Lost dreams in Second Life

Le Sixième Sens, Les Reves Perdus; Inara Pey, June 2017, on Flickr Les Reves Perdus – click any image for full size

Les Reves Perdus (“Dreams Lost”) is a public homestead region designed by Chanell (zaziaa), which Caitlyn and I were drawn to visiting after seeing a photo by Wurfi, a fellow photographer and blogger. Described as “an original world of dreams and creativity, with the atmosphere of nature,” it is a place visitors are invited to enjoy and photograph, and it does indeed present a relaxing landscape in which to wander and spend time.

Placing the region is a little hard; there is a touch of provincial France about it, together with a little twist of Tuscany, thanks to the villa occupying part of the region. The low-lying parts of the island, however, could be representative of just about any temperate coastal / marshland area in the world. Nevertheless, the theme works, and everything comes together to create a charming, photogenic scene.

Le Sixième Sens, Les Reves Perdus; Inara Pey, June 2017, on Flickr Les Reves Perdus

A visit starts on the low-lying part of the island, at the end of a dirt track which gently undulates along an avenue of trees, leading the way to a set of stone steps which rise to the highland reaches of the region, of which more anon.

Mostly grass-covered, this lowland is home to grazing sheep and horses, with the greenery broken up by bright splashes of rapeseed and wild flowers.  It is also split into two, linked via stone and log bridges, with some marshy outlying areas sitting a short distance across the water to the north and north-west. Over the bridges, the land is more divided between grass and sand, the former giving way to a widening arc of the latter, offering plenty of places to sit and enjoy the view out over the open waters to a sailing ship lying off the coast, or inland over a shallow bay, fed in part by a horseshoe waterfall, to the cliffs of the highlands.

Le Sixième Sens, Les Reves Perdus; Inara Pey, June 2017, on Flickr Les Reves Perdus

A lone outcrop of rock rises from the south-eastern end of the beach, a wooden cabin sitting on its flat top. A rope bridge spans the narrow neck of water separating it from a promontory on which sits another cabin, the two offering a cosy place for couples. From here, it is possible to climb up onto the higher ground – but I don’t recommend it: there is neither a path for doing so, nor is the immediate landscape designed to be seen from this side.

Instead, the best way to appreciate the upland area is via the track and stone stairs near the landing point. These will take you up to a broad, largely flat plateau where the Tuscan villa sits, a tide of wild grass and rapeseed washing around it and held at bay from reaching the pool in front of the villa by bushes and bright flowers. Deer roam this wild garden, while the villa’s dining room is set for a formal meal, and its outhouse offers a lounge area with light refreshments. Climb the stairs of the villa, and you’ll enter the realm of an artist, whilst beyond the walls of the villa, the land grows wild on one side, and offers a small orchard on the other, an old pick-up truck offering another place for couples to snuggle.

Le Sixième Sens, Les Reves Perdus; Inara Pey, June 2017, on Flickr Les Reves Perdus

Les Reves Perdus makes for a charming visit, and the default windlight offers plenty of scope for photographs and the region as a whole presents plenty of scope for those who like to use their preferred windlights or like to experiment. This is an ideal place to visit if you’re seeking some quiet time on your own or with a friend. Caitlyn and I took certainly found it relaxing to sit on a hammock chatting, while looking out over the water to where the little folly sits amidst the pinks and greens of the marshy outlands.

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Floating worlds and Dutch proverbs in Second Life

The Vordun: Pictures of the Floating World

Now featured at The Vordun Museum and Gallery  curated by Jake Vordun, are two new exhibitions Caitlyn and I recently dropped in on, and which make for an engaging visit.

The first, and most recent, is Pictures of the Floating World, occupying the gallery’s South Wing. This takes visitors in to the world of ukiyo-e, (literally “picture[s] of the floating world”) a form of Japanese art using woodblock prints and paintings which flourished from the 17th through 19th centuries.  Ukiyo (“floating world”) refers to the hedonistic lifestyle enjoyed by the  merchant class of Edo (modern Tokyo) who were at that time benefiting the most of the city’s economic expansion, and who became one of the prime audiences for the art, purchasing it to decorate their homes.

The Vordun: Pictures of the Floating World

Much of this is explained in the foyer to the exhibit, via an informative wall panel together with notes on how ukiyo-e were / are made (see the image below). Such is the design of this foyer area, it is as much a part of the exhibition as the images themselves, and deserves the time taken to read the information offered. Beyond it, 20 images of ukiyo-e art are presented, each with its own information tag which provides the name, artist and date of creation for the piece.

