December 2018 at La Maison d’Aneli

La Maison d’Aneli: Lam Erin

Now open at La Maison d’Aneli Gallery, curated by Aneli Abeyante, is a new ensemble art exhibition, one which offers a rich mix of virtual and physical art and photography in what is an eclectic but engaging display. On offer are pieces by  Lam Erin, Renoir Adder, Bump Squeegee, Layachi Ihnen, Chapichapo Delvalle and the inimitable Moya Patrick (Moya Janus).

For those unfamiliar with Moya (Patrick Moya in the physical world), he has been a part of the artistic movement Ecole de Nice, and throughout his career has been as the forefront of artistic expression through all forms of media and technology, including virtual spaces. He is an early pioneer of video art, and was quickly drawn to the potential of virtual spaces like Second Life, in which he has been involved since 2007 and where he continues to maintain his Moya estate of four regions. He was also one of the first artists to actively promote Second Life in the physical world, with Rinascimento Virtuale, hosted by the museum of Anthropology of Florence, in 2009.

La Maison d’Aneli: Moya Patrick

Entitled Carnaval et fêtes populaires (literally “Carnival and popular festivals”, but given the English title “Carnival and popular traditions” in English), it is a typical piece from Moya, full of vitality, reflecting elements of his physical world art. Within it is – as one would expect – his alter-ego of Moya, familiar by his Pinocchio-like nose, and little Dolly, inspired by the cloned sheep of the same name. Frivolous, engaging, with some subtle motifs, Carnaval et fêtes populaires is a colourful piece, well in keeping with the time of the year.

Below it, on the lower floor of the gallery are three exhibition spaces presenting the physical world art of three very different artists: Renoir Adder, Layachi Ihnen and Bump Squeegee.

La Maison d’Aneli: Renoir Adder

I confess to being unfamiliar with Layachi’s art, which is offered here as the largest of the three displays. A profession of mathematics, Layachi started painting in 1969, and since 1999 has focused on mixed media, combining digital painting on computer with traditional techniques. For this exhibition, he presents pieces that reflect this mixing – notes the faces in many of the paintings -, all offered in a unique and distinctive style.

As an artist, Renoir Adder straddles genres. Within his pieces can be found elements of post-impressionism, potentially influenced by the like of Van Gogh; suggestions of Picasso; and impressionist leanings.

La Maison d’Aneli: Renoir Adder

Much of this is in evidence in the 15 pieces displayed at La Maison d’Aneli, in the midst of which are, to my eyes, three absorbing painting of Geishas which exhibit a unique and eye-catching style that focuses the attention marvellously, encouraging the observer to work outwards from them and take in the rest of the paintings in turn.

Bump Squeegee’s collage art is, for those familiar with it, instantly recognisable. Rich in colour and style, the dozen pieces here are a marvellous selection of Bump’s work. By their very nature, these are pieces for which description is meaningless; they deserve to be seen first-hand in order to appreciate them fully.

La Maison d’Aneli: Layachi Ihnen

Back on the upper level of the gallery is a selection of physical world photography by Chapichapo Delvalle. Another artists with whom I was unfamiliar, Chapichao’s work focuses on nature and natural settings, varying from full landscape pieces to focusing down to things like a small branch of pine cones set on the stonework of a footpath, offered as a series of studies in colour and style.

Colour is a major element in these images, and might be said to be a physical reflection of Chapichao’s vibrant view of Second Life.

La Maison d’Aneli: Lam Erin

Lam Erin, in providing full disclosure, is one of my favourite Second Life landscape artists, although I only discovered his work less than two years ago. As a virtual artist, Lam takes images captured within Second Life and transforms them into the most fantastic digital works of art, so rich in detail, you feel as if you can see the individual brush strokes in an original piece of art.

One of the hallmarks of Lam’s work is his presentation of cloudscapes. These cast a dramatic, even foreboding, look to the skies of his art that brings an added depth of realism and narrative to his paintings that is utterly remarkable. It is this attention to his clouds and skies that also makes his art redolent of some of the great masters of landscape painting.

As always from Aneli  and La Maison d’Aneli, an engaging exhibition of works by talented artists, and not one to be missed.

