A Sun Island in Second Life

Ilha Do Sol, June 2021 – click any image for full size

Update: Syx contacted me to assure me the villa in the north region is indeed open to the public, and encourages people to pop in to witness Bryn’s interior design!  

Ilha do Sol (literally “Sun Island”) is an estate comprising three regions designed by Syx Toshi and with touches by his SL partner Bryn Toshi (Bryn Bulloch), that between them offer a touch of Mediterranean sunshine and Californian surf in a contiguous setting that runs south-to-north through the estate.

While teleporting is open, perhaps the best place to start explorations is the middle region, the home of the little town of Ilha Do Sol itself. This huddles itself around a small bay and climbs the shoulders of the hills that cup the bay’s waters. Here, visitors are placed down within the small praça that sits on the landward side of the bay, separated from the water by a narrow ribbon of grass and sand on to which have been drawn a number of rowing boats, while a couple more sit out on the water.

Ilha Do Sol, June 2021

Featuring a traditional fishing boat of times past, the praça is home to a  modest open market that is proving popular with tourists and locals alike (the familiar static NPCs that are to be increasingly found across many public regions). The majority of the buildings bordering the square and climbing into the hills of the bay are façades, although a couple do have interior décor for those who wander the waterfront.

A tunnel sits to the rear of the praça, providing a subterranean route to the southern region, of which more anon. Passing over this tunnel is the main north-south road, which ends in a small car park overlooking the south region whilst also running north into the open country beyond the town.

Ilha Do Sol, June 2021

The north side of the town sits back from this main road, and offers more to see with little houses sitting along narrow streets, one of which forms a little cycle shop where bicycles can be rezzed and used by visitors. The local church can also be found here as well, tall and slim and with it doors open to visitors. Beyond it, the paved road twists around an upland shoulder of rock and quickly turns to a dusty track that winds into the northern region of the estate. Here, just across the region boundary is a small stable and field where visitors can rez a horse and go for a ride.

This northern region is largely open – there’s the sables, a small orchard and, climbing further into the hills, the steps of a vineyard, each held in place by a tile-topped wall, the vines fed water from sprinklers also mounted atop the walls. Having petered out prior to reaching these terraces, the track resumes to curl around them and climb up to pass close to the wall of a large villa before continuing on to the edge eastern cliffs that drop away to the sea.

Ilha Do Sol, June 2021

The villa sits within its own parcel, and while there is no sign or other indication this is the case, it gives the impression of perhaps being a private residence. As such, I didn’t pass through the gates as I didn’t want to invade privacy.

Returning to the southernmost region of the estate, this takes the form of a sweeping sandy bay facing open waters where whitecaps periodically roll into the shallows, offering the opportunity for surfing and swimming. The beach itself is home to a surf school that has its own lounge and swimming pool, while on its eastern side the sand runs between the blue waters and a number of private residences in the form of RVs, trailers and tents that sit along the edge of the region.

Ilha Do Sol, June 2021

Rezzing here is open, allowing people to use their own surfing and swimming gear, while for those who don’t have any surfing kit, board rezzers are also available. I confess that I didn’t ride the waves during my visit – but I did use the open sands to take my horse for a good gallop around the bay! Those who enjoy their surfing experiences might like to climb the sandy slope at the back of the beach to Syx’s shop as it sits with a commanding view over the bay and connects back to the town’s car park via a board walk.

There are many attractions to be found around Ilha Do Sol, and it lends itself well to photography, particularly if you take the time to try different EEP settings. However, for me, what really makes this as a setting is the time Syx has taken in order to blend traversable region with off-region surrounds to create a natural landscape. This rises from the sea to slow hills and scrubby plains and then to grass-topped foothills that join with the surrounding mountains that gives the setting a depth of design that is eye-catching.

Ilha Do Sol, June 2021

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Symmetry in art in Second Life

Kultivate Signature Gallery: JudiLynn India

Recently opened at the Kultivate Signature Gallery, curated by Johannes and Trempest Huntsman is Symmetry, an exhibition by physical world artist JudiLynn India.

With a lean towards abstract art, JudiLynn has been drawing and painting for as long as she can remember, and studied art at high school before moving to graphic design at Tyler School of Art/Temple University in Philadelphia, PA. Since the turn of the century she has focused on working in acrylics and digital painting, joining Second Life in 2009 and embracing the platform as a means to reach a broader audience with her work.

