Catena et Cavea in Second Life

Catena et Cavea, January 2020 – click any image for full size

Catena et Cavea (literally “chain and coop”, but better translated as “chain and cage”), is a Full region utilising the additional 10K land capacity to present a setting of multiple elements, some of which may not suit all tastes given their adult leanings. Held by Ororeia, who designed it with Kyra Nachtigal, the region is described by them both as:

Our home, and at the same time a big playground for everyone. It’s adult, so please no under-age avatars … Feel free to explore everywhere, but please be respectful if we are at home. If a door opens on touch, you are welcome to enter.

Catena et Cavea, January 2020

In this instance, “adult” refers to BDSM activities (as some may well guess from the English version of the region’s name). However, the greater portion of this aspect to the region is located underground, and so while there are more visible elements scattered around, they do not interfere with more general exploration / photography. In fact, I’d say viewer / system performance might be a greater cause of issues than anything BDSM related: this is a region with so much packed into it I had to disable shadows, drop draw distance, etc., in order to be able to move comfortably, my viewer was working so hard.

The best way to describe Catena et Cavea’s layout is to note it can be split into some readily-identifiable areas. The south-east corner, for example, comprises a coastal fun fair with some of the rides in a warehouse. Bounded to the east be a ribbon of sand and on the west by a small, rectangular harbour, it almost forms a little headland raised above the sea.

Catena et Cavea, January 2020

A paved road / path runs up towards the beach from the harbour, separating a second warehouse from the rest of the fun fair. The road forms the landing point for the region (where an information board is available for those wishing to learn more about it – just click for a note card), while the second warehouse has been been converted into  a beach house.

North of here sits a terraced vineyard stepping its way up to a shoulder of the island’s rugged centre. Topped by a cemetery and a summer house and garden space. North of this, the land slopes gently back down towards the coast and a circle of standing stones watched over by further ruins inland. A slender finger of rock also extends outwards from the high parts of the region, pointing out to the north-east and distinguished by a rocky arch under which the beach passes, while the flat top of the rock has been pierced by the tip of a giant sword that stands over the arch as if guarding it.

Catena et Cavea, January 2020

The sword is one of several artistic statements scattered throughout the region. These include the sculpture of a giant hand sitting close to the sword, and which converted into a seat, and smaller statues marking the footpaths running around the west side of the island.

This side of the region takes the form of an almost region-long plateau running south-to-north, home to a large house that may be a private residence when Ororeia and Kyra are present, so again some caution in exploring might be advised when approaching it. The house shares the space with a summer house at the southern end of the plateau and a large circular arboretum, which together with the gardens and paths, appear to be open to the public.

Catena et Cavea, January 2020

More houses sit below the plateau to the south. These do not appear to be rentals, but rather available to those wishing to have a little indoor privacy. However, I’m not entirely sure on this, so they are perhaps approached with caution out of respect to how they are being used, if occupied. They are connected to the plateau by a set of steel stairways that ascend the cliffs, passing the entrance to a bar cut back into the upper reach of the cliffs as they do so. This is very much more BDSM-oriented than the visible spaces on the region, and forms the entrance to underground play areas for those interested.

The north side of the uplands running eastwards from the large house, offer a small bar / play area backed by fenced fields for cattle and sheep. Behind this, the region climbs to a peak and a large pavilion area, the path to which lies on the south side of the island, switch backing its way up from the little residential area or via the shoulder with the cemetery. It’s a path that has a secret of its own – the BDSM tunnels are not the only underground element to the region, as the introductory note card indicates. I’m not going to give the secrets away; suffice it to say not all cliff face rock is necessarily just cliff face rock, and you might need to follow the clues in the introductory note card to find your way to the teleport that accesses the caves.

Catena et Cavea, January 2020

As noted, there is a huge amount going on in the region, rendering wise, and this can really hit performance; with shadows enable I was lucky to get much above 6-8 fps), and even with shadows disabled, there were a number of places in the region were my system was still struggling on single digits. If similarly hit, people might find the region an issue, however, given the photogenic edge to the setting, making allowances for the region’s load might be worthwhile.

SLurl Details

Bay City New Year prim drop in Second Life

Bay City Prim Drop

Tuesday, December 31st 2019 will once again see Bay City celebrate the turning of the year with their annual Prim Drop festivities.

The event will open at 23:30 SLT at the Bay City Fairgrounds in North Channel. The theme for the event is a wintertime soirée; black tie attire is recommended, and all SL residents are invited to attend. Marianne McCann will be providing the music and fireworks, and food and drink will be provided.

This will also be the final opportunity in 2019 to donate to Child’s Play Charity,  a US 501c3 non-profit organisation which helps seriously ill children around the globe during their hospital stays with the purchase of games and gaming equipment. So even if you can’t make it to the event itself, do please consider taking a couple of minutes out of your SL day and stopping by the Bay City Fairgrounds and making a donation via one of the collection bins there.

