Space Sunday: mesas, dunes NEOs, comets and launches

A dramatic look back: in the foreground is the lower slope of one of the "Murray Buttes", in the far distance the tall peaks of Gale Crater's huge rim. One of the final images taken by Curiosity from within the region of the buttes on Thursday, September 8th, the rover's 1,454 sol on Mars. Credit: NASA/JPL / MSSS
A dramatic look back: in the foreground is the lower slope of one of the “Murray Buttes”, in the far distance the tall peaks of Gale Crater’s huge rim. One of a series of images taken by NASA’s Curiosity rover on Thursday, September 8th, the rover’s 1,454 sol on Mars. Credit: NASA/JPL / MSSS

NASA’s Mars Science Laboratory rover, Curiosity, has said “farewell” to “Murray Buttes” in a stunning series of images, as it continues its climb up the slopes of “Mount Sharp”, a massive mound of deposited material located at the central impact peak of Gale Crater.

The mesas of “Murray Buttes” mark the upper extend of the transitional “Murray Formation”, where the material deposited during the earliest centuries of “Mount Sharp’s” formation merge with the rock comprising the crater floor. Curiosity has been passing by the area of the buttes for a little over a month now, carrying out examinations of the rock surface and gathering samples of mudstone for analysis.

Murray Buttes with the faint outlines of Gale Crater beyond, as images on Thursday, September 8th 2016, by NASA's Curiosity rover during its 1m454 sol on Mars. Credit: NASA/JPL / MSSS
“Murray Buttes” with the faint outlines of Gale Crater beyond, as images on Thursday, September 8th 2016, by NASA’s Curiosity rover during its 1,454 sol on Mars. Credit: NASA/JPL / MSSS

Believed to be the eroded remnants of ancient sandstone that originated when winds deposited sand after lower “Mount Sharp” had formed, the buttes rival anything of a similar nature found on Earth in terms of dramatic looks and structure. So much so that while we’re hardly likely to see Clint Eastwood ride his horse around the base of one, they would nevertheless fit neatly into a Sergio Leone western.

Several of the pictures – mosaics of images captured by the rover which have been white-balanced to match typical Earth daylight lighting conditions and then stitched together to offer complete scenes – reveal the deeply layered nature of the sandstone, sandwiched in what is referred to as “cross-bedding”. This indicates that the formations are the result of both wind deposition of material and then wind erosion, further confirming the idea that “Mount Sharp” was initially formed as a formed as a result of Gale Crater once being home to a great lake, before the waters receded and wind action took over.

A closer view of the layered nature of the sandstone deposits forming "Murray Buttes", showing the "cross bedding" of the layers, indicative of the role that wind played in their deposition / formation. This picture comprises a mosaic of images captured by Curiosity rover on Thursday, September 8th, 2016 during its 1,454 sol on Mars. Credit: NASA/JPL / MSSS
A closer view of the layered nature of the sandstone deposits forming “Murray Buttes”, showing the “cross bedding” of the layers, indicative of the role that wind played in their deposition / formation. This picture comprises a mosaic of images captured by Curiosity rover on Thursday, September 8th, 2016 during its 1,454 sol on Mars. Credit: NASA/JPL / MSSS

The images were taken as Curiosity traversed the base of the final butte, where it gathered a final drilling sample on September 9th. On completion of the sample-gathering, the rover will continue farther south and higher up Mount Sharp, leaving these spectacular formations behind.

Curiosity's route up the slopes of "Mount Sharp". Credit: T.Reyes / NASA/JPL
Curiosity’s route up the slopes of “Mount Sharp” – click for full size. Credit: T.Reyes / NASA/JPL

The Sand Dunes of Shangri-La

On September 7th, NASA issued a video showing the latest radar images captured by the Cassini probe of the surface of Saturn’s largest moon, mighty Titan. The data was gathered as the probe swept by the huge moon – which is blanketed by a thick atmosphere and is known to have lakes and rivers of liquid hydrocarbons on its surface – at a distance of some 976 km (607 mi) on July 25th, 2016 – one of the closest passes over the moon the vehicle has ever made.

