The Miniature Goal

The Miniature Goal
The Miniature Goal

“What if our physical world shrunk in proportion to the resources we drain from it?”

That’s the question Haveit Neox posits in The Miniature Goal, which opens at 14:00 SLT at the Art India Galley on Saturday February 1st.

It’s an intriguing question; one that results in an intriguing installation. Within the walled space, sits a Venice-like city in miniature, through which boats pass along the waterways; but this is far from the romance of Venice.

The Miniature Goal
The Miniature Goal

On the horizon marches a series of gigantic oil derricks, beyond which a strange weather pattern turns ominously. There is tension here between the city, the oil derricks and even Mother nature herself as a closer look at the city reveals that it is not build around canals and waterways, it is in fact slowly drowning in what appears to be a rising sea. Then there are the giants, wading through the water or perched atop some of the buildings at the edge of the city – how do they fit into this series of juxtaposed images?

“We deplete resources all across the globe,” Haveit warns us, “yet in our homes we may feel few repercussions. Though we don’t actually visit the oil spills, the cleared forests, or the mines, let’s imagine how it would appear, were our everyday life reflected proportionately to the current depletion. If our bedroom walls were to shrink at the same percentage as the forests or the extinction of species for instance, how high exactly would our walls become?”

The Miniature Goal
The Miniature Goal

And thus the truth of the piece is revealed. The city is wracked by the consequences of an ecosystem knocked completely off-kilter by our global activities, and the “giants” are in fact those who have found  their homes have shrunk as a result.

It’s a dark scenario but one with a visual impact which underlines the further questions Haveit poses about the future we may face if we don’t learn to control our appetites when it comes to the resources the world has to offer and we continue to ravage the ecosystem without pause. The various elements in the installation are each captivating in their own right, whilst flowing together as a whole.

The Miniature Goal will formally open at 14:00 SLT on Saturday February 1st, as mentioned, and will remain open through to March. The opening will feature music by Nnoiz Papp, which might feature tracks from his new album, Orientopolis – which has more than likely found its way onto my “things to purchase” list…

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Project Homeless: short film challenge, L$2.28M in prizes

Jayjay Zifanwe of the University of Western Australia brings word of a new film and machinima challenge

Project Homeless 2014 is a Challenge run by Screen My Shorts Incorporated and the University of Western Australia in partnership with, and sponsored by the Parramatta City Council.

Film-makers of all ages cultures and ability are invited to submit original creative digital content (conventional film and / or machinima) and win a share of the $10,000 Aus (L$2.28 Million) cash and prizes (with at least $700 Aus  reserved for Machinima), and have their works exposed on the international stage. Films may be individual or team efforts.

HomelessEntrants are asked to indicate two themes from the 22 listed by the competition, on which they would like to base their film. The organisers will then allocate one the selected options. Entrants then have full freedom to explore and interpret the allocated theme and create a completed film within 30 days. All entrants are asked to  be as creative as possible in interpreting their nominated theme.

All registrations should be received no later than Friday April 11th, 2014, which is the date on which entrants will be informed of their allocated film theme.

Completed films must be submitted by Sunday May 11th, 2014.

How to Register

  1. The preferred method is to register via the competition website– note that entry fees for machinima style film are being sponsored by the University of Western Australia.
  2. Send an email (or a NC in-world) with the following details to jay.jay@uwa.edu.au:
        • Second Life name
        • Team name (if applicable)
        • Email address
        • City & country
        • 2 preferred themes as the subject of the entry, in order of preference.

Essential Rules

  1. Only G or PG rated films will be accepted.
  2. Entry length to be between 3 to 10 minutes.
  3. Registration is essential.
  4. All entries are to be made specifically for the Project Homeless Competition.
  5. Register before the 11th of April & must nominate two of the listed themes.
  6. $10,000 Aus in prizes available with at least $700 Aus reserved for machinima.
  7. The full official rules should also be read, together with the 10 Step Guide.

Prizes

Please refer to the UWA website for a full list of prizes.

