Mosaic: a Mœbius-inspired installation in Second Life

SLEA6: Lalie Sorbet and Chrix – Mosaic

I’ve long admired the artistic collaboration between Lalie Sorbet and Chrix (chrixbed) for the immersive installations they have produced, such as Bloom: Flowers of Evil from 2024, and Murmuration – A Never-Ending Show from 2025. So when Lalie invited me to see their latest – and quite possibly most immersive thus far – installation, I knew I’d have to hop along as time permitted to immerse myself within it.

Entitled Mosaic it is, and without any hyperbole, mesmerising. However, before visiting, make sure you have local sounds enabled and your viewer is set to Use Shared Experience via World → Environment.

SLEA6: Lalie Sorbet and Chrix – Mosaic

The installation has been inspired by the works of French artist Jean Giraud (1938-2012), better known the world over as Mœbius. While his work folded into itself multiple genres such as the American West and Belgian-style comic books, it is as a co-founder of Métal Hurlant, one of the most influential science fiction publications of the latter part of the 20th century, and his work as a science fiction and fantasy artist and illustrator which earned him international recognition.

Mœbius created everything from characters to fantastical creatures and worlds through a style that became a genre of its own, being widely adopted by comic book illustrators, storyboard artists and others. He very much focused on allowing his drawings to drive a story rather than simply illustrating a written narrative. In fact, his first publication under the Métal Hurlant banner, the 4-part comic book series Arzach, comprised entirely wordless stories.

SLEA6: Lalie Sorbet and Chrix – Mosaic

All of this can be seen as influences within Mosaic.

Sitting within a desert-like landscape is a ring of monolithic structures, most carved or built from rock formations (one stands outs as being clearly of artificial construct), intermixed with exotic plants, this brings forth a world straight from Mœbius’ pens. The air is heavy with a thudding, mixed beat through which chanting can be heard together with the metronomic clicking of machinery. Every so often comes a deeper, reverberating boom accompanied by flashes of light, like forked lightning.

SLEA6: Lalie Sorbet and Chrix – Mosaic

Within this ring is a world of motion. Marvellous creatures circle the sky or wander the shallow waters whilst eight giant Guardians stand form a circle facing the centre of the water, the flora at their feet swaying in time to the drum-like beats, phantasmal trails curling and sweeping through the air. Each Guardian is of a different appearance, suggesting they all might be of different worlds. Some may have fireballs floating before them; some remain still; others at times raise one or both arms. All are clearly taking part in a ritual as, periodically and in time with the deeper booms, the lightning-like trails arc from them to the centre of the circle, bright bursts of an ethereal something.

As they do so, large mosaic-like tiles bearing familiar Earthly images  float through the installation in a cyclical process and apparently at the will of the Guardians. During the cycle, the tiles will form path-like circles together with bridges which extend away from each Guardian to reach the centre of the waters. Then the paths an bridges will slowly dismantle, the tiles rising to form structures and shapes in the air over the centre of the circle. What these structures might be varies with each round of the cycle, but once done, and on an unspoken command, the structures slowly break down and the cycle repeats.

SLEA6: Lalie Sorbet and Chrix – Mosaic

Exactly what this all might mean is up to your own eyes and imagination to determine; this is a place where stories await their time to unfold in the minds of others; a place of richness of detail and motion adrift from time where mysticism and mystery rub shoulders with technology and alien nature. Perhaps the Guardians are technomages; maybe they are gods engaged in creation. The stories are yours to weave.

Forming a part of the outer ring of structures is a hemisphere enclosing an event space, the floor of which is also formed by these tiles – at least until they rise to join with those called to the centre of the installation. Step on any of the mosaic titles anywhere within the installation and it will respond with motion, the illustration on it will illuminating briefly while a tone or sound might be heard.

SLEA6: Lalie Sorbet and Chrix – Mosaic

Meanwhile, the artificial tower – which serves as a Landing Point – includes a number of vehicles visitors can sit on or within and which will then take flight around the installation and becoming a part of it. The tower also offers the opportunity to teleport and discover how Mosaic came to be, complete with uploads of art by Mœbius. For those wishing to spend time observing the Guardians and pondering their ritual, places to sit are to be found on some of the exotic trees dotted around close to the installation’s perimeter.

For those who want to exercise their brains slightly differently, there is a memory game for up to four players sitting diagonally opposite the events space. Look for the square of grey “owl” tiles and sit on one of the mushrooms to one side of it. The game is played by trying to find pairs of tiles by selecting one of the owls to turn over, and then another. Correct selections gain the pair of tiles (removing them from the game); incorrect answers flip the tiles back, so you need to recall their positions if on a later go, you come upon the other half of a pair.

