Autumn at Solus in Second Life

Solus, October 2020 – click any image for full size

Solus is a Homestead region held by Vita Camino that she recently opened to the public as a place to visit and appreciate and where they can also see her mesh and ground textures in use.

For those who may be feeling a little over-exposed to Halloween and all its ways – even before we get to it – this is a region that can offer some relief (although there are still touches of the season to be found). Within the region, visitors will find an autumnal, rustic setting within its lowlands areas whilst its highlands present a more winter-like setting and a promise of the end-of-year season to close. All of which makes for a rich setting to explore and photograph.

Solus, October 2020

The landing point sits on the lowlands alongside what at first might appear to the a ribbon lake, but is in fact an inlet that meanders its way deep into the landscape. A dirt track curls around its innermost extent, the landing point sitting on the grass between track and water. To the east, the road, occupied here by an old pick-up truck, rises up the first part of the region’s highlands, turning south and passing an old stone farmhouse built into the hill as it does so.

Passing a wall of rock, the road quickly – and frighteningly, if you’re contemplating driving up or down it – steepens, passing from the greens and golds of autumn below to the depths of winter on the hilltops. Here fir trees stand in rows and hoar frosted tress stand over a frozen pond, and a Christmas tree shop is already open for business. However, someone appears to have opted for taking a sapling from the copse of fir trees , placing it into the back over their pick-up truck as it sits on the road.

Solus, October 2020

A sign by the truck promises a camp site along the flat tops of the hills, but after passing around the fir trees, the road drops back down to the the east side of the region and into the autumnal setting once more. Here old telegraph poles march along the roadside and geese wander along it, as it comes to an end in a broad area of flat land at the water’s edge.

Here the land is occupied by a couple of buildings:  a cottage for rent and an old industrial unit that may also be a place that could become available for rent, although at the time of our visit, it was standing empty and unmarked. The cottage has been extended with decks serving both its lower and upper floors, connected by wooden stairs. These decks offer a view across the water to far side of the bay – but if you want to reach it, you’ll need re-trace your steps back around the region.

Solus, October 2020

When investigated, these western lowlands reveal they are actually a tongue of land sitting between two inlets cutting their way into the landscape from the north, the far side of this second body of water marked by the highland plateau. Small places of business sit on the bank of the water (one of which is home to the rental kiosk for payments), while at the end of the road stands a large barn. This forms Vita’s texture store, a wooden board walk winding around the side of it to lead to a houseboat at the water’s edge – again, whether this is to be offered for rent or not wasn’t clear at the time of our visit.

For those who do like their touches of Halloween, the region does offer one or two; pumpkins and jack-o’-lanterns can be found here and there, the largest two of which stand guard over the entrance of what might at first appear to be a misty-wrapped graveyard. However, these two lanterns are hardly likely to cause anyone any fright, their demented grins awash with humour.

Solus, October 2020

Another board walk winds through the mist beyond the two lanterns, but aside from a single, static Gothic vampress, there are no graves here. Instead, the path leads the way to an old ruin, now a witch’s hideaway with a warning outside. Inside, however, barring the oversized spider’s webs, it offers a cosy retreat.

Throughout the region are lots of little details – chickens and geese helping to give a sense of presence to the farm, squirrels going after nuts, foxes awaiting discovery -, while a figure at the local gas station adds a further sense of life to the setting. For those who fancy tarrying a while, a small barn close to the store offers a cosy place for doing so.

Solus, October 2020

All told, a delightful place to visit and explore – and for those who need them – to possibly obtain a new selection of landscaping textures.

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  • Solus (rated: Moderate)

Three at Club LA and Gallery in Second Life

Club LA and Gallery: Kapaan

October currently sees three expeditions in progress at Club LA and Gallery, curated by Fuyuko Amano (Wintergeist), although I believe two will be closing at the end of the month. Between them, they offer three very different displays of art and perspectives, making all three an engaging visit.

The ground-level exhibitions both opened on October 3rd, and so many have a limited time left in their runs. They feature the work of Kapaan and Blues Rocker (BluesrockerResident) respectively.

Kapaan presents art that often carries a narrative theme, usually with a fantasy / dark fantasy element to it – and such is the case with several on the pieces here as they cast what might called Scenes from the Seed, presented in primal tones and featuring the character of Orobas (the Orobas, in human form?) and a glowing, seed-like orb.

Accompanying these is a set of more colourful avatar studies and a trio of landscape images. these again have treads of connection running through them, the colour red and umbrellas in the case of a couple of the landscapes, and the manner in which the avatar studies are mounted.