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Yet shall the lovers reunite: looking ahead to LEA AIR 6

As I recently noted, the Linden Endowment for the Arts have announced the successful applicants for the 6th round of Artists in Residence (AIR) grants.

Tyrehl Byk: returning to the LEA
Tyrehl Byk: returning to the LEA

All of the successful applicants, who will be receiving the use of one full region supplied by the LEA each for a six month period, are to be congratulated. However, and without wishing to sound like I’m playing favourites, there are a couple in particular that I’m looking forward to.

The first of these is Tyrehl Byk. The master of the particle, Tryehl’s work is nothing short of astounding, as anyone who has had the pleasure of seeing shows like Catharsis and Particle Phantasmagoria can more than confirm.

I’ve no idea what Tyrehl has planned for his installation at the LEA, or whether it will be particle-focused; but I am convinced it will not disappoint, and I’m already eagerly waiting to hear more – which admittedly may not come until he’s ready to unveil his installation.

The other item I’m fairly bouncing about getting to see is from a team new to the LEA, although they have already established themselves as a creative tour de force in performance arts within Second Life, having established the Basilique Performing Arts Company.

I’m of course talking about Canary Beck and Harvey Crabsticks who, as their stunning Romeo+ Juliet approaches the end of its fourth season, will be trasferring it to the LEA as a part of an interactive, educational multi-media exhibit which will allow visitors to not only witness performances of their interpretation of Shakespeare’s immortal play about tragic love and loss, but to immerse themselves in the world of Romeo and Juliet.

“We envision building a full, open-air sim laid out on ground level making the scenes in Romeo + Juliet come to life. We hope that becoming associated with LEA will help us expand our reach to a broader audience,” Canary states, announcing the plans in her blog. She goes on:

At the centre of the sim will be the Basilique Playhouse where the play will be performed on a weekly basis, beginning in March.

The aim of this project is to build on our past work in presenting the play, augmenting the experience for visitors beyond spectator status, but rather as involved, participating, and interactive “actors” in the work, in three dimensions.

Extending on the themes of the play, and surrounding the playhouse, will be four highly immersive and distinct quarters giving the visitor the impression they have stepped back in time.

Relive the Basilique Performing Arts Company's Romeo+Juliet and immerse yourself in scenes from the play
Relive the Basilique Performing Arts Company’s Romeo+Juliet and immerse yourself in scenes from the play

The four immersive environments will comprise a public piazza and streets that one would have found in Verona at the time of the play’s setting; the Capulet family’s mansion where Romeo and Juliet first encounter one another at a ball, which will contain Juliet’s bedroom and the orchard beneath it where Romeo famously woos her; the town of Mantua, to which Romeo is banished after killing Tybalt; and finally, the chapel in which will reside Friar Laurence’s cell and the Capulet family tomb where Romeo and Juliet find their eternal rest.

Visitors will be able to witness performances of the production, re-create famous scenes from the play themselves, and engage in an interactive, HUD-based hunt / game based on challenges and clues surrounding the play, and the life of William Shakespeare.

The installation is to be developed in phases over a two-month period, opening its doors to the public on March 1st for perfomances and the additional quarters opening progressively as they are completed.

Having see the dedication and talents of Canary and Harvey – and the Basilique Performing Arts Company – I have little doubt that everything that is being promised will be delivered. This really is an exhibition – an event – you will not want to miss. Hopefully, and with Canary’s permission, I’ll be able to bring more news on this project as things progress.

LEA announce AIR 6 selection

LEA_square_logo_60On Monday January 27th, the Linden Endowment for the Arts announced the successful applicants for the 6th round of the LEA’s Artist-in-Residence (AIR) programme.

They are: Solkide Auer, Canary Beck, Tyrehl Byk, Glyph Graves, Xineohp Guisse, Mac Kanashimi, Livio Korobase, Yooma Mayo, Mimesis Monday, Maya Paris, Tomm Pye, SodaGnome Resident, Tansee Resident, TheRealKarenEliot Resident, Sniper Siemens, Storm Septimus, Pixels Sideways, Nexuno Thespian, Lorin Tone and Eupalinos Ugajin.