SLurl Details

Inspired by Monet in Second Life

Junbug; Inara Pey, December 2018, on Flickr
Junbug – click any image for full size

Annie Oh (Annie Brightstar) dropped me an IM suggesting Caitlyn and I pay a visit to Junbug, home of *{Junbug}* Fantasy and Vintage fashion, as the region had been recently redesigned by Minnie Blanco (Minnie Atlass), whose region designs we’ve always enjoyed (see here, here, here and here for more).  And I have to say that for anyone who loves artist – particularly the French Impressionist movement, this is a must-see location.

[It is] loosely inspired by Monet’s Giverny garden After discussions we agreed upon a garden across from water. All designing / artwork is a process and I take my inspiration from RL photos/art. I wanted to reflect Juno’s fantasy, vintage fashion designs with a romantic feeling water-scape in some way. Hence the romance of impressionism!

– Minnie Blanco on her design for Junbug, December 2018

Junbug; Inara Pey, December 2018, on Flickr
Junbug

Anyone who is reasonably familiar with Monet’s work will instantly feel they are inside one of his paintings on arriving in the region. Minnie has, through careful selection of plants (colour), design and windlight, fully captured the look and “feel” of one of Monet’s paintings, particularly, as Minnie notes, those that focus on his great life’s passion: the garden at his home in Giverny.

Junbug; Inara Pey, December 2018, on Flickr
Junbug

For example, the first impression (no pun intended) on arriving and looking over the water to the little bridge facing the store from afar was Monet’s 1899 painting, Bridge over a Pond of Water Lilies.

As we continued to look around and walk along the path circling the pond at Junbug, further influences  – or perhaps reflections might be a better term – of Monet’s art came to mind. There’s the subtle mix of colour and blending in the blooming of flowers as seen in his 1900 oil on canvas Le Jardin de l’artiste à Giverny, and Garden Path at Giverny (1902), while the pond itself offers echoes of his extensive Water Lilies series.

Junbug; Inara Pey, December 2018, on Flickr
Junbug

A small, simple setting, the garden is completed by the presence of waterfowl on or near the water, and birds singing from various points around the path (such as the stone bridge close to the store) or hopping and flitting around the paths or circling overhead. In adding their voices to the scene, they increase the spring / summer feel to the region.

There is also a touch of French flavouring to the garden and store – the latter has the presence of a grand maison, for example. Meanwhile, a number of the selected elements in the region, such as the pavilion and the little rowing boat, have French-leaning names / pose systems.

Junbug; Inara Pey, December 2018, on Flickr
Junbug

For those seeking a place to sit and enjoy the setting, the rowing boat offers a mix of individual female and male poses, while the benches along the waterfront near the store offer a mix of individual and couples sits, as does the bench in the pavilion. A further bench can be found close to the little wooden bridge, but using it will require getting past the grass growing around it, which interferes with direct clicking.

Set under a tranquil sky suggestive of a mild spring early evening, this is an utterly delightful setting, a painting made real, if you will, and well worth the time spent appreciating it. And given the inspiration behind it, I hope you’ll forgive my attempt to render it as a painting! Our thanks again to Annie for passing on the details.

Junbug; Inara Pey, December 2018, on Flickr
Junbug

SLurl Details

Cica’s Lullaby in Second Life

Cica Ghost: Lullaby

Cica Ghost’s latest installation, Lullaby, opened on Tuesday, December 11th. It’s a curious piece, something of a celebration of the creatures that might be said to come out at night, together with touches of some of Cica’s previous installations.

For the byline to the installation, Cica has chosen the chorus from Lullaby for an Insomniac, by Kate Nash. Sung  acapella (albeit with an instrumental ending) the song fits the installation very well, offering something of a gentle subtext to the setting – although too deep an examination of song and installation should perhaps be avoided.

The idea was first, but I often listen Kate, so maybe it was influence. I listen her often when I work. I made the girl a few days ago; it was only house at first, but then she needed somebody to think of.

– Cica Ghost on Lullaby

Cica Ghost: Lullaby

The girl and house in question, can be found towards the middle of the strangely undulating region, perched on a curious table of rock and reached by a ladder impersonating part of the sine curve. She sits atop the house, staring into the distance, lost in thought, the landscape darkened by a greenish night. Her attitude suits the refrain of the chorus perfectly – a girl who is missing someone, and who finds herself unable to sleep and with little interest in how she looks or the state of her surroundings.

