Rock Your Rack 2020: blogger & entertainment registrations

via Rock Your Rack

Rock Your Rack, the annual fund-raiser organised by Models Giving Back (MGB) in aid of the National Breast Cancer Foundation (NBCF), will again take place between Saturday, October 3rd and Sunday, October 18th, 2020, inclusive.

Officially endorsed by the National Breast Cancer Foundation, Rock your Rack celebrates its eighth year of fund-raising in Second Life. Each year it brings together music, art and entertainment into a 14-day event that both raises for for, and awareness of the work carried out by, the National Breast Cancer Foundation. Activities at the event include designer booths, fashion shows, entertainment, an art show, and auctions and hunts.

I’ve previously covered applications for creators / designers (see: Rock Your Rack 2020: theme and designer registrations) – which I’ll just noted are open through the end of July 2020.

In the meantime, on Tuesday, July 7th, the organiser put out a call for bloggers interested in covering the event. However, those applying should take the time to read the blogging requirements ahead of any application, because as the organisers note:

Rock Your Rack is a little different event than your typical fashion event. Therefore, the expectations for bloggers is a little bit different than most events. We expect our bloggers to help get the word out for our musical events, press releases and other things which will not require you to style or set up a shot etc. So please understand this when you see the number of posts we are expecting. It may seems like a lot for a two week event, but some of the posts are given to you and all you have to do is post it as is. Be sure to read all of the information before you blog for our event. Those that are accepted and do not post the early press releases will be dropped before the blogger list is given to the designers to send items out.

Once read and understood, the application from can be found by clicking on the link at the top of the blogger requirements page.

Rock Your Rack 2018

Entertainment Registrations

Registrations are also open for live entertainers and DJs wishing to participate in the Rock Your Rack 2020 entertainment activities.

Those interested in participating should follow the links below:

Note that applications for both also close at the end of July 2020 – so if you’re interested, be sure to hop over to the Rock Your Rack website sooner rather than later.

About Rock Your Rack and Models Giving Back

Rock Your Rack is the annual fund-raiser started in October of 2012 by Jamee Sandalwood and the team at Models Giving Back. MGB is the grid leader in trusted charity events. Jamee takes care of everything from Designers, to bloggers, to musicians, to models. This way any confusion is avoided and no one has to wait to check with anyone else before things are getting done. Rock Your Rack provides full transparency: all of the event’s documentation from screenshot totals, to Lindex transactions, to donation receipts account for every penny that was earned and donated all being posted to the Rock Your Rack website. The event has also, in previous years, obtained formal approval from the NBCF – see the 2018 approval letter for 2018 as an example.

Models Giving Back is the professional team of elite models in Second Life who have dedicated themselves to supporting the efforts of verified RL charities. This team of models gives tirelessly to the events we are involved with always giving of their time and talents to promote those designers involved in our events. For more information on Models Giving Back an how you can become a part of the team, visit the Models Giving Back Facebook Page for information about casting dates and times.

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A musical Pony Box in Second Life

Pony Box, July 2020 – click any image for full size

Pony Box is a half Homestead region designed on Dandy Warhlol (Terry Fortherington) on behalf of the Pony Box group as a location for them to offer DJ and live performer music to group members.

We are a community of Music Lovers. Where music speaks to the soul. Underground electronic sounds is what we are about.

– The Pony Box About Land description

The setting is that of a stretch of coastline backed by cliffs from which dual waterfalls tumble, the water from them cutting a path through the lowland grasses and shingles to reach the sea, while sandy beaches lie to the south and north sit as book-ends to the land.

Pony Box, July 2020

The land between the northern beach and the stream is home to Pony Box’s main structure: a warehouse converted into a pub. It sits in the middle of broad wooden decking, one arm of which stretches out over the beach on legs that dip toes into the blue waters at the deck’s far end. This decking is home to two of the setting’s DJ music venues; one at the end of the pier-like stretch, the other nestled alongside the warehouse-pub.

Steps descend from the stream side of the deck, providing a way to reach the shingle bank, home to a set of white bleachers. These face a live music stage sitting on the humped back of crooked finger of shingle that reaches into the stream, partially blocking it.

Pony Box, July 2020

Two bridges span the lower extent of the stream, providing the best route to reach the southern extent of the land. This is a low, rugged landscape marked by the tall fingers of fir trees and the rounded, squatter spread of crab apple, oak and walnut trees that shade the island’s second major building. Empty at the time of our visits, this suggested it might be intended to become a club house or perhaps an indoor venue for music.

