A Sunbird’s Nest in Second Life

TheNest : Sunbird, May 2024 – click any image for full size

I recently had the opportunity to visit TheNest : Sunbird, a Full private region leveraging the available Land Capacity bonus designed by Second Life partners  Adam Cayden (whisperinmyearz) and Lya Seerose, together with Tessa (Tessalie). The region offers a mix of photogenic public spaces and private rental – the latter of which are very imaginatively placed in order to help tenants maintain their privacy.

Come visit our blossoming city hidden in the mountains, enjoy the lake and its blooming scenery, our blissful rentals and enjoy the beauty from the smallest flower to the tallest of trees.

– TheNest : Sunbird About Land

TheNest : Sunbird, May 2024

The city in question is nestled in the south-east corner of the region, adjacent to the landing point, itself sitting on the southernmost tip of the land and facing an arch leading into the city, with two routes around the headland angling away from it on either side. A signpost offers hints as to what to look for when exploring, although at the time of my visit, the sign appeared to be on the wrong side of the archway, directing people around the waterfront (itself a nice walk!) to reach the city, rather than through the archway.

The main street of the townscape a has been neatly pedestrianized in part, presenting plenty of opportunity for wandering. Most of the building here are façades, relying on external elements for their attractiveness – tables and chairs, outdoor stalls, etc., – a combination that makes for plenty of opportunities for photography without the need to load-up shop interiors. The two exceptions to this are the rental office with details on some of the rentals available in the region, and the coffee shop.

TheNest : Sunbird, May 2024
We tried our best to give SL wanderers an interesting blend of urban city with a lively feel and intense blooming nature, building our rentals with the most wonderful views, trying to build a community of people to share it with … And we plan to do little events pretty often, festivals and more quiet things too!

– Lya Seerose, The Nest : Sunbird, co-owner

There’s a lot of small details in and around the city centre which make wandering a pleasure, from the fountain in the middle of the street, all the way around the southern waterfront, complete with its static figures to add a sense of depth and place, and which offer more opportunities for photography.

TheNest : Sunbird, May 2024

Other details to be discovered include the pet parking area, the mix of English / French / American influences (the telephone boxes, the subway and taxi, and the rooftop bar- club – and more. North of the town, the land rises significantly, curling around a deep-cutting inlet to offer broad uplands to the west, surmounted by the rental properties.

To the east, the route up to the higher elevations is marked by a tree-lined track leading up to a deep meadow bounded at its northern extent by the sheer walls of cliffs which again rise up to more of the local rentals. Those leaving the town on its eastern side, where the local road suddenly peters out, can also make their way along the coast to where the cliffs start to rise, and use a wooden board walk to climb up to the slopes above, and then walk up to the meadow from there.

TheNest : Sunbird, May 2024

With small glade-like area to one side offering shade across the head of a short stream that feed down into the inlet below, the meadow offers numerous places to sit and pass the time and an opportunity to feed the local raccoons. A further path rises to the west, passing through a woodland area which itself skirt the line of cliffs and plateaux with their rental homes.  This path curves around the head of the inlet, offering a number of vantage points from which to look out over it, together with further places to sit. In addition, the path split to offer a route to the western extent of the region and down to the waters at the head of the bay.

There is a natural flow and beauty through this part of the region that is very visually engaging, whilst the use of the higher plateaux for the rentals ensures they are nicely distanced from the public spaces to avoid trespass (or indeed, from having intrude into photos) without them being completely divorced from the setting, allow those renting the properties the best of both worlds – comfortable surroundings, the opportunity to drop down into the region and share the walks, etc., some excellent views – and privacy of their own.

TheNest : Sunbird, May 2024

The rentals themselves come in four five styles with up to 5 units in each style. All are supplied furnished and with a Land Impact allowance for personalisation. Gardens are included, with the larger units having nicely landscaped outdoor spaces which give plenty of room for tenants to have a comfortable home life. Those interested in renting should visit the rental office in the town for more details.

Charming, light, with much to see and appreciate – not all of which is covered here – TheNest : Sunbird makes for a very pleasing visit – and potentially, a very engaging place to live, if you happen to be in the market for a ready-to enjoy home.