Her indifference to her surroundings is a shame, because across this weird landscape with its abrupt hills and valleys and unusual rock formations, the creatures of the night have all come out to play: flying bugs, spiders, curious worms with friendly, anthropomorphic “faces” courtesy of eyes sitting on slug-like stalks and very human tongues lolling happily, and heart-shaped flowers with large, unthreatening eyes. Even some of the hills have eyes, revealing themselves as the domed heads of creatures nestled far enough underground while still able to see what is happening around them.

Cica Ghost: Lullaby

All of this night, in other circumstances, sound like the stuff of nightmares, particular given the giant snail watching over the landing point – but it is not; it is a night-time setting of playfulness. None of the creatures are in any way nefarious; most are going about their business without concern for whatever else might be happening, although one or two do appear to be a little curious about the stranger in their midst, sitting on her odd perch.

Also to be found in the region are echoes of some of Cica’s past works: a bear stands up on one of the hills, for example. While he may be without a shirt, he and the flittering night bugs bring forth memories of The Bees and the Bears. The three frogs sitting close to the landing point directly reflect Frogs; a spider’s web offers a faint echo of Arachnid, even the girl herself, sitting atop her house, is reminiscent of Moonlight.

And here lies the gentle  – if perhaps unintentional – subtext of the installation. Just as Lullaby for an Insomanic reflects on the things we have and the sentimental value they can have, so do these aspects of Cica’s Lullaby gives those familiar with Cica’s work pause to remember her past installations and the joy and other emotions they gave us when they were present in Second Life.

Cica Ghost: Lullaby – Cica takes flight

There aren’t too many places to sit within Lullaby (they are there, but you’ll have to find them!). Instead, and tucked away on the top of one of the odd stalagmite-like rock formations Cica offers a free flying bug. Simply take it, Add or Wear it, and use the WASD / arrow keys, together with PAGE UP and PAGE  DOWN to fly yourself around.

Lullaby should remain open through until early January for visitors. There are several tip jars scattered around the installation, so do please consider a donation towards this and Cica’s future work in Second Life.

SLurl Details

  • Lullaby (Ai Atoll, rated Moderate)

The seasons at Bay of Dreams in Second Life

Bay of Dreams; Inara Pey, December 2018, on Flickr
Bay of Dreams – click any image for full size

Bay of Dreams is the Full region home of Valor Poses Mainstore and Photo Sim, operated by Keegan Kavenagh (AlexCassidy1). As the name implies, the region offers both a base for the Valor Poses store, and the opportunity to explore a changing environment beyond its doors.

In February 2018 Caitlyn and I visited the region whilst the region offered a summertime look and feel (you can read more about that visit here), so with the end of the year approaching, I thought I’d drop in again to see what had changed.

Bay of Dreams; Inara Pey, December 2018, on Flickr
Bay of Dreams

Now designed by Adalynne Romano (AdalynneReed) working with Keegan and Tessa Kavenagh (TessaGrace51), the region presents something of a mix of seasons, all within walking distance of one another. For the store, which forms the landing point, and its surroundings, there is a decidedly springtime look and feel.

Occupying a table of land in the south-east of the region, the store is surrounded by a garden setting. The trees and flowers are all in bloom, the grass lush and green, visible through the windows of the store, inviting patrons to step outside. Those who do will find a richly mixed setting, one complete with ruins of different ages and pieces of art – notably by Mistero Hifeng – while horses and deer lay dotted across the lawns.

Bay of Dreams; Inara Pey, December 2018, on Flickr
Bay of Dreams

The store looks northwards over a low-lying headland dominated by a broad board walk and pier that stretches out over the water, a narrow ribbon of beach running around the north and east side of the headland adding to the feeling that this is the “summer quarter” of the region. Volleyball can be played on the grass, while the board walk and little pier include places to sit and enjoy refreshments.

Between the footbridge leading back to the store and the board walk, a track runs off to the west, following the bent finger of land, serpent-like in its narrowness. This ends in a bridge leading to a small island that in turns links to the south-western side of the region, a grassy quarter clearly caught in the gentle embrace of autumn. Here the trees are rich in golds, brown, oranges and reds. Pumpkins lie on the ground, while the single large barn offers a greeting of Happy Fall.

