A Variation in Art in Second Life

Janus II Gallery: Etamae and Imaginary Footprints – Variation

Saturday, June 12th saw the opening of Variation, a joint exhibition of art by Eta (etamae) and Imaginary Footprints.

Hosted at the Janus II Gallery at Chuck Clip’s Sinful Retreat, Variation is the second such collaboration by the artists I’ve visited, the first being Memories of a Forgotten Reality (see: A Foreign Reality in Second Life), which I found to be an absorbing exhibit both in style and its collaborative development – and the e same can be said of Variations.

Supplied without exposition by the artists, Variation appears to follow the approach seen with Memories, with each artist starting with a single piece before passing it to the other, the back and forth continuing as the piece gradually evolve in accordance with the perceptions and thoughts of the artists.

Janus II Gallery: Etamae and Imaginary Footprints – Variation

However, where there was a central theme to Memories that likely focused each artist’s thinking when working on an image, the lack of stated vision apparent with Variation has offered perhaps far greater freedom,  with each piece becoming entirely framed within the individual thought processes and feelings of each artist as they worked with it. Thus, the focus of the art – and the exhibition as a whole, is the variation that marked the evolution of each piece.

The result is a collection of art that is broad in scope and potential interpretation. In terms of style and / or genre, there are pieces that might be said to have their roots in abstraction, others that lean towards expressionism or surrealism, and still others touching on abstract expressionism or digital etching. Not all are 2D or static;  the added 3D elements presenting a certain depth, particularly those that are placed alongside 2D images they appear to reflect.

Janus II Gallery: Etamae and Imaginary Footprints – Variation

In terms of subject matter, the best place to start is to paraphrase a comment by Eta’s SL partner, Jos:

The only perspective that will be objective is your subjectivity.

That is to say, such is the depth to which these pieces speak, the only way to hear what they might say is to witness them for yourself and and let your own eye and emotions frame your perception / understanding of them.

However, with that in mind, I  will say that I found Variation suggestive of a dream state – something enhanced by the overall environment in which Eta and Imaginary have framed the exhibition. A condition wherein the conscious mind is at rest and the subconscious is steady processing all that it has been a party to. Such processing can give rise to bright and dark moments (dreams and nightmares), and similar moments might be found within these piece, tugging and twisting our thinking and emotions into a state of variation.

Janus II Gallery: Etamae and Imaginary Footprints – Variation

Superbly produced and presented, Variation is a marvellously absorbing exhibition.

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A corner of Cornwall in Second Life

Mousehole, June 2021 – click any image for full size

Tolla Crisp contacted me recently to extend an invitation to visit her new region holding, Mousehole, located to the south of her famous Frogmore, a place I’ve covered numerous times in these pages due to it’s sheer beauty. The two are connected to it via footbridge, with Mousehole expanding on the Cornish theme folded into the current iteration of Frogmore (which you can read about here), making both regions ideal for a joint visit, as well as each one standing on its own.

A Full region using the standard 20K land impact, Mousehole takes its name from the Cornish fishing hamlet of Mousehole (pronounced maʊzəl, or Porthenys in Cornish), located in the far south-west of the English county, on the shore of Mount’s Bay. Like Frogmore, the overall design is the work of Dandy Warhlol (terry Fotherington), whose hand and eye helps to give that flow of continuity between the two regions.

Mousehole, June 2021

With a population of around 700, Mousehole has a long history as a fishing village that dates back to the 1200s. However, in modern times it is noted more as a visitor / tourist destination and for its many festivals and community events that are held throughout the year.

Whilst taking its name and a lot of its inspiration from the hamlet and Cornwall’s rugged coastline, the design also offers and inland setting that offers a mix of hints of Mousehole village and the wilder aspects of the county. Combined, these give the region a unique look and feel whilst also giving a hint why almost a third of Cornwall’s coast and some of its inland areas are designated Areas of Outstanding Natural Beauty (ANOB) – giving them the same status as a national park.

Mousehole, June 2021

The main part of the region is open to the public, encircled by a broad beach broken by rocky outcrops to form smaller coves typical of the kind that might be found along the Cornish coast. Along these sands are places to sit, bars to by found, opportunities for swimming or simply floating on the water.

