Photography and painting in Second Life

Club LA and Gallery – Liz Winterstorm

Now available on the ground level at Club LA and Gallery, curated by Fuyuko ‘冬子’ Amano (Wintergeist), are two small exhibitions of art and photography available for public appreciation, and which together demonstrate the broad canvas of art in Second Life. To one side of this boutique-style gallery with its own garden space behind it, is an exhibition of Second Life photography by Liz Winterstorm (TinLiz); on the other are reproductions of physical world art by Vangogh Rembranch.

Officially opening at 12:00 noon on Saturday, February 3rd 2018, the exhibition by Liz Winterstorm presents six avatar studies taken from around Second Life. Set within a display area modelled to enhance the pieces with props, this is something of an autobiographical exhibition, with Liz noting that (like many) when she came into SL, she went through the usual round of shopping, spending time with friends, trying new looks, having fun, but without any real sense of purpose to her in-world time. At least until she discovered photography.

Club LA and Gallery – Liz Winterstorm

As her creativity evolved and her confidence grew, so  did her connection with her avatar. “She depicts a part of me that I’ve never really shown anyone,” Liz notes. “In the world of Second Life, when a person can be anyone they want to be, it’s given me the freedom to be the truest form of myself. And I’m very thankful to have this creative outlet, it’s made me look at myself differently and with that has come knowledge and strength. ”

And so it is that while small in number, the images she offers at Club LA and Gallery offer a rich insight into a person who embraces her creativity and who enjoys natural settings, finding them to be perhaps reflective of her moods and thoughts. Each brings together colour, tone, framing, perspective and proportion both naturally and perfectly; which in each there is a suggestion of someone who, while not lonely or afraid of company, enjoys the freedom of being on her own, and the opportunities for private expression it brings. Similarly, the props offered in the exhibition space reflects more of Liz’s creativity; framing the pieces at they do, they heighten appreciation of the images by suggesting not so much viewing photographs, but that we are new friends, invited to share a few quiet and personal moments with Liz.

Club LA and Gallery – Vangogh Rembranch

Italian artist Vangogh Rembranch, by contrast, presents nine reproductions of his physical world art, the majority of which are presented in strong, bold colours, and within an open display area bereft of furnishings or set design which serves to emphasise their boldness. Self-taught, and as his name might suggest, Vangogh is strongly influenced by the art of Vincent Van Gogh, and this is marvellously reflected in the pieces exhibited at Club LA and Gallery. He is also known for his skill in reproducing works by some of the great Impressionists.

Eight of the painting presented here appear to be originals by Vangogh, representing – I believe – scenes from around the Apulia (Puglia) region of Italy – which many might know as being popularly referred to as the “heel” of Italy’s boot. These are all strikingly evocative of Vincent Van Gogh’s art without being derivative. The use of colour, the style and composition all echo Van Gogh, while the subject matter is unique and individual. Among these is one in particular that caught my eye: Vento di luna (“Moon Wind”); with its cold blue tones, to the sky, the white dots of leaves and the shape of the trees are all reminiscent of The Starry Night.

Club LA and Gallery – Vangogh Rembranch

The last image in the series demonstrates Vangogh’s ability to reproduce the work of Impressionist painters. It is a representation of Rue de Paris, Temps de Pluie  (“Paris Street; Rainy Day”) by Gustave Caillebotte. Originally painted in oil in 1877, it is Caillebotte’s most famous work, and Vangogh reproduces it here in detail; but again, rather than being a direct copy, Vangogh offers something of an interpretive approach to his version, which he calls Giorno di Pioggia a Parigi (“Rainy Day in Paris”).

Together these two exhibits offer and interesting pairing. One, as noted, presents in-world photography and the other, physical world painting uploaded to Second Life. They are both strongly contrasting in art, presentation and style, whilst also being complementary – one naturally draws visitor to the other, and encourages consideration of both.