TheNest : Sunbird, May 2024

Note: the official opening for TheNest : Sunbird will be on Saturday, May 25th, 2024 commencing at 23:30 SLT with music by DJ Vic. Lea, Tessa and Adam extend a warm invitation for people to hop over and join the party!

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2024 Raglan Shire Artwalk in Second Life

Raglan Shire Artwalk 2024

Raglan Shire, Second Life’s Tiny community, is once again opening its doors to people from across the grid, as participating artists and visitors are invited to the Raglan Shire Artwalk 2024.

This year, the the event runs from Sunday, May 19th, through until Sunday, June 16th, 2024, inclusive. It  offers an opportunity not just to appreciate a huge range of art from both the physical and digital worlds, but to also tour the Shire regions and enjoy the hospitality of the Raglan Shire community – one of the friendliest and fun-seeking groups in Second Life.

A non-juried exhibition, the Artwalk is open to any artist wishing to enter, and has minimal restrictions on the type of art displayed (one of the most important being all art is in keeping with the Shire’s maturity rating). All of this means that it offers one of the richest mixes of art displayed within a single location in Second Life, with 2D art is displayed along the hedgerows of the Shire’s pathways and tree platforms overhead and 3D art among the community’s parks.

Raglan Shire Artwalk 2024

Over 120 artists are participating in 2024, many for the first time. As such, the  depth and range of art on display is guaranteed to keep visitors exploring the paths and walks around and through the hedgerows – and if walking proves a little much, there are always the Shire’s tours to ease the load on the feet, together with the teleport boards to help move visitors swiftly around and through the different display areas. But that said, I do recommend exercising your pedal extremities and doing at least some of your exploration on foot – just keep in mind people do have their homes in the regions as well.

Given the number of artists involved, there isn’t a published list of participants, but anyone interested in the world of SL art is bound to recognise many of the names of the artists here. The Artwalk is also a marvellous way to see art from both our physical and digital worlds and for catch artists both familiar and new to your eye. Just don’t try to see it all at once; the Artwalk is open for a month, which gives plenty of time for browsing and appreciating the art without feeling overloaded.

Raglan Shire Artwalk 2024

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All of the Raglan Shire Artwalk regions are rated General)

Finding A Place in the Sun in Second Life

A Place in the Sun, May 2024 – click any image for full size

As we approach the half-way mark for 2024, spring is inevitably moving towards summer for many of us in the world at large. This is the time when many public regions across Second Life are lovingly given a make-over by their holders and friends, ready to accept visitors old and new with a fresh look to entice and engage.

One such region about – at the time of writing – to go through such a rebirth is that of Bella’s Lullaby, held by BellaSwan Blackheart, a place I’ve always enjoyed visiting and writing about; the last time being in February 2024. Hearing the news that things are about to change reminded me that I had yet to visit Bella’s “new” region design, that of A Place in the Sun – so off I hopped.

A Place in the Sun, May 2024

This is another of Bella’s designs that carries with it a marvellous understatement of natural beauty that immediately captures the eye and offers a richness of detail without in the least feeling forced or overloaded.

Feel welcome and embrace nature at its purest form. Just find a spot to sit and be comfortable, where you can take in the sights, sounds and beauty of nature ❤

– BellaSwan Blackheart

A Place in the Sun, May 2024

In tone, the setting is somewhat similar to the iteration of Bella’s lullaby I visited in February 2024, a low-lying island watched over by the revolving eye of a lighthouse at one end, caught under a sky painted in the feathers of clouds and where the touch of human hands has been minimal enough so as not to spoil the island’s beauty.

Such is the lay of the land that this is a place which might – at first glance, be within the same group of islands as February’s iteration of Bella’s Lullaby. This is largely due to the overall environment settings, which give the feel of both being under the same sky, although the birds and wildfowl present here also add to that sense.