Sitting within this are two upland areas which might be seen along the upper reaches of Cornwall’s rugged coast around Mount’s Bay, but which equally bring to mind the wilds of Bodmin Moor. Separated by a sandy divide that offers a shortcut between the north and south sides of the island, these two uplands are rich in greenery and home to individual scenes.

Mousehole, June 2021

The larger of the two offers a setting that might have been lifted from the village itself – most notably the famous Mousehole Pub, which shares the hilltop with a stone-built house and a country church. No roads are visible here, however; instead, the buildings stand surrounded by moorland grass grazed upon by donkeys (Cornwall and neighbouring Devon are also noted for their donkeys), with visitors free to wander across the hilltop and perhaps cross the bridge spanning the shallow gorge to touch the second upland.

This smaller hill is home to an abandoned house (I admittedly found the motel sign outside to look and feel out-of-place), its garden overgrown and nature starting to reclaim its interior. Forlorn and decaying, it has the feel of a place that one might come across deep in the Cornish moorlands, once home to a farm or the retreat of a wealthy tin mine owner and his family, now long abandoned and forgotten.

Mousehole, June 2021

Further touches of Mousehole and its surrounds can be found within the region. Just off the southern coast, for example, is an islet that is mindful of the small island of St. Clements sitting just off the entrance to the village’s harbour. Be mindful that the in-world island is actually a private residence, however, so do be wary of trespass.

Also, just off on of the beaches lies the entrance to a cavern. Find your way inside and you’ll discover a little homage to the tale of a hermit who was said to once lived along the coast at Mousehole.

Mousehole, June 2021

Rich in detail and touches – off to the west is a smaller island, home to another little bar and also what might be an abandoned military facility of a kind that can be stumbled across around the English coast – Tolla’s Mousehole is another delight to explore and photograph – and a delight to explore.

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Kultivate 6th annual Spring Art Show in Second Life

Kultivate Spring Art Show, 2021

Currently underway until Sunday, June 13th, 2021 is the Kultivate’s Magazine 6th annual Spring Art Show in Second Life, featuring the work of some 32 artists, supported by daily music events.

Kultivate Magazine is a publication about the cultural aspects of Second Life, its goal is to support art, culture, photography, music, and fashion. The brand includes the magazine, The Windlight Art Gallery, The Edge Gallery, The Kultivate Loft Gallery, Signature Gallery, AIR Gallery, the Select Gallery and the satellite Dene Gallery located in Rosehaven. In addition, Kultivate Magazine is the media partner and primary sponsor of Team Diabetes of Second Life, an official and authorised fund-raising team for The American Diabetes Association.

Kultivate Spring Art Show 2021 – Vita Theas

The participating artists for the  2021 Spring Art Show comprise: 4pril Resident, Amanda, Angel Heartsong, Anouk Lefavre, Cutewillow Carlberg, Dandilyon Jinx, Dawnbeam Dreamscape, Deynira Yalin, Elise Sirnah, Eucalyptus Carroll, Eve Petlyakov, Jamee Sandalwood, Johannes Huntsman, Kacey Macbeth, Kapaan Resident, Klint Kord, Lena Kopiak, Matt Thomson, Myra Wildmist, Ohara Takamori, Phoenix, Roxcee REesident, Sabine Mortenwold, Sandor, Sevant Anatra, Sheba Blitz, Slatan Dryke, Tempest Rosca, Vanessa Jane, Veruca Tammas, Viktor Savior, and Vita Theas.

The setting for this year’s event is a formal garden rich in the colours of spring, the artists all occupying individual greenhouses around the edges of the gardens, a broad footpath offering the way around.

Kultivate Spring Art Show 2021 – Vanessa Jane

Entertainment for the rest of the show- my apologies to John and Tempest for only getting to it as it reaches its mid-point – is as follows (all times SLT):

  • Thursday, June 10th
    • Daily Giveaways: 10 gift cards.
    • 13:00: live musician Ziggy Sixpence.
    • 14:00: live vocalist Jackie Lefko
  • Friday, June 11th:
    • Daily Giveaways: 10 gift cards.
    • 18:00: live musician Dee Timeless.
    • 19:00: live musician Thunderfoot.
  • Saturday, June 12th:
    • Daily Giveaways: five skyboxes by Inverse.
    • 17:00: live vocalist Aislen Sings.
    • 18:00: live musician J Lively.
  • Sunday, June 13th:
    • Daily Giveaways: two 3D Environment 360 view skyboxes by Inverse.
    • 13:00: awards ceremony.
    • 14:00: live vocalist Sarita.
    • 15:00: live vocalist Samm Quenda.
    • 23:30: Art Show ends.