Because of the moon’s thick atmosphere, conventional camera systems cannot be used to probe Titan’s mysteries, so Cassini uses a radar system to “map” surface features in black-and-white. Of particular interest to mission scientists during the July 25th flyby was a dark patch along Titan’s equator, previously images by the radar system at much greater distances and dubbed “Shangri-La”. And area which revealed itself to be – in part – a region of linear dunes, mostly likely comprised of grains derived from hydrocarbons that have settled out of Titan’s atmosphere, and which have been sculpted by Titan’s surface winds. Scientists can use the dunes to learn about winds, the sands they’re composed of, and highs and lows in the landscape.

Also captured by the radar is an arena dubbed “Xanadu annex”, believed to be an out-thrust of chaotic terrain from a region dubbed “Xanadu” just to the north of “Shangri-La”. First imaged by the Hubble Space Telescope in 1994, just before the Cassini / Huygens mission was launched, “Xanadu” and its annex are thought to be remnants of the moon’s icy crust before it was covered by organic sediments from the atmosphere.

OSIRIS-REx Lifts-off as an Asteroid Sweeps By Earth

On Thursday, September 8th, NASA successfully launched OSIRIS-REx on a 7-year trek to reach asteroid Bennu, where it will gather surface samples and return them to Earth for analysis. The mission, which I previewed in my last Space Sunday report, lifted-off flawlessly from Space Launch Complex 41 at Cape Canaveral Air Force Station at 19:05 EDT, atop its Atlas V booster at the start of a journey which will carry it a total of 7.2 billion kilometres (4.5 billion miles).

The Atlas V booster carrying OSIRIS-REx shortly after lift-off on Thursday, September 8th. Credit: Ken Kremer
The Atlas V booster carrying OSIRIS-REx shortly after lift-off on Thursday, September 8th. Credit: Ken Kremer

Witnessing the launch was principal investigator Dante Lauretta, from the University of Arizona. “I can’t tell you how thrilled I was this evening, thinking of the people who played a part in this,” he said following the launch.

“This represents the hopes and dreams and blood, sweat and tears of thousands of people who have been working on this for years.”

The mission will gather samples from the surface of the asteroid – a remnant from the formation of the solar system – and will also map Bennu’s orbit around the Sun and the influences affecting it.

This is because the asteroid is a near-Earth object (NEO): an asteroid which periodically passes across Earth’s orbit around the Sun, and can come very close to our planet whilst doing so. So close, in fact, that some estimates of Bennu’s future orbit suggest it will collide with Earth towards the end of the next century.

Continue reading “Space Sunday: mesas, dunes NEOs, comets and launches”

Hounds, aliens, magic, cults and swords in Second Life

It’s time to kick-off a week of story-telling in voice, brought to our virtual lives by the staff and volunteers at the Seanchai Library. As always, all times SLT, and events are held at the Library’s Second Life home at Bradley University, unless otherwise indicated.

Sunday, September 11th

13:30: Tea Time at Baker Street

Tea-time at Baker Street returns for the summer, featuring a new location – 221B Baker Street at the University of Washington iSchool in Second Life. Caledonia Skytower, John Morland and Kayden Oconnell invite you to join them as they return to what is quite possibly the most famous of Sir Arthur Conan Doyle’s works, and present their fourth reading from The Hound of the Baskervilles.

Baskervilles-1902The third full-length novel written about Sherlock Holmes, this is likely to be the one Holmesian story which – at least in outline – known to most, whether or not they have actually read any of Holmes’ adventures.

But how many of us know the story as it was originally written? Over the decades it has been adapted for film and television more than 20 times, starting as early as 1914/15 with the 4-part series, Der Hund von Baskerville, and continuing on through to Paul McGuigan’s The Hounds of Baskerville, featured in the BBC’s brilliant Sherlock series.

