Category: Art in Second Life

Andrea DeLauren at DiXmiX in Second Life

Posted on by Inara Pey
DiXmiX Gallery: Andrea DeLauren

It’s been only a few days since my last visit to DiXmiX Gallery, curated by Dixmix Source, but I was drawn back to it with the opening on a new exhibition there, this one featuring art by A. DeLauren (AndreaDeLauren).

Located in the gallery’s Grey hall, immediately adjacent to the main entrance, Body Lines presents series of 12 avatar studies. I confess to not being overly familiar with Andrea’s work, but these are striking images, rich in colour, boldly presented, and with an abstract tone to them that captivates.

DiXmiX Gallery: Andrea DeLauren

As the title of the exhibition might suggest, the focus is very much on the avatar body, with – I assume – Andrea being her own model. But this is only part of the story; each image uses a mix of geometric lines, colour, tone, blurring / soft focus and overlays to produced a finished picture. This results in each of the pieces being an abstracted piece that holds the attention quite marvellously and evocatively. When coupled with the individual titles for each of them, it is possible to start weaving a narrative to each image – although strictly speaking, no narrative is required; it is sufficient to be drawn into these images through the use of line and colour.

Some of the pieces, visually and by title, have an obvious focus – take Chest as an example, together with Milk and Honey. Others are more broadly evocative. In this, I was particularly drawn to the somewhat psychedelic tones and feel of Windows 70s, while the mix of colour, geometry and natural curve of Hips (also used in the exhibition’s poster advertising) completely captivated me.

DiXmiX Gallery: Andrea DeLauren

The use of geometry within the images is given further depth in pieces like Zebra, and particularly the “joining” of Surrender and Back Lines, where shadow elements are used to extend the lines of the individual pieces beyond their canvas and into the gallery.

A small, but elegant exhibition, Body Lines sits well with Moon Edenbaum’s The Likelihood of n e a r e s s, on display in the gallery’s Black hall (and which I reviewed here).

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Men in Focus: April 2019 edition

Posted on by Inara Pey
Men in Focus: Skip Staheli (photographs) and Haveit Neox

Men in Focus, the gallery owned and sponsored by Men in Motion in support of the Movember Foundation (donations to which are accepted at the entrance to the gallery) and curated by JMB Balogh, launched its second ensemble exhibition on April 3rd, 2019.

The gallery is somewhat unique in Second Life, in that while there are many featuring studies of avatars at work or play or simply relaxing, there are few that expressly and solely focus on the male avatar. For this exhibition, the artists are split between invited 2D artists, invited and returning 3D artists, and those responding to a call put out to the Men in Motion group for submissions. Together these comprise:

  • Invited 2D artists: Roy Mildor, Fenris Resident, Skip Staheli, and Artem Viiperi (NykVIIPERI).
  • Invited and returns 3D artists: Livio Korobase and Haveit Neox, and Mistero Hifeng and Reycharles Resident.
  • Men in Motion photographers: Antonio Atovio;  Alex Avion, Sebastian Bourne, Fafnir Kiranov, and Niecho Vollmar.
Men in Focus: Roy Mildor

The range of art offered is once again impressive, with a good mix of monochrome and colour avatar studies. I confess that I have started to find myself drawn more to monochrome avatar images of late, and this is certainly the case here, with Skip Staheli’s portraits in particular catching my eyes, as per the banner image for this article.  The 3D art is well placed through the exhibition space, nicely split between the  gallery’s levels, allowing it to break up individual display areas in a natural manner.

While I cannot say this with any accuracy, it seems as if the gallery may have grown an extra couple of floors in order to present enough space this time around; I have this thought in the back of my head that when I last visited – for the inaugural exhibition – the gallery building was four levels tall, rather than the current six. Or maybe it’s just that I’ve been to bed since then 🙂 .