Spread across the three floors of the gallery is a series of paintings by JudiLynn that speak directly to the title of the exhibition through their use of symmetry as well as her trademark depth of colour, a factor that always gives her work a vibrant sense of life.

Kultivate Signature Gallery: JudiLynn India

Abstract they may be, but there are strong subliminal elements to be found in these paintings, some suggested by the titles of individual pieces, others by the titles placed around the walls of the gallery and which echo the essence of symmetry: balance, harmony, equilibrium. Some of these may help the eye and the mind to construct a frame of narrative in each piece, while the others, the flow of colour and shape might suggest a tale that sits quite aside from any given title.

Viewing the pieces in turn, I was particularly struck by the manner in which several suggested to me they could so easily have had a fractal origin, rather than being traditional paintings. These pieces (Dark Web, Emperor, Colour of Life and Confetti Fun as examples) give an additional twist to this collection: whilst fractal art is created mathematically as an intersection between generative art and computer art, JudiLynn’s pieces present a sense of generative art that has entirely natural origin. Thus, these pieces might be said to offer a unique statement on the fusion between human and digital art forms.

Kultivate Signature Gallery: JudiLynn India

Enticing, attractive, and rich in colour, Symmetry is another engaging exhibition by someone I regard as one of Second Life’s foremost abstract artists.

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A Cloven Forest in Second life

Cloven Forest, June 2021 – click any image for full size
A quiet calm and stillness will comfort your soul as you wander beneath a canopy of trees and explore the spellbound forest at Cloven. Enjoy photography, horseback riding, the stone circle, hot springs and more.

So reads the description of Cloven Forest, the Full region design by Nova Murray that lies surrounded by mountains and offers a wooded landscape suggestive of great age, and where feet (and hooves can wander freely.

Naturally set beneath a night sky – I’ve opted to use daylight settings in the images here – the region may include the LI bonus available to Full private region, but the setting doesn’t in any way feel overloaded. Instead, it presents a landscape that undulates gently beneath that canopy of trees, shadowed avenues passing beneath their cover.

Cloven Forest, June 2021

These avenues are largely natural in nature, broad swathes of grass unburdened by track or paved surface. Periodically lit by by flower-shaped lanterns, these natural trails are easy to follow on foot and ideal for riding if you have a wearable horse.

Towards the centre of the region there rises a gentle hill, crowned by mature oak trees, and from which the two streams that cut through the land issue, presumably sourced by an underground aquifer. Whilst spanned by bridges, neither of these fast-flowing streams presents a real hazard to navigation, although the splashing waters of one has attracted a small family of black bears, a small sample of the wildlife scattered throughout the forest.

Cloven Forest, June 2021

The sense of age to be found here is not only offered by the great height and maturity of many of the trees, but also in the ruins to be found as one explores. These range from the remnants of what might have been a fortification crowning the flattened top of a hill to the west and what is left of an  old church and grave yard occupying the lowlands below, to an inner garden where the trees have been draped in lights, and a stone conservatory and fountain stand, both carrying a hint of fantasy to them that contrasts nicely with the more medieval look to the ruins.

Marked by a drystone wall with a single circular entrance guarded by two aged trees, this garden is just one of a number of places within the forest offering places to pass the time. Another such space come with pagan elements in the form of tree trunks craved into the form of a couple joining in matrimony, the fire and circle of seats nearby bracketed by barrels of wine or mead to one side and a small natural alter to the old gods on the other.

Cloven Forest, June 2021

Other places to sit lay scattered throughout, with one of them carrying a more modern vibe to it: a small camp site that almost borders on glamping, sitting on a table of rock rising from alongside the aforementioned garden space.

The one path that is to be found within the region runs alongside the north side of the island, passing through an area of younger woodland (going by the height of the trees) among which is hidden a wooden watch tower that overlooks the waters beyond the region. Passing beyond the tower, the path eventually branches, its two ends eventually delivering those who follow them to the old church ruins.

