A Wild Edge in Second Life

Wild Edge; Inara Pey, December 2018, on Flickr
Wild Edge – click any image for full size

“Welcome to Wild Edge. A calm and relaxing wilderness for you to enjoy, explore and escape” – thus reads the About Land description for the latest Homestead region design by the (still) delightfully named Funky Banana (FunkyBananas), and to which Shakespeare directed my attention at the weekend.

As regular readers may know, I’m something of a fan of Funky’s work (see The sands of Banana Bay in Second Life and A Butterfly Beach in Second Life for more), so I was delighted to take the opportunity to hope over and explore.

Wild Edge; Inara Pey, December 2018, on Flickr
Wild Edge

Wild Edge is another largely rural setting, this one suggestive of a rugged, coastal region, perhaps in high latitudes where ice and snow sided mountains roll down to a cold blue sea. A rocky headland sits caught between the mountains and the sea, sitting just below a fir-tree buffer between it and the snowy slopes, cut by a deep finger of water.

Two cabins sit on this curve of lowland. The first is low-slung and built around a wooden deck, it has a very “male” appearance to it, both outside and in, somewhat suggestive of single occupancy. With the deep bay sitting close by, it might be a fishing lodge / hunting lodge, a suggestion added to by the rods and other equipment set-out on a deck at the water’s edge and, across the water, by the presence of an old hut in which can be found the paraphernalia of the hunter.

Wild Edge; Inara Pey, December 2018, on Flickr
Wild Edge

However, a closer look around the cabin reveals a dining table is set for a meal for eight, while two Christmas stockings hang from the fireplace mantle. Thus it would seem the cabin is perhaps occupied by the couple, and that they are expecting company.

A single track runs west from the cabin, paralleling the channel to the left and a field of wild grass to the right. It leads the way to where an unsurfaced airstrip runs south-to-north. This is perhaps not the easiest strip to get in and out of, given the rocks, hills and tress that threaten to encroach on it. However, it is very much a working airstrip – as can be see by the presence of a small biplane and a mechanic’s shed, although the gasoline truck parked close by probably hasn’t been used in a good while.

Wild Edge; Inara Pey, December 2018, on Flickr
Wild Edge

Facing the airstrip from across the region is a Christmas tree farm shop, nestled at the foot of the eastward mountain slopes. It seems a little incongruous given the lack of potential customers. Perhaps they come by boat from further up / down the coast.

Three stretches of sand also sit within the region, two of them offering places to sit. One of them is the fishing deck mentioned above, which also has the advantaged of being warmed by an open fire blazing on the sand. I also mentioned that there were two cabins on the region. The second can be found above the northern coast, a ramshackle, single-room affair that seems to be a place of study rather than a place to live, the kitchenette within it notwithstanding.

Wild Edge; Inara Pey, December 2018, on Flickr
Wild Edge

A Wild, open setting, largely free from snow (outside of the mountains to the east and south), Wild Edge is another eye-catching region by Funky that offers a pleasing alternative to the more snowy themes that abound right now without being entirely divorced from winter. For those who take photos, the Funky Banana Flickr group is available as a means to share them.

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Survivors of Suicide Christmas Fair in Second Life

SOS Christmas Fair

Currently running through until the first of January 2019 is the Survivors of Suicide (SOS) Second Life group Christmas Fair, aimed at both celebrating the group’s tenth anniversary and to raise money for the group’s work.

For those unfamiliar with their work, Survivors of Suicide is a suicide prevention and peer support group for anyone affected by mental health issues. It comprises mentors and members who support one another, and those who reach out to them in their time of need through one on one chats, and via support meetings at the group’s in-world location and via group chat.

For the Christmas Fair, SOS have set-up a sky platform featuring stalls from creators and merchants, details of whom can be found on the Sponsors web page. There is also a raffle featuring a range of prizes (entry: L$100 per ticket, all proceeds to SOS). There is also a photography contest with the subject of Support – details for entry can be found via the info giver alongside the in-world display board featuring entries. The winner(s) to be decided by voting on entries.

