From the sketchbook of Kayly Iali in Second Life

Visions of Beauty Gallery 2: Kayly Iali

Open now on the upper floor of the Visions of Beauty Gallery 2 is an exhibition of physical world art by Kayly Iali, featuring pieces from her sketchbook as well as paintings. Untitled, so far as I could tell, the exhibition includes 11 pen-and-ink architectural sketches, together with a selection of what appear to be pen-and-watercolour paintings, to offer a total of 28 images (including what might be regarded as the “title” image to be appreciated.

I’ve long admired the skill of those who can draw or paint – I lack any such abilities in either sphere – and I also have a love of architecture, so this exhibition really appeals to me. The pen-and-ink drawing, showing specific elements of buildings, coupled with the angle from which they have been captured, are marvellous exercises in art and perspective. They present not just the form of their building subject, but also its very nature; there is a wonderful beauty in the aspects Kayly has chosen to capture, the lines, materials, angles, that each of the buildings see offer here seems to be very much alive.

Visions of Beauty Gallery 2: Kayly Iali

The breath of life is very much in evidence in the paintings facing the sketches from across the gallery space. These comprise a range of subjects, from people through to architecture by way of nature. Most of these – perhaps because of their use of colour – offer not some much standalone images, as might be said of the pen-and-ink sketches, but vignettes; scenes of broader stories caught within their  frames. Just what are Heather and Lucy sketching? What is the raptor trainer telling us about the bird perched on his glove? Where will the story of the woman nursing her child take us?

Capped by a set of four painted architectural pieces that form a natural link between paintings and sketches (which particularly work if visitors follow the tendency to turn to the right at the top of the stairs to the display space), this is a genuinely delightful exhibit. My congratulations, also, to Kayly on her selection to be part of the 2018 (?) Crocker/Kingsley Art Competition – one of 75 artists to be selected out of 1,200 applicants!

Visions of Beauty Gallery 2: Kayly Iali

When visiting Kayly’s work, do take time as well to enjoy the exhibition of digital geometric art by Giselle Seeker on the ground floor of the gallery building, and more of Sisi Biedermann’s wildlife and fantasy art, some of which I wrote about recently, and which lies on the mid-level of the gallery building.

SLurl Details

Erebos Harbor in Second Life

Erebos Harbor; Inara Pey, July 2018, on FlickrErebos Harbor – click any image for full size

The lowering sun glints off the copper dome of an observatory, skylined to the north of town square. The shutter door is open, cutting a slice of darkness into the curve of the dome, but any telescope that may once have lain within its protection has long since gone.

Seated upon its throne of a high plateau north of the town, the observatory presides over Erebos Harbor, what may have once been a series of impressive terraced gardens set immediately before it. A waterfall tumbles in two deep steps from the high rocks, a sliver of silver against their darker faces, further enticing people to heed the siren call of the high dome and travel north towards it.

Erebos Harbor; Inara Pey, July 2018, on FlickrErebos Harbor

I make no apologies for writing about this build by Leaf (Peyton Darmoset) and Julz (Juliette Rainfall) under the dirty.pretty banner, so soon after visiting Cloudbreak (see: An Indonesian Cloudbreak in Second Life). This is because, like the regions of Cloudbreak, Erebos Harbor is an extraordinary build, quite breathtaking in its design and execution, and fully deserving of an article to itself.

It is, in summary, very much a region of three parts. To the south is a small town style layout, complete with fishing docks and a railway siding. To the west sit two humped islands of rock, reached by high bridges, where homes and beaches might be found. Then, to the north, and dominating the setting, sits the imposing bulk of the old observatory.

Erebos Harbor; Inara Pey, July 2018, on FlickrErebos Harbor

Despite the boutique cafés with their street side parasols or paved gardens, or the warehouse converted to a music venue, the town has a feeling of perhaps being past its prime. Brickwork is careworn, the streets look a little tired, stores lie empty, packing cases on their bare floors, while the garage space at one end of a set of shops has lost both its roof and upper floor.