If I’m totally honest, I’d have preferred the prints to be somewhat larger: ukiyo-e is a beautiful art form, and the small size of the works here do make it difficult to fully appreciate some of them, and having to zoom a lot can intrude into one’s appreciation of individual pieces. But make no mistake, the is an exhibit well worth seeing and appreciating – I particularly like the central themed display of five images focused on the shamisen musical instrument.

The Vordun: Pictures of the Floating World

Also on the south side of the gallery is Proverbs of the Low Countries, which opened in May. Reached via a short hallway, it comprises a single, large reproduction of Pieter Bruegel The Elder’s The Blue Cloak (or Netherlandish Proverbs or Flemish Proverbs or The Topsy-Turvy World, depending on your preference), painted in 1559. This is a truly remarkable piece which may at first seem a chaotic, nonsensical rendering of somewhat comical people; in fact it contains no fewer than 112 illustrations of Dutch language proverbs and idioms, offered together as a commentary on human folly.

Finding your way around the 112 proverbs – many of which transcend Dutch use and will be recognisable to English speakers (and probably familiar to those from other European nations as well) – is made possible through the use of a dedicated HUD. Instructions on obtaining this are provided on the wall of the hallway leading to the painting, so please be sure to read and follow them in order to be able to properly appreciate the piece.

The Vordun: The Blue Cloak (1559) by Pieter Bruegel The Elder

Floating Worlds and Proverbs are two considered, informative exhibitions which again demonstrate both the uniqueness of The Vordun in the art presented there, and just how informative / educational / enjoyable an art exhibition can be in Second Life.  Don’t forget as well, that when visiting the gallery, you can also enjoy the long-running European Masters, 300 Years of Painting (which you can read about here), and Winning a delightful exhibition showcasing the 51 winning entries from four years of The Arcade’s photography competition.

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An ensemble of art at Blue Orange

Blue Orange – Gitu Aura

Currently on display at Blue Orange, the music and arts venue in Second Life curated by Ini (In Inaka), is an ensemble exhibition of 2D and 3D art featuring work by Cica Ghost, Theda Tammas, Rebeca Bashly, Jarla Capalini, Gitu Aura, and Ini herself.

One of the delights of this particular venue is the layout; the warren-like design of the venue, with its feeling of disused subway station, ignored by the trains rushing by in a blur, adds considerable atmosphere to Blue Orange both as a gallery space and a music venue. A hallway, lined with images of Blue Orange events taken by NicoleX Moonwall, connects the landing point with the music venue, and the first art space lies at the end of this hallway, through a hole in the wall.

Blue Orange – Jarla Capalini

This space is devoted to displaying thirteen pieces by Jarla Capalini. Split between landscapes and avatar studies, they have all been carefully post-processed to resemble paintings, and the results are more than eye-catching. The landscapes have a richness to them which suggests oil on canvas, while the avatar studies perhaps lean more to watercolour or pencils on paper and have the feel of studio pieces, rather than of finished works. The contrast between the two styles combines to give this display further depth.

The second art space is best reached via the double doors at the end of the landing area’s platform. Split into two levels, this large space features Gitu’s and Ini’s 2D art, and a single piece by Rebeca entitled The Great Escape. Gitu’s work, Colourful Dreams features ten pieces, all of which have a post-processed, art-like finish to them, albeit one leaning more towards a digital feel with a touch of abstract in places. Between these two, and around the stairwell leading to the lower level, are three dramatic, large-format pieces by Ini, which perhaps set the tone for the main display on the lower level.

Blue Orange – Theda Tammas

Labrinto, by Theda Tammas, is a dramatic powerful piece, with slight hint, perhaps of nightmares (or at least darker dreams) and violence. As the name suggests, this is a labyrinth, defined by crystalline walls and within which bronze like figures are cast, individually and in pairs. Frozen in time, their skins are etched as jigsaws, each with pieces missing, their expressions sometimes hinting at the darker edge to the piece.

Sharing the same space as Labrinto, and located on the other side of the dividing stairway is a far more whimsical piece by Cica Ghost. Between the two, and against the wall, sit is single door. open it, and a TP button will return you to the club.

Blue Orange – Cica Ghost

As noted, Blue Orange is an atmospheric venue, whether you visit for the music or the art, and the current set of exhibitions are well worth take the time to see. Should you appreciate your time there, do please consider making a donation towards the continued presence of the venue for the enjoyment of everyone.