SOS Christmas Fair

There is also daily entertainment – including visits by Santa! – however, I was unable to find details of performers / performances or times.

While the fair is already underway, the organisers are still taking Gacha item donations and DJs, musical acts and / or spoken word artist – the information card provided on arrival details how those interested can donate / apply.

The organisers additionally note:

If you or a friend or family member are feeling the holiday blues, or you are worried for yourself or someone else, we are here for you. Grab any information that would be helpful at our information booth and if you need to talk to someone, check our Holiday Cuddle Corner, where mentors and members will be standing by to help with those Holiday Blues. If no one is available on site, join our group, there is always someone in chat to talk to.

Support is always welcome – and given. So whether you would like to support SOS in their work or do have a need to talk to someone, do pop along to the SOS Christmas Fair.

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Tales of a Winter Sun in Second Life

Paris Metro Art Gallery: CybeleMoon – Tales of a Winter Sun

CybeleMoon (Hana Hoobinoo) is without doubt one of the most expressive fantasy artists in Second Life. Her art has a unique beauty that I consider to be unsurpassed in its depth and narrative; pieces that are hauntingly fascinating, encapsulating worlds of wonder and mystery or reflecting wonderment and innocence through portrait and study.

You can witness for yourself just how evocative and engaging her art is by visiting Tales of A Winter Sun, which officially opens at 12:00 noon SLT on Saturday, December 14th, 2018  at the Paris Metro Art Gallery. I was able to visit the exhibition ahead of the opening, and it truly is a delight.

Tales of a Winter Sun is actually something of a three-part exhibition. There is Cybele’s art, 20 images and a central mural type display; then there is a poem by Cybele, reflective of the art and of the season (available by clicking the information board at the lading point), and also a blog post she provides on her website.

Paris Metro Art Gallery: CybeleMoon – Tales of a Winter Sun

There is a time in the hushed solitudes of falling winter,
while the dreaming earth stirs softly beneath her frosted blanket,
where for a moment, we remember innocence and magic, and the incredible awe of being,
where hope is renewed in the lighting of candles and a star leads the way to Bethlehem,
Where grievances are put aside as we open our wounded hearts to receive the seeds of rebirth
Where my own dreams flow to the sacred music of haunted woodlands and enchanted children.
and old tales are retold with feasting and friends
where the lost are found and the poor are blessed
and where angels walk among us

– CybeleMoon

Reflective of the theme and the season, the 20 images offer us 20 twenty stories – some quite literally so, should you touch them – each beautifully encapsulated in a single moment.

Paris Metro Art Gallery: CybeleMoon – Tales of a Winter Sun

It is this feeling of capturing a moment that is particularly attractive about Cybele’s work. Her pieces are incredibly intricate in form and construction, the balance of light, colour, focus and theme utterly sublime; where looking at her art, I cannot help but see them in terms of an orchestra, different elements and layers, skilfully woven into a whole under the guiding hands of the conductor – or in this case the artist.

Yet, at the same time, there is a marvellous sense that each piece, far from being composed, has been captured in a fleeing moment, as if the mind has taken a snapshot of a dream or the eye a single moment of time played out before us in a world where wonder, innocence and beauty define all we see, and perhaps say and do.

Some might accuse me of waxing lyrical or of using hyperbole in writing like this – but unless you’ve seen Cybele’s work first-hand, it is hard to grasp just how rich, resonant and alive her art really is. As such, I urge you to go and witness Tales of a Winter Sun for yourself – you will not be disappointed.

In the meantime, and as she references it in her own blog post, I’ll leave you with an astonishing rendition of Leonard Cohen’s Hallelujah by Rhema Marvanne, and recorded when she was just eight years old, and which sits as a perfect companion to the art Cybele presents in both the exhibition and her blog post.

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RFL of SL: updates, changes and events at year-end

via slrelayinfo.com

With the year drawing to a close, so to do the 2018 fund-raising efforts for the American Cancer Society (ACS) through Relay for Life of Second Life (RFL).