We aren’t open all the time for music. We currently have a DJ who spins tunes every Friday at 1:00 pm SLT. We also do parties advertised through our land group, which I organise. The best way to find out about events is through the group.

– Mr Frosty (JackFrosstt), Pony Box co-owner

Pony Box, July 2020

The highlands to the est of the land aren’t direct accessible, although there are also signs of old habitation on them to give a further sense of depth to the vista as the land rises to form a natural barrier between Pony Box and the rest of the region.

There are one or two rough spots in the landscaping – some of the lowland rocks have been stretched so that their physics shapes no longer match and so you can end up wading through them rather than walking on them, but on the whole, the setting offers good scope for photography and he beaches offer places to sit and relax, as does the pub in the old warehouse.

Pony Box, July 2020

So, if you’re looking for a place to visit or a new place to find music, why not keep an eye on the pony Box in-world group, and hop over to the island and take a look?

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2020 viewer release summaries week #27

Logos representative only and should not be seen as an endorsement / preference / recommendation

Updates for the week ending Sunday, July 5th

This summary is generally published every Monday, and is a list of SL viewer / client releases (official and TPV) made during the previous week. When reading it, please note:

  • It is based on my Current Viewer Releases Page, a list of all Second Life viewers and clients that are in popular use (and of which I am aware), and which are recognised as adhering to the TPV Policy. This page includes comprehensive links to download pages, blog notes, release notes, etc., as well as links to any / all reviews of specific viewers / clients made within this blog.
  • By its nature, this summary presented here will always be in arrears, please refer to the Current Viewer Release Page for more up-to-date information.
  • Note that for purposes of length, TPV test viewers, preview / beta viewers / nightly builds are generally not recorded in these summaries.

Official LL Viewers

  • Current Release viewer version 6.4.3.543157, dated June 11th, promoted June 23rd, formerly the CEF RC viewer – No change.
  • Release channel cohorts:
    • Love Me Render RC viewer updated to version 6.4.5.544028 on June 30th.
  • Project viewers:
    • Custom Key Mappings project viewer, version 6.4.5.544079, issued on June 30th.

LL Viewer Resources

Third-party Viewers

V6-style

V1-style

Mobile / Other Clients

Additional TPV Resources

Related Links

Contemplating artificiality and the eternal feminine

Nitroglobus Roof Gallery: Caly Applewhyte – Ex Machina

Officially opening on Monday, July 6th at noon SLT at Dido Haas’ Nitroglobus Roof Gallery is an evocative, provocative and challenging exhibition entitled Ex Machina, created by Caly Applewhyte.

While her work embraces Second Life landscape images, Caly is perhaps primarily an artist focused on avatar studies, producing pieces that offer stories, and that can be both produced out of an underlying theme and / or nuanced in their content and message. It is in this latter area that the pieces presented within Ex Machina fall.

Nitroglobus Roof Gallery: Caly Applewhyte – Ex Machina

As individual images, each of the twelve large format pieces stands on its own in terms of narrative. While each has an obvious transhumanist / robotic element to it (the artificial enhancement of the body in the case of the former, the outright replacement of the body in the case of the latter), this is not necessarily the focus for the individual narrative; rather, this comes from the overall framing: the very human tilt of the head, the position of the hand (human or artificial), the cast of a look, etc., all of which serves to offer a story in and of itself.

However, when taken as a whole, it is evident that the transhumanist / robotic element evident in each piece does have a significant role to play in the exhibition’s core meaning. They reside alongside and reflect deeper themes of identity (and/or loss thereof), subjugation, and the psychological / philosophical / religious archetype of the eternal feminine, particularly as it relates to the idea (or myth, as Caly rightly references it) of the idealised female form, something that in turn encapsulates a touch Freud – and perhaps a darker warning.

Nitroglobus Roof Gallery: Caly Applewhyte – Ex Machina

The first of these ideals  – artificiality, transhumanism, robotics – are evident from the outset, as noted. Within them, we might choose to see questions as to humanity’s future; are we really simply the sum of our frequently all-too-frail parts? Or might our growing ability to manipulate technology, replicate our capabilities robotically and our evolving ability to create artificial intelligence one day lead to us completely transferring the human condition from that of flesh and bone to something we might see as more perfect, in whole or in part?

Such questions inevitably lead to the core focus of Ex Machina: questions of identity, subjugation and the idealised woman and what they may mean in a coming age.