Bay of Dreams; Inara Pey, December 2018, on Flickr
Bay of Dreams

The final quarter of the region, reached via “autumn” hosts, appropriately enough, winter. Crowned by a rocky crenelation, this is another plateau within the ring of rock, the land is covered in snow, complete with a frozen pond and with a snow blanketed wooden house of impressive size. This offers plenty of seating inside and out.

Finding your way around the region is simply a matter of following the paths and using the bridges. All four aspects of the setting perfectly present each of the seasons, with a fairly neutral region-wide windlight used for all four. This also works well, but it did have me wondering about how a setting like this, with four different regional settings will look when EEP – the environmental Enhancement Project – has come into common use.

Bay of Dreams; Inara Pey, December 2018, on Flickr
Bay of Dreams

There are one or two little rough edges – path segments not meeting one another or the landscape here or there; some floating trees together with the odd plain prim or semi-floating rock. But, by-and-large, the design comes together to offer a visually interesting setting. Those wishing to rez props for photograph can join the local group.

For those who might be feeling they’ve seen a little too much snow in Second Life, or who wish to revisit their preferred season, or simply want to experience an entire year in a short walk, Bay of Dreams perhaps offers the perfect visit.

Bay of Dreams; Inara Pey, December 2018, on Flickr
Bay of Dreams

SL Details

Ribong Gallery and The Art of Being

Ribong Gallery

Ribong Gallery is a new exhibition centre developed by San (Santoshima) that opened in December 2018. Located in a large black-walled environment, the gallery offers a mix of exhibition spaces and what might be public areas where people can relax. For the opening, two exhibitions are presented, the overall design of the gallery allowing them to blend together.

The first of is an ensemble exhibition, mixing 2D and 3D art by  Aphrodite Macbain, Bleu Oleander, Bryn Oh, Cica Ghost, Gitu Aura, Grady Echegaray, Harbor (Harbor Galaxy). ini (In Inaka), Kara Mellow, Meilo Minotaur, San (Santoshima),  Storm Nordwind, Theda Tammas, Xirana Oximoxi and Zen Arado. In’s not clear if the pieces on display are the result of invitations to the artists to display their work, or whether they have been drawn from San’s personal art collection.

Ribong Gallery

The 2D art can be found along the walls of the primary display space, just inside the main doors, and within some of the areas that appear set aside for resting and casual chat. The 3D elements can be found around the walls, mounted atop display plinths and  – notably with Cica’s pieces – could be mistaken as part of the setting itself. Thus, careful exploration and study is advised!

The second exhibit  is entitled Big Bang Theory, and features animated photo-sculpture installation utilizing original physical world black and white and light-painted photographs by San herself. This takes the form of a number of large 3D elements located in both the main hall and the upper mezzanine-like level of the gallery. As the name implies, these are gently animated sculptures, each of which features one of San’s photos, the full set of which can be found pinned to the wall at the entrance to the exhibition, but you may need to cam in to see them in detail.

Ribong Gallery: Big Bang Theory

Each of these pieces is multi-faceted and almost hypnotic in their flowing movement, but whether intended to infuse a sense of the beginning of time – as suggested by the title of the installation – or not, I leave up to you. For my part I found them intriguing and – as noted – soothing pieces. Again, to appreciate them fully, I’d recommend careful camming (if you can flycam around the individual pieces, so much the better).

Also to be found on the same platform – but just across the region boundary –  is the Art of Being gallery, featuring the work of Bleu (Bleu Oleander). At the time of my visit it featured Bleu’s imaginative take on art by Henri Matisse, Claude Monet, Salvador Dali, David Hockney, Adolph Gottlieb, Pablo Picasso, Marc Chagall, Jasper Johns and Edward Hopper.

Art of Being Gallery

Also found on the same platform, and beyond Art of Being is the Play as Being theatre, home to the Play as Being group, which defines itself as:

A group of people exploring reality by using our own life as a laboratory. A thought experiment to see what is left if we put down what we have, to see who we are. Can we make conjectures, hypotheses about what Being could be, and play with those in our day-to-day life? What happens when we do?

You can find out more by visiting the Play as Being website, which includes a schedule of weekly events for those wishing to join in.