 

SLEA6: Lalie Sorbet and Chrix – Mosaic

Immersive, excellently conceived and executed (the timing of the drumming booms and the lightning is exquisite), populated by beings and creatures which Mœbius – if he were able to see them – would have doubtless approved and lauded, Mosaic is genuinely captivating. As already noted, make sure you have local sounds enabled when visiting and do use the Shared Environment; once you have visited, don’t forget the opportunity to hop up and learn how the installation was developed and perhaps catch the official video.

Congrats to Lalie and Chrix for again demonstrating the power of Second Life to artistically delight and enthral.

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  • Mosaic (SLEA6, rated Moderate)

Qaldera’s picturesque presence in Second Life

Qaldera, July 2026 – click any image for full size

Occupying a Homestead region, Qaldera is the work of Adius Curzi (Adiabatic), and serves as both home to him and his partner, Snow (SarcasticSmile), and public space open to visitors.

Surrounded by tall peaks open the sea on one side, the description of the setting suggests the off-region surrounds are intended to be the walls of a caldera, a kind of sinkhole created when the magma chamber feeding the volcano is suddenly fully or partially evacuated, leaving it unable to support the mass of the rock above, which then slumps.

Qaldera, July 2026 

Calderas can be hundreds of metres to kilometres in diameter. If there is still active magma left, then new volcanic cones and craters might form in further eruptions; if not, the caldera might over time fade into the landscape or be flooded to form a lake.

In this case, it’s not hard to imagine the setting many have once been a shallow shield volcano on a coast somewhere. Then, in the ages following the formation of the caldera, the seaward wall eventually collapsed under erosion, allowing the sea in to leave the central mound of the slumped land remaining as a small island, now turned into a haven of retreat.

Qaldera, July 2026

The enforced Landing Point sits to the north-east of the island, down on the foreshore. It is located on the courtyard of a large warehouse which, surprisingly given this is a residential island, appears to still be in operation. The slips alongside the warehouse appear to be built for smaller vessels, adding a further little twist as to how the containers within the warehouse might be shifted.

South of the Landing Point is the curve of a tan beach, suggesting that at least some of the rock making up the island contains quartz, feldspar and iron oxide, which the wash of the sea has worked down the years  to break down into the sand.

Qaldera, July 2026

Behind the Landing Point sits a pond, both home to Peking ducks and their offspring and a place for casual bathing going by the raft and various floating toys. Between the beach and this pond, a wheel-worn track winds its way up the east side of the island, forming a route to the main house. As it starts its way up the hill, the track branches, allowing an arm to reach down the north side of the island to touch large barn (which can also be seen from the Landing Point).

It is here that a degree of warning should be given. Qaldera sits within an Adult rated region, and Adult activities – including BDSM – are permitted. Most of this activity and equipment is focused on the barn, where the majority of the equipment resides; so if you’re not keen on such things, then you might want to avoid the barn. While other such items of are scattered around the island, they are subtle in nature and blend into their surroundings far more that stand out, so they don’t interfere too much with explorations.

Qaldera, July 2026

The remaining building on the island is one with another industrial look about it. It sits on a rocky promontory overlooking the beach and whatever its original purpose, now fulfils the role of a coffee bar. It can be reached via wooden steps leading up to from the sands, or via a further branch of the track leading up to the main house.

The house and its grounds sit on the upper reaches of the island, the house with its back to a stream possibly fed by the waters which create a set of high falls also behind the house. Beyond the stream, the land falls precipitously down to the waters below.

Qaldera, July 2026

The house itself is expansive and stylishly furnished (I didn’t actually go in as it is a residence, even if open to the public and instead peeked through the windows), with the land on the south side given over to growing grapes and outdoor party space. A bridge across the stream at the back of the house leads to a way down the cliffs to where a little secret might be found (which can also be reached via a tunnel in the stonework below the front of the house).

For those wishing to see the island from the water, keep an eye out for the little motorboat rezzing dock.

Qaldera, July 2026

Throughout all of this, the island is perfectly landscaped and inviting. Places to sit and relax (or engage in a little adult-orient fun) can be found throughout, and the local Shared Environment gives a sense that the island is just waking up with the early morning Sun.

Static NPC have been used in places – such as at the Landing Point and on the beach. For the most part, these are not too intrusive and give a sense of occupation to the setting. However, for those not so keen on them and who use a suitable viewer, remember that Derender is your friend if taking photos!