For how better could the archetype of female beauty, grace, purity, and compliancy be expressed than through the creation of the flawless, artificial woman? And much easier might it be to relate to the potential widespread use of AI units than be giving them the idealised female face and form? After all, it is the female who is literally the mother of life, and the female ideal most often used to present the good and the positive.

Nitroglobus Roof Gallery: Caly Applewhyte – Ex Machina

But – and here’s the rub that Caly expressly raises – the entire idea of the eternal feminine whether rooted in the philosophical, psychological religious, is a male construct, one that has – intentionally or otherwise – constrained women. As humans, we are by nature flawed, just as all men are flawed in one way or another – though looks, abilities, disabilities, etc. However, for women, these flaws so often leave us wanting in the eyes of the (male) beholder, as Caly notes:

This paradigmatic myth, which generates high expectations that will always be disappointing, and moreover tries to trap women in an impossible ideal image, denying their individuality. Real women are thus always perceived as burdens, unfinished business.

Thus, in embodying the feminine in the perfection of the artificial, is there not a risk of further constraining / denying female individuality and value? To put it another way: in giving machines a female appearance, we may well establish a sense of connection to them in their role as servitors and assistants; but might not this also risk a further degradation of the place women have in society – perhaps even increasing things like the Madonna-whore complex (again, it is no coincidence the pieces in Ex Machina have a certain erotic edge to them)?

Nitroglobus Roof Gallery: Caly Applewhyte – Ex Machina

Complex, nuanced and challenging, Ex Machina is an exhibition intended to get the grey matter working, and it is well worth allowing it to do so, and in taking the time to to peel aside its layered meaning.

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Supercomputers, mysteries , intrigue and music in Second Life

Seanchai Library

It’s time to highlight another week of storytelling in Voice by the staff and volunteers at the Seanchai Library. As always, all times SLT, and events are held at the Library’s home, unless otherwise indicated. Note that the schedule below may be subject to change during the week, please refer to the Seanchai Library website for the latest information through the week.

Sunday, July 5th: 13:30: Tea-Time with Miss Marple

Anyone who murdered Colonel Protheroe,’ declared the parson, brandishing a carving knife above a joint of roast beef, ‘would be doing the world at large a favour!’ It was a careless remark for a man of the cloth. And one which was to come back and haunt the clergyman just a few hours later – when the colonel was found shot dead in the clergyman’s study. But as Miss Marple soon discovers, the whole village seems to have had a motive to kill Colonel Protheroe.

Tea-Time with Miss Marple

Seanchai Library continues a 6-week run featuring Agatha Christie’s Miss Jane Marple, with The Murder at the Vicarage, the novel marking her first appearance in print.

Monday, July 6th, 19:00: Colossus

Gyro Muggins reads the 1966 future cold war novel by Dennis Feltham (DF) Jones.

Charles Forbin has dedicated ten years of his life to the construction of the supercomputer, Colossus, rejecting romantic and social endeavours in order to create the United States of North America’s (UNSA, a nation encompassing both America and Canada) first artificially intelligent defence system.

Colossus is capable of taking and analysing data rapidly, allowing it to make real-time decisions about the nation’s defence needs far fast than humans can process. But the system soon exceeds even Forbin’s calculated expectations; it is able to take far more information and process it far, far faster than he and his team at the Colossus Programming Office believed would ever be possible.

Such is the system’s apparent abilities, the President hands off full control of the UNSA’s ballistic missile capability, together with other defence protocols, to Colossus and makes the announcement to the world that he has ensured peace.

But then the USSR announces that it has a defence supercomputer of its own – Guardian – with capabilities similar to that of Colossus. Then the two computers demand they be allowed to communicate directly – and proceed to do so at a rate that is well beyond the understanding of their respective development teams. 

And neither system takes it kindly Forbin and his Russian opposite number, Academician Kupri, both disable their ability to communicate directly and then seek to remove them from control of UNSA and USSR nuclear missiles…

Tuesday, July 7th: 12:00 Noon: Russell Eponym, Live in the Glen

Music, poetry, and stories in a popular weekly session at Ceiluradh Glen.

Wednesday, July 8th, 19:00: The Phryne Fisher Mysteries

Corwyn Allen brings us stories about Kerry Greenwood’s Australian heroine of the 1920s, possibly made popular to a globe audience through the Australian Broadcasting Corporation’s series, Miss Fisher’s Murder Mysteries.

Phryne Fisher is rich, aristocratic and far too intelligent to be content as a flapper in the Jazz Age. She collects men, fast cars and designer dresses. she flies, dances, shoots and has a strong bohemian outlook on life. But no matter how delicious the distractions, Phryne never takes her eyes off her main goal in life: bringing down villains.