Cloven Forest, June 2021

With the landing point tucked into the north-east corner of the setting, balanced by a ring of standing stones in the south-east corner, Cloven Forest has a lot for visitors to discover throughout, both inland and along the shorelines. To the west, a stone bridge spans a channel of water into a second region – Clovenhearth, a homestead – but as the sign at the bridge notes, that region is a private residence, so explorations should be curtailed without crossing over the water and intruding on privacy.

Atmospheric under its night-time sky and highly photogenic by almost any daytime EEP setting, Cloven Forest makes for a relaxing visit and opportunity for exploring.

Cloven Forest, June 2021

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Zia Branner’s Orenda in Second Life

UASL – Zia Branner

Orenda is a term with a number of definitions. Perhaps the most apt is that it is the Iroquois name for a certain spiritual energy inherent in people and their environment.

I’ve no idea if it is this meaning that Zia Branner wishes to encompass in  her new exhibition of the same name at the United Artists of Second Life (UASL), and which opened on June 25th, 2021; however, it is true to say that the paintings she presents are rich in energy and carry all of her spirit as an artist.

UASL: Zia Branner

Working with acrylics and using a variety of structure materials like paste, gel, sand, glue, bandages and paper, and often accentuating parts with oil crayons and ink, Zia always finishes her work with a layer of mat or gloss varnish or binder. All of this gives Zia’s work a sense of depth and life that is captivating – a fact that is further reflected in the way she embraces a variety of styles in her art – still life, abstract, landscape, impressionism, and so on.

All of this can be seen within the pieces Zia presents at UASL in Orenda. In all 17 pieces are on display, running from paintings of animals through studies of the human form to semi-abstracted landscapes. Among these is the titular piece itself, an abstract that is rich in energy and fully embraces a spiritual element through its use and balance of colour.

UASL: Zia Branner

Beautiful in form, fabulous in colour and powerful and / or engaging in content, Orenda is a very visual, engaging exhibition by one of SL’s most engaging physical world artists.

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An artistic [ Dispersion ] in Second Life

[ Dispersion ], June 2021 – click any image for full size
Designed by Syna Kiyori / Sônge (SongeFireflies), [ Dispersion ] is an atmospheric Homestead region that offers a lot to take in and appreciate, as  I recently discovered courtesy of another pointer from Shawn Shakespeare.

Syna/Sônge describes the region as a meeting place for lovers of sensuality, inviting them to dance and explore and allow their creativity free reign as they enjoy opportunities for photography. And the truth is, the region offers all of this and more.

[ Dispersion ], June 2021
Sitting under a twilight sky where the Sun is dipping towards the horizon, and the heaviness of sky and cloud give a sense that we’re already in the last light of day, the region is intriguing in its mix of setting and home for art.

From the landing point in the north-east, the region immediately suggests something of a post-apocalyptic / disaster setting: the main bridge leading away from the landing zone is broken and partially collapsed – as is the road beyond. What appears to be a decontamination crew is warning people away from the far side of the broken bridge.

[ Dispersion ], June 2021
Nevertheless, the bridge can be crossed; and despite looking cold, the waters washing over the old road are not deep, allowing the road to be followed to a pair of blocky structures linked by a glass and wood gazebo. This is the home of the La Boite Noir (The Black Box), a gallery space that at the time of my visit was featuring the art photographer Hilaire Beaumont, whilst outside are places to sit and enjoy the view back over the region.

But to return to the landing point a moment. This offers something of an event space, what appears to be disused parking lot (despite the warning it is a tow away zone ) now partially overgrown, a tree having long since taken over the centre of the tarmac. Old televisions hang from the branches of the trees and from another to one side of the the tarmac. Together with the wrecks of old cars and the carcass of an old low-loader for a stage, they present place where the promises dancing can be enjoyed.

[ Dispersion ], June 2021
A gap in the fencing on the west side of the landing access a path leads the way between an old wall and tall trees, passing a long-abandoned swimming pool complete with Cyrillic writing on the roof. Here, and along the path itself, are further displays of art: the old pool house contains images by Syna, and the path is home to sculptures.

Further west, the land opens out a little, home to a domed pantheon. Despite the fact that nature is taking control inside, this is home to a strangely cosy and engaging club-like setting. Chandeliers hang from the branches of the old tree, armchairs and couches scattered beneath its branches and lit by spheres of light.