All of these adaptations have offered their own take on the tale. Some – such as McGuigan’s, have simply taken the title of the story and used it to weave a unique tale of their own; others have stayed true to the basics of the story whilst also adding their own twists and turns quite outside of Conan Doyle’s plot in order to keep their offering fresh and exciting to an audience.

So why not join Cale, John and Kayden as they read from the 1902 original, and discover just how Sir Arthur Conan Doyle unfolded this apparently supernatural tale of giant hounds and murder, and the pivotal role played by John Watson himself?

18:00: Magicland Storytime

It’s a Small World of Folktales at The Golden Horseshoe in Magicland Park with Caledonia Skytower.

Monday September 12th, 19:00: The Crucible of Time

crucibleGyro Muggin’s takes his audience into the fix-up by John Brunner. First published as two-part story which appeared in Isaac Asimov’s Science Fiction Magazine, it’s an ambitious tale of alien intelligence which grew to a series of six linked tales pushed as a single novel in 1983.

Far off in space is an alien race which is so much like us, yet so un-alike. From the birth of their earliest civilisation through to their attainment of star flight as their star system passes through the galaxy, we follow their development through the ages.

Aquatic by nature, this race presents some significant challenges well outside the realms of anything encountered by humanity. But they are also driven by all too familiar hopes, fears, desires, needs, wants, prejudices, impact of religious ideologies, and the quest for knowledge we have experienced in the growth of our own civilisation.

Charting six periods of time, each a thousand years after the previous, the six stories focus on the efforts of a group of individuals in each era as they face one or more challenges, their success in overcoming these challenges inevitably leading them towards a greater understanding of their planet’s plight, and ultimately, the ability to deal with that plight and the survival of their civilisation.

Tuesday September 13th, 19:00: The Old Country

The Old Country“So this is what it’s like to have fingers,” the girl laughed, and pointed the bow at Gisella. “How does the world look from the other side of the crossbow?”

And so it is that Gisella learns the truth in the warning never look too long into the eyes of a fox, as she finds herself trapped in the fox’s body, as the fox makes off with her own. But such is the way of things in the Old Country, where “all the fairy tales come from, where there was magic – and there was war.”

Now she must cross a country torn by war, encountering magic, bloodshed and more as she seeks to find her own body and stare once again into the eyes of the fox possessing it, and so reclaim it. But such are her experiences in crossing the ravaged land, that once she finds her body, she faces a surprising revelation and choice about her own nature.

Join Faerie Maven-Pralou as she takes her audience through the enchanting pages of Mordecai Gerstein‘s 2005 novel.

Wednesday September 14th, 19:00: A Monstrous Regiment of Women (Mary Russell #2)

MonstrousReturn to 221B Baker Street at the University of Washington’s iSchool, Second Life, for the latter-day adventures of Mr. Sherlock Holmes (retired) and his young orphaned protégé, Mary Russell, originally from the United States, as written by Laurie R. King.

Taking a trip to London, Mary encounters Veronica Beaconsfield, a friend from Oxford, who in turn introduces her to the charismatic and enigmatic Margery Childe, leader of something called “The New Temple of God.”

Sect-like, and seemingly involved with the suffrage movement, the New Temple and its leader offer both curiosity and intrigue for Mary, who is not convinced either are entirely above-board.

Her suspicions appear to be correct when several of the Temple’s wealthy young female volunteers and financial contributors are murdered. With Holmes keeping a watchful eye in the background, Mary turns her curiosity into an investigation; in doing so, she faces her greatest danger yet.

Thursday, September 15th, 19:00  Dark Agnes De Chastillon, Sword Woman

Shandon Loring reads from another of Robert E. Howard’s short series, focusing on Agnes de Chastillon in 16th century France. Spanning three stories, two written in full by Howard, with the third finished by Gerald W. Page. In Sword Woman is both the title of Agnes’ origin story by Howard, and the title of the volume bringing her tales together under a single cover. To discover more, join Shandon in both Second Life and Kitely (check Seanchai Library’s Kitely event announcements for specific grid location details).


