Yamagata in Second Life

Yamagata; Inara Pey, August 2017, on Flickr Yamagata – click any image for full size

“I have wanted an oriental themed sim for the longest time,” Ayla Zhoy (AylaJ) says of her homestead region design Yamagata, “and here it is! I’ve spent some time slowly working on this and I hope you enjoy your visit.”

Regular readers to these pages will know that I’m immediately drawn to anything with an oriental flavour. This being the case, Caitlyn and I hopped over to take a look around as soon as the opportunity arose – and we weren’t at all disappointed.

Yamagata; Inara Pey, August 2017, on Flickr Yamagata

As with many oriental regions in Second Life, Yamagata draws strongly on Sino-Japanese influences, blending the two together to create an environment which is eye-catching, relaxing, fun to explore (although do take note, it is a constant work-in-progess, and so is changing on a fluid basis) and with plenty of opportunities for photography.

The land is in fact split into a number of small islands – although such is the design, this may not immediately be obvious when exploring. The landing point sits to the north-west of the region, on an elongated islet it shares with a modest traditional Japanese style house and garden. A walk inland from the house will bring you to a stone arch, water tumbling from it as it links the island with one on which a bamboo of Pandas reside. A short distance away, and running through the trees occupying the eastern end of the island, a path provides access to the first of several bridges spanning the channels which divide up the land.

Yamagata; Inara Pey, August 2017, on Flickr Yamagata

However, before you leave the landing point, make sure you accept the offered note card, it has details of a number of points of interest worth visiting when exploring. These include tea houses, onsens, houses and ruins. They can be explored in any order, and each offers a setting very much worth seeing. Paths and grassy trails run across all of the islands, linking bridges and points of interest to one another, while stone steps provide access to the region’s elevated areas.

One of the more intriguing places to visit is the stone tower rising on the west side of one of the larger islands. This sits in two parts, one preciously balanced atop the other by a mix of what appears to be a narrow neck of stone blocks, an iron ladder and gravity’s attention being otherwise occupied elsewhere! The ladders offer a way up (right-click and sit), and the tower itself is a good vantage point from which to see the rest of the region.

Yamagata; Inara Pey, August 2017, on Flickr Yamagata

But really, the best way to see everything is obviously on foot, following the paths, discovering all the different locations and places to sit and contemplate or cuddle or bathe along the way. The pandas offer a cute distraction (the stone arch can be climbed over to reach them if you want – although it is not strictly speaking a bridge). There are a couple of boats in the region, but these don’t appear to be set to allow passengers to sit at present – or at least at the time of our visit; which is a pity as the one near the stone water arch makes for a nice spot from which to observe the pandas.

Yamagata really is a lovely setting, well suited to a variety of windlight settings and offering a lot for people to enjoy. The Sino-Japanese theme works well, and is complemented by a soft ambient sound scape entirely in keeping with the region.

Yamagata; Inara Pey, August 2017, on Flickr Yamagata

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Art in the wild in Second Life

Aly's Fine Art Gallery and Jungle; Inara Pey, August 2017, on Flickr Aly’s Fine Art Gallery and Jungle – click any image for full size

In May 2017, Caitlyn and I visited Aly’s Fine Art Gallery and Jungle, designed by Hepburn (Hepburn30) and Pross (Prosperine2) for region holder Aly (Alysheea). The region is a home for Aly to display her 2D and 3D art –  and also provide visitors with a place to explore. As such, it presents an interesting mix of place to visit and explore, and gallery to appreciate the art on exhibition.

The gallery space is located in the south-west corner of the region, and is formed by three tiki huts located around a small lake surrounded by sandy banks. Aly’s art, which is an intriguing mix of “traditional” photography, abstract images based on photos, and images which appear to have been captured in-world. These are displayed alongside and around 3D sculptures and mobiles.

Aly's Fine Art Gallery and Jungle; Inara Pey, August 2017, on Flickr Aly’s Fine Art Gallery and Jungle

Across the water, elephants graze on the long grass growing around a tall watchtower. Of African origin, the elephants are perhaps a little at odds with the rest of the setting, which – for myself at least – has a far more Asian look and feel to it than it does African. Nevertheless, the offer plenty of opportunities for photos and are quite magnificent.

Beyond this, the region is a mix of tropical rain forest and rugged uplands, and offers much that requires careful exploration.  The rain forest has a number of trails running through it, one of which leads to a wooden summer-house offering a place for couples to enjoy a cuddle or two alongside a series of waterfalls. Another of the paths leads to steps cut into the side of the plateau which rises from the north and east sides of the region. This is an area requiring careful exploration, as not everything to be found here is necessarily above ground: there are caverns awaiting discovery. For those who prefer staying out of tunnels and caves, there are platforms along the side of the cliffs offering seating areas, while others provide ways to explore some of the lower-lying rocks.

