A ride on the Valkyrie and climbing a mountain in Second Life

Valkyrie Light Transport Railroad, April 2021

At the start of April I paid a (long overdue) visit to the Zany Zen Railway (see: Letting off steam with Zany Zen Railway in Second Life). During my chat with the ZZR’s owner and operator Zen Swords-Galway (ZenriaCo), she made mention of Dizzi Sternberg, who helped her with scripting elements of the ZZR.

At the time, I didn’t actually realise that Dizzi runs a narrow gauge railway of her own, the Valkyrie Light Transport Railroad  Having since been made aware of this, I decided to hop over and take a look.

Unlike ZZR,the VLTRR is located on a single region – Lexicolo – rather than crossing multiple regions.  However, it is every bit a busy – and in places as novel – as the ZZR, running both goods trains and passenger services on a central looped track that includes several branches, and even elephants trundling around their own route (I did say it was novel!).

Valkyrie Light Transport Railroad

Now around 14 years old, the VLTRR is an entirely scratch-built narrow gauge railway, part of the Great Little Trains of Second Life network – a small group of enthusiast who celebrate everything about narrow-gauge railways. Dizzi developed it with her SL partner, NightShade Fugu and Janet Rossini.

The best place to start a visit is the VLT Main Depot. This see passenger and goods trains passing through it  together with the VLT trams, giving visitors a choice of rides.

A lot of work has cone into the layout – working trains run back and forth between yards and mines, and steam trains of a bygone era huff their way around the tracks while a Double Fairlie loco – perhaps most popularly associated with the Ffestiniog Railway in Wales hauls a couple of passenger cars and a caboose. The latter and the trams are available for riding around the main loop – although be aware that the trams may head into the sidings from time to time to allow another to take to the tracks.

Valkyrie Light Transport Railroad

Given the age of the VLTRR, the rolling stock is an interesting mix of prim and mesh builds with some of the older units possibly dated in looks – but if this is your focus, you’re missing the point. Much of this rolling stock has  – as Dizzi informed me – been running continuously around the clock for 14 years (allowing for region restarts!)  to cover a distance equivalent to a journey to the Moon!

As well as offering rides around the track, the VLTRR also offers access to the Aerodrome Amilia Earhart, owned and operated by Lady Meirit (Meirit). Built around the idea of an airfield first opened in the 1930s, it offers the chance to take in various historic aircraft dating from that period through World War II, both real and fictional, including a Supermarine S.6B of Schneider Trophy fame, a Free French Dewoitine D.520, Tiger moths, Lockheed Model 10s (appropriately enough).

The Sternberg mountain railway

The VLTRR is one of a number of rides and attractions Dizzi, NightShade and Janet provide within Lexicolo. A significant part of the region is given over to their passion for Norse history, including a number of rides, whilst tucked into a corner of the region is a theme park and a further train ride – this one modelled on Dizzi’s favourite Swiss Alpine narrow gauge track. All of this can be accessed from the main store and portal platform, where anyone wishing to have a narrow gauge railway on their own land can also purchase complete sets.

Compact and rich in history, the VLTRR is an engaging mainland visit and offers a gateway to a lot more that is waiting to be found.

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Shameless self-promotion in Second Life

Hoot Suite Gallery: One if by Land, Two if by Water

The reality of this post is that it is a piece of shameless self-promotion,  something I actually try not to engage in, lest my ego gets out of the biscuit tin I try to keep it in and starts running around yapping for attention…

Towards the end of 2020 Owl Dragonash very kindly invited me to exhibit some of my blog images at her Hoot Suite Gallery in Bellisseria. It’s not the first time I’ve been asked to exhibit my work – but each time I am, I feel a mix of emotions – notably nervousness and a feeling that it’s not really something for me; as I’ve often – and genuinely  – note I don’t consider myself anywhere close to being any kind of artist. However, Owl is a good friend and someone I admire tremendously, so I felt doubly honoured in her extending the invitation.

