A wedding, a saga, tales, poetry and a wild call

Seanchai Library

It’s time to highlight another week of storytelling in Voice by the staff and volunteers at the Seanchai Library. As always, all times SLT, and events are held at the Library’s home at Holly Kai Park, unless otherwise indicated.

Sunday, February 24th, 13:30: Tea Time with Mary Russell and Sherlock Holmes

Following his retirement from active investigations, Sherlock Holmes moved to the Sussex Downs in order to keep bees. However, the gentility of his retirement takes a turn after an encounter with one Mary Russell,  a 15-year-old orphan from the United States  who moved to England to live with her Aunt.

Somewhat precocious, Mary Russell is also gifted with wit and intellect, and without anything being planned, the two form a new partnership, Holmes teaching Russell his trade craft and assisting her in solving crimes, their adventures charted by American writer, Laurie R. King.

For six years the two work together, until 1921, when they deal with the case of A Monstrous Regiment of Women. At the end of that adventure, Holmes and Mary are wed – but the matter was only given passing mention in the story.

With The Marriage of Mary Russell, here recounted in voice Savanah Blindside, Corwyn Allen, and Caledonia Skytower, Laurie King revisits the nuptials between the two in a short story that also helps to fill some of the blanks around the relationship between Russell and Holmes.

A Tea Time Special Vote

In March and April, Seanchai Library will be presenting Sherlock Holmes Greatest Hits for the Sunday Tea Time at Baker Street sessions. BUT – which four stories should they present? A short list of 10 of the adventures completed by Holmes and Watson has been drawn up, but Seanchai fans and supporters have the power to select the final four. Just visit Sherlock’s Greatest Hits, read the synopses of the short listed ten stories and place your vote for your preferred stories in the list. The final four will be selected from those receiving the most votes.

Monday, February 25th 19:00: Hanta Yo: An American Saga

Gyro Muggins reads Ruth Beebe Hill’s extraordinary novel that is either loved or hated – and has certainly proven controversial since its first publication.

Lyrically written, the story is, at its core, a multi-generational saga follows the lives of two Indian families, members of the Mahto band of the Teton Sioux, before and during their first contact with the white man and his “manifest destiny.” Within its sweeping story, Hill attempted to fashion an epic, Native American version of Alex Haley’s Roots.

Allegedly based in part on writings translated from a Lakota Sioux winter account translated by a First Nation Sioux, the story is certainly cohesive and vivid. For those unfamiliar with the lives and rituals of the Plains Indians of North America, it makes for a fascinating and enlightening read.

However, to some in the Lakota, the book is seen as demeaning and misrepresentative – a fact Hill herself finds baffling. Whilst she fully acknowledges the story is a “documented novel” – a fictional story based on actual events – she also notes that she spent some 20 or more years researching Hanta Yo and carrying out hundreds of interviews with representatives of the Sioux, Kiowa, Omaha, Cheyenne, and Navajo tribes, including allowing them access to her manuscript to verify the historical elements from their standpoint.

Event today, in the year of the 40th anniversary since its first publication, Hanta Yo divides opinions. So why not settle down with Gyro to hear the tale first hand?

Tuesday, February 26th 19:00: Selections from Wind on the Willows

With Faerie Maven-Pralou.

Wednesday, February 27th 19:00: Winter Sea in Poetry and Music

With Ktahdn Vesuvino (on stream) and Caledonia Skytower (in Voice)

Thursday, February 28th 19:00: The Call of the Wild, Part 2

First published in 1903, The Call of the Wild is regarded as Jack London’s masterpiece.

Based on London’s experiences as a gold prospector in the Canadian wilderness and his ideas about nature and the struggle for existence, The Call of the Wild is a tale about unbreakable spirit and the fight for survival in the frozen Alaskan Klondike.

With Shandon Loring. (Also in Kitely grid.kitely.com:8002:SEANCHAI).

Entering Kerupa’s Hydrosphere at Nitroglobus

Nitroglobus Roof Gallery: Kerupa Flow

Open through the rest of February and into March at Nitroglobus Roof Gallery, curated by Dido Haas, is Hydrosphere by Kerupa Flow.