Aly's Fine Art Gallery and Jungle; Inara Pey, August 2017, on Flickr Aly’s Fine Art Gallery and Jungle

Throughout the entire region are many Asian influences: a statue of Buddha, ruins which wouldn’t go amiss in the jungles of Burma, Tai Chai exercise areas, and more. These are mixed with places to sit and cuddle in camp sites and elsewhere, and which include a platform beneath a hot air balloon. For the observant – again – a hidden opportunity to play the Moonphase Piano.

As noted, this is an intriguing region. The art exhibition is modest, but well worth a visit, while the rest of the region offers a chance for exploration and photography – and has over the months been captivate by talents far greater than my own.  That said, and being honest, I do have one or two quibbles with some parts of the build – the plateau and rugged areas are a trifle ragged in places, and could perhaps benefit from some gentle clean-up and tidying. But again, this doesn’t detract from photographic opportunities, either under the default windlight or similar soft lighting.

Aly's Fine Art Gallery and Jungle; Inara Pey, August 2017, on Flickr Aly’s Fine Art Gallery and Jungle

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A cyberpunk Cocoon in Second Life

Cocoon, Japan Rose; Inara Pey, August 2017, on Flickr Cocoon – click any image for full size

Note: Cocoon has relocated and updated. The SLurls in this post have therefore been updated to reflect the new region. Please also refer to for a review of the new Cocoon.

Cocoon is the name of a cyberpunk role-play region designed by Ellie (Mii1a), and it offers an atmospheric environment with a rich back-story.

It is the year 2487. The Earth surface has become virtually uninhabitable as consequence of wars and environmental neglect. Most of humanity has fled the surface in the hopes of building a new future.

Cities slowly float around three thousand meters high above the surface, to escape the corroding effects of the pollution and radiation on the city’s hull over time.

The cities are connected by dense air-traffic and there is a booming economy for all types of goods. The cities are controlled by many different rival mega-concerns in the science and weapon industry, yet most parts of the population don’t care about the large-scale politics and established connections on many levels between the cities. There exists a thriving black market for weapons, drugs, software, food, cybernetics and other technology which remains nearly uncontrollable by the big businesses.

Cocoon, Japan Rose; Inara Pey, August 2017, on Flickr Cocoon

The name Cocoon is that of a “an unimportant artificial asteroid” first developed by the Cocoon Corporation some 40 years prior to the current period. Over the years it has grown to a centre of commerce sitting between floating cities of Earth and the colonies on the Moon and Mars – and a convenient place where those wishing to avoid being noticed could also find a place to hide – providing they don’t do anything to bring themselves to the attention of the security services.

The city is divided into four sectors – an automatic industrial area with docking facilities for shuttles operating between Earth, the Moon and Mars; a residential sector located along a narrow street with a mall and a black market location; the entertainment sector (also the oldest area of the facility) and sector four – the secretive area run by Cocooncorp itself and which “very few people have been able to enter that building or tell what is inside.” Finding your way around can be a tad confusing, as it’s not entirely clear whether the sectors are all on the same level or defined by height – so keep an eye on the signage.

Cocoon, Japan Rose; Inara Pey, August 2017, on Flickr Cocoon

The confusion induced by the design actually adds to the build, rather than detracting from it; after all, who immediately knows their way around a city on a first visit? As it is, the design encourages exploration and increases the chances of bumping into / jumping in-progress role-play. The latter appears to be entirely free-form, and includes combat via the Sosumi combat System, which can be obtained by group members via kiosks located throughout the build.

The overall design carries a look that is – as with most cyberpunk / sci-fi dystopian build – a hint of Blade Runner about it. This is not to say it is in any way derivative; rather it offers setting which may be comfortably familiar enough to encourage role-players to get involved. There are a number of ways to get around as well: on foot, via the numerous elevators and – for those who join the RP group – bikes can also be obtained for use on the multi-level roads. RP locations can be found outdoors and in. Role-play can additionally be enhanced by the media boards scattered through the city. Operated by ONN – Orbital New Network – these offer “news updates” on events which could act as springboards for further role-play.

Cocoon, Japan Rose; Inara Pey, August 2017, on Flickr Cocoon

Unlike many RP environments in Second Life, Cocoon appears to be a vibrant community; during our visit there were over half-a-dozen players actively participating in role-play. A comprehensive website provides those wishing to get involved all they need to know in order to join in: back story, allowed factions, rules and guidelines and an application form – group membership is via application / invitation. What is particularly interesting with the website, is the fact that is active among members: character biographies have been written, the forums look to be active, as does the photo gallery. Members are even encouraged – and do – write their own blogs.