Men in Focus: Fenris

I understand from JMB, that the aim of this exhibition is to coincide with April being Testicular Cancer Awareness Month. However, there is little sign of this within the exhibition space itself; there is no graphic highlighting any connection between the two, no information giver on the subject of testicular cancer, so I’m not sure just how close the tie is intended to be.

Be that is it may, this is still a superb exhibition from a rich mix of photographers, not all of whom may necessarily be known on the wider SL art and photography scene.

Men in Focus: Fafnir Kiranov

About the Movember Foundation

The Movember Foundation is a multinational charity raising awareness of, and money for, men’s health and welfare, with a focus on cancer, mental health and suicide prevention. Its titular and widely known campaign is Movember, which encourages men to grow moustaches during the month of November. The foundation partners annually with the Distinguished Gentleman’s Ride to also raise money for men’s health.

Founded in 2003, in Melbourne, Australia by Adam Garone, Travis Garone, Luke Slattery, and Justin Coghlan, the organisation attained registered charity status in 2006, and as of 2014, has raised over US $580m in charitable donations used to fund more than 800 programmes focusing on prostate cancer, testicular cancer, poor mental health, men’s health awareness and healthy lifestyles. It is active in 21 countries and has a global workforce of 130 people. In addition, Movember coincides with International Men’s Day (November 19th), which among its aims, shares the goal of promoting the health and well-being of men and boys.

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Celebrating van Gogh in Second Life

Posted on by Inara Pey
ArtCare Gallery: Vincent van Gogh

Currently open at the ArtCare Gallery, curated by Carelyna Resident, assisted by Kurk Mumfuzz and Yany O’Real, is a celebration of art marking the 166th anniversary of Vincent van Gogh’s birth.

This is at first appears to be a most unusual exhibition, in that the gallery space is given over to large cubes, on four faces of which are reproductions of many of van Gogh’s paintings, while the inner walls of the gallery space carry a repeated reproduction of his 1888 painting, Starry Night Over The Rhone.

The reason for presenting the paintings on large cubes is presented at the landing point by a cube bearing a quote from van Gogh, “I would rather paint on big cubes, but I can’t carry them”.  Also at the landing point is a brief biography of van Gogh, that provides a broad thumbnail of his artistic output and the tragedy of his life.

ArtCare Gallery: Vincent van Gogh

Some of the reproductions include The Church in Auvers-sur-Oise (1890), The Langlois Bridge at Arles with Women Washing (1888), Olive Grove (1889), The Cottage (1885),  Still Life with Lemons on a Plate (1887), Pietà (1889), several of his self-portraits, and a two-walled reproduction of The Starry Night (1889). Between the cubes and walls are several settings suggestive of café spaces, possibly a reference to van Gogh’s mixed view of such places, of which he once said, “I have tried to express the idea that the café is a place where one can ruin oneself, go mad, or commit a crime” whilst referencing his 1889 painting, The Night Café.

It is the range of paintings present here that makes this an interesting exhibition: while some of van Gogh’s more famous paintings are shown (notably, perhaps, the Starry Night paintings), so to are perhaps lesser-known studies, such as from several of his collections: shoes, flowers, people at work, and so on, while there is a balance between his oil and watercolour works. There are also possible references to some of the less considered aspect of van Gogh’s life, such as his relationship with religion, as seen through Pietà.

ArtCare Gallery: Vincent van Gogh

My only complaints are that the use of the cubes, coupled with their size means that viewing some of the works on offer can be difficult. my second is that the paintings are presented without any supporting information – and given the selection on offer, some additional note cards / panels offering insight into some of the themes of van Gogh’s work could encourage a greater appreciation of his work.

Nevertheless, this is still an exhibition worth seeing for anyone with a love of van Gogh’s work. And I confess that while visiting it, I was once again reminded of another tribute to van Gogh’s work, that of Robbie Dingo’s Watch the World. Made far back in 2008, it takes viewers of on a time-lapse journey through the in-world recreation of The Starry Night. The build itself has long gone, but is commemorated in a couple of videos from Robbie, and I’m embedding the 2008 version, presented to Don McLean’s 1972 hit, Vincent, here.

