2019 Simulator User Group week #43

The Island That Is Not There, September 2019 – blog post

Update: it now appears all regions will be placed on server release 2019-10-03T01:12:11.531528, see the updated server deployment thread.

No significant news. A lot of back and forth on region crossings and texture loading.

Simulator Deployments

At the time of writing, no deployment notes had been published. However:

  • There was no deployment to the SLS (main) channel on Tuesday, October 22nd, leaving it on server release 2019-10-03T01:12:11.531528.
  • The matter of RC deployments on Wednesday, October 23rd is pending as a result of internal discussions at the Lab.

Refer to the technology forum server sub-threads for updates.

Continuing Script Issues

Linden Lab is aware that there are still script processing issues that are causing problems, and which have come to light following the SLS channel deployment of .531528. For examples of specific issues please refer to BUG-227786 together with this blog post, and also BUG-227776.

SL Viewer

The Ordered Shutdown RC viewer updated to version 6.3.3.531767 on Monday, October 21st, bringing it to parity wit the current release viewer. The rest of the viewer pipelines remain as follows:

  • Current Release version 6.3.2.530962, formerly the Vinsanto Maintenance RC viewer, dated September 17, promoted October 15th – NEW.
  • Release channel cohorts (please see my notes on manually installing RC viewer versions if you wish to install any release candidate(s) yourself):
  • Project viewers:
    • Legacy Profiles viewer, version 6.3.2.530836, September 17. Covers the re-integration of Viewer Profiles.
    • Project Muscadine (Animesh follow-on) project viewer, version 6.4.0.530473, September 11.
    • 360 Snapshot project viewer, version 6.2.4.529111, July 16.
  • Available via direct link only, and may not function fully or correctly:
    • Linux Spur viewer, version 5.0.9.329906, dated November 17, 2017 and promoted to release status 29 November 2017 – offered pending a Linux version of the Alex Ivy viewer code.
    • Obsolete Platform viewer, version 3.7.28.300847, May 8, 2015 – provided for users on Windows XP and OS X versions below 10.7.

 

 

A taste of South-east Asia in Second Life

ChatuChak, October 2019 – click any images for full size

Update, December 1st: ChatuChak has been replaced by RioSisco Studio Pictures – see for more.

We visited ChatuChak, a relatively new region design by Lotus Mastroianni and frecoi (aka Fred Hamilton) earlier in October, but it has taken me a while to get around to writing it up. Lotus and frecoi are responsible for developing a number of regions I’ve covered in these pages, and so while it has taken a while to write about it, ChatuChak had been a place I was keen to see, a desire somewhat increased because of the region’s subject matter.

Welcome somewhere in Thailand … Turn on the sound and your graphics , let yourself be in immersion with the nature and elements….Enjoy your visit <3.

– ChatuChak About Land description

ChatuChak, October 2019

I’ve never really spent much time in Thailand, but I love the Far East (notably Hong Kong and China), and have had a fascination with Indo-China / South-east Asia, which encompasses Thailand, together with Myanmar (Burma), peninsular Malaysia, Laos, Cambodia and Vietnam, so was really keen to see what ChatuChak has to offer. And the truth is, it is a remarkably atmospheric region, well in keeping with the description, if a little reliant on some elements that perhaps lean towards a more Japanese style of environment (but which nevertheless fit well here).

The landing point sits on the west side of the region, within a small courtyard at the back of a riverside hamlet split by rail tracks that encircle the region. As it passes through the hamlet, the railway is the focus of a small market offering fresh garden produce, flowers, fish and – at one end and rather incongruously, good that might be considered more in keeping with the tourist industry.

ChatuChat, October 2019

This incongruity adds a level of authenticity to the market – the dresses, headsets, brightly-coloured bags and sun hats are exactly the kind of odd items that one can so often unexpectedly find in little off-the-beaten track villages and towns when exploring places like this in the east.

Down on the river banks below the village are all the signs that this is a place reliant on the river and the fertile soil of the area. Along the river banks are stone an wooden wharves where local fishermen bring their catches ashore for weighing, drying and filleting – and where local produce may well be packaged in preparation to be shipped out, going by the cases on one of the wharves. Behind one of the wharves, to the north, sits a rain forest through which paths wind, one of which slips through a narrow gorge to lead the way to a little beach.

