective and an opportunity to join the local Missing Melody group for rezzing rights which can be used for photography props. The teahouse itself is a cosy little setting, a small semi-wild garden growing outside and plenty of little treats to be found inside.

The teahouse and Landing Point lie on something of a grassy, shoulder on a hill which continues to rise to the south. Heavily wooded, the hill, together with the trees on the north side of the path, serves to give a sense of seclusion to the treehouse.

The ground on three sides of these uplands drops away sharply to the waters below. However, at the western end of the path, the land slopes away more gently, dropping down past white dry stone walls to where Sakura tress mark the path down to a coastal stretch of lowlands rich in flowers and where someone has established a little artistic retreat.

Close by this little retreat stands a small cabin on the edge of a little southern inlet.  It has the look and feel of a single-room accommodation – perhaps where the artist rests when not painting, and a couple of small rowing boats (one in somewhat better condition than the other!) sit on the waters of the little inlet, watched over by the local deer.

Overall, this is a very modest design when compared to past iterations of Missing Melody – but that is not to say it is without merit. It is as picturesque as past designs, and finished in a rich soundscape that is not overbearing. As noted, opportunities for photography await discovery and the tea house and cabin offer quiet retreats for those looking for somewhere to simply pass the time.

As always, Missing Melody makes for a gentle, unhurried and pleasing visit.

SLurl Details

• Missing Melody (Missing Melody, rated General)

As I continue to try to get back into the swing of blogging – health things are finally showing improvement on a more solid footing – I dived into the Destination Guide to see what was new and / or interesting. And thus I came across Varna in Bloom, a setting created by AmyElle Atheria.

Varna in Bloom is a blooming fantasy destination where flowers and stories grow side by side. Books are woven throughout the landscape alongside flowering paths, hidden portals, and details that reward the curious explorer. It sits at the edge of a story: beautiful, a little dreamlike, and worth getting lost in. Popular with photographers, couples, and anyone who has ever wanted to fall into a good book.

– Varna in Bloom Destination Guide entry

I’ve no idea if the setting has in some way been inspired by Bulgarian city of Varna and its locale as it sits on the Black Sea coast. On the one hand, there are references to Bulgaria and Varna in the setting’s About Land description and within AmyElle’s Profile; however, whether this is in reference to the actual place or the setting in SL, I’ve no idea. Certainly, the majority of the setting appears to be drawn more from the imagination than being offered as a direct homage to a physical world location, so I’ll put that thought to one side.

Covering slightly less than the full 65,000+ sq metres of a region, Varna in Bloom sits within a Full Mainland region towards the western end of Corsica, and at an altitude of 1466 metres. A Landing Point is enforced (so no TP hoping around!) and sits towards the northern edge of the setting.

As the Destination Guide indicates, this a setting designed for relaxation, photography, spending time with others (or someone special) – and which contains some secrets of its own. Given this, the setting is unsurprisingly largely rural in design, and while paths do lead away from the Landing Point, visitors are left to their own devices as to where they wander.

Sitting within the glades and meadows and along the coastline of the setting are numerous points of interest – vignettes, as I like to call them – where visitors might like to tarry. These carry within them various motifs or themes as it were – notably those of books and on reading – whilst remaining varied and independent of one another.

One of these vignettes sits a little to the south of the Landing Pont and emphasises Varna’s over-arching themes of restfulness, harmony and reading. Guarded by two large mushrooms, it presents a place to sit back and relax with the crescent Moon, pull out a book or cuddle with a loved one and simply be.

Further afield, visitors might also come across a little garden space offering a homage to Alice and her Adventures, complete with an Alice-like little figure dressed as the Queen of Hearts at the gate (an interesting combination!) and reference to that famous tea party within the garden together with other references to the stories, watched over by a more familiar take on Alice.

The setting is not entirely without buildings. To the south there is a large cloister-like structure built around three sides of a rain-soaked stone square – the rain falling as heavy inside the covered walkways as outside of them. Away to the north and sitting with its back to an off-shore island and lighthouse, sits an open-sided wood-built pavilion where couples might dance (touch the statue for dance poseballs).

The above are not the only structures to be found, but by virtue of their size, they are the most prominent. Elsewhere to be found are tree houses, a VW camper van and even half a subway train car tidily converted into a haven from the rest of the world. As well as these, there are plenty of other spots where visitors and couples can sit and pass the time, both on land and on the various waters within and around the setting.