A Place in the Sun, May 2024

However, the most notable difference here lay with the main building, a marvellous Tuscan style villa complete with a stone-slabbed terrace sitting under open-roofed arches, with a stairway leading up to a raise balcony-come-terrace, a perfect spot for relaxing on any enjoy a glass of three of wine on a summer’s evening. From this house a rough path formed more by the passage of feet down the years rather than being deliberately designed, winds to the water’s edge and then on to the lighthouse.

Much of the shoreline is such that boats can be beached in the shallows without undue harm to them – as can be witnessed in places – but here and there decks and boardwalks are provided for rowing boats and small craft to come alongside. Some of these – as with the boats – offer places to sit and pass the time. Further places to sit are scattered across the island in such a way as to suggest a hand has casually tossed them to leave them lie wheresoever they fall, whilst a large trailer caravan makes up the remaining structure to occupy the landscape.

A Place in the Sun, May 2024

What makes many of these little spots so appealing is the manner in which they are surrounded by, or close to, groups of the island’s winged inhabitants, allowing us all to become bird watchers. From white geese and Canada geese to sandpipers, godwits and ducks, to gulls, thrushes, starlings and more, this is a popular stopping-off point for those otherwise on the wing. Closer to the house, peacocks keep an eye on chickens, whilst the local cats watch with disinterest, contenting themselves to sit or lie with canine friends and soak up the Sun.

Although the outside of the house is rich in bric-a-brac, inside it is more austere. There’s a small kitchen, complete with freshly picked apples from the trees outside, whilst one of the two remaining rooms is solely occupied by a sofa and the other is a little painter’s studio. These give the suggestion that, rather than being a home, this is a retreat; a place to escape the rest of the world and create. It’s an engaging juxtaposition: the exterior of the house suggesting it is a cosy home; the interior giving the appearance habitation here is somewhat temporary, giving the villa an air of mystery.

A Place in the Sun, May 2024

Rounded off by a subtle and fitting sound scape (so be sure to have local sounds on), A Place in the Sun is wonderful in its minimalism – which is itself deceptive, given the obvious care and attention Bella has paid to the region’s appearance in order to present such an engaging setting for us to enjoy. So do be sure to visit.

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The First Day … at Nitroglobus in Second Life

Nitroglobus Roof Gallery, May 2024: Selen Minotaur – The First Day

Most of us have likely heard the expression “[Today / This] is the first day of the rest of your life” – but what exactly does it mean when we hear it / say it? What does it pertain to life and how we face it?

For most of us, the response to that question might well lean towards the promise that with each new day comes the opportunity to seize new opportunities, to put the past behind us and look forward to all the potential the future offers. For others, however, the expression might be seen as more a curse than an expression of hope, as Selen Minotaur explores in her exhibition The First Day, (subtitled of the rest of your life) which opened on May 13th, 2024 at Dido Haas’ Nitroglobus Roof gallery.

Nitroglobus Roof Gallery, May 2024: Selen Minotaur – The First Day

The easiest way to describe the installation – which encompasses 2D and 3D elements an multimedia, is to refer to Selen’s own words:

“The first day of the rest of your life” usually refers to a new beginning, full of promise and hope. But what if that first day was actually a repeat of the previous days, or worse, a nightmare?
This exhibition speaks of the fears, beliefs and fantasies that invade us in the face of the unknown. And the courage it takes to overcome them, mobilize and move forward. Because no matter what anyone says, the first day of the rest of your life remains a mystery…

In terms of the images, this brings forth a series of richly layered pieces which, depending on your mood and perspective on visiting, might be interpreted in differing ways, both within the context of the the exhibition’s theme and in a manner which might also encapsulate different aspects of both it and how we opt to interpret the underpinning expression.

Nitroglobus Roof Gallery, May 2024: Selen Minotaur – The First Day

Take The First Station, a marvellously layer image encapsulating ideas of trying to move forward in life whilst forever unable to leave what has come before as it seeks to pin us in place and blind our ability to see how we can move forward, instead making us look forever back at what has been rather than towards the freedom of what might be. Beautifully symbolised through the use of red colouring, the black and reaching out from between the rail sleepers, the tracks themselves and the eye in the mirror, the symbolic core of this piece is perfectly framed.

