Cica’s Dreamers in Second Life

Dreamers, LEA 24
Dreamers, LEA 24

The ninth round of the Linden Endowments for the Arts (LEA) Artist In Residence (AIR) programme kicked-off on July 1st, with the awarding of the LEA’s 20 AIR regions to their respective grantees. Under the terms of the AIR grants, those awarded a region have up to 4 months in which to prepare it for their installation, and have it formally open to the public for at least two months – although the set-up period is flexible, and can be a lot shorter if the artist(s) wish(es).

Cica Ghost opted to really maximise the time people could enjoy her work. While she only received the region on July 1st, it officially opened to the public on July 6th (an event I had to miss due to being away between the 5th and 7th inclusive).

Dreamers, LEA 24
Dreamers, LEA 24

Dreamers is a marvellous build which extends from the ground up into the sky, where eight scenes await visitors. The ground level presents a fantasy environment, perhaps lifted from a dream, full of bright colours and fantastical creatures and wheeled vehicles on a huge scale, all waiting to be explored, and bearing Cica’s colourful paintings, making careful examination of all of them a must.

Within the midst of this marvellous landscape sit sixteen long-necked heads, faces lifted towards the sky, eyes closed – the Dreamers of the installation’s title. Touch eight of them, and they will each allow you to share in their dream, transporting you to one of the eight skyborne scenes Cica has created overhead.

Dreamers, LEA 24
Dreamers, LEA 24

These will each be immediately recognisable to anyone familiar with Cica’s work, presenting as they do little extracts from past installations she’s created. So it is that through the Dreamers we once more get to see the likes of Little Town, Ghostville, Ruins, and Living in a Bowl, to name but four of the scenes on offer.

Small in size, these little scenes are enough to either pique curiosity (for the first-time visitor) or awaken memory (for those who visited the originals), setting one on a personal daydream. I could write a whole lot more about Dreamers, but really the best way to experience it is to go see it for yourself and have a little fun; it is a bright, uplifting place, full of images and daydreams, and there are more than a few poses and things to be found throughout which let you become a part of the settings, at least for a while.

Dreamers, LEA 24
Dreamers, LEA 24

Given only eight of the 16 Dreamers currently allow people to share in their dreams, I wonder if Cica might be adding to the installation as time progresses through to December, and the end of this round of AIR grants, allowing the remaining eight heads to share their slumbering imaginings with us. Or perhaps something else might appear in LEA 24 in due course.

Either way, I took the liberty of making a short film of what is there to enjoy now, if only to give a further flavour and whet appetites. So – enjoy!

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Undone in Second Life

Udone - Berg Gallery
Undone – Berg Gallery

Opening on Sunday, July 5th at Kate Bergdorf’s Berg by Nordan Art gallery, located overhead of her home region, Nordan om Jorden, is an exhibition of images by Harbor Galaxy.

Running through July, August and September, the exhibition is called Undone, which is described as, “An examination of the physical loosening of restraints:  collapse, contemplation, release, surrender.” On display are nine nude studies of the female form, the majority either seated or reclined, set against minimal backgrounds which serve to drawn one’s eyes directly to the figure on display – and I do use the term “display” deliberately here. While most of the poses are natural enough, it is clear that they have been carefully set in order to emphasise the various aspects of the exhibit’s subtitle: collapse, contemplation, release, etc.

Not that there is anything wrong with the images being so poised in their execution – that is after all the case for any life study. Here, however, the posing draws us deeper into each image, encouraged to consider just what it is being contemplated or what the collapse signifies and so on. Some of the pieces also seem to have a subtle, layered context as well, offering more than one potential interpretation, which becomes clearer as one re-examines them.

Undone - Berg Gallery
Undone – Berg Gallery

The artist behind Harbor says of her work:

Through Harbor and the creative possibilities of SL, I have been able to explore my own creative impulses and give form to the pictures that have been swirling around in my head for years now.

I do want to add that I see my pieces as a collaborative work, dependent upon the countless creative energies of others like myself here in SL  and I am grateful and in awe of those energies.

Quite who or what the creative energies are isn’t entirely clear, which is a little regretful. Does the reference mean the models featured in the pieces? Comments and support from others? The influence other artists may have had on Harbor’s work? All of the above? It’s an enigmatic and intriguing statement; just as this is an intriguing and intimate exhibition.

Undone - Berg Gallery
Undone – Berg Gallery

Nudes may not be to everyone’s liking, but this is an exhibit worth seeing, one very well suited to the warm intimacy of Kate’s gallery space. As noted above, it will be running through July – September.

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Distributed Pieces of Self in Second Life

Distributed Pieces of Self
Distributed Pieces of Self

Officially opening at 12:00 noon on Friday, July 3rd, is the latest exhibition at Max Butoh’s marvellous Dathúil gallery. Distributed Pieces of Self presents a series of images by Second Life (and real life) artist and photographer Amona Savira.