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Kultivate Magazine celebrates two years in Second Life

 

Kultivate Magazine Summer Weekend

Kultivate Magazine, the award-winning arts magazine and brand,turn two in June, and to celebrate, there’s a special in-world Summer Weekend event taking place on the Brand’s home region, Water Haven, from Friday, June 9th through until Sunday, June 11th. It kicks-off a series of events taking place throughout the rest of the month to mark the anniversary.

“It’s hard to believe that Kultivate Magazine is closing out another amazing year,” brand founder and CEO, John Brianna said. “Our events, exhibitions, readership, content, and social media content have grown amazingly throughout the past two years.”

Since its inception, the brand has grown to encompass the magazine, the Windlight Art Gallery, the Bailywick Gallery, the Kultivate Select GalleryThe Edge fashion and Art fusion and Gallery, and both Ristorante Ivanna, & The Tribute and Crown Pub. In addition, Kultivate has provided fund-raising support for Team Diabetes of SL, through events and the Red Gallery art exhibitions; Rock Your Rack (supporting the National Breast Cancer Foundation – NBCF), and Feed a Smile / Live and Learn Kenya.

Kultivate Magazine Summer Weekend

The Summer Weekend

Kicking-off at 08:00 SLT on Friday, June 9th, the Summer Weekend will feature live music, DJ parties, shopping, a special art exhibition, storytelling from the Seanchai Library, tribute bands, a special hunt and more! This weekend will also see the début of Kultivate Magazine’s latest artistic component, The E.V.A Project, launch with a very special artistic fashion theatre production named !Show! – of which more below.

The full schedule for the weekend, at the time of writing) is as follows (all times SLT):

Friday, June 9th, 2017:

  • 08:00 –  Art Exhibition & Shopping Area Opens
  • 16:00 – Melenda Mikael sings live
  • 17:00 – DJ Whymsee
  • 18:00 – SarahMarie Philly sings live

Saturday June 10th, 2017:

  • 13:00 – The E.V.A. Project presents !Show!
  • 15:00 – Dimivan Ludwig sing live
  • 16:00 – Winston Ackland sings live

Sunday, June 11th, 2017:

  • 12:00 noon – Art Goes Bollywood With DJ Gabriele Riel
  • 15:00 – Seanchai Library
  • 23:59 – Kultivate Anniversary Summer 17 Art Exhibition & Shopping Area Closes
Kultivate Magazine Summer Weekend

The E.V.A Project !Show!

The E.V.A. ((Exceptional, Vibrant, and Artistic) is a fusion of fashion, art, music, and theatre. The goal is to showcase how the art forms – music, art and theatre – combine with fashion to create unique experiences. It is the latest addition to the Kultivate Magazine suite of brands.

The E.V.A. Project will début at the Kulivate Summer Weekend with a presentation of !Show! featuring Elysium Cabaret choreography and 23 of Second Life’s top models. The show will take place on Saturday, June 10th, 2017, at 13:00 SLT, and is made possible through the involvement of the following sponsors and designers:  Rapture, Ghee, Blacklace, Aleutia, Pink Ice, Faster Pussycat, Vero Modero, Azul, Dirty Princess, Utopia, Chiffon, Mahlberg Tailors, Boudoir, Lamu Fashion, LOVE, Spot on Stage Props, Irrisistble, Audadacious, and Pixel Box.

As well as the Summer Weekend, other dates to note in Kultivate’s celebratory month are:

  • Saturday, June 24, 2017, 13:00 – Kultivate Magazine & Model’s Workshop “Fashion in Art” Styling Challenge
  • Sunday, June 25th – publication of the special Sensuality edition issue, from the Kultivate  Spring Sensuality show
  • Saturday, July 1st – Kultivate Anniversary Summer 17 special edition issue will be published.

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Water Haven is rated Moderate.

Red balloons in the wood

DiXmiX Gallery: Red Balloons In The Wood

Now open at DiXmiX Gallery, is Red Balloons in the Wood, an exhibition of work by the gallery’s owner, Dixmix Source. The byline for the exhibition reads simply, when unusual avatars are wandering in the forest, and it comprises seventeen woodland scenes, each of which, in keeping with the title and the byline, feature both red balloons and an avatar.

This is a hauntingly beautiful collection, featuring some marvellous pieces, each with a story to tell – or at least suggested; quite what it might be is down to the person seeing these pictures, which range from what might be considered a “simple” capture of a horse (Horse Walk) through the pieces of fantasy (So Trees Have Gender; Cute Elf Was There Too) to some with a darker edge, despite the title (Every Way Is A Good Way, When it’s the right Time), to others with a more erotic edge.