So be sure to hop along and enjoy the entertainment and appreciate the art!

Kultivate Spring Art Show, 2021 – Sevant Anatra

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A Hazelnut’s Kingdom in Second Life

Hazelnut’s Kingdom, June 2021 – click any image for full size

Hazelnut’s Kingdom is a 5-region estate held by Noubeil (noubeil Alpha) and landscaped by Dandy Warhlol (terry Fotherington) I was invited to tour some time ago – so my apologies to Noubeil for only now getting to write about it.

Drawing its name from Noubeillane – “Hazelnut” in Occitan – the estate presents a highly immersive interpretation of the Ariège Pyrenees, together with the coast of southern France, that is utterly breath-taking.

Hazelnut’s Kingdom, June 2021

Offered as a public / private estate, the estate can be enjoyed by anyone with a love of nature and natural settings, but those wish to avail themselves of all of its facilities: rezzing rights; the ability to set home within the the estate’s public spaces; the use of group-owned items in the estate (including horses and boats), should consider a visit to the group membership area and pay L$500 to join the estate group.

Some 12 locations are available for rent across the estate, featuring houses that are in keeping with the overall theme. Most are located either on the small islands to the east of the estate, or in the western uplands. They vary in rental price, and at the time of my last visit, all but four were occupied.

Hazelnut’s Kingdom, June 2021

The preferred landing point lies to the south-east, in a corner of the estate’s coastline alongside a small harbour. A greeter will supply various links to places such as the estate’s website and rentals page, etc., while a teleport board offers a quick way of reaching the two major public venues as well as some of the rentals (please be careful with the latter as the properties are likely occupied).

A pair of gates provide access to  north running path that passes behind the local stables to come by way of river, wharves, and trail to the local town, fronted by a golden sanded beach and watched over by a medieval church with a commanding view across the estate’s northern lowlands from its perch up on a headland.

Hazelnut’s Kingdom, June 2021

Here there is much to see, with multiple trails offering routes around the headland and its church or that climb the slopes on which the town has been built and then roll into the lands beyond, with their mix of rocky foothills, sloping fields tumbling stream and waterfront and hillside villages. Backed by high mountains to the west that represent the Pyrenees, this northern aspect of the estate is quintessentially southern France with just a touch of northern Italy – something again totally in keeping with its Occitania roots.

More public spaces are to be found here, including a stage for open-air music performances – music is very much a part of Hazelnut’s Kingdom – and off to the western foothill, the high stone walls and stern towers of a high castle – one of the best integrations of the Fanatik design I’ve seen in a while; so good in fact, that I wouldn’t be surprised if it turned up in one of the many scenic aerial shots that grace television coverage of the Tour de France each year!

Hazelnut’s Kingdom, June 2021

The western highlands also offer a lot to explore, as the trails running to and from the castle and through the woodland below it are only too eager to reveal. Some of the large rental properties are to be found in these uplands, together with high lakes, tumbling streams, a cable ride up to to a high plateau, and even a walk up to snowy uplands – so take a coat and suitable walking gear!

The two most notable public spaces in the estate lie to the south, occupying another flat table of rock, one that rises from the landing point mentioned earlier, and connected to it by a winding path that connects to the great chateau that crowns the rock. This is home to grand rooms and a stables on the lower level and, on the upper, The Queen’s Bar.

Hazelnut’s Kingdom, June 2021

Sitting quite literally below the chateau, and reached via a path that hugs the foot of the plateau and which starts a little set back from the landing point, is The Owl Club, a venue hewn from the living rock, a little Tuscan-style setting located just outside to add some further atmosphere. Also, keep an eye out for the other caverns nearby!