The name is a reflection of Kerupa’s fascination with water, which has been – as she notes – a major theme in her art for a long time.

Creatures can not live without water, everyone knows. However, we forget what water is. Water is infinite, it’s a huge force beyond humanity, which enables us to stay alive …. but it also can destroy us.

– Kerupa Flow, introducing Hydrosphere

Nitroglobus Roof Gallery: Kerupa Flow

This description might suggest the art on offer comprises images with a water theme – and so they do; but not in the manner one might expect. These are images that reflect our complex relationship with water, richly personifying it. In one sculpture, it is celebrated as the place from which complex life evolved, the mother of all that life on Earth has become. In another it appears as a whirlpool drawing a body in to it, a reminder that it can be a destroyer of life; the most powerful demonstration of nature’s power, as Kerupa again notes.

The earthquake and tsunami disasters that occurred in 2011 in Japan were exactly the power of the earth itself. The way the tsunami moved over a long distance with the overwhelming power until it stopped inland, is a terror that can not be forgotten.

– Kerupa Flow, introducing Hydrosphere

Nitroglobus Roof Gallery: Kerupa Flow

The images present many facets of our relationship to water, a relationship which is so complex, it is easy to arrive at more than one interpretation for some of them. Take the second sculpture mentioned above, Minawa. On the one hand there is that sense of water’s power to kill, but it also perhaps personifies that origin of life also mentioned above – and even that of birth; that is, rather than being pulled into the whirlpool, the figure within the piece is coming forth.

The theme of birth might also be evident which might be seen in Twilight dreams. On the one hand, this piece might serve as a reminder of the soothing influence the sound of the ebb and flow of water can have on us, encouraging rest and dreams. On the other there is a suggestion of the womb, and the security it represents.

Nitroglobus Roof Gallery: Kerupa Flow

Elsewhere in the collection, the nature of water is more directly personified, through Merman – Voice of the Sea, for example, or the marvellously animate Water of the Erebus.  In this latter piece is another marvellous intertwining of ideas: water is given a face – but not just any face. It belongs to the primordial deity personifying darkness, a child of Chaos – a further referencing to natures raw power through water and the seas around us.

All told, Hydrosphere is another fascinating exhibit at Nitroglobus, rich in context and narrative (I’ve not even mentioned Water Dragon and how it would appear to have a tie with Kerupa herself – but I’ll leave you to read her byline for the exhibition and draw your conclusions on this 🙂 . All I will say is that, as always, this is not an exhibit to be missed.

SLurl Details

Back On The Other Side in Second Life

On The Other Side; Inara Pey, February 2019, on FlickrOn The Other Side – click any image for full size

We first visited On The Other Side in October 2018 (read here for more), and on the suggestion of Shakespeare and Max. At that time, we enjoyed our visit to this Homestead region designed by Michelle (xxMichelle20xx) and Indriel (Indrielx), so when Shakespeare nudged me with the news the region has been updated, we hopped back to have another look. What we found was very different to the settings presented in October 2018, but a place still with its own eye-catching design.

The Landing Point sits in what appears to be a shallow cavern – although one obviously with an opening to the outside world, given the volume of butterflies that have made the cave their home. I confess to being flattered in seeing one of my photos from our October 2018 visit used on the blogger link board before stepping across the water to the “outer” part of the cavern, where a Flickr link can be found together with teleport board up to the {JAS} main store.

On The Other Side; Inara Pey, February 2019, on FlickrOn The Other Side

A large slab of cut stone blocks further progress until touched, when it will slide side to reveal the region beyond. Stopping outside reveals the cavern is in fact beneath the ruins of a stone structure, its form suggestive of an ancient place of worship, the door itself faced by an ornate, teal-painted rune.

At first glance, the land beyond the door looks to be a simple rural scene: lavender grows on either side of a path that is itself is bordered by water. More water breaks the land – most of it low-lying  – into a series of islands. Birds can be seen, together with a tall wooden tower close by, a windmill further away.