Then there is  First Sunrise. This is a piece which might be seen as one of those casting a wider net of potential interpretation. The promise of a new day, of open horizons and all the promise they hold – be they through the arrival of a new day which marks our decision to mark it as a new beginning, our “first sunrise”, so to speak, or the literal first sunrise of birth. At the same time, the Sun rises as a clock, the ever present reminder that life is finite; that no matter who or where we are, we are allotted a finite time. Do we allow it to dominate us, to cause us to live in fear of the every diminishing pile of minutes left to us? Or do we simply “live in the moment”? Where does the balance lay? Is life itself not a state of progress from the former to the latter?

Nitroglobus Roof Gallery, May 2024: Selen Minotaur – The First Day

There is more I could state here around the likes of the caged head, the face mask, and the 3d elements; in fact, I did start – but the reality is, The First Day should be experienced first hand and interpreted directly – and possibly over more than one visit. All I will say here is that I recommend viewing the images and sculptures first prior to viewing the video; in this way, ideas are neatly framed and the narrative then unfolds.

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Mirai Melody’s Japanese fusion in Second Life

Mirai Melody, May 2024 – click any image for full size

Another year has passed, and so once again I decided to click my heels and make what is now an annual pilgrimage to Bambi’s (NorahBrent) Missing Melody. I did so because a little birdie informed me that she’d teamed up with Ethan Takeda to produce an interesting sky platform called Mirai Melody. However, the project didn’t start out with the intent to build a complete setting, as Ethan explains:

The inception of this street stemmed from Bambi and my initial vision to craft a backdrop for an editorial piece on NeoJapan for L’Homme Magazine April 2024. What began as a mere backdrop evolved into a captivating narrative, sparking discussions about creating a mini-sim. As ideas began to take shape, our conversations ignited a creative flurry, resulting in the birth of Mirai Melody.

– Ethan Takeda

Mirai Melody, May 2024

The setting comprises a single street “somewhere in [insert name here]” as the hoary old TV / film caption goes. Not there is anything hoary about Mirai Melody; rather the reverse, offering as it does an engaging fusion of “old” – a ramshackle environment in a city where the surrounding high-rises might well look down on disdainfully – but their very presence allows it to carry a life of its own; one edged in the bustle of local life and – going on the presence of certain individuals at the landing point – can have a frisson of danger associated with it.

The main street scene is packed with detail – I strongly recommend visiting using the shared environment and, if you can manage them, with shadows enabled. This will ensure you get the full impact of the setting. There are local sounds as well, but I admit I’m not sure they entirely worked for me although they certainly add depth to all the eateries along the way.

Mirai Melody, May 2024

This is a place rich in the tradition of the street market and what – going on the general friendliness evident throughout most of the street’s length – is likely a relatively close-knit community of small businesses support the local populace and possibly used to having tourists find their way through its length.

It is also a place which, as well as having a history to it, is very much of the present (or the future-present, so to speak). Holographic advertising is much in evidence, at one some are using “old school” mobile phones, other XR units which project information and data around them, and one of the sushi bars appears to have dropped in quite literally, given the thrusters located along its underside! Elsewhere, an apothecary’s shop offers a haven of peace, even if it does share the paved square in occupies with a noodle bar managed by mechanoid server that would look just as at home strolling across Mars!

Mirai Melody, May 2024

Away from the landing point and the paramilitary types loitering there (are they the local militia? Here to keep unwanteds out or to stop those here wandering into the city proper? I’ve no idea – you make up the story for yourself!). Fortunately, most of them appear to be preoccupied by the flickering holo dancers just to the side of the landing point, so slipping past them is not a problem – although their presence appears to be enough for one stall owner to feel the need to wear a sidearm and another to look as if she’d happily bop the snoz of anyone remarking unfavourably on the gifts on her stall!

Mirai Melody, May 2024

Further along the street things are a lot friendlier, as noted above, and visitors can mangle with the static NPCs, poke at the shops and stalls, slipping (literally in one case!) into a side-alley to find a book stall or through a doorway into a bar or a little old-style school.

