The art of Jay Salton in Sansar

Sansar: Jay Salton Art Gallery

Jay Salton is an Australian digital artist with a remarkable eye for creating stunning images which encompass fantasy, surreal and abstract elements and which are rich in colour and depth. He’s long held a desire to see his art evolve into a virtual space which people can explore and experience with their own senses. As Renegade Rabbit, he has taken a step along the road towards this evolution within Sansar, where he presents the Jay Salton Art Gallery.

Set within a walled meadow, the gallery building is fronted by a small garden with a lean towards Japanese influences. The spawn point is at the end of a footpath that leads beneath a Torii gate and over a water feature from which rise two small islands, each topped by a tree – one of which has something of a Bonsai-like topiary around it. A young lady sits on a rock before the water feature, while Jay’s love of the surreal is catered for by the presence of two gigantic mushrooms flanking the gallery building in the meadow.

Sansar: Jay Salton Art Gallery

The gallery, wrapped in the greenery of young birch-like trees, is of modern design, with clean lines with the interior finished in soft tones – an ideal backdrop for Jay’s stunning art. At the time of my visit, fourteen pieces of Jay’s work were on display, eight in individual alcoves or mounted on their own on walls, the remaining four grouped together along the rearmost of the gallery’s walls.

These are all visually stunning pieces, presenting marvellous scenes that range from might Saturn (at least I assume it is Saturn) rising over one of Titan’s hydrocarbon lakes, to images of fabulous islands one can easily picture in the South Seas, to studies of fantasy settings and images hinting at mysticism and magic. All are fabulously evocative, carrying rich narratives that speak to us as we look at them – and which perhaps reveal something of the artist himself, and his love of the digital medium.

Sansar: Jay Salton Art Gallery

“My artistic pursuit started at a young age when I dreamed of creating worlds and realities of my own,” Jay notes, before going on to reveal his life took a darker road. Drugs, a diagnosis of schizophrenia at 18, and a decent into hopelessness from which he escaped through glass blowing after his uncle stepped in and gave him a job at his glass studio. And thus his delight in creativity and art was renewed.

He goes on to note, “When I discovered digital art I was given the tools to turn my childhood dreams into a reality.” With a gift for working with Photoshop, 3Ds Max and Bryce, Jay now offers his worlds and his imagination for all of us to enjoy – and having visited his work in Sansar, I’m looking forward to see how else he might use the platform where he might further realise his dream of evolving his art as a virtual space.

Sansar: Jay Salton Art Gallery

Experience URL

Advertisements

A photogenic twirl in Second Life

La virevolte; Inara Pey, December 2017, on FlickrLa virevolte – click on any image for full size

La virevolte (The Twirl) is a gorgeous Homestead region designed by Iska (sablina). Caught in a winter setting, this is a rugged region is a rugged setting, running from lowland areas in the west to highland regions to the east, surrounded by snow-capped mountains.

Where this might be is open to question – there are few clues in the form of architecture and wildlife, although the vehicles in the region are of European origin. But where this might be really doesn’t matter; what is important is the sheer beauty of the region’s composition, which uses muted tones and colours to considerable effect, both outdoors and inside the buildings scattered across the region.

La virevolte; Inara Pey, December 2017, on FlickrLa virevolte

The landing point lies in the middle of the region,  close to a snowy track that winds from a headland on the west side, where an old lighthouse sits, then passes a log cabin sitting within its own fenced-off grounds before arriving at the foot of the eastern uplands.  A narrow channel cuts into the land near the lighthouse, forming a small, oval bay spanned by an ageing bridge. On the south side of this channel lies an old stone-walled barn, a Citroen van parked close by.

This western side of the landscape is largely snow free – although as one travels eastwards, the snow makes its presence felt, both on the ground and as it falls from a sky filled with scurrying clouds that scrape their way over the tall surrounding mountains. This gives the perfect impression of a wintry cold front moving across the land, depositing snow as it passes, gradually hiding the tough grass of the region under a white blanket.

La virevolte; Inara Pey, December 2017, on FlickrLa virevolte

Within the deeper snows of this eastern side of the region, sits a cosy wooden cabin overlooking waters that cut into the landscape from the north to form a small bay and finger of water that cuts a small slice of land off from the rest to form a little island. This brackets the western headland, connected to it by a rope-and-wood bridge. Old ruins sit on this crooked silver of land, sharing it with a curtain of silver birch which line the banks of the water channel.

Behind the cabin, the rocky shoulders of a plateau rise in steps to where a barn has been converted into something of a club house or social space, with comfortable sofas and chairs, a pool table and general bric-a-brac. This is reached by way of stone steps cut into the rock, and which rise from the western end of the rutted track mentioned above. An avenue of small trees, their trunks bent into a series of arches, also runs from close by the cabin to the foot of the steps.

La virevolte; Inara Pey, December 2017, on FlickrLa virevolte

Rocks also rise in the south-east corner of the region, offer a small shelf where another, unfurnished, cabin sits. This can be reached by following the curve of a second track that branches from the first to swing around a low table of rock to provide access to a little depression in the land, where sits a well and a pair from benches – and stone steps offer the way up to the cabin.

There are one or two areas where the grasses to the east and north need to be set to phantom, but La virevolte is wonderfully wild, windswept and marvellous photogenic. It makes for a picturesque visit – and our thanks, once again, to Shakespeare and Max for pointing it out to us!

La virevolte; Inara Pey, December 2017, on FlickrLa virevolte

SLurl Details