On The Other Side; Inara Pey, February 2019, on FlickrOn The Other Side

But look again. A dragon hovers close by the roof of the wooden tower, while on either side of the ruin behind you are two odd-looking structures: green pillars topped by disc-shaped objects. These have attracted the attention of … visitors. A flying saucer floats close by one of the pillars, a possible rescue mission for the one lying crashed in the long grass to the side of the ruins. The pilot of the latter prowls through the grass, possibly annoyed at losing his vehicle.

These touches mark the magic of the region: an eclectic mix of vignettes, one or two of which  offer echoes of previous builds. To the north side of the region, sitting on one of the islands is a little outdoor cafe, for example. This offers a link back to the region design we visited in October 2018. Should you drop in for a snack, do take care not to disturb the couple of mice who are enjoying their brunch at their own little table.

On The Other Side; Inara Pey, February 2019, on FlickrOn The Other Side

The north-east corner of the region is the only part that is off-limits. It is home to a private residence and access control is set. Diagonally across the region of this is a farm, home to the aforementioned windmill. This sits on another island and raises a slightly different warning; when crossing the water between islands, it’s probably best to keep to the paths, bridges and stepping-stones. While the water is shallow in places, in others it can be uncomfortably deep, so you might find yourself taking an unexpected bath!

All of this is just scratching the surface of things. The wealth of detail found within On The Other Side makes exploration a real joy; the mix of ideas means that you’re never sure what might lie beyond the next hedgerow or over the brow of low hill. Standing stones here, a little lovers hideaway there, an unexpected and sheltered beach (complete with an opportunity to surf), over there – and more.

On The Other Side; Inara Pey, February 2019, on FlickrOn The Other Side

There are also more of the contrasts to be found throughout. Wander in the right direction, as another example, and you might come across a touch of the Far East mixed with a hint of Africa. A further hint of the Far East sits up on the hills behind the temple ruins, while another reminder of Africa can be found in the waters. For the adventurous who may want to explore the upper levels of the ruins, there is a crawl rope offering a route to them from the nearby wooden watch tower. And talking of adventurers, keep an eye out for the aerial critter braving the air over the crocodile waters!

With numerous places for people to sit and couples to share their company with one another, On The Other Side retains its appeal as a place in which to spend time. Throughout entire region there are numerous opportunities for photography, and pictures can be shared on the Flickr group. Rezzing in the region is permitted, with an auto return time of 60 minutes – but if you do rez, please remember to pick your things up rather than letting auto return take care of it. And, as always, make sure local sounds are enabled so you can appreciate the region’s immersive sound scape.

On The Other Side; Inara Pey, February 2019, on FlickrOn The Other Side

SLurl Details

Fantasy Faire 2019: theme and dates announced; merchant applications open

via Fantasy Faire

Update: The Merchant Application Form is now available – click here if you’re interested.

Fantasy Faire, the largest fantasy-related event to take place in Second Life, has announced both the theme for the 2019 event and its dates.

Once again raising money for the global work of the American Cancer Society as a part of the Relay for Life of Second Life 2019 season, Fantasy faire will this year have the theme of Builders of Hope. 

2019 marks the eleventh year for Fantasy Faire, which has traditionally been slated to run eleven days each year, but this year it will be a little different, as the press release announcing the event notes:

Fantasy Faire has always officially lasted eleven days, and in recent years we’ve been fortunate to have a few extra days added. This year we’re making it official: our formal programming will still conclude with our One Team dance party marathon on Monday, April 29th, but now we invite you to join us for an additional week of shopping, questing, and exploring as the Fairelands will be open through Sunday, May 5th. That’s a total of eighteen days of the Faire – and you never know when something unexpected might happen in that final week!

So in total, Fantasy Faire will run from Thursday, April 18th through until Sunday, May 5th, 2019, inclusive.