Qaldera, July 2026 – click any image for full size

Visitors to the region are asked to do so in human form. Rezzing is open with a 5-minute Auto Return, so I assume limited rezzing of props for photography is permitted (just don’t quote me on this! 🙂 ). In all, an engaging and photogenic visit.

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Carelyna’s Phantasmagoria II in Second Life

IMAGOLand Art Galleries, July 2026: Carelyna – Phantasmagoria

In October 2023, I visited and wrote about Phantasmagoria, an exhibition of art by Carelyna hosted at Mareea Farraco’s IMAGOLand gallery. For July 2026, Carelyna has returned to IMAGOLand with an continuation / extension to that exhibition entitled, appropriately enough, Phantasmagoria II.

As I noted with the original exhibition, while the title might well evoke thoughts of ghosts and spectres, it can also reference the idea of a sequences of haphazardly associative imagery as seen in dreams. This latter interpretation is close to what we see here (and as was the case with the original Phantasmagoria – from which several of the pieces in this exhibition have been drawn), a juxtapositioning of images that speak to ideas of memory, emotions, absence – perhaps even loss – and the inner workings of the mind.

IMAGOLand Art Galleries, July 2026: Carelyna – Phantasmagoria

The 16 images on display are offered within a darker surround that the original exhibition, one that presents a more immersive sense of night and dreams to those inner thoughts of the mind as we become lost in subconscious, rather than conscious, thought. Candelabras which further imprint the idea of being within a hallowed place of memory and remembrance.

All of the 16 is a sepia-rich pieces, with their washed tone and faded or ghost-like images designed to represent both fragments of memory –  events recalled through the mists of time in which ghost-like individuals appear sometimes almost clearly, others almost completely washed out – and of emotions and feelings.

Some of this might be gained by peeking at the individual names of the pieces via a right-click & edit; but it is far better to spend time contemplating what each means to you, and how they speak to how memories important to us, together with their associated emotions and feelings, never truly vanish – although they might over time become transformed by the passage of time and by our own growth and change. They can come unbidden and jumbled, but they can also be a journey through times past, reframing them and comforting or even healing us as they give us a second chance to recall those times.

IMAGOLand Art Galleries, July 2026: Carelyna – Phantasmagoria

An evocative, poignant and enchanting exhibition.

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Stopping at a Hi-Cafe in Second Life

Hi-Café, July 2026 – click any image for full size

It was sort-of back on the road in Mainland for me after catching a Tweet from Hico Spicy concerning her Hi-Café, tucked away on the northern arc of Heterocera’s Route 3. This is an utterly charming little corner of SL, lovingly packed into less that 1,500 sq metres to present a restful environment rich in colour and with a sense of fun, ideal for relaxing within and take photos.

With the rainy season at hi-cafe over, the season has shifted from hydrangeas to sunflowers! I hope you can enjoy the full-on summer atmosphere

– From Hico’s Tweet

Hi-Café, July 2026

Set a little back from the main road, the café / bakery offers its own bus stop, with two entrances to its garden space, the smaller passing by way of a newspaper and magazine stand to the one side of the building, and a larger one complete with a greeting to the regions the café is both with and faces, whilst leading to the other side.

Being effectively double-front in design, the building – which is of Hico’s own design and available in her Marketplace store – naturally lends itself to something of a mirrored setting, with brick-edged paths bordering it to either side which are in turn bordering by long, rectangular ponds.

Hi-Café, July 2026

The footpaths contrast nicely with the paving of the courtyard within which the café sits, whilst the trees lined up between each path and pond provide welcome shade.

The setting is surrounded by brick walls, giving it a nice sense of calm and separation from its surrounding without feeling overly enclosed. Even the tall viaduct-like bridge marking the back of the setting fits well with the scene, both blending with the trees and providing an arched space before which an aged tree grows, bench seating and a busker’s music stand under its spreading branches.

Hi-Café, July 2026

Given the paved nature of the courtyard, the majority of the trees have been trained up through tree grates which are also home to many of the sunflowers that give bright bursts of colour to the place, and which can be found in brick-built planters and the brick-retained front garden space.

Further depth is given to the setting through the use of signs and advertising boards, splashes of graffiti on the surrounding walls and the richness of the décor in and around the café. I couldn’t help but smile at a lot of the signage, such as the chalkboard noting that Our coffee is an experience that chalk is unable to convey.

Hi-Café, July 2026

Cats appear to be the overlords here as well; they keep an eye on things from various vantage points, and one appears to be prepared to help out in cleaning up dropped ice cream cones – although admittedly, the cherry which presumably once topped the ice cream is the centre of his attention.

A cosy, memorable place to visit – limited rezzing for photographic is available via joining the local group, but please do clean-up when done!