SLurl Details

Two snowy visits in Second Life

Hollyee; Inara Pey, December 2018, on Flickr
Hollyee – click any image for full size

There are lots of winter themed regions to visit at this time of year – I’ve already covered a number in these pages for 2018. So many in fact, it’s easy to end up with a mild case of snow blindness :). There is often a tendency to use many of the same elements in such builds – the DRD Polar Express train being one such example. So for this write-up, I thought I’d offer a couple of suggestion that are just that little bit different to the others we’ve visited thus far.

Hollyee is a homestead region designed by Agaras, offering a remote, wild winter setting. Surrounded by tall mountains shrouded in snow and mist, the central feature of the setting is an oval large frozen lake, its surface glittering like a star field and broken by a couple of islands.

Hollyee; Inara Pey, December 2018, on Flickr
Hollyee

The lake is set within a low-lying, wooded landscape, devoid of paths and get trails, but open to wandering under tree and over snow. The entire feeling is that of a remote mountain lake, well away from any major centres of population – but not so far away as to be totally in the wild.

This latter fact can be attested to by the presence of fresh hay that has been left out on the snow, offering horses places to eat, rather than leaving them to  forage under the snow for grass.  Whether the hay has been put out by a local farmer possibly living just beyond the landscape, or by whoever might live in the little A-frame cabin located in the south-east corner of the region, is up to visitors to decide.

Hollyee; Inara Pey, December 2018, on Flickr
Hollyee

The horses aren’t the only animals to be found scattered across the landscape. Wander through the snow as you circle the ice and you’ll find deer, rabbits, wolves and even polar bears – the latter both real and made from snow! Birds circle overhead while a lone owl hunts between the trunks of the trees. All of them serve to give the region a feeling of added depth, as does the local sound scape.

A skate giver is available close to the landing point, although if you have your own, you can obviously wear them. There are also skating poses available for use for singles and couples skating, while scattered across the landscape are a number of places for sitting and cuddling.

Hollyee; Inara Pey, December 2018, on Flickr
Hollyee

The second location I want to mention is Winter Dream. located over the home of Solo Arte, it is once again the work of resident artist there, Terrygold. Like Hollyee, Winter Dream presents a wilderness setting, beautiful in its snowbound, rugged beauty. It’s also another place where having local sounds on is essential to a visit.

Also like Hollyee, central to the design is a frozen lake, a flat expanse of ice from which the occasional hump of rock rises, and towards the middle of which a lone tree stands sentinel, boughs raised as if trying to ward off the steadily falling snow.

Winter Dream; Inara Pey, December 2018, on Flickr
Winter Dream

Around this lake is a rocky landscape, stepping upwards towards a surround rim of low cliffs. Two structures rise from the snow, the largest a two-storey stone-and-wood cabin, facing the landing point across the lake. Closer to hand, just to one side of the landing point and watched over by two snowmen, sits a wooden pavilion. A fire is blazing in the hearth here, with wooden chairs ranged before it, but the open sides suggest it might not be as warm as the fire might otherwise suggest.

The most direct route to the cabin is across the ice – but it’s also the boring way. It’s more interesting to head either north then east towards the cabin, or go east then north. Both routes will lead you via points of interest: deer at a feeder, outdoor seating areas,  – including an old Ferris Wheel (although it could perhaps benefit from blanket to help keep those sitting in it warm! 🙂 ) and so on.

Winter Dream; Inara Pey, December 2018, on Flickr
Winter Dream

The eastward route will take visitors over some of the ice, which extends around this side of the landscape. So if you have your own ice skates, you might want to make use of them. It also offers a slight climb up to the cabin – but so does the route running north then east from the landing point. Once inside, the cabin offer a place to dance and a break from the weather by the fire places.

Both Hollyee and Winter Dream are quiet, winter settings waiting to be enjoyed. Both are well presented, although each has its own small niggles. Hollyee has a few floating trees and rocks that can make themselves known when taking photos, while the volume of animated mesh snow in Winter Dream can impact performance (particularly if you run with shadows enabled). So do take note when visiting – but don’t let either put you off.

Winter Dream; Inara Pey, December 2018, on Flickr
Winter Dream

Really, if the snow hasn’t gotten to you too much, it’s worth grabbing your skates, wrapping up warm and enjoying either of these quiet wintry corners of the grid.

SLurl Details