For photographers, Mirai Melody is a delight, whilst the touches of detail and humour are bound to raise a smile. There might be an tendency to look at it quickly and think Bladerunner (as someone commented in local chat whilst I was hopping in and out), but I’d disagree. Whilst mixing an Oriental street scene with cyberpunk / futurist elements might have caused Ethan and Bambi to lean in that direction, they have wisely avoided the temptation and instead come up with something visually unique and engaging.

Mirai Melody, May 2024

Visit and enjoy it whilst it lasts!

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Kit Boyd’s Details of life in Second Life

Monocle Man Gallery, May 2024: Kit Boyd – Details
Life is what happens when you’re busy making other plans.

– Allen Saunders, 1957

I was reminded of the above quote – which is often and incorrectly attributed to John Lennon on accord of his 1980 record Beautiful Boy – when I visited Kit Boyd’s exhibition Details in response to a personal invitation for me to do so.

Open until May 23rd, 2024 at Monocle Man Gallery, which Kit co-manages with Lynx Luga, Details brought the quote to mind because of the manner in which it reminds us that the beauty and importance in life is not in what we are or do – but in who we are, how we treat the world and all the details that offer us pleasure and the opportunity to smile and simply to be.

Monocle Man Gallery, May 2024: Kit Boyd – Details

From the moment one enters the foyer of the exhibition space, this over-arching theme is made clear thanks to a trio of images and a quote by artist Elizabeth Murray in celebration of the art of gardening. Supported by the considered use of props, this leads visitors into the main galleried room of the exhibition.

Here, Kit expands on that core theme, presenting us with images of things that can offer those receptive to them an ineffable richness of experience: reading, music, and luxuriating in the simple pleasures brought of a personal indulgence – in this case, that of the enjoyment of coffee.

Monocle Man Gallery, May 2024: Kit Boyd – Details

I admit that as a pianist with a love of music and as a avid reader, Kit’s use of all three as motifs for Details immediately resonated with me, although I was particularly drawn to her use of coffee as a metaphor for the pleasure of personal indulgence, as the images (shown above) encapsulate and personify the detailed craft of home coffee-making, from the initial measuring and grinding of the beans through the anticipation brought forth by the resistance of a cafetiere (aka French press) plunger as it is being pressed down, to the first hint of that rich aroma and the promise it brings. There is a delight to be found in all of the little details of making and sharing coffee which to me make it less of a drink to be slurped and more of an experience to be savoured – particularly with friends at the end of a home-cooked meal.

Above these celebrations of music, reading and indulgence, and around the room’s gallery, Kit offers more reminders of how much pleasure can be had in pausing and taking time to enjoy the beauty and detail Nature has to offer.

Monocle Man Gallery, May 2024: Kit Boyd – Details

To reach the gallery, visitors must take the stairs up from the foyer. Doing so means passing two more sub-themes with Details. The first – formed by Split Personality and Hang In There, both hanging over the stairwell – offers a neat underscoring of the central theme within Details, by drawing attention to the fact that modern life can so often mean losing sight of oneself the the daily struggle to deal with all the demands placed upon us.

The second sits apart from the rest of the exhibition both physically (being largely confined to a single room) and figuratively. It has within in a message that is increasingly important in this current era. Headed by the inspirational quote A woman Should be whatever she wants, it stands as an expression that women have a right to be themselves – not a chattel or confined by a role or title defined by society, but individuals free to express their own selves and indulge in those aspects and details of life which bring them the most pleasure and / or freedom.

Monocle Man Gallery, May 2024: Kit Boyd – Details

In this I found Kit’s uses of images that might be considered erotic to be particularly effective; all too often, erotic expression by women is framed within the boundaries of male pleasure; but why shouldn’t we be free to express and enjoy such eroticism because it pleases us? Thus, within this small but effective display of six pieces (including Moonlight View on the wall outside), Kit frames a question about a woman’s right to self-expression and freedom of choice which casts a net far wider than the images themselves might initially suggest.

Details  is an elegant visual essay operating on several levels. One which can be enjoyed simply for the beauty of the art itself, or which can have those layer explored through introspection, recognition and consideration.

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