To the west, the islands are home to the region’s rental properties – predominantly wooden-build cabins and houses overlooking the surrounding sea and water, or descending to cinder beaches on their west side. The rental properties up on the tops of the islands are relatively easy to identify, but do be aware there are what appear to be a rental down on the beach as well, so do please respect the privacy of the tenants. Another private residence also sits down on the west side of the “mainland”, at the edge of the channel separating it from the outlying islands.

Erebos Harbor; Inara Pey, July 2018, on FlickrErebos Harbor

However, it is the observatory that is liable to attract the visitor’s eyes and feet. Impressive from a distance, it is nothing short of stunning when seen up close; Leaf’s vision for the setting is extraordinarily imaginative. While the town below may give hints of having seen better days, this is clearly a place that is well past its prime, and where nature has decided to take up residence – indoors as well as outside. Where the terraced gardens may once have been of a more formal layout, now they are overgrown, any paved paths or lawned walks that may once have connected the stone steps between the different terraces now long gone, replaced with wild grasses or bare ground. In some places, even the stone steps have gone, replaced by wooden walkways and stairs, including those up to the observatory itself.

This is  wonderful home build / kitbashed structure by Leaf which deserves to be seen and appreciated in its own right. Some of the walls are crumbling, the observatory dome no longer protects a telescope, while inside, nature has long since taken a hold on things – although a huge and uniquely finished orrery still operates within the foyer space of the planetarium. Outside, there is a wonderful use of décor in the gardens I freely admit to the way Leaf has converted from the wildlife creations of Hannah Kozlowski into the must far-reaching of statues.

Erebos Harbor; Inara Pey, July 2018, on FlickrErebos Harbor

Scattered across the observatory’s terraces are numerous places to sit, whether by oneself or with friends, and to enjoy a cuddle with a loved one. These include, for the daredevils out there, a bed-like platform suspended over the waterfalls tumbling down the sheer rock face to a pool below. Those seeking a less risky pursuit than leaping down to the platform can enjoy the open-air movie theatre sitting in the lee of the plateau’s west side.

There are a host of little treats to be found throughout Erebos Harbor, indoors and out, so exploration is highly recommended – keeping in mind the private residences to the west of the region. Photographs are welcome at the dirty.pretty Flickr group, and rezzing rights can be obtained by joining the dirty.pretty in-world group. As noted above, this is a truly exceptional region in terms of design and settings, and absolutely not one to be missed.

Erebos Harbor; Inara Pey, July 2018, on FlickrErebos Harbor

SLurl Details

Whimsy and Fantasy in Second Life

Diomita Plaza Gallery: LuAnne Anatine

Now open at the Diomita Plaza Gallery / R&D Gallery is an exhibition by LuAnne Anatine (LeeLu Anatine) entitled Whimsy and Fantasy, which opened on July 16th, 2018.

An artist / illustrator in the physical world, LuAnne focuses on fantasy and nature art as her core themes, and she has brought her art into Second Life for a broader audience to appreciate and enjoy – and I am, for one, pleased that she has.  On display are 18 pieces of her work, all of which are available for purchase at a very modest price, which perfectly exemplify her expressions of both fantasy and nature.

Diomita Plaza Gallery: LuAnne Anatine

These really are delightful pieces, each an individual study, rather than a scene or setting. Everyone of them is captivating to the eye, with most rich in colour, adding to their natural depth and beauty.

Some of the pieces, while individual studies, suggest they are part of a broader narrative, enticing the eye and imagination to consider what the story might be. Others, such as the charming and attractive Colours of Winter (right) simply stand on their own, inviting appreciation purely in their own right, without the need for thoughts of wider story.

What is also special about this exhibition is the fact the LuAnne provides insight into how she produces her art.