Immersive and photogenic, Hazelnut’s Kingdom is an engaging visit, although time is required to do the estate proper justice. Also, even the depth of detail involved, some adjustment to the viewer will likely be required for those on mid-ot-lower-spec systems.

Hazelnut’s Kingdom, June 2021

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A trip to Cica’s Circus in Second Life

Cica’s Circus

For June, Cica Ghost is offering us all a trip to the circus with her latest installation which opened on Tuesday, June 8th.

Called, appropriately enough, Circus, this is an engaging setting that brings to life all the brightness – and perhaps some of the edge – of its namesake for people to explore.

From the big top to cages to transport animal whilst on the road to the animals themselves – elephants, giraffe, seals, lions, bears – Circus presents all the elements that for so long made circuses a place of wonder for young and old. And not just the circus – rids and other interactive elements aware those who visit, giving the setting a slight funfair lean as well.

Cica’s Circus

Scattered throughout are Cica’s trademark dances lay hidden within various objects awaiting discovery – keep and eye out as well for the gifts that can make the dancing even sillier! Other items, when moused over, offer sit point for those who wish to observe all that is going on. for the more energetic, the trampolines offer the challenge of bouncing in place or trying to time bounces and movement to catapult yourself upwards and back and forth between them.

Of course, circuses can raise feelings of disquiet over the welfare of animals, whilst clowns are not everyone’s cup of tea when it comes to fun. These points are perhaps indirectly alluded to by Cica due to the clowns here keeping themselves to one side of the path through the circus, and the fact that the entire setting sits under a slightly gloomy twilight sky.

Cica’s Circus

But really, Circus is about freedom and escape, a recapturing of childhood innocence and wanting to “run away to the circus”. And in a time when there has been so much gloom and spectres of pandemics and political polarisation and more, taking time to escape is actually not a bad idea. So why not hop along to Cica’s Circus and have a little fun?

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  • Circus by Cica Ghost (Springville, rated Moderate)

Anja’s Surrealism in Second Life

Nitroglobus Roof Gallery: Anja’s Surrealism

As a cultural movement, surrealism developed in Europe towards the end of the First World War, and is best known its visual art, music and writings that offer the juxtaposition of different realities to challenge the eye and the mind.

In terms of art, those embracing the movement initially tended towards scenes and settings that could appear unnerving – or at best illogical – that could bring together the ordinary and the extraordinary, the approach intended to allow the artist’s subconscious to express itself more than their conscious processes. Thus, pieces often feature the elements of surprise and that of and non sequitur, which tend to become the focus of their art when viewed, rather the being an expression of the philosophical movement surrealism was intended to be.

Nitroglobus Roof Gallery: Anja’s Surrealism

However, when well executed, surrealist art brings together a balance; a joining of the natural with the non sequitur, of colour with form and the subconscious of the artist with the imagination of the observer that is captivating and extraordinary to witness.

This is absolutely the case with the art of Anja (Neobookie), who is the artist of the month for June 2021 at Nitroglobus Roof Gallery, curated by Dido Haas. On display is the most stunning exhibition of surrealist art it has been my pleasure to witness, one that fully embraces the core principals of the movement whilst encompassing broader photographic and artistic techniques and commentary.

Nitroglobus Roof Gallery: Anja’s Surrealism

Through her work, Anja is able to touch on subjects in her images in a way that is entirely non-directive. Take Free Willy, Survivors, and Wrong Shipping for example, with their subtle suggestions of our relationship with the world around us.

Elsewhere might be found commentary on the human condition – life and relationships – and an embracing of technique such as fata morgana and chiaroscuro that is simply captivating. But, and at the risk of repeating myself, it is important that you do not try to directly seek meaning in these pieces – rather allow them to talk to you, a Anja herself notes:

Do not try to understand all of the images shown, but just let them affect you. Even after two rounds of wandering, are you able to discover a pattern? Is there a common theme or common thread? Crazy, crazier, craziest seems to be the only connection and thing in common in this colourful collection of ‘Anja’s Surrealism’.
Nitroglobus Roof Gallery: Anja’s Surrealism

So, do take the time to drop into Nitroglobus through June and let Anja’s Surrealism to whisper its words to you.

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