Thursday, July 9th, 19:00: What We Wanted to Do

Caledonia reads short stories at at Ceiluradh Glen.

A notebook for Aspen Fell in Second Life

Aspen Fell – The Notebook, July 2020 – click any image for full size

It’s been several years since we last visited Aspen Fell in Second Life. A homestead region managed by Jessica Marabana, it’s a place that periodically undergoes transformation by designer Aspen Fell to offer visitors something new to appreciate whilst exploring, in taking photographs of and in writing about. However, I have to admit my curiosity was particularly piqued in reading the latest description provided with the region’s entry in the Destination Guide:

The Notebook is inspired by the movie ‘The Notebook.’ Stroll through the streets of Seabrook, South Carolina, have a seat in the movie theatre, and feel the love Noah and Allie, through all the ups and downs, had for each other.

– from the Aspen Fell Destination Guide description, July 2020

Aspen Fell – The Notebook, July 2020

I have to confess that The Notebook is not a film with which I was familiar prior to reading those words, so I made a call to a friend (aka Netflix and a couple of hours in front of the telly) to learn more – although as I found out on making my return trip to take the photos seen here, the landing point does offer a note card with a fair synopsis of the film to incoming visitors, which I may have accidentally discarded on arriving for our exploratory wanderings.

In short, the film – itself based on the 1996 début novel by Nicholas Sparks – is a decades-spanning love story about a young man of humble origins who lives and works in Seabrook Island, South Carolina. During a night at the local carnival, he becomes smitten with a young socialite who is vacating in the town with her family. His persistence eventually wins her over – although her family doesn’t precisely approve. In part due to their objections and the interference of the woman’s mother, and in part due to America’s entry into to World War Two, the two separate and remain apart for several years until a chance sighting whilst Noah is visiting post-war Charleston brings the two indirectly back into one another orbits, and eventually leading them to renew their relationship.

Aspen Fell – The Notebook, July 2020

As simple as it sounds, the film – like the novel – is nuanced it the way it presents its story. We see the unfolding relationship of two main characters – Noah Calhoun and Allison “Allie” Hamilton – in flashback, as an elderly patient in a nursing home, referred to as “Duke”, reads their story from a journal to an elderly female patient. Through the intertwining of the modern-day storytelling and the flashbacks we discover that not only did Noah and Allie’s love eventually endure, but the the elderly man and woman are Noah and Allie, and his reading of their journals is itself a poignant act of love for her, stricken as she is with dementia.

I know you feel lost right now; but don’t worry, nothing is ever lost, nor can be lost. The body sluggish, aged, cold; the embers left from earlier fires shall duly flame again.

“Duke” / Noah Calhoun, quoting in part lines from Walt Whitman’s Continuities

Aspen Fell – The Notebook, July 2020

Within Aspen Fell, notable elements in the film in which the story of younger Allie and Noah’s relationship are played out are presented as vignettes. There is the main street of Seabrook Island itself; the carnival where they first meet; the lumber mill where Noah works; the abandoned house he shows her, which she describes once it his been restored to its former glory and which he eventually renovates in accordance with her vision in the belief it will bring her back to him.

And there is more: in the town you can dance in the rain or watch the changing traffic lights in reflection of Allie and Noah; in the carnival you can try the rides, at the house you can explore Noah’s renovations and make yourself at home, or close by, you can visit the boathouse and take a canoe out on to the water and get caught in the rain, just as they do.  Thus, as a homage, the region’s vignettes are all nicely framed and gently linked by a winding path.

Aspen Fell – The Notebook, July 2020

Just how much love for the film has been put into Aspen Fell can additionally be seen in the smaller details. For example, the movie theatre is promoting Albert S. Rogell’s 1940 version of Li’l Abner, starring Buster Keaton just as it does in the film. Elsewhere, the dilapidated house contains the old piano Allie sits at and plays (and in respect of this and the piano solos featured as a part of the film’s soundtrack, the region’s audio streams features piano solos). Look hard enough and you may even spot a copy of Allie’s journal the elder Noah reads to her to frame the story.

The introductory note card states the region is open for rezzing to allow for props, etc., but during our visits, I found this not to be the case, even with membership of the local land group. However, this isn’t really an issue; there is more than enough to see within the region, and a fair number of poses available as well.

A labour of love, a photogenic setting and – for those not familiar with the film (or the novel) – and education, Aspen Fell – The Notebook makes for yet another engaging visit.

Aspen Fell – The Notebook, July 2020

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