My method of painting is a mix of traditional and digital, which is painted in Photoshop and Corel Painter. The line work is drawn for each painting, then is scanned into Photoshop, where it is painted digitally in a traditional manner using a Wacom Cintiq painting and drawing tablet.

– LuAnne Anatine describing her technique

We often talk in terms of virtual environments like Second life presenting artists with a means by which they might reach much broader audiences their work might otherwise attract, but it is also fair to say the reverse is also true.

By visiting exhibitions like Whimsy and Fantasy, we are given an opportunity to discover and enjoy the work of artists and talents whom we might otherwise never get to appreciate in the physical world. Hence why I tend to find exhibitions like this one a very valid field of virtual world art and expression, and always encourage others to take the time to visit.

“Art is an incredible joy for me,” LuAnne states. “It’s my link to the universal river that connects us all.” By displaying and offering her art in-world, she presents us with the opportunity to connect with her as well.

Diomita Plaza Gallery: LuAnne Anatine

SLurl Details

An Indonesian Cloudbreak in Second Life

Cloudbreak; Inara Pey, July 2018, on FlickrCloudbreak – click any image for full size

Update, November 13th: Cloudbreak appears to have closed, and all SLurls have been removed from this article. My thanks to Miro Collas for letting me know.

Cloudbreak is the all-encompassing name for two regions  – one Full (Cloudbreak), the other a Homestead (Cloudbreak II) – offering visitors a taste of “an Indonesian inspired surfers’ paradise”, and both are very well put together to offer a nicely immersive environment.

Designed by Leaf (Peyton Darmoset) under the dirty.pretty banner she runs with partner Julz (Juliette Rainfall), the two regions have a distinctly north-south / east-west design, the land running down the eastern sides of the two regions, their western sides being open to the sea. The land itself is primarily rugged territory, backing directly on to the mountainous sim surround that greatly heightens the feeling that this is a remote coastal area in the world’s largest archipelago nation. To the west, the land drops sharply away to the water, a ribbon of sand winding up along the coast under the constant bombardment of a rolling tide of breakers.

Cloudbreak; Inara Pey, July 2018, on FlickrCloudbreak

The “official” (although not enforced) landing point lies to the south-east of the landscape, well up into the rocky terrain. It’s worth starting your visit here,  rather than simply dropping in anywhere on the map, as it really provides the best sense of immersion in the environment whilst exploring – plus there’s also a good chance a “blind” teleport will either drop you in the sea or possibly into one of the private rental properties to be found to the south and north. The landing point also provides information on the rentals, as well as on a local photography contest (running until August 3rd and with some impressive L$ prizes, as well as encompassing the regions of Ash Falls (read here for my July 2017 review of the region) and Erebos Harbor, also operated under the dirty.pretty banner).

Stone steps, guarded by small stupa-like objects, lead the way down into the richly forested landscape, where trails and wooden walkways offer a variety of paths to explore. Some of these run between the rugged highlands, others offer a way down through them. Some keep to the eastern extremes of the regions, others offer the way to cross to the west side before descending to the beaches. Two of the more impressive of these is a zip line that runs from the highest accessible point to the east down to a platform on the west side of a deep gorge, where (for those prepared to jump) a rocky path winds down under a great table-like slab of rook to reach the sands of the coast.

Cloudbreak; Inara Pey, July 2018, on FlickrCloudbreak

For those who don’t fancy the sliding and jumping, the second option is to follow the wooden walkways and steps that offer a way across the upper end of the gorge, close to a high waterfall, and a single bridge from which is suspended three great copper bells to join the path down the west side of the gorge, and thence to the beach.

Take the trails south or north along the rugged uplands, and you will eventually come to the rental properties. The northern most of these had, at the time of our visit, a rather aggressive security system (5 second warning prior to teleport to the edge of the parcel) and no sign to indicate it was private property – so care when approaching these might be advisable.

