Athazagoraphobia, Evolution and a touch of colour at Vibes Gallery

Vibes Gallery: Store’s Helendale – Athazagoraphobia

I confess that Vibes Gallery, curated (I believe) by Eviana Robbiani, is a place that I’d not come across until I received an invite from Storie’s Helendale (GlitterPrincess Destiny) to attend her latest exhibition there – one of three that can be experienced within the somewhat grunge-like gallery setting that offers an appeal of its own.

Storie’s often tends to take the more unusual / thought provoking as the theme for her exhibitions, and this – although brief in some respects – is no different. Entitled Athazagoraphobia, it takes its title from what is perhaps one of the least talked about human phobias: fear of being forgotten or of forgetting others.  It is often associated with the families / loved ones of Alzheimer’s/dementia patients, who fear their loved ones will forget them eventually, but can be encountered elsewhere, and in the form of a fear of being forgotten by those we love after we have passed.

Vibes Gallery: Store’s Helendale – Athazagoraphobia

In this, athazagoraphobia has a role to play in our digital lives. What happens if we leave SL, will those we have known be remembered? How long will our work / activities here help hold us in the minds of others? Even if our work remains, will it help people to recall us, as the people responsible for that work? What happens if someone we know decides to leave Second Life? will they continue to think of us, to recall our friendship, our company? Will we live on in their thoughts?

Through words and images, this appears to be the element of athazagoraphobia Storie’s explores in this small, but evocative exhibition. In it, she uses images to offer the suggestion of fading memories and words to question how we might be recalled, to bring in the focus the desire to be remembered, to be more than a fading memory or the name assigned to an image or object. It’s a dark subject – emphasised by Storie’s request that a dark windlight setting is used when visiting – but it is also one hauntingly brought to life through her images.

Vibes Gallery: Lexia Kohime – Evolution

I retained the same windlight setting – Phototools No Light, although Midnight will also work – to view Evolution, an exhibition by Lexia Kohime. In difference to many avatar study exhibitions, the focus of this exhibition is the male portrait: close-in head studies present in a range of finishes: colour, monochrome and sepia finishes, these are fascinating pieces, each rich with its own life, a capturing and framing of the nature of the subjects.

The exceptions to the pieces sit to one end of the gallery space, where a smaller selection of female avatar head studies can be found. I confess that, as engaging as the male studies are, I found several of these to be more coptivating. Not because they are of female avatars (I have no bias either way when it comes to avatar studies), but because I found four of them to be rich in the kind of narrative I love to discover within images.

Vibes Gallery: Lexia Kohime – Evolution

The final exhibition – which commenced in mid-May 2019, and so might not have much longer to run – is an ensemble selection featuring Aurora Donner, Zoota Manota, Petra Messioptra, Meilo Minotaur, Marina Munter, Armand Parks, Erika Xaron, Patrick of Ireland and Rodnoc.

Again entirely focused on avatars, perhaps the best way to describe the theme of this selection is “colour”; each piece contains a colour palette and / or tone that immediately draws the visitor into it.

Vibes Gallery: ensemble exhibition

With three engaging exhibitions offering a richness of art and avatar studies for May / June, I look forward to returning to Vibes Gallery to witness future exhibitions.

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Livio’s retrospective at Nitroglobus in Second Life

Nitroglobus Roof Gallery: Livio Korobase

Livio Korobase is rightly known and admired for his 3D art installations in Second Life. Sometimes irreverent or with a rich vein of humour and sense of fun, other times thought provoking and challenging – but always fascinating and engaging, Livio’s work never fails to capture the eye and mind.

Given he frequently works on the scale of an entire region, any attempt at offering a look back on his work is going to be something of a challenge; just how do you bring together some much in the way of large-scale work in a space that could often be confined by the limitations of a gallery.

Nitroglobus Roof Gallery: Livio Korobase

Yet that is what he has done – and quite appealingly so – thanks to an invitation from Dido Haas, owner and curator of Nitroglobus Roof Gallery. With Post Factum (“after the fact” – or to put it another way, retrospectively) Livio presents a marvellous review of his work that  – in Dido’s own words (borrowed from Monty Python which, given Livio’s aforementioned sense of fun, is not entirely inappropriate) – present and exhibition that is quite “completely different” for Nitroglobus Roof Gallery.

Nitroglobus has always made a clever use of space: the gallery’s halls are high walled, allowing extremely large format images to be exhibited. More than this, however, its walls extend below the transparent floor  level, allowing mirrored copies of images exhibited to be placed “below” them, giving the impression the pictures are being reflected in the polished floors themselves.

Nitroglobus Roof Gallery: Livio Korobase

For Post Factum, Livio both continues this approach, placing 2D images of his art both above and below the floors to give the illusions of reflections. But at the same time, he presents different 3D pieces on the main and sub-floors of the gallery.

Not only does this allow for the display of more of Livio’s work than might otherwise be the case without making things crowded, thus making excellent use of the available space. More than this however, the use of the available space cleverly reflects Livio’s ability to challenge our perceptions: paintings and photos “reflected” in the floors – yet those same floors reveal completely different 3D figures below them than those sitting above them.