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Cece’s Secret in Second Life

Cece's Secret; Inara Pey, January 2018, on Flickr Cece’s Secret – click on any image for full size

I was drawn to Cece’s Secret, a homestead region designed by CeCeGy, as a result of seeing it as an Editor’s Pick in the Destination Guide. For those still keen to enjoy winter themes, it currently offers a snowy environment which makes for a pleasing visit and a charming location with hints of romance.

A visit starts on the largest of five islands, and almost at the centre of the region. This island is home to a parade of shops facing a railway station terminus, a single track curving out of the station to vanish into a tunnel. A train is halted before the awning of the station – which is just as well; the smoke stack of the engine is taller than the steel frame of the awning, so any attempt to go any further might have been damaging to both. Instead, the train sits under the early morning sky, a small square alongside the track.

Cece's Secret; Inara Pey, January 2018, on Flickr Cece’s Secret

A café sits on the square, a frozen pond nearby, reached via a set of gates. Further to the east, beyond the rocks rising from the ground beyond the pond, sits a whitewashed cabin with roaring fire outside and an interior setting suitable for newly weds and the romantic at heart. With the ground covered in snow, a path marked by small rocks winds its way around the shops and down to the south to where two bridges span narrow channels to the nearer two of the four southern islands.

Of the two islands reached via these bridges, one is a rocky outcrop. Stone steps curl up the snow and rock to where a large tower rises, inviting people to explore. With its walls holed and its turret broken, this tower still offers another cosy retreat. Across the water the second island is lower, flatter. Reached via a low bridge, it is home to another comfortable cabin facing a vagabond trailer across another frozen pond.

Cece's Secret; Inara Pey, January 2018, on Flickr Cece’s Secret

The remaining two islands sit further out and are far more rugged in nature; one on the edge of the region and deserted; the second – which appears to be only reachable by flying – is also rugged, with a garden cottages sitting on the top of it, again making presenting another comfortable escape from the rest of the world.

There is one more accessible offshore point; not so much an island as a tiny islet on the west side of the region. Reached by a little iron bridge, and devoid of trees, it offers a bed under a canopy, while a deck with seats and burning brazier faces it from across the region on the east side.

Cece's Secret; Inara Pey, January 2018, on Flickr Cece’s Secret

There are one or two little issues with the design, but nothing to spoil the overall setting. There are some gates that don’t open, for example, but can easily be walked around, while one or two plants could do with being phantom. Do note, as well, that scripts are disabled; so if you re-log whilst visiting, you many find any scripted AO you use and scripted attachments may not work as expected.

It’s important to note that these are own little issues, and they don’t spoil a visit. As such, were I to use one word to describe Cece’s Secret, it might be placid. The winter set to the region, coupled with the surrounding mountains, the region has a feeling of being a secluded place; somewhere to escape to and relax. As well as the cabins and the bed on its islet, there are numerous places to sit and relax or cuddle.

Cece's Secret; Inara Pey, January 2018, on Flickr Cece’s Secret

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Cold’s Fading in Second Life

Nitroglobus Roof Gallery: Fading

Now open at Nitroglobus Roof Gallery, curated by Dido Haas, is Fading, a selection of art by Cold Frog. Cold is a long-time Second Life artist, but time and health is placing limits on her ability to produce new pieces. So, as Dido notes in her introduction to the exhibition, Fading is something of a retrospective of Cold’s past work, rather than being an introduction of new pieces. The title also perhaps stands as reflection of Cold’s situation, as Dido also notes: Cold is sadly finding her own sight is fading.

There is a strong sense of melancholy about many of the pieces offered in this exhibition, again perhaps in keeping with the title, although the subject of death has often been evident in her work, as has suicide; both either directly or through intimation – the splash of blood here, a skull there or perhaps a repose or  reference in a title.

Nitroglobus Roof Gallery: Fading

This might cause some to think of Fading as a dark and dour exhibit, but I would argue the reverse. Yes – again as Dido notes – death and suicide are serious subjects, but there is a depth and sensitivity layered within Cold’s pieces that draws one into them. There is also, in some, a little sense of playfulness, as if she is quietly saying, “OK, let’s not get too heavy with this. We’re still alive.”