[ Dispersion ], June 2021
To the south sits an island connected to the rest of the region by two wooden bridges.  Rugged and home to fir trees, an old barn sits just across the bridge, but the island’s delight lies in the orangery standing amidst the trees to the south-west. Again partially reclaimed by nature, it also offers something of a romantic setting, one framed by the westering Sun and with places indoors and out to sit and appreciate the many views to be had.

The eastern end of this island looks back towards the art gallery, close to where another wooden bridge offers a route back to the landing point. A tractor sits on this bridge which, when added to the presence of the barn and the goats, gives the suggestion that a farm once existed here.

[ Dispersion ], June 2021
What may have happened to flood the land and leave it partially broken and with sunken containers washed against the shore, or why a team in hazmats is needed is open to the imagination. However, what cannot be denied is the fact that [ Dispersion ] is a picturesque and captivating  setting and one thoroughly deserving on a visit.

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Mareea and CybeleMoon at Kondor Arts Centre

Kondor Art Garden – CybeleMoon

June has brought with it two new exhibitions at the Kondor Art Centre, curated by Hermes Kondor, featuring the talents of Mareea Farrasco and CybeleMoon.

Having opened on June 10th at the Kondor Art Square, La mer, la mer, toujours recommencée, is an engaging selection of Second life art presented by the owner and curator of IMAGO Land Art Galleries, Mareea Farrasco.

Kondor Art Square – Mareea Farrasco

As the title might suggest, this is a collection that has a certain focus on the sea – although this is by no means the case for all the pieces on offer; at least, not in the sense of traditional water. Pieces such as Fabulous Goats and Silenced World give a suggestion of flowing waters through the wind-brushed sea of grass that presents a backdrop, and the shimmering of falling rain on which a rainbow is forming. Similarly, and while the sea does appear within it, Lavender perhaps embodies the ebb and flow of an ageless tide far more through the curving sweep of flowers that is its focus than by the sea that sits on the horizon.

However, all these pieces are deeply evocative and rich in narrative. Mareea has a deftness of touch coupled with a eye for style, angle, cut and framing that brings her images beautifully to life. Her use of colour to suggest emotion is sublime, while the lightness of her use of post-processing allows here pieces to retain a natural, unforced beauty about them that is simply ideal.

Kondor Art Square – Mareea Farrasco

It is absolutely no secret that I am in awe of CybeleMoon’s artistry. Her work embodies a life and spirituality that is is unmistakable both for its heartbeat and for its richness of narrative. Witnessing her pieces is genuinely like stepping into a Loreena McKinnitt song: you are lifted beyond the plain of the ordinary and carried into a mystic realm of light and shadow, life and dance, legend and fantasy and love and remembrance. Just as McKinnett’s music and lyrics weave tales in your mind, so Cybele’s images offer tales for your imagination.

Celebrating the Solstice, on display in the Kondor Art Garden embodies all of this in an exhibition of two parts. At the landing point and close to the stage, are eight images simply arranged on stone plinths. Each one evokes a sense of story both in terms of image and title (I confess that Listen to the Wind from the South utterly captured my eyes and heart, there is so much within it that sets the imagination alight).

Kondor Art Garden – CybeleMoon

Beyond this and within a wooded grove sits a mystical ring of standing stones and more of Cybele’s pieces. When crossing to them, it is best to set your time of day to Midnight to fully absorb the atmosphere of the setting and the beauty of the art. Again, while the focus is on celebrating the summer solstice, so too are wider tales embraced.

For example, Aine, the Irish goddess of summer, wealth and sovereignty, and who is particularly associated with midsummer, is pictured alongside the Celtic god Lugh, more usually associated with the time of harvest, and Ogma, the inventor of Ogham, the script in which Irish Gaelic was first written and who is often given the epithet Grianainech, or “sun-faced”. Thus through this exhibit, Cybele helps open us to the broader richness of Celtic mythology and the landscape of Ireland (The Hill of Tara, Listen to the Wind from the South) as well as to the worlds of fae and nature and childhood dreaming, all of which further engages the visitor in viewing these pieces.

Kondor Art Garden – CybeleMoon

Two superb artists and two very different but equally engaging exhibitions that can be enjoyed side-by-side when visiting the Kondor Art Centre.

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Waka region is rated Moderate.