Nitroglobus Roof Gallery: Livio Korobase

To move between the two levels, visitors are invited to use the teleporter “hole”. Doing so is recommended, given that many of Livio pieces can be interactive so you’re going to want to get close enough to be able to mouse-over / touch them to find out what might happen.

As a retrospective, the exhibition offers pieces from many of Livio’s installations and exhibitions – Black Elk, Eidola, The Creature from the Black Lagoon, Musiclandia, and more. For those of us familiar with Livio’s work, Post Factum therefore offers a fascinating trip down memory lane. For those who might not be so familiar with his work, the exhibition still offers an inviting and immersive introduction.

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JolieElle’s artistry in Second Life

Vision Of Beauty Art Complex: JolieElle Parfort

Currently on display at the Vision of Beauty Art Complex is an exhibition of art by -Jolie- (JolieElle Parfort). Spread across two levels of the gallery space, each connected to the other via a teleport system, this is a fabulous introduction to Jolie’s landscape paintings for those who may not have previously encountered her work.

Jolie describing her art as post-impressionism. This school of painting tends to be denoted through the use of heavy brush-strokes and an eschewing of impressionism’s accurate depiction of light, opting instead for the use of vivid and sometimes unnatural colours and tones, whilst often including a degree of geometric form and / or a distortion of form for visual effect.

Vision Of Beauty Art Complex: JolieElle Parfort

Much of this is very much present in Jolie’s work, as demonstrated in the selection she offers in this exhibition. Her flamingos strikingly bold in colour, which also saturates the vegetation behind them, for example (see above right), while geometry and the passage of strong, firm brush strokes are also clearly in evidence through several of the pieces.

So too are pieces that feel much closer to the work of the great impressionists. For example, Gulf Afternoon and Morning Rushes, which can both be seen in the banner image for this review each off a sense of light, motion and the passage of time which leans them towards impressionism, the heavy brushwork evidenced in the former notwithstanding. Similarly, other pieces such as Hurricane Frolic have about them a wonderfully subtle tone of abstract.

Vision Of Beauty Art Complex: JolieElle Parfort

Thus, to offer a single encompassing descriptive style to this exhibition is – to me – doing the pieces offered within it something of as disservice. While Jolie’s art may well have a focus on post-impressionism, it encompasses so much more, and quite marvellously so, with a depth and richness that is completely captivating to the eye.

This beauty is enhanced particularly by the rooftop setting for part of the exhibition. With its wooden deck and piers, and wind-rippled water, this part of the exhibition draws the visitor into the rooftop display – and I would suggest perhaps flicking you viewer over to a midnight setting as well as viewing them in the ambient daylight; this again brings forth their depth and richness quite marvellously.

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Da Vinci and Steampunk in Second Life

Astral Dreams Project: 500 Leonardo

The latest edition of the Astral Dreams project, curated by Jack Davies and Mina Arcana, opened its doors at the start of June 2019 to present 500 Leonardo “celebrating 500 years since the death of Leonardo da Vinci in [a] Steampunk setting”.

Featuring art and models by Nabreji Aabye, Caly Applewhyte (Calypso Applewhyte), Sergio Delacruz, Desy Magic, Lara Tommaso and Ciottolina Xue, this is something of an installation in two parts: a celebration of the works of Leonardo di ser Piero da Vinci, the most famous polymath of the Italian Renaissance, and a selection of steampunk inspired displays.

Astral Dreams Project: 500 Leonardo – Sergio Delacruz

The setting is a series of island floating in the sky dome, the largest of which features the Leonardo Museum and the landing point. In the grounds are marvellous models of some of da Vinci’s inventions: notably his proposal for a wheeled fighting machine, and his aerial screw.

While neither of these was built in da Vinci’s time (and the fighting machine would have been impractical under battlefield conditions), the fighting machine contained a number of elements and ideas still found in modern tanks and armoured vehicles, while the aerial screw is regarded as an antecedent of the helicopter. Sharing the outdoor space with both is a model of his catapult, all three beautifully modelled by Sergio Delacruz.

Astral Dreams Project: 500 Leonardo – Sergio Delacruz

Within the museum building is a broader celebration of da Vinci’s work, featuring reproductions of some of his paintings and his anatomical sketches, together with more models and reproductions of drawings of some of this other inventions – most notably his flying machine, celebrated in both model and drawing. Information in Italian on all of these, and the models outside, can be obtained via web links supplied by touching individual drawings / paintings or the easels alongside the models. In this, the display may well have been made more accessible to a visiting audience by providing language options in the links.

Just outside the door to the museum building are teleports that will take visitors to the installations by Nabreji Aabye, Caly Applewhite, Desy Magic, Lara Tommaso and Ciottolina Xue. These all focus more on the steampunk element of the installation, offering both 2D or 3D works by the respective artists. The teleports come in two flavours: a plain disk system that will auto-teleport you around the artists’ installations, and a menu-driven teleport unit (with a large floating sign) that allows you to choose your destination.