This more light-hearted aspect can, for example, be seen in Sending a Tweet from My Grave, a piece both rich in its imagery, particularly in Cold’s hair, and playing on the idea of tweeting. There is also a certain darkness to the piece; a question, perhaps of how will we be remembered – by others after our passing. Will we have a place in their thoughts, or will memory be fleeting, a flash of remembrance equivalent to a 280-character line of text. Across from it, 40 Days of Isolation is again rich in meaning, and may well reveal itself to different people in different ways; however, to me there is a subtext on the subjects of loneliness, depression and conditions which might lead to suicide.

Nitroglobus Roof Gallery: Fading

For me, the most poignant of the images displayed at Nitroglobus appear to be somewhat self-referential: Losing Parts (seen above centre, alongside 40 Days of Isolation), Even Lost My Shadow and the titular Fading (seen directly above). All three seem to point towards Cold’s own circumstances, and while they might be regarded as melancholic, all three are beautifully rendered, allowing them to stand apart of any deeper or more personal meaning. I admit to being particularly drawn to Fading and Even lost My Shadow, while the way both are partially faded speaks to Cold’s situation,  so to does the approach present a pair of hauntingly beautiful pieces, their beauty heightened by the muted tones.

Nuanced, rich in detail, presenting several approaches to art and photography, Fading is another exhibition featuring work by a gifted SL artist and which further demonstrates why Nitroglobus is one of the leading galleries in Second Life, and Dido one of the most gifted curators of fine art in SL.

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This Week in Second Life Dance

 

Statue

Hi there. R. Crap Mariner, your Dance Correspondent.

I’ll be posting dance performance schedules, similar to Inara’s posts about Seanchai Library readings. We’ll start with the weekend events for now, but if y’all want more, I can expand this to This Week in Second Life Dance.

Let’s get started…


All times SLT

FRIDAY, FEBRUARY 1

6:00PM ELYSIUM CABARET

Welcome to the Weekend!

If it’s Friday, it’s Elysium Cabaret! Fancy some imagination? In The Empire Room at Copperhead Road, every Friday at 6pm SLT the dynamic performers of Elysium Cabaret take the stage to bring you a solid hour of entertainment! Featuring elaborate sets and choreography sequenced to an eclectic genre of music, Elysium Cabaret offers something for everyone. Grab your friends and get their early because the sim fills. Come celebrate Friday! Welcome to the weekend!

SLURL: The Empire Room

NOTE: After the performer acts, there’s a participatory dance where the audience is invited to join on stage. As they say “In every avatar’s heart, there’s an Elysium Cabaret dancer!”

Empire Room - March 24 2017

SATURDAY, FEBRUARY 2

6:00PM WHYMSEE NOIR

Whymsee Noir Your Cabaret: Into the Depths Saturday For the Let’s Dance show, we trade in our sets for MORE dancing and LESS wait time between songs! There will be lots of wiggling, dancing, physics, and a little dazzle thrown in for good measure! Dance along with us or have a seat in our comfy chairs, we like it when you watch! No naked avatars, just dancing. Come to the show and see what all the fuss is about!

SLURL: Whymsee Noir

NOTE: This is a participatory dance event where the choreographer brings the whole crowd along in the themed dance.

7:00PM PARAMOUNT GRAND THEATRE

Paramount Grand Theatre Krewe de Paramount! Paramount Grand Theatre’s brand new show for February. Come join us for an evening of classy but sassy entertainment as we the Paramount Players dance for you, February 3rd and 10th at 7pm slt. The Players are dancing in the Mardi Gras and Carnival. It’s even the month of Love with your Valentine! Put your dancing shoes on, come in costume if you like, and see the Players dance!