For those looking for cyberpunk / dystopian role-play (complete with the ruins of Earth at ground level), Cocoon could be just the ticket. Those looking for futuristic setting for photography may also find the region an interesting visit (just be aware it is a role-play environment and try to dress appropriately).

Cocoon, Japan Rose; Inara Pey, August 2017, on Flickr Cocoon

With thanks to Shakespeare and Max for the tip.

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  • Cocoon (Japan Rose, rated: Moderate)

A return to Whimberly in Second Life

Whimberly, Whimberly; Inara Pey, August 2017, on Flickr Whimberly – click any image for full size

Caitlyn and I first visited Whimberly, the Homestead region designed by Staubi (Engelsstaub) in January of 2017. Back then, both of us were struck by the elegance and serenity of the region. So seeing it back in the Destination Guide with an updated image suggesting a make-over, had us hopping back at the start of August for another look; and it was well worth it.

The landing point to the north-east of the region places visitors outside a flat-roofed summer-house surrounded on three sides by an ornate wall while the fourth sports a wooden deck build out over the water. Cosily and elegantly furnished, the house suggests a summer getaway or a lover’s tryst.

Whimberly, Whimberly; Inara Pey, August 2017, on Flickr Whimberly

An old fountain sits alongside this summer-house, birds chirping happily (or perhaps in a demand for food!) while hopping along the retaining wall, while beyond the fountain, a stone arch provides access to one of several seating areas suitable for individual visitors or couples, all of which are scattered far enough apart from one another to offer a sense of seclusion.

A stream, crossed by three bridges, dissects the land into two halves of unequal size. The northern part with the landing point, offers a walk east and south, passing both the seating spot mentioned above and then another, further to the east, before the smallest of the three bridges provide a means to rejoin the larger part of the land. Westwards, past a wooden jetty were one can rez a little motor boat to putter along the stream, the land turns hilly.

Whimberly, Whimberly; Inara Pey, August 2017, on Flickr Whimberly

A grassy path climbs the gentle slopes of the hill, revealing an old barn looking to the north-west and overlooking a tiny islet where a picnic awaits on the far side of the little rope bridge. The grassy trail then continues southwards between the shoulder of the hill and the water to where another bridge – this one crafted from the interlocked trunks of two trees –  crosses the stream and offers access to a grand house.

With a paved courtyard, terrace to the rear, the house presents an idyllic place to live, the full height conservatory to the rear offering a magnificent view. Board walks point the way to where a deck extends out over the waters of a bay which cuts deeply into the land. A humpbacked finger of land points back to the north-eat from the house, and visitors can follow the grassy walk along the flank of its slope above the stream, or walk along its ridged back to where another cosy snuggle point sits within the ruins of an old tower, and stone step present a route up to the highest point on the island.

Whimberly, Whimberly; Inara Pey, August 2017, on Flickr Whimberly

A stylish barn conversion sit at the top of the hill, offering a view to the south and west, back towards the big house. Shaded by fir trees and with the peak of the hill just behind it, it sits as a cosy café where a break from exploring can be enjoyed. For the adventurous, a zip line offers a rapid descent to the little farmstead in the south-eastern corner of the land,  located not far from where another summer-style house is built out over the waters surrounding the island.

Set within the confines of surrounding hills, Whimberly sits as an island on a lake somewhere – I’d say at least – deep in Europe. A place to while away the summer days and unwind from the demands of everyday life; where nothing really matters other than the presence of nature around you.

Whimberly, Whimberly; Inara Pey, August 2017, on Flickr Whimberly

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The sands of Banana Bay in Second Life

Follow Your Bliss, Sea Foam; Inara Pey, July 2017, on Flickr Banana Bay – click any image for full size

Banana Bay is a Homestead region described as “still under construction” (but open to the public) designed by the delightfully named Bananas (FunkyBananas). Caitlyn and I were led to it (once again) by Shakespeare (SkinnyNilla), who really does have the knack for finding places.

This is a  distinctly Mediterranean setting with a hint of the tropical; the kind of place it’s easy to imagine  as the destination for an exotic holiday well out-of-the-way of the maddening crowds and bustle of everyday life. A slightly curled, sandy island with an east-facing bay caught within its curve, Banana Bay appears to take its name from the little plantation of banana trees located almost mid-way along its sweep, overlooked by one of several Tuscan / Mediterranean style buildings scattered along the island.

Follow Your Bliss, Sea Foam; Inara Pey, July 2017, on Flickr Banana Bay

Visits start on the west side of one of these buildings, which is itself located at the northern end of the island. A sandy path runs southwards from here, following the line of rock which rise from the foam of a lazy sea to reach another house sitting below the hilly backbone of the island. It’s upon this partially rocky backbone that the plantation sits, the land on the west side offering an easy walk to the southern end of the island and the ribbon of beach curling eastwards.