Hoot Suite Gallery: One if by Land, Two if by Water

I decided to call this exhibition One if by Land Two if by Water, an  admitted play on Longfellow’s poem, Paul Revere’s Ride. People might want to read something into this, and that is their prerogative (although I admit that in the wake of the disturbing events leading up to and including January 6th, 2021, my thoughts have oft turns to how fragile the American Experiment really is).

However, my decision to paraphrase Longfellow’s words was drawn more from the facts that a) as a photographer of regions in Second Life, my work inevitably involves views of land and water; b) Owl uses a two-storey house as her gallery, giving me the opportunity to split this exhibition loosely into two halve. On the ground floor (or 1st to use the American way of counting floors in buildings) the pictures are land-centric, whilst those on the 2nd have a focus on water.

Hoot Suite Gallery: One if by Land, Two if by Water

It’s not a large exhibition – but that’s the attraction of Hoot Suite – and at 12:00 noon SLT on Wednesday, April 28th, we’ll be having a little party at the gallery to mark the mid-point of the exhibition, which will run through until May 15th.

I hope you’ll join us.

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Strandhavet Viking Museum in Second Life

Strandhavet Viking Museum, April 2021

Despite having moved to Second Norway eight months ago – and having been pretty familiar with the estate a good while before that – I have to admit I only recently discovered the Strandhavet Viking Museum, tucked away on the northern islands of the estate.  For those with any interest at all in Viking History, it is a compact treasure trove of information and artefacts.

Curated and operated by Katia (katia Martinek), the museum offers both indoors and outdoor exhibits to appreciate, and is richly informative on the Viking / Norse life and the extensive history and travels of the Vikings. From the landing point, the museum’s facilities might be split into three areas: the main exhibition building, the art centre and the outdoor displays.

Strandhavet Viking Museum, April 2021

The latter comprise two main displays – the Holmgang (duelling area) and the  burial mounds, each presented with information boards that will either supply visitors with note cards or links to web pages where information on Viking burials (including the Lindholm Høje burial site) can be obtained.

The main museum building is laid out much as a physical world museum tends to be, presenting a mix of large, open displays and those placed behind glass to protect them, and visitors are encouraged by rope barriers and the general layout to follow a path into the centre of the building.

Strandhavet Viking Museum, April 2021

This route will take you by way of learning about Yggdrasil and  Old Norse cosmology and the Överhogdal Tapestries, through displays focusing on Viking Life – dress, weapons, pastimes, architecture, transportation – notably the Viking long ship, which sits as the museum’s central display piece – religions (both pagan and Christian), law, and more. Again, individual displays offer note cards and  / or links for further information, and Katia has clearly taken considerable time to bring together a collection that offers genuine insight to Viking society.

At the time of my visit, the museum included an exhibition entitled Vikings in the East. Many of us are likely more than familiar with the westward voyages and activities of the Vikings – their coastal raids down long the Atlantic coast of Europe the around Britain, their trans-Atlantic voyages, even their travels to the Mediterranean.  What may be less familiar is their journeys east into central Europe and beyond. Vikings in the East helps to put much of the latter into perspective. If – like me – you’ve watched (and growled at) the seven seasons of Vikings, this exhibit offers a lot to help historically frame things.

Strandhavet Viking Museum, April 2021

The second of the museum’s building offers a display of Viking art, a small café and the opportunity to learn to play Berserker – which like chess, takes minutes to learn and a potential lifetime to master (although watching the animated playing pieces can keep players entertained!).

My  only minor niggle is that – again, appreciating the LI count – the museum feels a little cramped, and could do with perhaps being a little larger; the featured exhibit is a little crowded-in by the presence of the long ship. But that aside, Strandhavet Viking Museum is an entertaining, engaging and informative visit.

Strandhavet Viking Museum, April 2021

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A trip to La Vallee in Second Life

La Vallee, April 2021

Shawn Shakespeare pointed me in the direction of La Vallee, a Homestead region held by Som (Sominel Edelman) and home to his business Landscapes Unlimited – the in-world store for which is located overhead within the region.