DiXmiX Gallery: Red Balloons In The Wood

Adding to the atmosphere of the exhibit is the use of denuded saplings and trees, some with the signature red balloon tied to them. These add to the feeling of being in a woodland setting, such that with camming, some of the images can be seen through the bare branches, extending the sense of presence within the pictures. At the same time, the soft tones used within the pictures contrast powerfully with the red balloons. The latter serve to draw the eyes to them after initially taking in the broad essence of a picture, before the eyes are drawn back to the canvas as a whole, and the story it contains.

All told, this is a masterpiece collection of the artist’s talent, one well worth visiting; and while there, do be sure to enjoy the exhibitions by Lam Erin and Tintin Tuxing, both of which are due to be coming to the end of their run (and you can also read about them here).

DiXmiX Gallery: Red Balloons In The Woods

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A sixth sense in Second Life

Le Sixième Sens, Le Sixième Sens; Inara Pey, June 2017, on Flickr Le Sixième Sens – click any image for full size

We first visited Le Sixième Sens (“the sixth sense”) in January of 2017, at a time when the region was popping up in blogs and photo streams. As I didn’t get to write about it then, I recently found myself hopping back to see what had changed and to catch-up on my own write-up for the region.

Designed by Natacha Haroldsen, the region presents itself as a little corner of Tuscany, where “a plaza surrounded by old shops that give you a rustic feeling,” sits beneath a pale azure sky, and a vineyard climbs the slope of a hill, beckoning those who stand at the archway of the plaza to explore the land before them.

Le Sixième Sens, Le Sixième Sens; Inara Pey, June 2017, on Flickr Le Sixième Sens

Six months may have passed since Caitlyn and I first followed the track down from the boutique shops gathered around the landing point and out over the arched back of a stone bridge, but little has changed in that time. Le Sixième Sens retains a wonderfully relaxed feel, offering the kind of setting you hope to find whilst travelling on vacation; a place that calls on you to stop, explore, run your fingers lightly over the delicate curl of flower petals and watch the water slip slowly under bridge and bough.

From the little piazza, visitors can wander across this gentle, rocky landscape, passing over the waters which divide it into three islands, and meander among the sunflowers, poppies and trees, going wherever their feet my take them.

Le Sixième Sens, Le Sixième Sens; Inara Pey, June 2017, on Flickr Le Sixième Sens

There are, of course, the vines mentioned above, paraded in neat rows up the slope of a hill to where a villa-style farmhouse sits. The lower slopes of this hill are covered in tall grass, on which horses graze and sheep roam and chickens cluck their way around another, smaller farmhouse. On this northern headland, extending out from the vineyard’s hill, sit old ruins which both face the piazza of shops across the water to one side and shelter moored rowing boats on the other, before the land ends in the broken finger of a lighthouse.

South and east, separated from the other island by bay and channel, sits a tall rocky plateau. A path rising from the trees below it forms a switch-backs up one of the otherwise sheer cliffs to where a small studio, gracefully called The Writer’s Workshop, sits. It commands a view out over the water, and offers the perfect vantage point for a painter. Linked to the rest of the land by a single bridge and with its screen of trees guarding the path from that bridge, the plateau gives a sense of tranquil separation from the rest of the region without ever feeling apart from it.

Le Sixième Sens, Le Sixième Sens; Inara Pey, June 2017, on Flickr Le Sixième Sens

Throughout this landscape, filled with the sounds of birds singing, can be found numerous places to sit and relax, or share a cuddle or a dance. A picnic blanket awaits under the shade of bushes in one direction, a chess set and sofa can be found among the farm’s outbuildings, the ruins hide a swing chair, while the rowing boats offer their own places to sit and contemplate the world – or one another. And that’s just the start; much more awaits those who take the time to explore.

Wherever you roam in Le Sixième Sens, there is something to be found and enjoyed, whether you are seeking a place to relax or a location to photograph (join the region’s group and you’ll get rezzing rights as well). The default windlight setting presents the region under what might be one of the cooler days of late summer or autumn – the hay bales in particular adding to this autumnal suggestion; but this is a place which invites tweaking and playing with windlights, and I couldn’t resist taking some photos suggestive of warmer summer days.

Le Sixième Sens, Le Sixième Sens; Inara Pey, June 2017, on Flickr Le Sixième Sens

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