Following the sandy walk in the other direction from the landing point will take visitors around the villa to where a large wooden pier points out to sea. A loose-laid wooden board walk then offers a path south, running between the soft sands of a wide beach and the slopes of the island’s one hill, before petering out on the sands to the south. Palm trees offer some shade from the early morning sun, and provide convenient points from which hammocks have been slung for those wanting a little rest and they explore. More places to sit, some ready for cuddling, can be found scattered across the island, including an old kayak drawn up high above the tide line on the beach, and an inflatable raft out on the surf.

Follow Your Bliss, Sea Foam; Inara Pey, July 2017, on Flickr Banana Bay

None of the buildings are currently furnished, although the villa near the landing point offers outdoor seating. There’s also no sound scape for the region as yet – but again, remember that it is under construction, so there well be more to come.

Under construction (at the time of writing) it may well be, but Banana Bay is  already and photogenic and restful setting; the fact that it is still being developed means that it’ll be remaining on our list of places to re-visit sooner rather than later in order to see how things are progressing. In the meantime, if you want to have a break from things and drift away from all the noise about Sansar or whatever, why not take a walk along to beaches of Banana Bay?

Follow Your Bliss, Sea Foam; Inara Pey, July 2017, on Flickr Banana Bay

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  • Banana Bay (Charmed One, rated: Adult)

Following an Oriental Bliss in Second Life

Follow Your Bliss, Sea Foam; Inara Pey, July 2017, on Flickr Follow Your Bliss – click any image for full size

June 2017 marked just over a year since Caitlyn and I last visited Follow Your Bliss, the homestead region designed by ElizabethNantes. Given this, we felt it was high time we made a return. Back then, the region had the distinct feel of a tropical archipelago, and we were keen to see what changes had been wrought in the intervening months.

For the current build, Elizabeth has adopted the Display Name Sushi – and on arrival it is immediately obvious why this should be: the region is now distinctly Japanese in looks. However, while many region designers opt to focus on a period build when turning to Japan – notably settling on the Edo period – Elizabeth offers something different: a mix of the old and the contemporary, gathered around a watery setting.

Follow Your Bliss, Sea Foam; Inara Pey, July 2017, on Flickr Follow Your Bliss

Set beneath an early evening sky, Follow Your Bliss presents a mainly low-lying series of islets surrounding a shallow body of water on which sampans float and waves are rippled by a gentle breeze. To the east, the land rises into a more substantial mass, formed by rocky shoulders and gently rolling slopes. Along this ribbon of land sits a row of little shops, some with traditional slope tile roofs, others box-like structures of concrete and wood, flat-topped and decorated with neon signage and adverts for popular brands.

A cobble footpath separates these shops from the waters of the shallows, running from a point just a short walk from the landing point to where an ancient  – and clearly venerated  – olive tree grows. At the southern end of this path, the route back to the landing point, located in a small summer-house also overlooking the shallow waters, is marked by a series of candle lanterns. Some of these manage to remain lit despite being caught in a gentle fall of rain, sitting close to a marching line of Torii gates which climb a hill, pointing the way to a pagoda and to where Buddha sits on a grassy curve of hill-top.

Follow Your Bliss, Sea Foam; Inara Pey, July 2017, on Flickr Follow Your Bliss

Looking towards the west, Buddha stares out over the waters of the region and the loose-knit chain of little islands which run northwards from the landing point towards a dense grove of bamboo. Connected by wooden bridges, these little islets  offer places to sit and relax and perhaps join Buddha in quiet meditation as he looks down on you.

At the bamboo grove, which screens the main part of the region from was might be private residence, the path passes a temple bell and arcs more eastwards in its direction, passing a strong pavilion built out over the water. Beyond this, another little house straddles the water separating the western aspect of the region from the ancient olive tree and the little township beyond it.

Follow Your Bliss, Sea Foam; Inara Pey, July 2017, on Flickr Follow Your Bliss

With the ground a particular course grain of cinder earth, the chain-like beads of land surrounding the inland water as they run from the southern edge of the rockier ground and out to the west before turning back inwards to come back to the northern end of the land’s long finger, the entire impression is that this the site of an ancient crater – perhaps even the small caldera of a long extinct and flooded volcano, the land all that remains of the crater rim.

Finished with a gentle ambient sound scape of falling rain and birdsong, the splashing of water and the burring of dragonfly wings, Follow Your Bliss offers a relaxing setting, easy to explore and enjoy  – and even the chance to sail a sampan. An altogether delightful little visit.

Follow Your Bliss, Sea Foam; Inara Pey, July 2017, on Flickr Follow Your Bliss

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