The title of the exhibit – chosen by Amona – is inspired by a line from 5th stanza of the 2004 poem Over Time, by Martha Collins:

Moon covered, un-
covered again, cold.
Cold and hot, very and both.
Disturbed the Sea of Tranquility.
Distributed by the Moon Shop.
Distributed self in pieces.
Oh my broken.

Distributed Pieces of Self
Distributed Pieces of Self

On offer is a series of image, each evoking a mood or style or approach, or a combination of all three; self-portraits in full or in part, each emoting both a story and a response.

The settings are minimal – Amona indicates she tends to use her own sets, although some of the images in this exhibit were posed using a set by the talented William Weaver. Post-processing is used with each image; again, Amona regards such editing, tuning and refining of her raw images as an integral part of her artistic intent.

Distributed Pieces of Self
Distributed Pieces of Self

The rest is a series of highly individual pieces that perfectly fit the title of the exhibit, and which offer the observer a glimpse into the world of the artist-as-subject. Each image presents an individual frame of life which, depending on how you view them and what comes to mind, might either by seen to complement one another, offering a collage, if you will, of images and emotions that come together to lend a “whole” to the “distributed story”. Or perhaps they remain framed in one’s mind as individual pieces, each standing alone in its narrative, moments frozen and distributed across time.

All told, this is another fascinating exhibition highlighting the work of a talented SL photographer (Amona also has a Flickr photostream I would suggest you check-out). If you like the works you see within this exhibit, do check Amona’s permanent exhibit spaces at East Art Gallery or at Harmony Garden Gallery.

My thanks, as ever, to Lucy and Max for allowing me to preview this exhibition, which will remain open through until the end of July, 2015.

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Calling machinima makers in Second Life: Project Sci-Fi 2015 is open!

JayJay Zifanwee of the University of Western Australia (UWA) informs me that The Sci-Fi Film Festival will once again be held in Australia, hosted and sponsored by the Parramatta City Council.

Taking place over the three days of October 30th through November 1st inclusive, the Festival will once again include the Project Sci-Fi Challenge, in which film makers and machinima makers from around the world are challenged to create a short sci-fi film in just 30 days.

The UWA is once again partnering with Project Sci-Fi organisers Screen My Shorts, and will cover the Challenge entry fees for any machinima filmed in Second Life. There is a prize pool of AU $5,750 on offer, and according to JayJay, Second Life machinima makers should be eligible for the Animation and International Film categories as well as the overall prizes.

“We feel that in a SciFi category, those filming in Second Life have a huge advantage over those using conventional filming methods, and we hope that all of you machinimatogtraphers and filmmakers in Second Life use this advantage fully,” Jayjay said.

It has certainly been fertile ground for SL machinima makers in the past. In 2013, Tutsy Navarathna was the best overall winner in the machinima category of the 2013 Challenge (then sponsored by Western Digital) with his brilliant The Residents, a remarkable tale of worlds within worlds, and a clever twist involving SL (seen above), with Erythro Asimov taking the 2nd prize with Looking Around (below), as well as several other prize-winning entries.

So, if you’re interested in applying, take a read through the guidelines linked-to above, and make sure you read the Project Sci-Fi Guidelines and the official rules to fully understand the requirements of entry and the competition time line. When you enter, please consider letting  Jayjay know, either via in-world contact or via e-mail (jayjayaustralia-at-hotmail.com), and good luck!

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Different Districts in Second Life

Distrito Disinto, MetaLES
Distrito Disinto, MetaLES

The last time I visited MetaLES, the art region run by Romy Nayar and Ux Hax, it was to visit Romy’s brilliant Sparkys, which I wrote about here.

Since then, I’ve not really had a chance to drop in and see what’s going on, so when both Honour and Ziki poked me about a new celebratory installation there that had just opened (and which will remain open until August 13th, 2015) as a celebration of MetaLES and its support group, ..O.., I knew I’d had to pop along and take a look.

Distrito Disinto, MetaLES - Cica Ghost's
Distrito Disinto, MetaLES: Cica Ghost – Lullaby

Distrito Disinto – or Different Districts, if you prefer, presents a concept that’s simple enough: the visitor is taken on a journey through a series of rooms, or “districts”, as if travelling through, or with, a festival. Within each room, an artist has established a setting inspired by a song, and in which the song and art are presented together. Simple in concept maybe, but beautifully intricate and delightfully imaginative in execution.

On arrival, visitors “purchase” a ticket (they’re actually free) from the box office. This delivers a teleport HUD (just grant it permission to act on your avatar when worn), and some introductory notes. Then all that’s required is to ensure local sounds enabled, as the audio isn’t streamed, but played in-world, and the region’s windlight is being used. Then it’s a case of clicking on one of the musical notes in the HUD under each of the artists’ names. For the sake of convenience, I took the destinations in their numerical order.