Please check with the Seanchai Library SL’s blog for updates and for additions or changes to the week’s schedule.

The featured charity for September-October is Alex’s Lemonade Stand Foundation (ALSF), a childhood cancer foundation dedicated to raising funds for research into new treatments and cures for all children battling cancer.

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Submerged in Second Life

The White Canvas Gallery: Submerged
The White Canvas Gallery: Submerged

Now open at the White Canvas Gallery (formerly the Good Days Gallery), curated by Goodcross is Submerged, a selection of aquatic-themed images by Elizabeth (ElizabethNantes), which she calls “an immersive experience” – a description which highlights the unique approach taken in presenting this collection.

Visitors arrive on the edge of a glass-sided pool of water, spray breaking against the rocky edge, the art displayed under the rippling surface. To view the art properly requires jumping into the tank, and then exploring it from beneath the “surface”, where bubbles drift upwards, fish and jellyfish swim and drift by, and a platypus floats gently, watching the ducks swimming above.

The White Canvas Gallery: Submerged
The White Canvas Gallery: Submerged

Eight of the images – all of which present figures at play on and under the water – are displayed around the inner walls of the tank, and are offered for sale; they face an additional four images arranged on the faces of a cube. The entire impression is that you are fully immersed in the environment – not just by being “underwater”, but very much a part of some of the scenes as those in them look towards you through the water.

This feeling of being immersed is further heightened by the careful placement of transparencies carrying the animated ebb and flow of foamy waves. These give the impression of the water’s surface (see in the centre image and the one above as a dark shade across the upper portions of the images), positioned so that some of those featured in the pictures do indeed have their heads above water. Only one – the image seen on first arrival (and heading this review)- is effectively “out” of the “water”; and even this is positioned to suggest the subject is rising from the surrounding pool.

The White Canvas Gallery: Submerged
The White Canvas Gallery: Submerged

I opted to photograph the collection against a night backdrop, as that was the local estate time when Caitlyn and I visited. However, tweaking Phototools also suggested that early morning or late afternoon windlight settings with the Sun low in the sky worked particularly well if a background of sky is required.

An imaginative collection presentation creatively presented.

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2016 SL project updates 36 (2): TPV Developer meeting

Yasminia; Inara Pey, September 2016, on Flickr Yasminiablog post

The majority of the notes in this update are taken from the TPV Developer meeting held on Friday, September 9th. The video of that meeting is embedded at the end of this update, and references to it are indicated through the use of time stamps in the paragraphs below. My thanks as always to North for recording and providing it.

This is not intended to be a transcript of the entire meeting, which featured discussions of some situations specific to individual region rather than SL as a whole. However, key discussion points have hopefully been highlighted.

Server Deployments

There was no main (SLS) channel deployment on Tuesday, September 6th.  On Wednesday, September 7th, all three RCs received the same new server maintenance package, defined as containing “minor internal logging changes” which may help with some of the problems occasionally seen with estate bans; at a minimum the Lab will be able to gather more information on them.

SL Viewer

VLC Media Plugin RC

[00:12] It is anticipated that this viewer (version 4.1.1.318504, dated August 15th at the time of writing) will be updated in the early part of week #37. The update had been expected in week #36, but bug fixing slowed progress. In addition, the new version of the viewer will include changes for exception handling in the viewer intended to ensure exceptions are better handled and recorded. These may not prevent crashes occurring, but should provide the Lab with better data on the exception throws and catches. Overall, they are describes as “fairly small, widespread changes” to the viewer code.

Visual Outfits Browser

[01:26]  The Visual Outfits Browser release candidate was further updated on Friday, September 9th, to version 4.0.8.319463,which should address some bugs, and the crash rate will be under observation with this update.

64-Bit Viewers

[03:08] Progressing continuing on the 64-bit Mac and Windows viewers, and the hope is that a project viewer will be arriving “soon”.