Cloudbreak; Inara Pey, July 2018, on FlickrCloudbreak

There are also public areas along the highlands as well, so don’t let the thought of security systems put you off. Perhaps the most prominent of these public spaces sits upon the great slab of rock mentioned above, and under which the waters of the gorge flow into the sea. Looking west to where Buddha sits atop a rocky island, it offers a cooling pool of water in which to relax and shades places to sit and cuddle. Elsewhere can be found camp sites and shaded wooden platforms, on which to sit and rest.

Those wishing to get a closer look at Buddha can do so via raised wooden walkways that reach out over the sea from the beach to his pinnacled seat. These go by way of an off-shore music venue on a sandbar to eventually reach the moorings clustered at the foot of Buddha’s island. The beach itself is broad, the golden sand tingled naturally with hints of pink along the high tide mark. There are rezzers to be found along the sands for those wishing to have a go at surfing (which can be fun), but for me, the most impressive aspect of the beach is the club house area which has clearly been kitbashed by Leaf from assorted sources, the parts brought together to create something genuinely unique  and perfectly suited to the environment.

Cloudbreak; Inara Pey, July 2018, on FlickrCloudbreak

Beautifully conceived and executed, Cloudbreak is a genuine gem of a setting. Stunning in vista, clever in layout, captivating to the eye and the camera (photos are welcome at the dirty.pretty Flickr group). Rezzing rights are available to those who need it by joining the local group. Note that a percentage of the fee paid to join goes towards supporting the Whale and Dolphin Conservation (WDC) – an organisation of which I’ve long been a supporter – and dirty.pretty’s adopted Orca, Holly.

With thanks to Shakespeare for the pointer.

Ravenwold’s mystical beauty in Second life

Ravenwold; Inara Pey, July 2018, on FlickrRavenwold

Update: Ravenwold has closed.

“Wold” in England tends to mean a piece of high, open uncultivated land or moor, so when encountering it in the name of a region, I tend to find myself expecting such open landscapes; places with swathes of grass, perhaps undulating, possibly with copses here and there, together with tors or other features. However, take things too literally, and you can find yourself surprised.

Take Ravenwold for example, the Full region held by the partnership of DaveOSaurus and Damoira and designed by Damoira. Far from having broad open spaces, it is presented as a richly wooded landscape, and so taking more of a Germanic root, filled with an enchanting and eclectic mix of features stirred together to produce a magical and mystical setting that really does deserve careful and thorough exploration.

Ravenwold; Inara Pey, July 2018, on FlickrRavenwold

Follow the trails through ancient forests to discover a land of beauty and intrigue. Ravenwold is as much a place of exploration as it is entertainment, with venues offering Live Acts and DJ’s as well as a fully stocked gaming area open for all to enjoy. 

– Ravenwold About Land description

This may at first appear to be a region in two parts, split by the high curtain wall of cliffs running east-to-west across it. However, it is all part of the one landscape, the two halves linked by a connecting tunnel. Both sides of the region offer a setting full of whimsy and the unexpected, dotted here and there with buildings, but largely given over to woodlands dotted with various clearings and rocky areas where the treasures of the land might be found.

Ravenwold; Inara Pey, July 2018, on FlickrRavenwold

The north side of the region features one of the music venues: an impressive building called Obsidian, sitting on a large paved plaza and looking like it is suited to live performances. Across the region to the east is the gaming area located under the boughs of trees. Between these two are paths winding through the trees, offering opportunities to find shaded glades rich with characters suggestive of magic and fantasy, and places to sit and to dance.

Ancient ruins are to be found here, adding to the fantasy / ethereal feel of the region, and – in one case at least – offer the chance for a little whimsy as a cast of characters from Alice’s Adventures in Wonderland appear before a ruin, together with a few friends. This part of Ravenwold also includes an outdoor folk performance area and a coastal bar, while a teleport portal offers the way up to another games area up in the sky.