Club LA and Gallery: Blues Rocker

Across the hall, Blues Rocker presents an evocative set of images rich in colour, each standing on its own and strikingly unique when compared to the rest. Again, each has a story within it, hinted at by its title and ready to jump into the mind on viewing each piece in relation to that title. These are richly imaginative works, that reflect Blues’ philosophy when dealing with Second Life and his art.

I much prefer shooting out on location in the multitude of amazing sims which populate SL than in a studio, as I feel I get much better results that way. Since starting seriously taking photographs in SL, I have broadened my horizons in what wonders this virtual world has to offer. Really, the only limits are those of the imagination.

Blues Rocker

Club LA and Gallery: David Silence

The most recent of the three, having opened on Sunday, October 18th, is Spectrum by David Silence (JemapelSilence). Reached via a teleport station outside of the ground-level gallery space, this is also the most intriguing of the three, offering what might be said to be a display of personal introspection woven into other apparent contradictions – such as the title of the exhibition being a word that tends to first suggest colours, whilst the images themselves are entirely monochrome.

Of course, “spectrum” can be used in other contexts as well, such as “running the full spectrum of emotions” – and it is in this context that David uses the word, as he explains in Spectrum’s introductory notes. He combines it with that unique sense of self-awareness when we can perceive ourselves simultaneously in two ways: both from within, as we listen to that inner voice that can question our actions, motivations, emotional state, etc., and from without, as if we are projecting ourselves into the body of another and witnessing our actions / state of mind through their eyes.

The result is a series of images that might be subtitled Conversations and Observations with Myself. They comprise two figures  – one dressed, one naked – in various locations, clearly conversing and as if seen by someone else. This external view manifests the idea of projection beyond ourselves, but it would b a mistake to consider the figures as individuals.  Rather, they are one in the same: the dressed figure representing the externalisation of how we would like to be seen by others, and the naked representing out inner self, freed from the need to clothe thoughts and emotions. Thus we have a series of images depicting our relationship with ourselves, and the full spectrum of thought and feelings that can come with it.

Club LA and Gallery: David Silence

Three excellent excellent expeditions from three engaging artists.

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A Wooley Swamp in Second Life

The Legend of Wooley Swamp, October 2020

Amaya Mavinelli dropped me a line recently suggesting a visit to The Legend of Wooley Swamp. It came alongside an invitation from Mathias Laurent, one of the region’s designers, to also pay a visit – so off I hopped!

Occupying a Full region with the additional private region bonus, Wooley Swamp is the work of Matt and his SL partner, Aleriah Laurent (Aleriah Huntsman), and it takes as its inspiration The Legend of Wooley Swamp, the 1980 recording by The Charlie Daniels Band that forms the second track on their album Full Moon. It’s a story about a man – the song’s narrator – who hears a fable about a ghostly place called Wooley Swamp, and ignoring the advice of others, determines he has to confirm the truth of the story for himself.

The Legend of Wooley Swamp, October 2020

If you ever go back into Wooley Swamp son you better not go at night
There’s things out there in the middle of them woods
That’d make a strong man die from fright
There’s things that crawl and things that fly
And things that creep around on the ground
And they say the ghost of Lucias Clay gets up and it walks around.

– Charlie Daniels, The Legend of Wooley Swamp

Through the song, we learn of the fate of Lucias Clay, a miserly old man who cared more for money than people, at the hands of of the Cable brothers, and the turnaround fate meted out to them after they’d murdered him for his jars of money. What the narrator discovers is left open, but it leads him to state, there’s some things in this world you just can’t explain.

The Legend of Wooley Swamp, October 2020

The old man lived in the Wooley Swamp way back in the gurgling woods
And he never did do a lot of harm in the world
But he never did do no good
People didn’t think too much of him
They all thought he acted funny

– Charlie Daniels, The Legend of Wooley Swamp

It was a popular song of the day, following on from the success of The Devil Went Down to Georgia, and remained popular at the Band’s concerts. What might be less known to those not so familiar with Charlie Daniels, is that Wooley Swamp is a place where he used to hunt at night as a youngster. Thus, The Legend of Wooley Swamp – the region – could be said to be not only inspired by the song, but also a little bit of a homage to the singer / songwriter, who passed away earlier this year.

The Legend of Wooley Swamp, October 2020

In keeping with all this, the region presents a swampy environment, dank, dark, and with sluggish water through which alligators can be sighted. Rotting houses and cabins and an old houseboat are scattered about, the paths and trails misted, whilst a partially-flooded graveyard adds to the spooky mix. Which one might be old man Clay’s cabin is up to you to decide; none look particularly homely, although there are occupants and hints of occupancy to be found – together with one or two nods to the season. There are also signs of mysterious goings-on as well: strange noises, orange and red eyes glaring menacingly out of the darkness at passers-by, human skulls  gathered together in a fire bowl…

Those visiting are asked to accept the local experience on arrival (you need only do so once, lest you later opted to remove it through the viewer). This adds a level of interaction to a visit.  As you explore the region, you may come across Mason Jars (normally for preserving food, but in the song, old man Clay filled them with money and buried them in the grounds around his cabin). Touch them, and you get an extract of the song and a gold coin. Beware, however, you can also get yourself killed – but as Aleriah noted to me, this can only happen just once a day!