As to the “secrets” contained within Varna, these take the form of Experienced-based teleport portals (labelled by hovertext to aide in their discovery) leading to further skybox-style locations or islands floating overhead. You will have to accept the Experience when encountering one of the portals for the very first time, thereafter all teleports are automatic. Each of these destinations offers a bookish theme (one carrying you from a garden featuring Alice et al, to a room focused in part on Frances Hodgson Burnett’s 1911 novel The Secret Garden (I’ll not mention the little Tolkien references also waiting to be found here and there!).

Whether you are seeking a place to explore, a place to spend time with a loved one, a place to photograph or simply somewhere you can wander and catch your breath, Varna in Bloom could well be the destination you’re looking for. So why not pay it a visit?

Slurl Details

• Varna in Bloom (Phersom, rated Moderate)

Occupying a Homestead region, Marina di Luna is the work of Miri (SilentChloe). It is a beautiful minimalist region design which mixes a sense of history with a twist of the modern. Highly photogenic, the setting offers much to see without overloading itself or the visitor’s senses, and offers opportunities for the romantics at heart.

Marina di Luna is a breath-taking island where modern architecture meets ancient charm. Surrounded by olive trees and a carpet of flowers, the air is fragrant with herbs and the salty sea. It’s a perfect place to relax and enjoy a romantic day out.

– Marina di Luna’s Destination Guide description

The region is split into a main island to the east and with a north-south major orientation, and two smaller isles, each home to its own structure, of which more anon.

When seen on the map, the main island carries something of a left-pointing sock look to it, the lower part of the sock – from “toe” to “heel”, forms an open meadow, curving gently upwards from the rocky coastline on three sides, and running north towards the island’s main structures.

This gently humpbacked meadow is home to the region’s Landing Point, the lush flowering grass coating it home to toppled columns and guarded by patient red-crowns cranes.

The “toe” of this sock-like island points towards the smaller of the two other isles, while the rocks on the coast at this point offer a place to sit and a flat “table” on which an artist has set up their easel to paint the larger of the two islands  as it sits further to the north.

The smaller isle is home to a partially-ruined stone gazebo topped by a copper (or possible iron) domed roof which shares the damage as the stone of the gazebo. With its steps dipping their toes into the water, the gazebo has been turned into a little romantic niche, complete with cosy sofa, champagne and flowers.

The larger of these own isles is home to a large circular bath house. This shares some commonality with the gazebo, hinting at their joint age and Greco-Roman heritage.

Like the gazebo, the bath house has a copper / iron roof, this one intact but suffering signs of rusting on its iron panels. Inside, the bath house is pristine and its waters clear, the walls split between four points of access and four small alcoves. Outside, the bath house is surrounded by a small garden space on the flat-topped island, where shaded loungers await, whiles a small beach of warm sand offers its own attraction.

Both of the islands can be reached via little motorboats which can be rezzed from lifebuoys to be found on the main island, with the boat house island having its own boat rezzer to aid in a return to the main island (I didn’t see a rezzer on the gazebo island).

Back on the main island, the northern end is given over to a modern building built in a reflection of ancient Greek designs, and with what appears to be a garden terrace of much greater age, mirroring that of the bath house and gazebo.

Places to sit can be found around this terrace, dominated as it is by a large fountain and smaller fish pond. Broad steps connect terrace and the open waters below, where one of the boat rezzers can be found, whilst to one side, a raised deck offers a place for private dining.

The front of the main building – a museum and gallery – is guarded by an infinity pool overlooking the open waters below. The museum houses a number of exhibits and a collection of photographs by – I admittedly assume – Miri herself. The museum is also home to a little café and a wine cellar below, complete with its own secret. The For both the exhibits and the “hidden” spaces, the museum is well worth taking the time to explore and appreciate.

All of the above – I hope – draws an outline of Marina di Luna; however, to fully appreciate the naturalness of its beauty, the attractive nature present in its simplicity of design, and to fill in all of the colours it presents, it is a place deserving of a visit; just be sure to take your camera with you. Should you need props when taking photos, rezzing in the region is open – just do please be sure to pick your things up afterwards.

In all, a recommended destination.

SLurl Details

• Marina di Luna (Forever Love, rated Moderate)