Fantasy Faire 2018: Aetherea (Alia Baroque)

As with previous years, Fantasy Faire 2019 will comprise 10 shopping regions hosting 200 of Second Life’s top Fantasy Creators, offering the most comprehensive opportunity for fantasy shopping. In addition, there will be a further six regions focusing on entertainment, the Fairelands Quest, art, the Fantasy Faire Literary Festival, and the Worldling Collection.

All of the regions will be designed and themed by some of Second Life’s top designers, making the event a must-see even if fantasy isn’t a major part of your life. And throughout it all, there will be opportunities to show your support for ACS and the global work of cancer treatment, care and prevention via direct donation or by purchasing some of the many items participating merchants will be selling, with all or part of the proceeds going to RFL of SL and the American Cancer Society.

As always, I’ll be doing my best to provide updates and relay news on Fantasy Faire through the pages of this blog – but to keep right up-to-date on things, be sure to visit the Fantasy Faire website, and follow the event via the social media links below.

Additional Links

Visiting Lost Unicorn Gallery in Second Life

The Lost Unicorn Gallery

The Lost Unicorn Gallery, curated by Natalie (Natalie Montagne)  forms a part of a trio of regions I visited in September 2018 (see Within a Lost Unicorn Forest in Second Life and Opening a Storybook in Second Life). As I noted in those articles, all three regions are utterly magnificent in design, with The Lost Unicorn Gallery offering one of the most stunning settings in which art can be exhibited – as any view from outside the gallery will more than demonstrate.

I was drawn back to the gallery for three reasons: the first is that Natalie routinely hosts engaging ensemble exhibitions of art; the second is that the featured artist for February 2019 is Cybele Moon (Hana Hoobinoo); and the third is purely personal: as a part of the current ensemble exhibition, Natalie has selected some of my own images.

The Lost Unicorn Gallery: Cybele Moon

Cybele Moon’s work really needs no introduction to regular readers of this blog. Her art is beautifully ethereal and rich in narrative. This is fully exemplified with Forests Were Made For the Hunter of Dreams. Located on the main floor of the gallery, this is an extensive exhibition of Cybele’s photography and art, each piece offered and ready to tell a story of its own. However, for those who prefer, Cybele offers a touch panel which will supply a short story snippet to accompany each piece.

Also to be found on the ground floor of the gallery are avatar studies by Razor Cure (sch511), and Aquatic Arugula (Sugarfairy88), who offer very contrasting styles. Razor is additionally the first prize winner of a recent photography competition held within the regions, his entry with the other prize winners also being displayed on the ground floor of the gallery.

The Lost Unicorn Gallery: Sugarfairy88

On the upper floors of the gallery is a veritable host of artists: Lia Swahn, Gassamer Star, Luke Henuskai, Meriluu, Pan Aeon, Poly Elan, Awesome Fallen, SelenLily Galicia, Efinyn Jinx, Iruki Levee, Babydoll Tracy Colt, Antarctica Slade, Pretty Rexen, Aleriah, Roxi Firanelli, Duchess Flux, and myself.

The majority of the images from these artists are focused on avatar studies, the only major exception being my pieces, which Natalie gathered from my visits to Lost Unicorn Forest and Storybook. My sincere thanks go to her for including me in such august company; I’m both flattered and honoured.

The Lost Unicorn Gallery: Inara Pey

For those who enjoy photography competitions, the Lost Unicorn Gallery is currently hold another with the theme of Lord of the Rings.

Participants are invited to submit up to two images (raw or post-processed) representing any part of the Lord of the Rings novels (The Fellowship of the Ring, The Two Towers and The Return of the King). Submissions should be made to the Lord of the Rings Flickr Group and labelled “Contest Entry”, no later than March 3rd, 2019. A L$9,000 prize pool is on offer, with L$5,000 to the first place entry. Full details on entry can be found via the contest information givers at the gallery.

SLurl Details

Originalia: a tropical paradise in Second Life

Originalia; Inara Pey, February 2019, on FlickrOriginalia – click any image for full size

Update: Originalia appears to have closed. SLurls have therefore been removed from this article.