As I write this, the annual Xmas Expo has closed, having raised US $20,495 in  just 10 days. Currently, the RFL of SL SciFi Mini Expo is running, having opened its doors on December 14th – more on that below.

One of the criticisms of RFL of SL / ACS is that it is “US centric”, a claim that isn’t entirely accurate. ACS works on a global basis in cancer treatment and care, and for 2018, this has been demonstrated through RFL of SL adopting the Kenyatta National Hospital Hope Hostel, Kenya, part of the ACS’s initiative to expand its Hope Lodge project around the world, providing free accommodation for cancer patients and their caregivers during treatment, who might not otherwise be able to receive treatment away from home due to difficulties in meeting the costs of accommodation, etc.

The Kenyatta National Hospital Hope Hostel project represents the first international expansion of the Hope Lodge project because cancer is a leading cause of death within Kenya, where death rates from the disease among the populace have remained almost unchanged in 30 years. For 2018, the project was adopted by Fantasy Faire, which raised US $48,019 for the project. Further support for KNH will be provided via the proceeds from the Xmas Expo, some / all of which will be put towards funding two Patient Navigators to work with the more than 1500 cancer patients at the Kenyatta National Hospital in Nairobi.

Artist rendering of the Hope Hostel from the Kenyatta National Hospital website

You can read more about the KNH Hope Hostel here, and about the ACS Patient Navigation programme here.

Also in 2018, RFL of SL saw a broadening of the Making Strides Against Breast Cancer season, while the RFL of SL team also took a hard look at how to better position itself for fund-raising and community engagement in 2019 and beyond. The latter included outlining a new volunteer structure, and planned adjustments to the RFL season within Second Life.

As with all things however, there are inevitable bumps in the road that can result in things having to change somewhat. And such is the case with RFL of SL.

On November 29th, 2018, and very quietly so as not to cause upset, Stingray Raymaker, who has helmed the liaison between AC and RFL of SL since 2008, announced he would be departing ACS in December 2018. In a touching letter on the RFL of SL website, he reviews his nine years as the ACS staff partner with RFL volunteers in Second Life. As he notes in that letter:

This does not mean that the American Cancer Society has chosen to end its presence in Second Life, but it does mean that our new vision for the future will need to be adjusted. While I fully expect that the American Cancer Society will assign a new staff partner to work with our volunteers in Second Life, this kind of transition will be easiest if we all focus on the essential tasks to provide quality cancer patient/survivor/caregiver support and Relay For Life/Making Strides Against Breast Cancer events.

Our ACS support outreach and advocacy team of Nikki Mathieson, Trager Alter, and MamaP Alter will continue to advocate for and support our Season Team and our 24-Hour Team.

– Stingray Raymaker

As a demonstration that RFL work will continue, with the 2019 RFL of SL website already published, and which will open for early registrations on Sunday, January 20th, 2019. In addition:

  • The ACS support outreach and advocacy team of Nikki Mathieson, Trager Alter, and MamaP Alter will continue to advocate for and support the Season Team and 24-Hour Team.
  • The Leads for the Season Team and the 24-Hour Team will continue to plan and execute the 2019 Relay for Life.
  • The Fundraising Tools will be unaffected.

However, the transitional period does mean that the planned ACS / RFL Community Gateway project has been put on hold, as has the 5-Days of Relay.

There will doubtless be further updates on all of this via the SL Relay Info website, and I’ll obviously aim to try to keep abreast of the news and report it here.

In the meantime, I’d like to take a belated opportunity to thank Stingray, someone I’ve only recently come to know, more’s the pity, for all of his work over the last nine years and for his enthusiasm for Second Life and its community; in particular, I’d like to publicly acknowledge his support and encouragement when I was having to face the threat of cancer myself at the start of 2018.

RFL of SL SciFi Mini Expo

SciFi Mini Expo

For those wishing to give further end-of-year support for RFL of SL fund-raising work, then as noted above, the SciFi Mini Expo is currently underway, and is being hosted on the ground level at Solaris Space Station, a Second life Role-Play Community. The event will run through until  Sunday, December 23rd, 2018.