ChatuChak, October 2019

On the south side of the river, the land has been cleared to form a series of terraces for growing crops and to provide space for cattle to graze. A path climbs the eastern  – and natural – steps here, allowing a little village of single-roomed houses to spring-up, a path climbing through them to the railway tracks beyond.

Rounded out by an immersive sound scape, ChatuChak offers a multitude of opportunities for photography as well as opportunities to explore. Those taking photos are welcome to submit them to the region’s Flickr group.

ChatuChak, October 2019

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The art of Serene Footman in Second Life

DiXmiX Gallery: Serene Footman

Now open at DiXmiX Gallery, curated by Dixmix Source, is Retrospective, a selection of images by Serene Footman – and it is one I thoroughly recommend for a number of reasons.

The first is that Serene is perhaps most famously known for his creation of Furillen, one of Second Life’s most atmospheric region designs that opened in December 2015 (see The beauty of a bleak midwinter in Second Life) and which became the first of a number of designs Serene developed, generally in partnership with Jade Koltai, and mostly inspired by physical world locations. Creating these regions demonstrated Serene’s eye for beauty, detail and presentation, as well as he creativity – and these are precisely the talents evidenced in the images presented through this exhibition.

DiXmiX Gallery: Serene Footman

The second reason is that until now, Serene has consistently refused invitations to display his in-world photography. Why he has changed his mind is explained in a blog post he published on the Furillen web site; I’m not going to cover the subject matter in that post, as it is personal to Serene, and as such deserves to be read first-hand and without the filter of any subjective interpretation on my part. Suffice it to say it is a personal, moving piece.

Given this is Serene’s first exhibition of photography, calling it a retrospective may seem to be a little strange. However, as some of the thirteen images present views of Serene’s own creations, the title is fitting.

DiXmiX Gallery: Serene Footman

Serene’s style, in keeping with his region designs, is marvellously focused and – as seen through the majority of the pieces offered in this exhibition – containing a wonderful sense of minimalism in which to frame a narrative. Also to be found in some is a quite delightful sense of humour that is evidenced without losing their ability to stir the imagination as well as raising a smile.

For me, the delight of this exhibition is that each piece has something to say on life and living, whether it is through the wonderful humour mentioned above, or in more subtle reflections offered through pieces like A Hen Is Just An Egg’s Way Of Making Another Egg and I Will Wade Out, or the marvellous and moving depth of pieces like Let’s Live Suddenly Without Thinking. All of which, coupled with Serene’s superb use of tone and texture, make this an exhibition that genuinely should not be missed.

DiXmiX Gallery: Serene Footman

And for those captivated with Serene’s work, I’ll also note that Furillen itself is once again back in Second Life for a time. This also should not be missed, whether or not it has been visited in the past, and again I recommend reading his blog post about its return.

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More spookiness and sci-fi in Second Life

Seanchai Library

It’s time to highlight another week of storytelling in Voice by the staff and volunteers at the Seanchai Library. As always, all times SLT, and events are held at the Library’s home at Holly Kai Park, unless otherwise indicated.

Monday, October 21st 19:00: Variable Star

Gyro Muggins reads Spider Robinson’s 2006 completion of an eight-page novel outline from 1955 by Robert Heinlein.

When aspiring composer and musician Joel Johnston first met Jinny Hamilton, it seems like a dream come true. And when she finally agrees to marry him, he feels like the luckiest man in the universe.

There’s just one small problem. He is broke. His only goal in life was to become a composer, and he knows it will take years before he’d be earning enough to support a family. But Jinny isn’t willing to wait; she wants Joel with her in marriage now.

Unsettled by her conviction that money wouldn’t be a problem for them, Joel presses Jinny for an explanation. Her response stuns him: ‘Hamilton’ is not her last name – it is ‘Conrad’, and her grandfather is the wealthiest man in the solar system: Robert Conrad; she had been using subterfuge to ensure whoever she fell in love with really loved her for who she was, not for her grandfather’s money. With that truth revealed, she also informs Joel of her family’s broader plans for her and her husband-to-be.