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ArtCare Gallery (Prychek, rated: Moderate)

 

Moon’s Likelihood of Nearness in Second Life

Posted on by Inara Pey
DiXmiX Gallery: Moon Edenbaum

Moon Edenbaum has a talent for taking avatar studies that provide a richness of possible narrative. I first encountered his work in a joint exhibition of art featuring Moon and Hillany Scofield back in 2017 (see Dathúil: Me_You – Moon Edenbaum), and have appreciated his work since then. So it was with a sense of anticipation that I jumped over to DiXmiX Gallery, curated by Dixmix Source, to view a new exhibition of Moon’s work entitled The Likelihood of n e a r e s s.

With its official opening held on Friday, March 29th, 2019, this is a series of some 17 images of Moon’s friends. However, rather than being a set of what might be called “traditional” avatar studies, these are quite marvellous studies taken from some unique perspectives, presented in fitting monochrome finishes.

DiXmiX Gallery: Moon Edenbaum

Each image offers a particular context on the individuals portrayed. They are by turns captures of intimacy, of candidness, of coyness and, throughout all of them, nearness. The suggestion is that the avatars are not so much facing the camera, but are spending time with a friend.

This gives all of them that narrative depth I do enjoy with Moon’s work. Each picture has a story to tell, both about the subject and about their relationship with the camera / the person behind the camera. Take Pai, for example; by avoiding any of her facial features, we are presented with an image of someone who could be shy, or at least self-conscious with the idea of a  camera pointing at her. But this is picture that also reveals she trusts the camera enough for it not to reveal her vulnerability in this regard, while the camera in turn understands her discomfort and respect it by turning its eye away from the potential to embarrass her.

DiXmiX Gallery: Moon Edenbaum

Coyness is perhaps best exemplified through Yul and Mic. Side-by-side, both offer playful views of their subjects that does much to suggest their nature and their relationship with the camera / photographer. Perhaps my favourite among this collection, however, is perhaps Cyn.

Once again a glorious close-up, there is a layered richness to this picture that is attention-holding. It is at once intimate, revealing and allows the imagination to take flight. From the collar around the subject’s through, through to her pose to  the selected angle of the shot itself, the picture offers a story of a woman both aware of – but not bothered by – the presence of the camera, as her attention is held elsewhere, through to a tale of her desires and preferences in relationships. It also raises intriguing questions that give the imagination flight on such matters of her desires and with whom and how they might be met, through to thoughts of exactly who holds her attention, and whether it is in fact the photographer.

DiXmiX Gallery: Moon Edenbaum

It is also, for me, the piece that reflects the title of this most fascinating exhibition, which I have no hesitation in recommending, each picture offering so much to those who view them.

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Paola’s Nudes: an homage to Helmut Newton at Nitroglobus

Posted on by Inara Pey
Nitroglobus Gallery: Nudes by Paola Mills

Now open through April and into May at Nitroglobus Roof Gallery, curated by Dido Haas, is Nudes, a themed series of images by Paola Mills, which stands as something of an homage to the late German-Australian photographer Helmut Newton.

For those unfamiliar with Newton, who is perhaps best remembered for his work from the 1970s through mid-1990s, I’ll let Brooke McCord provide an introduction:

Nobody has made quite the lasting impression on fashion imagery as Helmut Newton. Hired by French Vogue in the 1950s before being propelled to fame in the 1970s, Newton came to be renowned for his controversial scenarios, hypersexualised imagery and striking compositions. With elements of his work that linked to the themes of surrealism – an art movement dominant during his youth spent growing up in Berlin – Newton’s unadulterated love of beautiful and strong women saw him create images laden with heavy overtones of voyeurism, sadomasochism and fetishism.