Bay City Prim Drop

About Bay City and the Bay City Alliance

Bay City is a mainland community, developed by Linden Lab® and home to the Bay City Alliance. The Bay City Alliance was founded in 2008 to promote the Bay City regions of Second Life and provide a venue for Bay City Residents and other interested parties to socialize and network. It is now the largest group for Residents of Bay City.

SLurl Details

Lundy Art Gallery in Second Life

The Lundy Art Gallery

Operated by Lee1 Olsen, the Lundy Art Gallery is a must-visit destination for all who appreciate Second Life art, offering as it does a broad cross-section of pieces by 2D and 3D artists.

At the time of my visit, the main hall of the gallery presented something of a historic look at Second Life, featuring artists who have joined the platform relatively recently, and those whose names are very much a part of the SL art landscape, helping as they have to establish and build artistic expression within the platform.

The Lundy Gallery: Barbara Borromeo (back). Mistero Hifeng (right) and Ciottolina Xue (foreground)

Within the hall, and split between the main floor and upper mezzanine, are pieces by Etamae, Eylinea, Gitu Aura, Barbara Borromeo, Rage Darkstone, Kerupa Flow, Mistero Hifeng, Wan Laryukov, JolieElle Parfort), Patrick Moya, Romy, Nayar, Bryn Oh, Vorum Short, Monroe Snook, Theda Tammas, Elle Thorkveld, Talullah Winterwolf, and CioTToLiNa Xue, to name just some of the artists present.

The Lundy Gallery: JolieElle Parfort

Despite the volume of art on display, the gallery structure is large enough and open enough to make any visit and an appreciation of the art a relaxed, easy affair. There is room to move, and space to see individual pieces or groups of pieces without feeling crowded out by the amount of art on offer.

If I’m understanding the posters at the entrance to the gallery, this ensemble exhibition will run through to mid-January before being replaced by the first to open in 2020, making it an ideal New Year visit. In addition to the main hall, the gallery has two smaller halls, each located in the wings to either side and accessible from both the lower and mezzanine levels. At the time of my end-of-2019 visit, these housed exhibitions by Ilyra Chardin and the inimitable Patrick Moya.

The Lundy Gallery: Theda Tammas

A stunning collection with a breadth and depth not often seen in SL.

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Ending and starting the year with Seanchai Library

Seanchai Library

It’s time to highlight another week of storytelling in Voice by the staff and volunteers at the Seanchai Library. As always, all times SLT, and events are held at the Library’s home unless otherwise indicated. Note that the schedule below may be subject to change during the week, please refer to the Seanchai Library website for the latest information through the week.

Monday, December 30th

13:00-15:00: Live Music from The Dickens Project

  • 13:00: Russell Eponym.
  • 14:00: Grace McDunnough.

19:00: Grey from The Wizard of London

Gyro Muggin’s reads an extract from Mercedes Lackey’s The Wizard of London, the 4th volume in the Elemental Masters series.

Set in a Victorian London where magic is real and Elemental Masters control the powers of Fire, Water, Air, and Earth, the novel follows Lord Alderscroft, Master of the British Elemental Masters Council-the most powerful Fire Master ever to lead the Council. Loosely based on The Snow Queen, The Wizard of London delves into Lord Alderscroft’s youth, when he was bespelled by an evil Elemental Master who hoped to use him for political gain.

In Grey, Sarah Jane is sent from her home in Africa to school in London because her parents felt it would be better for her health. But given the conditions in London, however, she might have been safer in the African jungle.

Tuesday, December 31st 12:00 Noon The Dickens Project

The Last Words: join Dubhna Rhiadra, Patch Linden, Kayden Oconnell, and Caledonia Skytower for the last of the stories from The Dickens Project 2019.

Wednesday, January 1st, 2020: The Dickens Project

The last dance at The Dickens Project:

  • Noon: DJ Aoife spins “Blues with a Brogue”.
  • 14:00: DJ Caledonia spins “Rock Guitar Classics”

Thursday, January 2nd, 2020 19:00: Tikta’ Liktak

A young hunter is trapped on an ice floe and marooned on a barren island. He must survive  freezing weather, an attack by a polar bear, and a long journey to return home.

Shandon Loring reads James Houston’s tale for younger readers (Also in Kitely – grid.kitely.com:8002:SEANCHAI).

Mimmo’s garden setting in Second Life

Mimmo, December 2019 – click any image for full size

A group design led by Elise Sirnah with LeviCord and Shadeng Krokus, Mimmo is a Homestead region “designed for those interested in photography”. It’s a location we’ve visited a couple of times, although this is the first time I’ve written about it here.

The design of the region has changed between those initial visits and its appearance as seen here. Whether this is a sign it is renewed at regular intervals or not is hard to say: there are now a couple of rental properties within the region that may limit future terraforming efforts (at least in part) if they are retained.