Distrito Disinto, MetaLES: Bryn Oh's
Distrito Disinto, MetaLES: Bryn Oh – Keep the Streets Empty for Me

The artists who have actively contributed to the installation are Betty Tureaud (musical piece: She’s a Rainbow by the Rolling Stones); Giovanna Cerise (Innuendo by Queen); JadeYu Fhang (What Your Soul Sings by Massive Attack); Maya Paris (Oh, Bondage! Up Yours! by X-Ray Spex); Cica Ghost (Lullaby by The Cure); Rebeca Bashly (Chop Suey by System of a Down);  Bryn Oh (Keep the Streets Empty for Me by Fever Ray); Romy Nayar (Nuit d’hiver (Chloé) by Mylène Farmer); Alpha Auer (Grid Factory by Alpha Auer); and Eupalinos Ugajin (Rockingchair by Estudio, Trabajo Y Fusil!).

Selavy Oh is also listed as a contributing artist, but there is no corresponding teleport option in the HUD. I assume this is because Selavy was unable to participate and the introductory note card was not updated.

Distrito Disinto, MetaLES - Maya Paris: Oh Bondage! Up Yours!
Distrito Disinto, MetaLES: Maya Paris – Oh Bondage! Up Yours!

To describe each of the pieces offered would be to negate the point of seeing them yourself. Suffice it to say that each offers an interesting interpretation on the subject matter of the chosen song, which ranges from the thought-provoking through to the light-hearted and witty, to some hints of pathos through to outright irreverence in the most wonderful of ways (who else could mix Oh Bondage, Up Yours!, Diana Rigg’s Mrs Emma Peel, Eartha Kitt’s Catwoman and flying saucers so brilliantly, than Maya Paris 🙂 ).

However, and while I enjoyed all the pieces on offer through the installation, and really don’t want to appear as if I’m singling any out over the others (not the least because those who collaborated represent some of my favourite artists), I have to say I was particularly drawn to Alpha Auer’s Grid Factory. There is a nuanced beauty to this piece that’s suggestive of many things, and return visits have drawn me back to it perhaps just a little more than some of the other pieces here. Be sure to pick-up your Grid Factory avatar from Alpha when you visit.

Distrito Disinto, MetaLES: Alpha Auer - Grid Factory
Distrito Disinto, MetaLES: Alpha Auer – Grid Factory

I also confess to enjoying Bryn’s interpretation of Keep the Streets Empty for Me, which offers an interactive piece that’s best shared  – thank you to Gem, Kate and Tutsy in joining me for a little house building – or is that house clearing?

Distrito Disinto is open through until August 13th – so go, enjoy!

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A new Windlight arrives in Second Life

Bryn Oh is profiles by Emma Portilo in the inaugural July 2015 issue of Windlight
Bryn Oh is profiled by Emma Portilo in the inaugural July 2015 issue of Windlight

On June 25th, I wrote about a new magazine for the arts in Second Life that would be launching in July 2015. Well, here we are at the start of July, and the inaugural issue is now available!

Called Windlight, the magazine has been founded by John (Johannes1977 Resident), with Nikki Mathieson, owner of Avi Choice Productions, the magazine’s co-publisher. At 136 pages, the initial issue of the magazine covers a lot of territory, with interviews with Bryn Oh, Skip Staheli and Sasun Steinbeck, a piece on the Raglan shire Artwalk and a whole lot more.

Windlight Issue 1 cover
Windlight Issue 1 cover

As I mentioned in my original article, the folk behind the magazine are motivated and high-powered. Since that piece was written, blogger and photographer Kara Trapdoor has also joined the team, in which I’m also honoured to play a small role.

The feature article on Bryn Oh is a must-read. In it, this fabulous artist who has done so much to enrich Second Life as well as bridge the physical  / digital divide, is wonderfully profiled by Emma Portilo.

It is Emma who also interviews Skip Staheli, again providing insight into this talented photographer’s Second Life and work.  John provides readers with interviews with Sasun, Nikki and, um, yours truly. I was flattered to be asked to talk about my work in blogging the art scene in Second Life, and further flattered by the use of my own photos within the piece. John also takes the helm for the article on the Raglan Shire Artwalk (something I sadly missed this year, due to having too many commitments throughout May).

Shakti Adored is someone I’ve long admired, and I’m looking forward to reading her Curator’s Corner pieces each month. Shakti currently curates some of the leading galleries in SL, including the phenomenal Rose Gallery at Kaya Angel’s magnificent Angel Manor. She also has an interest in quantum physics, which tends to tweak the armchair scientist in me 🙂 .

Skip Staheli is interviewed by Emma Portilo
Skip Staheli is interviewed by Emma Portilo

This is undoubtedly a great inaugural issue for Windlight, and I’m looking forward to writing for the magazine from the August issue onwards. In the meantime, in-world kiosks for the magazine are available in many outlets across Second Life, and you’ll be able to pick up a copy from the Windlight Magazine Gallery which will be opening soon, offering space to artists under the Windlight Fellowship Programme.

For those who prefer, the magazine can be followed via the Windlight Magazine website, while the first issue is ready to be read from cover to cover at calameo.com – Windlight Magazine.

Congratulations to John and the team on this first issue publication, and here’s to many more!