Project Bento

[01:26] My update on the most recent user group meeting is available, in which the viewer’s progress to RC in discussed. At the TPVD meeting, Oz indicated a hope the RC version of the viewer will be appearing some time in the next fortnight. This means that the Bento code will then be officially available for TPVs to adopt.

Windows 10 OpenGL Issue

[03:48] On September 6th, and following Whirly Fizzle’s pointer, I blogged about the Windows 10 / OpenGL issue which is affecting some Second Life users (as well as affecting a number of OpenGL games) – see also BUG-37795. Commenting on this at the TPVD meeting, Oz Linden said:

We are trying to work with Microsoft to find out what the genesis of that problem is … we didn’t do anything, so I’m not sure that we’re going to be able to fix it without help. The fact that it’s not just us that’s affected, is our best hope for getting a fix.

Voice Fixes

[04:50] The Voice changes mentioned in recent TPV Development meetings are not yet ready for release. There is at least one bug in handling Voice fade with distance which needs to be addressed by Vivox, which may take time for them to do. There is also no immediate push to deploy the new server-side Voice code currently on Aditi to the main grid. These changes don’t add any new features, being geared more for future changes to Voice than dealing with current problems, and as such may not be deployed until there is need for them.

New Family of LSL Functions

[07:27] A new family of LSL functions which it is hoped will please scripters. No details on what these are has been provided, pending final QA and testing via Aditi, so they may be appearing “real soon now”.  It is anticipated that an official blog post will mark the availability of the functions.

Other Items

  • [13:10] Alpha Masking Issues: This is a long-standing issue whereby alpha masking “fails” when ALM isn’t enabled in the viewer, leading to unattractive visual issues – see BUG-4357 for details.  This is something which fell off of the Lab’s radar, but they will now see if they can assign someone to look at the problem.
Alpha masking failure on attachments under ALM
Alpha masking failure on attachments under ALM. Credit: Whirly Fizzle
  • [14:44] Increasing the number of allowed attachments: project Bento sees an increase in the number of allowed attachment points on the avatar skeleton. However, the maximum number of attachments which can be worn at any one time remains 38, as any higher number starts to impact performance and stability, particularly with region crossings
  • [20:34] Ghosted attachments on region crossings: there are a number of bug reports on this (e.g. BUG-7761), and more than one bug may be at work (one causing items to become ghosted another causing them to revert, etc) on a region crossing (physical or teleport), which may or may not be linked to wearing multiple individual attachments at the same attach point. The Lab will be making further efforts to investigate issues
  • [27:00] E-mail changes: the Lab is making a series of change to improve the handling of outgoing e-mails from their systems (e.g. off-line e-mails for IMs, etc). The first of this is improving how users verify their e-mail address, which will be followed by further improvements, including only sending e-mails to addresses which have been verified. These changes will again be blogged about when implemented
  • Suppressing Avatar Complexity Notifications: the Lab may be looking at an easier way to suppress the avatar complexity notifications displayed in the top right corner of the viewer window than by using a debug option.

Peacehaven – A New Beginning in Second Life

Peacehaven - A New Beginning; Inara Pey, September 2016, on Flickr Peacehaven – A New Beginning – click any image for full size

In April, I wrote about Peacehaven, a beautifully rugged and picturesque region designed by Purr (PurrBlaize). At the time, the region was slated to close in May 2016, although it remained open a while longer before the doors finally closed and the region passed into new ownership.  Now, and as featured in the Destination Guide, it is back, albeit on a smaller scale, occupying a quarter of a region; but smaller doesn’t mean any less photogenic.

Peacehaven – A New Beginning presents visitors with a compact corner of beauty and peace ready to be explored and enjoyed. Journeys here start in the north-east corner of the land, on a concrete causeway at the foot of the tall spire of a lighthouse.  Two arches on the landward side of the causeway beckon people forward; the first is a natural formation of rock, its top broken in ages past, mosses coating its inner and outer faces. The second is of carved stone blocks and columns, apparently remnants of an ancient structure.