Mimmo, December 2019

At the time this most recent visit, the region presented a summertime setting with a temperature / tropical feel and a very defined north-south lay to the land. To the north, the land is raised into high hills and a curtain wall of cliffs, beneath which the landing point sits on a broad shelf of rock that is also home to a photographic gallery and information about the region.

This shelf offers a view out over the rest of the region as it drops away to the south, cut in two by a stream flowing south and east from falls that drop to a pool below the north-side cliffs. The stream forms a neat divide between the inland grasslands and the south coast beach.

Mimmo, December 2019

Both parts of the landscape include numerous points of interest, with the inland area laid out in a way that suggests it is all part of the same property, marked by a Tuscan villa / farmhouse to the east, the ground flowing to the west past a fenced meadow that is home to grazing sheep and goats, to arrive at a small summer house matching the general style of the villa as it looks out over the sea to the the south-west and one of the two rental properties, sitting on a small island.

Reached via two bridges – one of which is little more than felled tree trunks – the beach offers space for music, sitting, music and an open-sided bar to be enjoyed by all.

Mimmo, December 2019

The above barely scratches the surface of the region’s offerings. Within the circle of ancient stone walls sit an ageing piano, which although old, might still be enjoyed by those seeking a set for photography, the rose-entwined harp alongside it offering a suitable backdrop.  Another ruin that sits alongside the fast-flowing stream, offers another set for photography, partially lit by a portable movie lamp.

In keeping with the region’s photographic theme, a camp cabin towards the north-east and just below the land point rock shelf is set for photo-processing, with the suggestion of reporters being somewhere in the region: a video camera and an interviewer’s microphone are sitting on the worktables alongside the photo developing kit. Beyond it, and tucked into the north-east corner of the region under the lee of the hills, is the second of the two rental properties, iron gates marking the edge of the parcel.

Mimmo, December 2019

Those seeking a cosy corner in the region might want to direct themselves to the east side behind the villa, where creative use has been made of two sections from the f8f Storyteller’s Burrow to create two sheltered sitting spots linked by a small cobblestone patio, sitting above a narrow ribbon of sandy shale beach.

There is still more to be found within the region, but the above should be enough to whet appetites. Finished with a matching sound scape, the region has a natural flow to its design and layout, and while there are some odd rough edges to the build, Mimmo in no way fails to deliver on the promise of offering a photogenic location.

Mimmo, December 2019

SLurl Details

  • Mimmo (Pomerania Park, rated Adult)

Name Changes: poll update

In Name Changes: $40 per change(?), some thoughts and a poll (December 17th, 2019), I offered some thoughts on the proposed US $40.00 fee for name changes, together with a (very) rough-and-ready poll on how people feel about the capability and the fee (so rough-and-ready that on reflection, I should have structured it a little differently and  used Google Forms for the poll for greater flexibility rather than the tools provided by Automattic for WordPress.com users, which are perhaps a little too basic).

As I noted in that piece, since last names were eliminated in 2010 in favour of “Resident” and the use of Display Names, there have been frequent calls for them to be “returned” to SL. These calls started almost immediately after “Resident” was introduced, through both forum threads and via Jira feature requests. Such was the demand, that by late 2011, LL were actively looking into bringing last names back, although ultimately they gave up on that attempt.

However, I also noted that the fee itself might be a limiting factor (together with the fact that the option will be limited to Premium members), and whilst admittedly a small sampling, the results of my very straw man poll would seem to support this. Just under 61.5% of respondents indicated that they probably won’t use the service, whilst over 80% of those responding the the question on the fee indicated that they felt it was too high.

Results from my (very) rough-and-ready Name Changes poll

Given that most people will naturally be opposed to paying almost any kind of fee for anything (even the L$10 upload fee for textures / sounds / animations is a source of grumbles), then opposition to the Name Change fee is to be expected. But the volume of negative responses, together with the level of disinterest expressed in the capability, would seem to point to the fact that  – again allowing for the fact it is limited to Premium members, and the responses to the poll likely came from Basic members as well – the $39.99 fee may will be a limiting factor for users after Name Changes go live beyond the natural pause LL hope it will provide against too-frequent changes that might otherwise impact services – and might in time prove counter to the degree of effort LL have had to put into implementing the service.

Fee aside, comments that followed my December 17th article and made through the likes of Twitter and direct IM, suggest that Premium members who are eligible for the service may well be put off from using it due to what they perceive as a another potential shortfall: the inability to re-use last names previously made available by LL. Those who wish to take their partner’s last name, for example, are effectively unable to do so except by continuing to use Display Names, while those who have a favourite last name that has previously been offered by by the Lab will similarly be out of luck.

Sample comments on how the lack of the re-use of “old” last names is seen as a limiting aspect of Name Changes

Again, this is only a small sampling, and one that uses a very basic poll to gather feedback. Nevertheless, it does suggest that Name Changes may well face a very mixed reaction once deployed, the former interest among users to have a last names make a return to SL notwithstanding.