Brooke McCord, Your ultimate guide to Helmut Newton, Dazed, 2016

Nitroglobus Gallery: Paola Mills

In particular, Newton is p[erhaps best known for two classical collections of photography, White Women (1976) and Big Nudes (1981), which together with 1978’s Sleepless Nights, often form a triptych of themes for retrospectives of his unique style of photography.

For Nudes, Paola states she draws inspiration from, and pays something of a tribute to, Big Nudes, although I would perhaps argue that some of the pieces here also reflect (and contrast with) Newton’s White Women as well. As noted, both have come to be regarded as classical works by Newton; White Women due to its mixture of aesthetics, technical perfection and bourgeois decadence laced with dark elegance and eerie abstract s/m trappings to present what was regarded as a pinnacle of erotic photography.

Big Nudes, however, eschewed all of the trappings found within White Women. Instead, for this series of black-and-white photos, produced between 1979 and 1981, Newton took a stylistic change, the elaborate layouts with their tones of decadence discarded in favour of a full-on unambiguously formulated approach that took pride in female nakedness, and its power therein.

Nitroglobus Gallery: Paola Mills

This latter aspect is very much in evidence within Paola’s images, which also offer a contrast to Big Nudes with their use of skin tone and backdrop; they thus present almost an inverse mirror to Newton’s originals. And like Newton’s Big Nudes, Paola’s images speak to both the vulnerability and strength of the female body. But within some of them as well are echoes of White Women: a delicate and nuanced sensuality which, when combined with camera angle and backdrop – the plainness of the latter notwithstanding – offer echo elements of Newton’s 1976 collection. Not that Paola is intending to titillate through these images, a point she makes in the notes accompanying the exhibition, after she gives credit to Newton for his work:

Much more modestly I wanted to represent the nakedness of an avatar in all its erotic charge. I don’t want to tickle the sexual instincts nor excite the minds, but only convey to my avatars the human sensitivity that guides them in the metaverse.

– Paola Mills, describing Nudes

Nitroglobus Gallery: Paola Mills

But just because there is something of a voyeuristic / erotic aspect to some, of the images in Nudes should not be seen in any way as a failure on Paola’s part to achieve her stated goal. Rather, it speaks to the success in presenting the full complexity of human sensitivity – both within the images themselves and our reaction to them.

Nudes officially opens on Sunday, March 31st, 2019 with a party at 12:00 noon SLT, and will run through the month and into May. However, those wishing to see the exhibition ahead of the launch can do so now.

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Yumi’s Art at the Lin C Gallery

Posted on by Inara Pey
Lin C Art Gallery: Yumi

The Lin C Art Gallery, curated by Lin Carlucci, has opened the doors on its April exhibition, featuring as its chosen artist Yumi (Yumanthi), with an official opening event on Wednesday, March 27th, 2019.

Entitled Yumi’s Art, the exhibition presents around 29 pieces, which might be broadly split into three areas, each of which reflects Yumi’s approach to her work.

I am in SL a lot to visit places for photo-shoots of landscapes, people and situations, and show them in my special View. I love to work with light and shadow and special and different colours I use from the viewer tools and other paint programmes.

I love to present my photos in my galleries and other places and am always glad when people enjoy them. I am learning a lot from great artists in SL and my art is a work in progress.

– Yumi, describing her art

Lin C Art Gallery: Yumi

The ground floor exhibition space is largely devoted to Yumi’s images of her Second Life travels, providing interesting and in place unusual views of the places she has visited. Above these, on the mezzanine level, is a selection of avatar studies, some of which might be deemed NSFW, and what I can only describe as a series of experiments in colour, some of which border on the abstract, and three of which, depicting scenes involving a mermaid, I found attractive in their bold use of colour and contrast.

An interesting and eclectic mix of images and styles, Yumi’s Art officially opens with music and dancing at 13:00 SLT on Wednesday, March 27th, and runs through until  Thursday, April 26th, 2019.

Lin C Art Gallery: Yumi

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