The latest exhibition at Aneli Abeyante’s La Maison d’Aneli opened on September 15th, 2021, once again focusing on a group of artists with very different styles who present both 2D and 3D works, in a set of exhibitions that compliment one another, and which I’ll tackle in their teleport (via the ground level teleport disk as short walk from the landing point) order.
Hailing from Italy, Daco Monday is a self-taught artist who entered Second Life in 2009. His art is inspired by, and makes use of, space, as is amply demonstrated within Severed Roots, a fascinating 3D environment that mixes elements from a previous work (De Chiricocanto) with newer pieces to create a fascinating diorama that offers multiple possible interpretations. The central characters in this diorama take two forms: there is the stylised 3D artist from De Chiricocanto, who stands alongside a 3D musician (“the drummer”), then there is the image of a couple posing for a portrait and which occurs multiple times, in whole or in the shards of a shattered mirror. A large handgun and an old-style photographic plate camera hang on the air to one side, while particle figures dance and eyeballs roll.
Quite what we are to make of this is, as I’ve noted, a matter for personal interpretation – although I would suggest a clue might be found within the installation’s title and possibly the idea of time being shattered (but admittedly, as I’m mid-way through binge-watching Lost, I could be under the influence of that show’s frequent left turns into weirdness!).
Within her space, Madee (Kupu2) presents Precious Moments, a highly engaging series of self-studies with her avatar in both motion (dance) and at rest. Some of these should be considered not suitable for work as they contain nudity, but all are all completely engaging in capturing mood, emotion, movement and form. Presented in monochrome with a soft focus finish, the pieces reveal a talent that whilst new to the world of Second Life photography, is already producing quite mesmerising images and stories.
Utilising a soft form of black and white chiaroscuro, Madee’s art perfectly frames the beauty of the female form against a consistent dark background, leaving us with no distractions to carry our attention away from the central figure in each.
Desy Magic is an artist I first gained familiarity with whilst visiting Ayuda Virtual, the community gateway specifically developed in support of Spanish-speaking people. She is modest enough to believe she is not an artist, but an experimentalist who particularly likes to work with colour and form. However, the pieces offered in this exhibition prove that while she is very much an experimentalist, she very much is a skilled artist with an eye not only colour and form, but composition, cropping and finish to present highly engaging pieces rich in narrative and which encompass a number of artistic styles including abstract, expressionism and digital collage. It is a selection that includes what is perhaps my favourite of Desy’s pieces I’ve seen to date: Astronauta – if only NASA and ESA would paint the Orion capsule and its service module so imaginatively.
Around these 2D pieces are a number of equally engaging 3D pieces by Desy, some comprising a mix of fluid and abstract female forms.
Abstract is the nature of JudiLynn India’s work, which really needs no introduction in these pages, as I’ve long appreciated her work. Her original painting are glorious in the order she offers out of the apparent chaos of colour, As always with JudyLynn’s art, the pieces displayed in this exhibition are all remarkable pieces she has created and then uploaded to Second Life; pieces that should be allowed to speak to us individually.
Nino Vichan has always been an artist who seeks to challenge our perceptions and thinking through his work – although I confess I’d lost track of him over the last few years (I was actually under the – possibly incorrect – thinking he had stepped away from Second Life). How well he achieves the former is a matter of individual choice, but there is no mistaking the evocative / provocative intent to his work. With Better Angels at La Maison d’Aneli, he highlights the dichotomy between our lean towards goodness and kindness, as represented by the images of angles offered on their easels, with our proclivity towards cruelty towards each other in so many ways – warfare, genocide, human trafficking, slavery, etc. Between the images are the words, there are at least two questions: the first is can we listen to the appeal of our better angels, our better selves?
Five very different artists, each with an individual talent for presenting their work and engaging our eyes and minds, who here combine to present an evocative tour of art well worth taking the time to visit and appreciate.
- La Maison d’Aneli main landing point (Virtual Holland, rated Moderate)