The Legend of Wooley Swamp, October 2020

Coupled with a rich sound scape, lending itself to a range of windlight settings as well as its own default, and with plenty of little touches – some with a horror edge to them, some not – The Legend of Wooley Swamp makes for an interesting, photogenic and slightly different visit for Halloween.

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My Second Life Landscapes at Konect Art

Konect Art Gallery: Second Life Landscapes

I genuinely don’t like self-promotion, particularly when it comes to my Second Life photography ( which I view as blog illustrations rather than “art”). However a couple of months ago Gonzalo Osuna (Jon Rain) asked me to exhibit at his Konect Art Gallery – and was not going to take no for an answer!

So, running from Friday, October 16th through until the end of the month is an exhibition of some of the many images I’ve taken over the years as I’ve explored Second Life, entitled Second Life Landscapes.

Konect Art Gallery: Second Life Landscapes

I’ll admit that it is my biggest exhibition to date – and as such, I’m glad it has had something of a “soft” opening rather than a big splash, as I think I would have been too nervous to do anything more than  hide in a corner. When invited, and given past exhibits at the gallery, I was anticipating being one of two people displaying their work – so I was stunned, surprised and deeply flattered (as well as slightly panicked!) when I arrived to set-up this week and find that the entire gallery had been made available to me!

So, the result is some 35 of my images are offered across the two floors of the gallery in a relatively large format and which feature many of the places I’ve particularly enjoyed visiting since around 2014. I’ve even managed to include one or two that haven’t shown up in my Flickr stream!

Konect Art Gallery: Second Life Landscapes

Anyway, I’m not going to prattle on about things here – but I hope you’ll pop over to Konect Art between now and the end of October and have a look around. And while there, why not chill out to the sounds of Konecta Radio?

My thanks again to Gonzalo for the invitation to exhibit!

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Cica’s Halloween in Second Life

Halloween by Cica Ghost

Cica is back with her October 2020 build, and given the time of year, she’s presenting Halloween. However, rather than going all dark and gloomy with things that go bump in the night and nasty things hiding in the shadows, she offers something very different: a homage to the the genius of a film-maker known for his unique style of fantasy / horror storytelling that’s mixed with Cica’s trademark lightness and whimsy.

That focus  of the homage is given away by the quote Cica offer with the installation:

Every day is Halloween isn’t it? For some of us.

– Tim Burton

And indeed, set out across the region is a series of little vignettes, many of which feature characters that may have popped out of the consciousness of Mr. Burton. They are all going about their business in this landscape of graveyards, pumpkin patches and strange little houses that appear to have grown, rather than having been built.

Halloween by Cica Ghost

Round-eyed and slender, these are characters who carry on their skull-like faces grins that appear genuinely happy as they go about their business, be it stroking a cat, pulling a pumpkin-filled cart, riding a swing, playing a piano or some other endeavour. Like many of Burton’s characters, while their appearance may be drawn from the ideas of horror, they carry a natural attractiveness that encourages us to wander among them.

However, they are not the only attraction here. There are lots of little touches that add depth to the setting: flowers that will cause you to consider the term “spider plant” in a new way, crows that watch over everything with mischievous look in their eyes, and footprints that magically creep across the ground whilst eyes stare out of some windows, suggesting menace whilst none appears.  And do keep watch for the rooftops that occasionally hinge upwards – they have a little surprise of their own.

There’s also interactive elements throughout the region waiting to be found as well, one of which carries a little touch of the macabre as it brings a whole new meaning to the words “dancing on a grave”, while for those who are taken by the folk occupying the region, a little shop offers the chance to purchase them, together with several of the other characters to be found at various points. And if the pumpkins in the patch take your fancy, they can be purchased directly from there.

Halloween by Cica Ghost

Finished in a semi-monochrome environment, Halloween is another Cica delight. So, if you fancy something a little more whimsical for your Halloween, be sure to pop over – it’ll be there for the rest of the month!

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A Hidden Lake in Second Life

Hidden Lake, October 2020 – click any image for full size

Surrounded by mountains and sitting within a deep rocky bowl, Hidden Lake is the latest region design by Num Bing-Howlett (Num Bing) and her SL partner Clifton Howlett. A Full region that is fairly packed to the gills with detail and touches large and small, it is a wilderness setting that cries out for exploration – although some viewer adjustments might be required in order to fully enjoy it.