The reason Shawn gave me the nudge is that currently the ground level of the region is sporting a design by Isha (Sablina), a talented region design whose work encompasses the likes of La Virevolte, Ponto Cabina, Field of Dreams – all of which have featured in articles in this blog – and, most recently a design on behalf of Gnaaah Xeltentat for Florence at Low Tide (see: Spring at Florence in Second Life).

La Vallee, April 2021
La Vallee is a design that serves two purposes: the first is to demonstrate Som’s latest off-region surround, the Alpine Valley MEGA, which goes on sale from May 1st; it’s also as a setting for exploration and – for those so inclined  – for entering Som’s “50K Photo Contest” that is focused on the setting.

As with the majority of Sablina’s designs, this is an incredibly restful setting, a tall island rising from the midst of a lake guarded by a ring of high alpine peaks where snow yet nestles in the folds and dips of rock where the snow has yet to fully penetrate.

La Vallee, April 2021

The island rises fairly tall and sheer from the waters, although on the west side, the lower reaches of the island slope more gently down to the water’s edge, reached by a switch back path of hard granite that drops away from the paved path that runs across the island’s saddle between its two peaks.

The first, and lower, of these peaks is home to the landing point: a small country station that faces a thatched-roofed cottage across a single line of track. An old steam loco is huffing its way towards this terminus across the high stone viaduct that connects island to the rest of the land (actually the region surround); but no passenger service is this – there are no cars riding along behind the loco’s tender.

La Vallee, April 2021

The taller of the two peaks is home to a pair of farm houses that sit together within a low wall of stone that rings them, a couple of gaps within its circumference offering the means to wander to the very edge of the cliffs. Pass through one of them, and you’ll find it also offers anther path that winds around the peak, outer edge marked by lengths of drystone wall to eventually return to the steps that lead up to the farmhouses.

This path is one of two that ring the peak, the second sits lower, reached by a crossroads in the path lining the farmhouses with the railway station. It offers a pleasing walk with plenty of views, together with a number of vignettes and places to sit and pass the time.

La Vallee, April 2021

Those who want to can wander further can fly over to the smaller island to the west – but keep in mind this actually blends with the region surround, so be careful of where you walk.

The beauty of this region really doesn’t require the level of description given here – its the kind of place that really speaks for itself during a visit. So with that in mind I’m going to say no more other than suggest that if you haven’t already done so – be sure to take the time to jump over and pay a visit. For those interested, a board at the landing point provides a a link to the region’s landing point – although specifics are a little light in terms of prizes, etc.

La Vallee, April 2021

Slurl Details

  • La Vallee (Landscapes Showcase, rated Moderate)

Ambre Singh: artistic expressionism in Second Life

Ambre Singh Gallery, April 2021

Far back in January 2021, I received an invitation from Ambre Singh to visit her gallery spaces located overhead at Noir’WEN City – and I offer my apologies to her for only now getting around to doing so.

A Second Life resident for getting towards 14 years, Ambre is an artist who uses photography, art, a sense of humour and generally provocative in the manner it prods the grey matter between the ears to start churning thoughts.

Thematically, much of her work might be considered Adult, with images not suitable for the work environment; it mixes direct Second Life photography – notably her avatar, the characters she creates and her friends – with mixed media pieces that combine physical world at and images with elements created within Second Life mixed with classical works both to tell her own stories and / or in celebration of their original artists.

Ambre Singh Gallery, April 2021

Her gallery space at Noir’WEN offer two wings set within a warehouse environment, one of which is devoted to a permanent exhibition entitled The Pink Dildo, and the other offers a broader mix of Ambre’s work, including the opportunity to rez past exhibitions – a novel idea I’ve admittedly never come across before.

The Pink Dildo (you can take it from the title this is an exhibit that can be labelled NSFW!) is a clever, humour-filled but ultimately thought-provoking view “of the role of women in the development of human societies”.  Within it, Ambre presents a collection of images that combine original in-world art with clever re-workings of classical pieces of art to take us on a journey from pre-history through to modern times, each piece generally including a pink dildo in some fashion, together with a short descriptive text offered in English and French.