Perhaps most men in Joel’s shoes, faced with the facts that Jinny really did love him and was offering a life of wealth, might have forgiven her for hiding her identity and plans. But not Joel. So it was that he found himself trying to get as far from her and her family as possible: aboard a colony ship heading deep into space. And then came the cosmic cataclysm that would visit so much calamity on humanity as a whole.

Tuesday, October 22nd 19:00: The Spooky Classics

Caledonia Skytower reads E.F Benson.

Wednesday, October 23rd 19:00 The Mysterious Woods of Whistle Root

11-year-old Carly Bean Bitters suffers a peculiar malady: she can only sleep by the light of day, and is awake through the night, spending her time up in the attic of her aunt’s house, awaiting the arrival of the dawn.

One night, she notes a strange squash that appears on her roof. Investigating, she comes across Lewis, a fiddle-playing rat. Lewis tells Carly the squash is a replacement for one of the rats in the group who has been abducted by owls.

He goes on to explain that until recently, the owls join with the rats dancing in the moonlight within the Whistle Root woods to the music played by Lewis and has band. But then something changed, and instead of dancing with the rats, the owls took to abducting them.

Grabbed by an owl herself, Carly find herself dropped into the woods where she meets the once happy community of rats, now gravely threatened by the hostile owls. At school, and struggling to stay awake, she also finds a strange note warning that the “Moon Child” is in danger.

Enlisting the help of another strange child, Green, who spend his time hiding under the library, Carly sets out to solve the riddle of the “Moon Child” and the reason for the owls’ change in behaviour – and along the way, discovers something unexpected about herself.

Join Faerie Maven-Pralou as she reads Christopher Pennell’s 2010 novel.

Thursday, October 24th 19:00 On Dark Hallows Eve

It’s All Hallow’s Eve and Owen Weeks is not having a good day. Something stirs in the lake by his house, the dead leaves beneath his shoes crunch like bones, and even the brambles seem to twitch when he’s not looking.

But things get a lot worse as Owen discovers a terrifying stranger hiding in an abandoned farmhouse. A dark spell is invoked. Old magic, magic that raises a terrifying horde of nightmarish creatures.

As the monsters descend upon the village, Owen realizes there’s only one place left to go – across the lake. But can he survive the horror of the legends said to live below its muddy waters?  The clock ticks towards midnight, and soon it will be the hour of the Pumpkin Men and of ancient terrors from a distant land.

One Dark Hallow’s Eve is a lost tale from Eldritch Black’s The Book of Kindly Deaths. and ins presented by Shandon Loring. Also in Kitely – teleport from the main Seanchai World grid.kitely.com:8002:SEANCHAI.

2019 viewer release summaries week #42

Logos representative only and should not be seen as an endorsement / preference / recommendation

Updates for the week ending Sunday, October 20th

This summary is generally published every Monday, and is a list of SL viewer / client releases (official and TPV) made during the previous week. When reading it, please note:

  • It is based on my Current Viewer Releases Page, a list of all Second Life viewers and clients that are in popular use (and of which I am aware), and which are recognised as adhering to the TPV Policy. This page includes comprehensive links to download pages, blog notes, release notes, etc., as well as links to any / all reviews of specific viewers / clients made within this blog.
  • By its nature, this summary presented here will always be in arrears, please refer to the Current Viewer Release Page for more up-to-date information.
  • Note that for purposes of length, TPV test viewers, preview / beta viewers / nightly builds are generally not recorded in these summaries.

Official LL Viewers

  • Current Release version 6.3.2.530962, formerly the Vinsanto Maintenance RC viewer, dated September 17, promoted October 15th – NEW.
  • Release channel cohorts:
    • Maintenance RC viewer, version 6.3.3.531784, released on October 18th.
    • Voice RC viewer updated to version 6.3.3.531811 on October 18th.
  • Project viewers:
    • No updates.

LL Viewer Resources

Third-party Viewers

V6-style

V1-style

  • Cool VL viewer Stable branch updated to version 1.26.22.64, and Experimental branch to version 1.26.23.17, both on October 19th (release notes).
  • Singularity: please refer to the nightly build page for updates and versions.