Hi-Café, July 2026

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A return to Loch Tredach Inn and Retreat in Second Life

Loch Tredach Inn & Retreat, July 2026 – click any image for full size

The Last – and until recently, the only – time I visited Loch Tredach Inn & Retreat was in late 2024, when the region was in the depths of winter. Unsurprisingly, with the changing of the seasons comes a brighter, warmer feel to the setting and what – if memory serves correctly – are a number of small changes  to the design. All of which gives plenty of reason for a return visit.

Welcome to the enchanting Loch Tredach Inn and Retreat – a place where romance and magic come together to create unforgettable memories.

Loch Tredach Inn and Retreat About Land description

The setting is a Full private region leveraging the Land Capacity bonus, and the majority of the landscaping and décor is by region holder Isabelle Larkspur.

Loch Tredach Inn & Retreat, July 2026

I say largely, because the entire north-eastern extent of the region is given over to a private residence and its gardens and surrounds. These have been landscaped in keeping with the rest of the region by the property holder allowing them to merge seamlessly with it but are most definitely not open to public rambling. This property extends down a portion of the the east side of the region to butt up against the Landing Point.

Signs notify visitors that the land around the large house is private and a 30-second delay security system will also give fair warning before the hammer drops (to use an auctioneering term); but do take care when first arriving so as not to wander north from the Landing Point. Even with a long delay on actions being taken, encountering a warning from a security system so soon after arriving within a setting can be off-putting to the point of leaving anyway, which would be a shame because Loch Tredach has a lot that’s worth seeing.

Loch Tredach Inn & Retreat, July 2026: “Are you all sitting comfortably? Then I’ll begin…”

Outside of this residence, the rest of the region is free to explore, and so long as you heed the signs the private residence doesn’t really interfere with ramblings and spending time relaxing along the way.

As noted, not a lot had physically changed since my December 2024 visit, but the colour Isabelle has brought forth for summer totally change the appearance of the setting from one of winter’s charm, excuses for skating and the excitement around Christmas and the New Year, to one very much of beauty, tranquillity and romance.

Loch Tredach Inn & Retreat, July 2026

In my wanderings, I noted several elements I recalled from that first visit, if not their exact position in relation to one another. This made their rediscovery feel somewhat like bumping into old acquaintances. The Aviary, the ruined folly offering a bibliophile’s hideaway, the pavilions, the arching little wooden bridges – all served to pop-up in greeting as I explored.

With the arrival of summer, deer have come to enjoy the grazing of the grasslands and the shelter of the woodlands; geese patrol the shores of the inland lake, and foxes and rabbits roam and play whilst seagulls have come inland to circle overhead.

Loch Tredach Inn & Retreat, July 2026

The Landing Point sits to the east of the region as noted, being located on the south-eastern headland. It presents my kind of coffee house (“Bad Day? Coffee. Good Day? Coffee. Lots of Work to Do? Coffee”). It offers indoor and outdoor seating, with more to be found in a garden shed converted into a little summer house close by (beyond which the private land commences). A large lighthouse sits out the southern bluff of the headland, with a little camp site between it and the coffee house.

Exploring the region from here is achieved by following the path down to a covered bridge passing over the narrow channel marking the exit point from the region’s large central lake – on the shore of which the Landing Point sat at the time of my original visit.

Loch Tredach Inn & Retreat, July 2026

To the west the region retains its air of misty age and wintry mystery within the open-air event space occupying the north-west with its sense of age and history with the columns and ruins. The latter include the TLC Chapels Ruins, complete with wisps and phantoms of mist wrapping themselves around it. The Chapel is a personal favourite of mine I frequently use in my own builds, and here it offers a kind of “private” dance space set to one side of the main dance floor, although I cannot help but feel it really deserves some added décor; it was simply created to be decorated.

Alongside of this, but separated from it by a curtain wall of rock, is the mystical-feeling “winter’s gorge”.  Here is a place of great crystalline walls backed against the high blocks of rock. The waters here are eternally frozen and snow surrounds them at the feet of the tall crystals. It’s a place watched over by the Spirit Maiden and where exotic flowers grow and a stone stairway climbs a gentle turn into the clouds to reach a floating island of rock, a romantic retreat in itself. It would perhaps be nice to see this location have its own EEP setting (shape allowing), but in lieu of this I do suggest flipping your time of day over to Midnight whilst within it to full capture its beauty.

Loch Tredach Inn & Retreat, July 2026

Elsewhere, there’s the gentle looping walk that carries visitors to the reading nook folly as it and converted shed before returning to the large red house which sits to the south of the region on the main paths coming down from the Landing Point, and which appears to be open to the public. There’s also the path up another gorge to a little snug overlooking the feet of the waterfalls which created the gorge and fee its fast-flowing stream.