Ambre Singh: The Pink Dildo, April 2021

While it might be easy to dismiss these pieces as a means of simple titillation, to do so would be to miss the point. Whilst the entire exhibition includes adult themes wrapped in humour (just read the artist’s biography placed within the exhibit for evidence of the latter), there is a subtext within The Pink Dildo that might best be described as commentary on the (largely patriarchal) recording of history, whilst also offering personal views on modern society (notably on the upper floor of the hall), not all of which we may ascribe to or agree with, but which nevertheless give good pause for thought.

What is particularly – for me – engaging about this exhibition is the manner in which Ambre has taken classic pieces of art by Rembrandt, Poynter, da Vinci, Bouguereau, Jacques-Louis David, JW Waterhouse, Litovchenko and others and re-interpreted them as a part of her story. I also appreciate the topping and tailing of this exhibit through the use of a reference to 2001: A Space Odyssey at the start, and a sideways reference to Musk & SpaceX and their plans to colonise Mars. 

Ambre Singh, The Pink Dildo, April 2021

The interjection of her avatar into classical works of art can also be found in the second wing of Ambre’s gallery, although with art that is more nude in tone and adult in theme, so again should be considered NSFW. Here, within the upper floor rezzer area, one can appreciate her take on pieces by JW Waterhouse, Boucher, Courbet, Draper and more, as well as collections of her avatar portraiture work, a neat little musical quiz challenging people to match the images with the song titles and more.

Engaging, rich in content, story and sub-text, Ambre Singh’s art is well worth visiting – and extended to a current exhibition in Noir’WENs ground-level gallery as well – something I’ll be returning to in the future.

Ambre Singh Gallery, April 2021

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2021 Raglan Shire Artwalk: call to artists

Raglan Shire Artwalk 2020

The Raglan Shire Artwalk is one of the staples of the SL art calendar, and for 2021 the 16th Artwalk will take place between Sunday, May 16th and Sunday, June 20th, inclusive.

A popular event among artists and residents, the Artwalk can see over 150 artists displaying their work – 2D and 3D – across the regions of Raglan Shire. All the displays are open-air, with 2D art is displayed on hedgerows in and around the regions, while sculptures and 3D art is displayed in a number of designated areas, all of which allows visitors to both appreciate the art and explore the Shire regions.

A Call For Artists for the 2021 event has been issued for those wishing to participate, and key points about the exhibition are as follows:

  • It is a non-juried show.
  • Artists can display more than one piece if they wish.
    • 2D (“flat” art pieces will be awarded a maximum of 15 LI, and individual pictures should be 1 prim, including the frame.
    • 3D art (sculptures, etc.), will be awarded a maximum of 500 LI for up to three pieces of work. Artists are requested to state the LI per piece in their application.
    • Sales of art are allowed.
  • Types of art supported by the show are: representations of RL photography, painting, drawing, printmaking, collage, and digital fine art that can be displayed on a prim;  and SL photography, manipulated SL photography and SL sculpture.
  • Pictures of RL crafts, such as beadwork, leatherwork, etc., are not part of the show’s  definition
  • All the above art forms are welcome, but should be rated PG / G – so no nudity, please!
  • Group membership will be required in order to display work.
  • Tip jars are not allowed.
  • Questions and enquiries should be forwarded via note card to Artwalk Director Karmagirl Avro, or Artwalk Assistants Kayak Kuu, Linn Darkwatch, or RaglanShireArtwalk Resident.

Those wishing to display their art should complete and submit the Raglan Shire Artwalk 2021 Registration Form by no later than 21:00 SLT on Sunday, May 9th, 2021.

Raglan Shire Artwalk 2020

Event Dates

  • Sunday, May 9th: applications close at 21:00 SLT.
  • Tuesday, May 11th: Notification of exhibit space location issued to artists – note that hedgerow space for 2D artists is on a “first come, first serve” basis.
  • Friday, May 14th (after 09:00 SLT) and Saturday May 15th: Artist set-up days.
  • Sunday, May 16th: Artwalk Opens.
  • Sunday, June 20th: Artwalk closes.
  • Sunday, June 20th (after 21:00 SLT) through Tuesday, June 22nd: takedown of works.

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