The setting has a suitably wintry feel to it, but overall, details are a little scant. You can check the event calendar for entertainment at the Expo (ignore the title of the calendar – it does in fact refer to 2018!), but the best way to see what is available is obviously to pay a visit.

There is a fair selection of booths for role-play groups etc, plus a ski / sled run is available, alongside of a zipline ride, while ice skating can be found down on the ground.. The theatre is nicely arranged as the bridge of the original Enterprise NCC-1701 (with additional seating) – although the advertised film showings were at the time of my visit (and not a little amusingly) for The Orville.

Playing with Star Trek starships at the SciFi Mini Expo – which offers a Constitution class cruiser (l) and a Klingon D7 to play with

Alongside the Expo region is a second (reached via the maglev style car circling both regions) is a broader events area. Not specifically Expo themed, it does have RFL kiosks scattered around it, and offers various activities. These include a Warbugs air combat airstrip with ‘plane rezzer and – for those wishing to keep in the sci-fi spirit, a starship rezzer specifically for the Expo, offering a choice of classic Star Trek Constitution class cruiser or snazzy classic Klingon D7.  I confess, I found flying these around a lot of fun 🙂 . Should you opt for the latter, please consider a donation to RFL of SL at the nearby kiosk.

 

Isla Pey: year-end changes

Isla Pey

Back in April 2018, I returned Fallingwater – albeit somewhat modified to better suit our needs – to Second Life, redesigning Isla Pey around it in the process. Since then, we’ve been very settled, and the need to fiddle around with things hasn’t really come up.

However, in facing north and out over the “edge” of the grid, we may well see nothing but open seas, but we also miss a lot of the passing surface traffic; something that can be attractive to watch. Making a big move with the house wasn’t something I particularly wanted to contemplate (and not something the shape of the land would really tolerate). But, it did occur to me that by swinging the house through 180-degrees and cutting the island in two, something might be done…

Isla Pey

And so as Caitlyn reached for the hard hats, I started playing. Again.

As the parcel holding Isla Pey is rather long and slender, and given we already had a “north” and “south” end, linked by a large pond, stream and waterfall, cutting the land in two was easy enough. Out went the water, the falls and the surrounding mesh landforms creating the basic landmass was created.  Then, by swinging the house around and moving it southwards, there was room to add a fair-sized back garden – the landscaping made easier (again) by the re-use of the lawn design from the “old” island design.

Isla Pey

This, expanded with the use of Alex Bader’s superb Tiered Garden Wall Building Set, providing room for the art from Ciottolina Xue and pieces from Morgan Sim Designs that have long been features of our garden, while the JIAN Koi Pond Gazebo I’d modified for use with the “original” garden pond helped fill-out the space in the garden.

The southern end of the parcel, now an island in its own right, needed no real changes. It’s still home to our little folly from Trompe Loeil (actually the Amelie pavilion), just a section of HPMD cliffs needed to be added.

Isla Pey

This little island, also home to our sculptures from Silas Merlin, affords the house retain some privacy (one of the reasons I’ve tended to site houses at the north end of the island rather than the south is to help give a sense of privacy whilst being able to see passing ships). But, we needed a way to reach it.

The easiest way to do this was to extend the boat moorings under the house (actually the Botanical Edged Brick Park Path with a little re-texturing), using them as a kind of footbridge while also offering more room for boat / seaplane rezzing in our own little bay. The added room meant I could also add a couple of favourites to our vehicle rezzer that had been missed, the bay offering the perfect area in which to rez them.

Isla Pey

Fiddling with the island home is fun. But with the April changes (which I have nicely stored in a rezzing system 🙂 ) and now this reorganisation, means we probably won’t be making massive changes in the future, unless we opt to move elsewhere.

Just don’t hold me to that statement 😀 .