Ravenwold; Inara Pey, July 2018, on FlickrRavenwold

Follow one of the brick paths to the tunnel running under the curtain of cliffs to connect the two halves of the region, and you’re find a further world to explore. Once again, trees raise a green canopy over the paths and trails that branch here and there to cross streams and climb rocky outcrops. More building – these with a definite fantasy lean – can be found here, sitting on plateaus, whilst down in the glades are more places to sit or dance, watched over by exotic and colourful plants. For those seeking a little piece and quiet, stairs up to one plateau point the way to where crystals guard a circle of stone arches surrounding what might be a storyteller’s circle.

These upland areas are particularly to be found on the southern side of the region, which also includes an ancient henge sitting in a box-like canyon. Among the stones and rocks here sits Excalibur, as if awaiting those who feel they might be up to the challenge of drawing it from its rocky scabbard. Not far from this, Also to be found here is the hidden entrance to another of the venue’s music venues, nicely hidden away.

Ravenwold; Inara Pey, July 2018, on FlickrRavenwold

Caught under a twilight sky (although I opted for a little more mystical windlight, courtesy of Stevie Davros), Ravenwold is beautifully put together, and beautifully photogenic. Even the 10-pin bowling lane is tucked into the region without being obtrusive or appearing out-of-place. The number of paths winding their way through the region, branching and joining, cross streams and climbing hills and rocks, all serve to give the feeling this is a realm much bigger than its 256 metres on a side.

Should you enjoy a visit and wish to show your appreciation do consider a donation towards the region’s upkeep – if you can’t find one elsewhere, there is a tip cauldron inside the Obsidian venue, close to the landing point.

Ravenwold; Inara Pey, July 2018, on FlickrRavenwold

The art of words in Second Life

Lin C Art Gallery: Tim Timaru

When thinking about art is Second Life, the mind perhaps tends to focus on thoughts of paintings and photographs and sculptures and 3D models. It’s rare that why immediately think of the written word as a form of art in SL, despite the extensive use of the spoken word in readings and performance pieces like plays and musicals.

So it was with a degree of pleasure I found myself at the Lin C Art Gallery, which is – through until the 10th of August, 2018 – hosting an exhibition of the poems of Tim Timaru.

Lin C Art Gallery: Tim Timaru

Occupying two levels within the gallery, Tim’s poems are presented framed within images that help define the mood and tone of the written word. Most of these images have been taken from the physical world, but some have come from Second Life.  In terms of subject matter, many of the poems are focused on a subject close to many a poet’s heart: love and relationships (and loss). Others are perhaps more philosophical in nature, questioning or seeking to challenge our perspective. All cause the grey cells to cogitate as the eye appreciates the accompanying images.

Most of the pieces here stand as a perfect fusion of image and words giving rise to a response from within us. But some reveal just how liberating the medium of Second Life might be for a poet as much as a photographer, painter or builder. Words are, by their nature, static. Once arranged and written, their metre and measure generally points towards a single interpretation. But within Second Life, the poet has a certain freedom: words unchanged can be presented side-by-side, but with different images to underpin them, rendering their interpretation dynamic.

Lin C Art Gallery: Tim Timaru

Take The Deck and The Deck 2, in this exhibition, for example. Both are the same poem, but where the image of one presents a couple walking hand-in-hand up a crystal-like staircase leading to a cabin floating idyllically against a night sky, the second offers images of a coastal setting behind a wind-blown sky coloured by a sunset. Thus, with the first image, we’re encouraged to think of the poem in terms of togetherness and what is and what will be; poem and image are together, uplifting. However the second leads us in a different direction. Here, perhaps, is not promise, but regret; no looking forward to what is now beginning and will grow, but what has passed and what was – and will never be again.

With playful tickles of humour, considered reflections on life and love, echoes of Eliot and even Shakespeare (in form if not in words), this is an enchanting collection of poems and images; an absolute delight for any lover of the written word.

Lin C Art Gallery: Tim Timaru

SLurl Details