Mobile / Other Clients

  • No Updates

Additional TPV Resources

Related Links

A trip to Huntington Beach in Second Life

Huntington Beach, October 2019 – click any image for full size

Note: The Huntington Beach build has closed, and the region reposed.

Huntington Beach is a seaside city in Orange County in Southern California, located 35 miles south-east of down town Los Angeles.

– From About Land, Huntington Beach

So reads the introduction to Jade Koltai’s new public homestead region of Huntington Beach that opened to the public earlier in October. Jade is, as many will be aware, Serene Footman’s long-time collaborator in s range of region designs, many of which I’ve written about in these pages down through the years. So on hearing about this build (via my ever-vigilant region spotter, Shawn Shakespeare 🙂 ), I was keen for us to go take a look – more so, perhaps, as (a good while ago now) I travelled through the real Huntington Beach while on a trip following the Pacific Coast Highway.

Huntington Beach, October 2019

Today, the town is best known for its almost 16 km (10 mi) long beach, the tides of which have led to Huntington Beach to becoming known as Surf City, and being granted trademarks as “Surf City USA” (both of which were the cause of, and factors within, a long-running dispute with Santa Cruz, California that was finally settled in 2008). However, the city has a long and colourful history, part of which is reflected in Jade’s design.

Huntington Beach perhaps came to prominence in the early part of the 20th century (although settlements in the area obviously go back much further than that). At that time, people were encouraged to settle in the area by an encyclopaedia company offering free parcels of land in the area to those purchasing the entire set of their books for US $126 (roughly US $3,200 in today’s terms). Those who did so found their parcels ballooned in value when oil reserves were found beneath them, leading to something of a oil rush. The first well to extract this oil was established in May 1920 – and within 18 months, the number of well heads had grown to 59, giving the coastline of Huntington Beach its distinctive “forest” of giant oil derricks dominating the skyline – and it is this aspect of the city that is reflected most clearly in Jade’s design.

Huntington Beach, October 2019

For her inspiration, Jade uses a series of photos of the Huntington Beach and the neighbouring coastline as it appeared during the heydays of oil production, headlined by one taken from Huntington Beach Pier (one of the city’s lasting landmarks) in the 1960s. These sit to the south east of the region, the beach running north-west, complete with a nod towards the pier (first established in 1904). The latter is understandably not as grandiose as the original, because that would take a couple of additional regions to achieve, given it is 560 metres in length, but it presents a starting point for exploration, home as it is to the region’s landing point.

The derricks are divided by a central road, reflecting a further photo in the series, albeit one of derricks divided by a road in Long Beach, a little further north around the coast. However, it is largely with the initial 1960’s image to which Jade sticks: at the northern end of the road is a smattering of buildings suggesting the edge of a town, all of which – along with the cars scattered among them  – have a ’60s vibe to them.

Huntington Beach, October 2019

The beach has a similar feel to it as well, the sand looking a tad tired and the advertising in that 50’s-60’s style, although unlike its namesake, this beach benefits from palm trees hiding the marching lines of oil towers from those deciding to partake a walk along the sand or out onto the pier.

Oil production does continue at Huntington Beach today, although the massive derricks have long since been removed to leave the city looking a lot more naturally suburban, the ocean front and beach protected from over-development. However, production is in decline; the US Geological Survey estimates no more than perhaps 866 million barrels of oil remain, although best estimates put the amount that can be reasonably extracted at some 370 million barrels. This means that the remaining oil extraction work is liable to come to an end in the near future, leaving Huntington Beach city fairly exclusively reliant on tourist and vacation trade for revenue generation – hence the city filing for, and being granted, multiple trademarks related to it being “Surf City USA”.

Huntington Beach, October 2019

While fossil fuel extraction and use are both messy and driving a fair amount of pollution, Jade’s Huntington Beach nevertheless offers a reminder of a boom-time past in America’s history, one that burst into life on the west coast in the early decades of the 20th century and echoed through to the end of the millennium. Needless to say, it offers numerous opportunities for photography, although I personally found the default Windlight perhaps a little too oppressive – not that others cannot be used if you feel the same way. Photos that are taken may be submitted to the region’s Flickr group, and tips towards the region’s upkeep are welcomed at the pier.

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