Peacehaven - A New Beginning; Inara Pey, September 2016, on Flickr Peacehaven – A New Beginning

Beyond them both, and across the sweeping curve of a river channel which reveals this part of the land to in fact be a small island, the ground thrusts upwards into a rocky plateau. Water tumbles down one face of this mesa, cutting a further channel to link with the river’s curve. Flatted-topped, the plateau is home to a thatched cottage, the short grass around it offering grazing for  horses and cattle, a wide pool – the source of the waterfalls – providing fresh water for them to drink. Behind the cottage, the rock again pushes upwards to form a small flat shoulder, where sits a modest growth of vines from which a harvest of grapes has not entirely been plucked.

The route up to this high perch is via path and stair, which wind between dry stone walls and up shelf-like steps of rock, passing bright splashes of flowers and  a tree-house snug along the way. Or, for those so inclined, a path at the base of the rugged plateau offers the chance to walk around it, passing a freshwater pond where lilies grow in one direction, or over a stout stone bridge and under the shade of trees to where the path divides, presenting a second wooden bridge leading back to the small, wooded island in one direction, or the choice of two further paths between the trees – but I’ll leave it to you to visit yourselves and see where they may take you.

Peacehaven - A New Beginning; Inara Pey, September 2016, on Flickr Peacehaven – A New Beginning

For those who prefer their time in the sun, Peaceheaven – A New Beginning offers two beaches, one to the north and the other to the east, both watched over by the lighthouse and set with parasols and dance systems, with one reach by another stone arch, a further reminder of an ancient presence here. Those in a romantic or reflective frame of mind are also catered for, with places to sit and snuggle – one or two of which might take a little careful finding.

Peaceheaven – A New Beginning is another demonstration that you don’t necessarily need an entire region to build something special. Exploring it is a genuine pleasure, with the snuggle spots and beaches ideal for resting-up afterwards, the sound of birdsong in the trees and waves on the sand forming a suitable backdrop for lazing away the time.

Peacehaven - A New Beginning; Inara Pey, September 2016, on Flickr Peacehaven – A New Beginning

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The Curio in Second Life

The Curio
The Curio

Open at the Serena Image Arts Centre, from September 10th 2016, is Eleseren Brianna’s The Curio, a mixed 2D and 3D art installation centred on a gigantic figure and a tale written in the style of a Victorian gentleman’s personal journal.

The gentleman in question is Joseph C.R. Pomfret, who is travelling through Finland as a part of an unspecified group of English families. Whilst lodging in a hotel in Savonlinna, they are invited to spend time at a private fishing lodge owned by one Doctor Koskinen. It is whilst staying there that the group encounters the Enkeli (“the Angel”).

The Curio
The Curio

This narrative is presented at the start of the installation, as a large intellibook which offers easy reading of the entries. Beside it, nine images arranged in an arc of easels, stand as a visual tableau of the encounter with the Enkeli. Rendered in a manner suggestive of skilled penmanship, they might be taken as drawings taken from the journal as offered by Mr. Pomfret as illustrations of the remarkable find. In turn, the nine images point the visitor towards the giant angel itself – not that it is hard to miss!

The Enkeli is an imposing figure set upon s sand bar surrounded by a landscape of rugged island in keeping with the journal’s description. Helmeted, with spread wings ruffled and in disarray, his is collapsed on hand and knees, as if exhausted. A great lance is held tightly in his right hand, blunt end thrust into the ground, tip pointing skyward, gripped as if he might be about to lean on it for support to regain his feet. Wooden chairs and a ladder invite visitors to explore the figure after the manner of Pomfret and his companions, while a rowing boat is moored alongside offers a further indication of scale.

The Curio
The Curio

The Curio is an interesting three-way piece, balancing storytelling with images and sculpture to present a unique narrative. It remains open through until September 16th, 2016, and a Gatcha / Gacha machine at the start of the exhibit offers all nine of the images and a copy of the journal  in an equally unique way of offering art to visitors.

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