Musiclandia by Livio Korobase, a successful AIR 5 bid
Musiclandia by Livio Korobase, a successful AIR 5 bid

The LEA received over 40 applications, and those selected were viewed as presenting “truly outstanding proposals that represent a diverse range of virtual art.”

The successful applicants will each be allocated a full region within the LEA for a 6-month period. They have up to four months to prepare their projects, which range from full-sim immersions, to innovative builds geared specifically for multimedia works such as sound and machinima. Each installation must be open for a minimum of two months of the 6-month allocation, and it is expected that some will be open in advance of the four-month build deadline. All exhibits must be open to the public by the end of May 2014 at the latest.

All openings will, as usual, be announced in the LEA blog.

Angel Manor: a fine venue for fine art

Angel Manor - a fitting venue for displays of fine art in SL
Angel Manor – a fitting venue for displays of fine art in SL

I last blogged about Angel Manor a year ago. Since then, Kaya Angel’s magnificent house and grounds have both undergone some transformation – so much so that I really should find the time for a camera-laden revisit. One part of the manor which only got passing mention last time around is the gallery there, and it is time to set that to rights.

Masako - Angel Manor Art Gallery
Masako – Angel Manor Art Gallery

Curated by Kylie Sabra, the Angel Manor gallery is one of SL’s foremost venues for fine art and special art events. The gallery covered several exhibition halls on the upper floors of the main house, which are put to good use hosting displays of a number of SL artists at any given time. It was here that I recently visited Ride the Universe, a magnificent exhibition of Gem Priez’s fractal art, which genuinely a must-see.

TwinkleStarlight, Angel Manor Art Gallery
TwinkleStarlight – Angel Manor Art Gallery

The gallery spaces are laid out to allow easy viewing, and each has an info board which displays an image of the artist on display, and can be used to obtain a bio on the artist and also, if written, by-lines  on the exhibit itself.  As well as Gem’s installation at the gallery, other artists featured during my tour include Masako, TwinkleStarlight and Angel  Kingmaker, as well as Kylie Sabra herself.

Angel Kingmaker - Angel Manor Art Gallery
Angel Kingmaker – Angel Manor Art Gallery

The beauty of Angel Manor is that not only does it offer exhibits covering a number of different SL artists at any one time, it presents them in a quite magnificent venue itself, one which allows you to combine your time viewing the exhibits with exploring a quite magnificent house and its gardens and grounds, making it the perfect destination for a “day out” in Second Life. And don’t forget the Angel Manor ballroom, the Angel Manor Rose Theatre and the Angel Manor Opera House for live events.

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To infinity …

Infinity Space
Infinity Space

A new installation by Betty Tureaud opens on Friday January 24th in Southern Cross, and it’s an excellent example of depth perception.

Infinity Space comprises a huge, multi-hued horizontal space overlaid with two grids, one above the visitor’s head and one below their feet, all of which recedes infinitely into the distance no matter where you stand – or how far you walk.

Infinitiy Sace
Infinitiy Sace

While it sounds a simple idea, the execution is highly effective; some of the prims used in the installation are phantom extenders, so you can reach the edge of the region and still appear to keep on walking (albeit it with a slight bouncing off the region boundary), while the parallel lines of the grid stretch away in front of you forever converging without ever touching, enticing you to try to keep on following them. This optical effect can be enhanced by operating in Mouselook – which is really the best way to appreciate the build.

Infinity Space
Infinity Space

There is also a little band of floating pyramids circling around the build, offering visitors a ride which lifts the experience even more. Just click on one of the small poseballs scattered around the arrival point and you’ll be delivered, seated, to one of the moving pyramids. Once there, slip into Mouselook. The effect now borders on the hypnotic as the colours above and below the grid flow and change and the grid slowly appears to rotate, the axes interchanging. Riding in this way immediately put me in mind of part of astronaut Dave Bowman’s trip through the stargate in Kubrick’s seminal 2001: a Space Odyssey, such is the effect – at least in part.

The installation opens at 14:00 on Friday January 24th with a performance by Ultraviolet Alter.

Infinity Space
Infinity Space

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