SLURL: Paramount Grand Theatre

7:00PM MOULIN ROUGE

LIVE – Carnival Dance Show Please come on out and join us tonight for a sparkling night of carnival with lots of Brazilian flaire and Mardi Gras delights straight from the streets of New Orleans, with lots of swing, love beads, and perhaps some voodoo, too! Sexy babes and studly take the stage tonight in a smorgasboard of visual and auditory delights! Hope to see you all there! Semi-formal or formal is always acceptable or dress within theme of the show for the night. Thank you!

SLURL: Moulin Rouge Island

Moulin Rouge

SUNDAY, FEBRUARY 3

6:00AM CLUB IMAGE

We have beautiful dance shows on Sundays at 6 am SLT!
Join us at Club IMAGE ! It’s worth getting up early !
Grab your friends and morning coffee !
Enjoy one of the finest dance shows on SL!

SLURL: Club IMAGE

Club Image

5:00PM WINDS OF THE SAHARA

Winds of the Sahara Each Sunday we have a shiny, new show at Winds of the Sahara Theater. Our dances range from burlesque to performance art and you are sure to be amazed at all of the wonder that sets, costumes and music can create. We’ll put sparkles in your eyes and leave sequins on your shirt collars.

SLURL: Winds of the Sahara

Winds of the Sahara - January 28 2018


Please check with the Dance Queens event calendar for updates and additions to the weekend’s schedule, as well as the many events that happen during the week.

Also, not all dance groups in Second Life post to the Dance Queens event calendar (but they should!) Until that glorious day, you’ll need to join that specific announcement group for updates.

2018 SL UG updates #5/1: server, viewer

 R.A.H.M.E.N.L.O.S.; Inara Pey, January 2018, on Flickr R.A.H.M.E.N.L.O.S. – blog post

Server Deployments

As always, please refer to the server deployment thread for the latest news and updates.

  • On Tuesday, January 30th, the Main (SLS) channel was updated with server maintenance package #18.01.17.511913, which comprises internal fixes.
  • There are no scheduled deployments for either the Magnum or LeTigre RC channels planned for Wednesday, January 31st, 2018. A deployment to the BlueSteel RC has been indicated, but no deals were available at the time of writing.

SL Viewer

A new Media Update RC viewer was released on Tuesday, January 30th, 2018. Viewer 5.1.1.512264 includes updates to the built-in media support that were not quite ready to be integrated when the 64 bit Viewer (Alex Ivy) was released. These include various fixes, updates, security patches and improvements for CEF (Chromium Embedded Framework) that is the basis for the built-in web browser and VLC that provides support for video media playback. Fixes are included to Dullahan (the third-party library that uses CEF) as well as all the media plug-in code itself. As per the Alex Ivy 64 bit viewer, there is no Linux version.

Otherwise, the SL viewer pipeline remains as:

  • Current release viewer: version 5.1.0.511732, dated January 9th, promoted January 16th. Formerly the Alex Ivy Maintenance RC – no change.
  • Release channel cohorts (please see my notes on manually installing RC viewer versions if you wish to install any release candidate(s) yourself):
  • Project viewers:
  • Linux Spur viewer, version 5.0.9.329906, dated November 17, 2017 and promoted to release status 29 November – offered pending a Linux version of the Alex Ivy viewer code.
  • Obsolete platform viewer version 3.7.28.300847, May 8, 2015 – provided for users on Windows XP and OS X versions below 10.7. This viewer will remain available for as long as reasonable, but will not be updated with new features or bug fixes.

Other Items

Joe Magarac (animats) continues to look into region crossings with vehicles. As noted in my previous update, he’s learning-by-doing, and testing ideas with a self-compiled version of Firestorm (see this forum thread for more). He currently believes he has workarounds for vehicle animations topping on a crossing and bad camera positions after a crossing. His workarounds are a scripted camera re-set of the camera and animation re-start. Not ideal, and as he noted at the Simulator User Group meeting on Tuesday, 30th January, 2018 – the preferable solution would be a server-side fix.