And all of this barely touches on the level of detail awaiting discovery. These include multiple places to sit, some obvious, others tucked away and perhaps easily missed. Itan dancing columns are also to be found throughout the region giving people the freedom to dance almost anywhere (including up on the floating island!), and more.

Loch Tredach Inn & Retreat, July 2026

Whilst the public expanse of the region has its own Shared Environment which gives it a further air of romantic mystery, it also lends itself to other EEP settings for those wishing to experiment with their photography (I’ve used one personal EEP for the photos here). All of which reaffirms Loch Tredach Inn & Retreat an ideal visit and photogenic visit.

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Four for summer at Michiel Bechir Gallery in Second Life

Michiel Bechir Gallery, July 2026: Lo Coeur
I recently received a series of invites to visit the Michiel Bechir Gallery in Second Life and witness the July 2026 / summer exhibition there, which features four artist-photographers, three of whom present images from Second life, and the fourth photographs taken in the physical worlds and scaled for presentation in-world. Of the four, two follow clearly-stated themes, whilst the remaining two appear more free-form, albeit with undertows of emotions themes.

Through My Eyes by Lo Coeur, is a personal catalogue of her journeys through Second Life – journeys she undertakes with a positive outlook which is reflected in the bright, and in some cases suitably saturated, colours found within many of the pieces presented. Lo additionally uses a mix of styles and tone with which to present moods within several of the pieces (take, Light, Lonely, and Sky on the Water for example), whilst the use of saturation can both enhance the mood of a piece (Misty Mountain)  and encourage focus (Passion, for example).

Rich and inviting, these are pieces that help reveal the magic of exploring SL.

Michiel Bechir Gallery, July 2026: Rebeka Demjórus Tƶimişce (RebekaNLady)
Each photograph in this gallery tells a story. Not just of places and things, but of feelings, of life. Of the quiet beauty that surrounds us every day, if we stop to look. … We chose these photos not because they are perfect, but because they are honest. They capture the world as it is: messy, beautiful, fragile, and resilient. They invite you to pause. To reflect. To feel.

Rebeka Demjórus Tƶimişce (RebekaNLady) introducing her exhibition

Thus Rebeka introduces a collection of 17 photographs captured in the real world which are as rich in colour as they are in subject matter. Their sweeping range encompasses riverside views, woodlands and parks, macro studies of flowering plants, reflections on water rich in reeds or the natural detritus of nature accumulating in shallows – and more. How we respond to them – the feelings or emotions they might cause is, obviously, entirely personal and not something to be ascribed here. All I will say is that all of them do hold the eye and present outlooks on life that might easily be missed if they are looked at too quickly, with the two offered purely in monochrome perhaps conveying a deeper sense of personal message than the others.

Michiel Bechir Gallery, July 2026: Karma Nirvana

There is no introduction for the collection of 14 pieces presented by Karma Nirvana – and one simply is not required. These are pieces which speak quietly but firmly, each with a distinctive voice, of the beauty and wonder of Second Life.

I confess that I’m not sure if I’ve witnessed Karma’s work in the past, but if that is the case then it is to my loss. These are pieces captured in some of Second Life’s most familiar public regions – Loch Tredach, The Far Away, Grand Harbor Isle and so on – which may to some be instantly recognisable, but here are given new depth and meaning thanks to Karma’s use of subject, focus, angle, cropping and post-processing. Whilst no over-arching theme may have been intended here, each piece is in and of itself deeply emotive.

Michiel Bechir Gallery, July 2026: Michiel Bechir
In Reflections, photographer Michiel Bechir invites visitors into a world where surfaces, shadows and mirrored light reveal more than they conceal. Each image captures a moment in which reality folds back onto itself – water becomes memory, glass becomes emotion and architecture becomes a quiet echo of the avatar observing it.

– The introduction to Michiel Bechir’s collection Reflections

And so through a series of 12 images, Michiel takes us on a journey across Second Life, each piece offering a singular view that is subtly split through the use (most often) by reflection, encouraging us to look as much below – so to speak (or in the foreground in most cases)  as what might be taken as the primary subject within it. These are pieces where the play of light on water, of the rippling reflections and refractions of the world above are, together with lighting and tone, the drivers of our emotional responses to each image. Relying most particularly on the use of EEP settings more than post-processing, these are works all waiting to tell a story to the ears that are ready to hear.

Four excellent and engaging exhibitions sitting under a single roof.

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