The titular lake occupies the middle of the region, an uneven oval of blue water that looks both inviting and cold. It is almost entirely surrounded by rugged uplands that form an inner ring to the off-region mountainous sim surround that lies beyond them. “Almost”, because the rocky circle is broken to  south-west, where grasslands roll gently out to the watery edge of the region, offering a low-lying area to explore.

Hidden Lake, October 2020

The landing point sits to the west side of the lake, where a large deck extends out over the water  to offer both a welcome and a place for visitors to sit and appreciate the view – the first of many such locations waiting to be found here. Set a little back from this on the lowlands between water and cliffs, sits a rutted track that emerges from a tunnel just to the north-west and points the way towards the south-west lowlands where it vanishes into another tunnel, presenting the impression that this is a place awaiting discovery along a trail perhaps only driven by a few.

Just across this through route from the landing point, there rises a set of wooden steps that climb up a lightly wooded shoulder of rock by way of several wooden platforms and desks to reach a lodge. Comfortably furnished, this peeks out from between fir trees to look down on the lake, while the decks outside also offer a view up to the higher peaks on this side of the region, and the promise of more to explore among them as they sit above the tunnel entrance.

Hidden Lake, October 2020

A path winds eastwards around the toes of these peaks, in part using a wooden board walk, but I’d personally recommend avoiding that route to start with, as it can all too quickly lead you to the region’s major features that should be left until last. Instead, follow the rutted track towards the south-west and the lowlands I mentioned earlier. Doing so will lead you on a journey around the region that allows you to encounter all that should be seen in the lowlands, before you scale the heights to find what awaits above.

This route will bring you first to where the woodlands drop down to the grasslands, and a little setting ideal for glampers is nestled among the trees. Beyond this, sitting with is back on the lake to look out at the surrounding mountains, lies an old warehouse now converted into a cosy (public) home, a sea of grass washing around it and a little brook splashing its way from lake to open waters now too far away. A wide wooden bridge allows the road to pass over this brook so that it might reach the second tunnel, but those on foot can scurry across a pair of logs set over the water if they prefer.

Hidden Lake, October 2020

Past the tunnel, the route is over grassy ground sitting above the rocky shore of the lake. This follows a line that leads east and then north, offering visitors the chance to completely circumnavigate the lake’s shoreline. Along this route are several attractions, but I’ll mention just one here: the shallow cavern within its ornately carved arch. Hidden within it is a TARDIS police box that offers the means (by accepting the local experience) to visit Num and Clifton’s other region, The Empire of Dreaming Books, a place that pays homage Walter Moers‘  Zamonia comic series and which we visited in May 2020 (see: An empire of books in Second Life). With a similar TARDIS located within the catacombs of that region (where visitors from hidden Lake arrive), those travelling through either region are offered a neat way to visit the other.

But it is the northern side of the lake that will eventually draw visitors. Here the path loops its way back to the rutted track, but as it does so it passes by the open-air station of a cable car system as it sits over the waters of the lake. There are two cars operating on the system, which will take visitors up to the higher peaks of the region, and they can be ridden as they reach the platform by touching the red button at the boarding point as one reaches it. This will stop the car to allow your to take a seat, then pressing the green button on the same panel to set it moving. The ride offers a grand view of the lake, and will carry you up to a second platform station (same method to get off)  that is linked to a large events stage, which also offers a grand view down and over the lake.

Hidden Lake, October 2020

The upper station also sits at the edge of a small mountain pond from which waters roll and tumble down the cliffs in a series of steps to eventually flow into the lake. These falls pass directly under the path of the cable cars, and are also crossed by three bridges. The first, and lowermost, forms part of the path circumnavigating the lake. The upper two offer the means to explore the lower slopes of the mountains and also to find your way up to the high decks by way of rugged paths and metal stairs that cling to the more vertical faces of rock. The start of these paths breaks sits between the lower cable car station and the waterfalls.

When exploring, there’s a lot of small details to keep an eye out for – all the places to sit, the birds overhead, a squirrel frolicking  in the grass, goats grazing, and more, both outdoors and in the various buildings, all of which have been carefully decorated to give a greater sense of presence to them. However, as noted at the top of this article, some may find a little patience is needed with Hidden Lake, as their is a lot within it to keep the viewer very busy with mesh and textures. For those on middle or lower spec machines, dropping draw distance and / or disabling Shadows when moving around might be the order of the day. Nevertheless, making such adjustments is worthwhile, as this is an extraordinarily picturesque region.

Hidden Lake, October 2020

With thanks to Shawn Shakespeare for the pointer.

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