Part of the problem is that vehicle region crossings are extremely complex, as Simon Linden notes:

The avatar and object are disconnected, passed to the new region, then re-assembled. It’s supposed to be transparent, of course, but things get weird when any part gets slow or fails

One of the things that can go wrong is what is being referred to as a “half unsit” situation, where the vehicle crosses to the next region but the avatar is stuck in the old one and unable unsit, move or teleport, leaving only a relog as a means to recover. The problem is recognising where things break: is it a server-side problem, something in the viewer or the result of a race condition?  In theory the hand-off of a vehicle and its passengers should commence until the root prim of the vehicle actually crosses the boundary. This is to prevent avatars sitting on the vehicle in advance of the root prim being handed-off and the vehicle then turning back, possibly leaving the avatars stranded in the neighbouring region.

Simon’s thinking is that the receiving region is doing a more than it should while it waits for everything to come together, potentially attempting to move an avatar and / or run scripts before everything is available to put back together correctly. He also acknowledges that specific issues can be difficult to reproduce and so solve.

An oriental Les Reves Perdus in Second Life

Les Reves Perdus; Inara Pey, January 2018, on Flickr Les Reves Perdus – click on any image for full size

Miro Collas drew my attention to Les Reves Perdus (“Dreams Lost”). It’s a place we’ve enjoyed visiting in the past and which I’ve previously written about here and here, so we were more that happy to make a return visit. Designed by Cathy (zaziaa), she relocated to a new Homestead region in November 2017, and with the move offers a design with a distinctly oriental flavour that also encompasses a nice use of water.

Visitors arrive before a memorial gate, lit by floating lanterns. A trail of firefly-like lights float just above the water, leading the way to the largest of three islands in the region, which rise from the water on sheer cliffs to form a table-like top. Water tumbles from a series of falls on the west side of the island, alongside a set of stone steps rising from the water to provide a way to the top.

Les Reves Perdus; Inara Pey, January 2018, on Flickr Les Reves Perdus

A small temple sits on the island, a formal walled garden beyond it, reach by a couple of bridges that span two small channels cutting into the rock. While the garden and temple have a distinct Japanese look to them, there is bamboo growing alongside the wall of the garden which has attracted an embarrassment of pandas, giving the setting a Chinese flavour. More waterfalls tumble from the north side of the island, while around the cliffs can be found rock carvings, a Buddha and floating candles, all of which add subtle touches to the setting.

To the south-east of this large island is a second. Again flat-topped and with sheer cliffs, it is home a large Japanese-style house, sitting over a body of water which doesn’t quite feed the falls tumbling from the rocks – at least, not on the surface. The steps leading up to the house also link it with an avenue of trees running to the beach at the base of the region’s third island. Follow this and you’ll find an ancient pier pointing out to sea, facing a path winding up the side of the island’s cliffs, with the entrance to a cavern at its base.

Les Reves Perdus; Inara Pey, January 2018, on Flickr Les Reves Perdus

All of this just scratches the surface of the region’s beauty. Near to the arrival gate is pavilion where Chinese drums and Zheng can be played, all under the watchful eyes of a dragon. Candles float over the water alongside the pavilion, while plants hug the waters at the base of the islands. as well as the drums and Zheng, the pavilion offers the opportunity to enjoy Tai Chi, while the house on the “middle” of the three islands offers a place to relax and simply enjoy the setting. There are a couple of adult elements in the caverns under one of the islands – but there are not anything that should give offence.

One of the delights in visiting Les Reves Perdus is that each iteration is entirely difference to the previous, making every visit after a redesign both a pleasure and an opportunity for discovery. This latest build is no exception; it is wonderfully tranquil, with a subtle sound scape and, for those so minds, a reflective audio stream courtesy of  Chouchou.

Les Reves Perdus; Inara Pey, January 2018, on Flickr Les Reves Perdus

As someone who delights in oriental themes and a considered use of water in a region build, I  admit to thoroughly enjoying reacquainting myself with Les Reves Perdux in its new home, as did Caitlyn. We both look forward to future visits.

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