Astral Dreams Project: 500 Leonardo – Desy Magic

500 Leonardo is a curious mix; on the one hand the celebration of da Vinci’s life and the installation celebrating steampunk and art stand distinctly apart; on the other, they are somewhat linked.

As an engineer, inventor and visionary, de Vinci saw far ahead of his time, developing tools and technology that were far ahead of their time, from winches to the aforementioned fighting and flying machines; so too is steampunk associated with invention and machines. Da Vinci was also a cartographer, a science associated with exploration, and steampunk often encompasses the idea of exploration and discovery. I also have little doubt that da Vinci himself would be fascinated by the whole steampunk genre and its inventiveness as it sits within its 19th century framework.

Astral Dream Project: 500 Leonardo – Ciottolina Xue

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Art with a touch of HippiMagic in Second Life

HippiMagic: Fuyuko ‘冬子’ Amano

Update: due to illness in Sophie’s family, and as per Fuyuko’s comment below, the opening has been postponed until 14:00 on Wednesday, June 5th.

HippiMagic Art Studio and Gallery opens its doors for its first public exhibition at 12:00 noon SLT on Sunday, June 2nd, 2019, featuring the art of TaraAers and Fuyuko ‘冬子’ Amano (Wintergeist), supported with art by the gallery’s curator, Sophie Dunn (Sophie72 Congrejo) and a pair of fractal pieces by Raytracer (rinomon).

Occupying a 4096 sq m parcel, the gallery is split between in-door and out-door spaces in which the art is displayed, the landing point area neatly linking the two, and acting as an information point.

HippiMagic: Fuyuko ‘冬子’ Amano

Within the gallery building is the display of Fuyuko’s art, which shares the gallery’s two levels with Sophie’s work (you might need to right-click on some of the images to determine the art through the Edit / Build floater, as the placement of the art is deliberately mixed). The upper level of the gallery also features a study space reserved for staff / invitees.

Fuyuko is well-known for her landscape art captured from within Second Life, and this is encompassed within the selection on offer here – but it is also mixed with some of her physical world photography to further demonstrate the breadth of her work. And in this, I confess to being constantly drawn to her photograph Past is Prologue, which has a beautiful melding of light, reflection, colour, symmetry (with the candle bowls), and the subtle hint of standing on the cusp between old and new years, all of which builds within it a wonderful sense of story.

HippiMagic: TaraAers

Out in the garden (although with a couple of pieces tucked into the gallery building as well), Tara presents a selection of her art with each piece paired with a verse by Olean (Oleanhorok). This makes the selection something of a partner to her selection of images paired with Olean’s words for the May 2019 Visual Poems exhibition at The Edge Gallery (see: The magic of images and words in Second Life).

Each image  – captured from within Second Life – is rendered as a painting, with the  images displayed in the garden split between a version framed as a picture, and an unframed version that has been paired with Olean’s words. Both versions of each piece are offered for sale (as are Fuyuko’s pieces inside the gallery), offering those interested in the art a choice of potential purchases. There is a softest of colour and tone that makes Tara’s work attractive in its own right, and there is something captivating about the blending of her images with Olean’s verses.

HippiMagic: TaraAers

A short wander in the garden in the direction of the 1960’s decorated VW camper van will reveal Raytracer’s fractal pieces neatly tucked into a candlelit corner, while indoors, Sophie’s work mixes will with Fuyuko’s to complete the exhibition.

The opening event for the gallery will feature both the key artists and music by DJ Phee Wonder. It will run through until 14:00 SLT.

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La Galerie D’angle in Second Life

La Galerie D’angle: Donna Giordano

Officially opening on Tuesday, May 28th, 2019 with a special celebration starting at 18:00 SLT, is La Galerie D’angle, curated by Mary Zimmer. On display is a exhibition of art by Donna Giordano (Ohsoleomio), and it’s an intriguing exhibition for an inaugural event.

An abstract artist in the physical world, Donna presents almost 30 pieces of her art, the majority of which offer rich rich palettes of colour and wonderfully abstract images that offer suggestions of a sunset on water, fields in the breeze, coastal landscapes and what might be storm-struck rocks – or lightning-split clouds, sailing ships on the ocean, and more.

La Galerie D’angle: Donna Giordano

Mixed with these are pieces that have a wonderful geometric look and feel to them and mosaics with a depth of colour within them that makes their texture almost tactile in its richness.

As some who appreciates abstract art, these are pictures which hold a strong appeal; but while the colour images have a marvellous attraction, I admit to being deeply drawn to the monochrome images there is a depth and rawness that is stunning. In this I would particularly single out Perfect Storm, the aforementioned piece depicting what might be lightning and storm clouds or foam-topped waves crashing against rocks.

La Galerie D’angle: Donna Giordano

This is a superb exhibition with which to open a new gallery, pieces that invite the imagination to take flight. I wish Mary every success with her venture. Those wishing to celebrate the opening with her can do so from 18:00 SLT on May 28th, with music from Bill Tigerpaw, who will be followed a 19:00 by Djembe Dragonfire before DJ Skip takes over from 20:00.

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