Imagine you had a small personal fortune. Enough to, say, buy your own tropical island atoll. What might you look for in such an island prior to purchase? What might you do with it? What style of house would you opt to have built there? What facilities would you want to include to make it that special place where you can escape the pressures of life and simply be, enjoying sun and surf and the haven of tropical splendour with your family and / or friends?

Doubtless, many of us have fantasised having a life where we could “do a Branson” and have such an island – and I wouldn’t at all be surprised if in our individual mind’s eyes, it didn’t in some ways resemble Originalia.

Originalia; Inara Pey, February 2019, on FlickrOriginalia

Designed by Minnie Blanco (Minnie Atlass) of Soul2Soul fame for region holder Amase Levasseur, Originalia is an utterly stunning Full region this fully embodies the idea of a tropical paradise home. And if you’ve never dreamed of having such a place to call your own, or in letting your mind wander the fantasy of owning a private island getaway you’ve not pictured anything quite like it, I’ve little doubt that after a visit, you’ll be unable to picture anything else.

Set within an archipelago of off-sim islands – some quite mountainous – Originalia offers what could easily be the atoll top of a drowned volcano: an oval of sand and rock rising above the surrounding sea, the wall broken to the east, allowing the waters to enter the crater’s bowl to form a lagoon. Beyond  the curve of the island lies an outer semi-circle of low-lying rock, home to scrub grass and palm trees. It suggest that perhaps at one time the cone forming Originalia sat within a larger caldera, perhaps the last gasp of the volcano that formed it, pushing itself above the waves before falling silent, and then allowing the millennia and the sea take over the work of giving the land its current form.

Originalia; Inara Pey, February 2019, on FlickrOriginalia

Whatever its origin, what remains is perfectly idyllic; a horseshoe-like island running from sandy lowlands to the north around to a high ridge-line to the south, the ring of rock open to the sea to the east and also linked to the waters of the old caldera to the west, where the crater wall has in part collapsed to leave a magnificent arch of basalt arching over the waters below, thus forming a broad bridge linking the high plateau with the lower reaches of the island and the beaches there.

It is on this high shoulder of rock, from which waterfalls tumble from numerous points, that Minnie has sited the ideal residence: The Patron Banyan House by Eliza Wierwright, itself a stunning build that has always impressed me. Offering a southward view out over the lagoon, the house grandly sits on the high plateau, the pool between its arms feeding one of the falls that tumble over the rocks and into the blue waters of the lagoon below. Across the rocky arch from it sits a rotunda like cottage by Cory Edo, perfectly complementing the house and offering a spa style setting in which to relax.

Originalia; Inara Pey, February 2019, on FlickrOriginalia

The overall suggestion of house and cottage perhaps leans toward Thai in intent; but as is often the way with me, the setting carried soft echoes of places I’ve visited in Sri Lanka, such as Saman Villas. While the latter is far, far more developed than Originalia, I Couldn’t help but think of their rocky perch and the open-air nature of the public buildings within the development as we explored the house, memories of meals in the open-sided restaurant drifting into my thoughts.

Finding your way around the island is easy: just take the wooden board walk and bridge from the little sand bar of the landing point, then follow the rocky paths laid across sand and scrub. These wind over island and up hill under palm trees and between shrubs and rocky shoulders. Here and there the paths branch, offering routes to the outlying beaches where little hideaways can be found and boats bob on the surf at their moorings.

Originalia; Inara Pey, February 2019, on FlickrOriginalia

I’m not sure if Originalia is permanently open to the public, or whether public access is for a limited time. However, I do know that it is a setting that not to be missed – but do allow time for a visit; there is much here to captivate the eye and the imagination. And do make sure to have local sounds enabled; as something of a sanctuary for birds of all kinds, Originalia has a rich accompanying sound scape.

Our thanks, once again, to Shakespeare and Max for pointing us to this island gem. As Minnie points out in the comments, those taking photos are welcome to submit their pictures to the region’s Flickr group.

Originalia; Inara Pey, February 2019, on FlickrOriginalia