December 2018 at La Maison d’Aneli

La Maison d’Aneli: Lam Erin

Now open at La Maison d’Aneli Gallery, curated by Aneli Abeyante, is a new ensemble art exhibition, one which offers a rich mix of virtual and physical art and photography in what is an eclectic but engaging display. On offer are pieces by  Lam Erin, Renoir Adder, Bump Squeegee, Layachi Ihnen, Chapichapo Delvalle and the inimitable Moya Patrick (Moya Janus).

For those unfamiliar with Moya (Patrick Moya in the physical world), he has been a part of the artistic movement Ecole de Nice, and throughout his career has been as the forefront of artistic expression through all forms of media and technology, including virtual spaces. He is an early pioneer of video art, and was quickly drawn to the potential of virtual spaces like Second Life, in which he has been involved since 2007 and where he continues to maintain his Moya estate of four regions. He was also one of the first artists to actively promote Second Life in the physical world, with Rinascimento Virtuale, hosted by the museum of Anthropology of Florence, in 2009.

La Maison d’Aneli: Moya Patrick

Entitled Carnaval et fêtes populaires (literally “Carnival and popular festivals”, but given the English title “Carnival and popular traditions” in English), it is a typical piece from Moya, full of vitality, reflecting elements of his physical world art. Within it is – as one would expect – his alter-ego of Moya, familiar by his Pinocchio-like nose, and little Dolly, inspired by the cloned sheep of the same name. Frivolous, engaging, with some subtle motifs, Carnaval et fêtes populaires is a colourful piece, well in keeping with the time of the year.

Below it, on the lower floor of the gallery are three exhibition spaces presenting the physical world art of three very different artists: Renoir Adder, Layachi Ihnen and Bump Squeegee.

La Maison d’Aneli: Renoir Adder

I confess to being unfamiliar with Layachi’s art, which is offered here as the largest of the three displays. A profession of mathematics, Layachi started painting in 1969, and since 1999 has focused on mixed media, combining digital painting on computer with traditional techniques. For this exhibition, he presents pieces that reflect this mixing – notes the faces in many of the paintings -, all offered in a unique and distinctive style.

As an artist, Renoir Adder straddles genres. Within his pieces can be found elements of post-impressionism, potentially influenced by the like of Van Gogh; suggestions of Picasso; and impressionist leanings.

La Maison d’Aneli: Renoir Adder

Much of this is in evidence in the 15 pieces displayed at La Maison d’Aneli, in the midst of which are, to my eyes, three absorbing painting of Geishas which exhibit a unique and eye-catching style that focuses the attention marvellously, encouraging the observer to work outwards from them and take in the rest of the paintings in turn.

Bump Squeegee’s collage art is, for those familiar with it, instantly recognisable. Rich in colour and style, the dozen pieces here are a marvellous selection of Bump’s work. By their very nature, these are pieces for which description is meaningless; they deserve to be seen first-hand in order to appreciate them fully.

La Maison d’Aneli: Layachi Ihnen

Back on the upper level of the gallery is a selection of physical world photography by Chapichapo Delvalle. Another artists with whom I was unfamiliar, Chapichao’s work focuses on nature and natural settings, varying from full landscape pieces to focusing down to things like a small branch of pine cones set on the stonework of a footpath, offered as a series of studies in colour and style.

Colour is a major element in these images, and might be said to be a physical reflection of Chapichao’s vibrant view of Second Life.

La Maison d’Aneli: Lam Erin

Lam Erin, in providing full disclosure, is one of my favourite Second Life landscape artists, although I only discovered his work less than two years ago. As a virtual artist, Lam takes images captured within Second Life and transforms them into the most fantastic digital works of art, so rich in detail, you feel as if you can see the individual brush strokes in an original piece of art.

One of the hallmarks of Lam’s work is his presentation of cloudscapes. These cast a dramatic, even foreboding, look to the skies of his art that brings an added depth of realism and narrative to his paintings that is utterly remarkable. It is this attention to his clouds and skies that also makes his art redolent of some of the great masters of landscape painting.

As always from Aneli  and La Maison d’Aneli, an engaging exhibition of works by talented artists, and not one to be missed.

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