Raging Bellls opened the August exhibition at her Raging Graphix Gallery on August 13th, with a selection of art by Seiko Blessing (softandred), that will run through until Sunday, September 20th, 2020.
Seiko is a physical world artist and photographer, starting in the latter at the age of 14 and graduating to the role of her high School public relations photographer whilst still a student. In adult life, she has self-published two books of photography and has seen her work exhibited in museums, galleries and coffee houses.
Raging Graphix Gallery: Seiko Blessing
For this exhibition she offers a selection of her Second Life landscape photographs, many of which are linked by heavy, evocative skies, laden with cloud through which sunlight filters. This evens may of the pieces presented what at first glance might appear to be a dour look, but which actually emphasises the settings present within each piece, delineating houses, trees, animals, boats and so on with a clarity that is captivating.
Others within the selection make rich use of depth of field to offer richly evocative images, each offering a story that easily captures the eye – so much so that I found it a little sad they were relegated to the stairwell area of the exhibit space, and they might easily be overlooked.
Raging Graphix Gallery: Seiko Blessing
Considered in their composition, tone and finish, sometimes framed with in-world props for a little extra depth, Seiko’s exhibit at Raging Graphix serves as an excellent portfolio of, and introduction to (for those unfamiliar with her photography) her work.
On Tuesday, August 18th, the majority of servers were updated to server maintenance update 546455, previously deployed to the RC channels comprising updates to assist with the cloud uplift.
On Wednesday, August 19th, there will an RC deployment comprising an updated version of server release 545166 with a new build ID which integrates all the changes made in the last month. Te release will have an updated build number, which was not available at the time of writing.
SL Viewer
The Arrack Maintenance RC viewer, version 6.4.7.546539 and dated August 11th, was promoted to de facto release status on Monday, August 17th.
The remainder of the current official viewers start the week unchanged:
Release channel cohorts:
Mesh uploader RC viewer, version 6.4.5.544027, July 27.
Love Me Render RC viewer, version 6.4.5.544028, June 30.
Project viewers:
Custom Key Mappings project viewer, version 6.4.5.544079, June 30.
Copy / Paste viewer, version 6.3.5.533365, December 9, 2019.
Project Muscadine (Animesh follow-on) project viewer, version 6.4.0.532999, November 22, 2019.
Legacy Profiles viewer, version 6.3.2.530836, September 17, 2019. Covers the re-integration of Viewer Profiles.
360 Snapshot project viewer, version 6.2.4.529111, July 16, 2019.
In Brief
BUG-229219 “Group chat disabled after TP” (the actual issue behind people not seeing group chat correctly as reported in my previous SUG summary): there have been several bug reports on this, and the Lab is investigating.
The improvements to region crossings have resulted in a race condition that mean the receiving region can start acting on a vehicle (running scripts, etc), before avatars are correctly re-seated. Simon Linden is currently addressing this.
BUG-229207 “Stuck “Loading contents…” if object has more than 1 item in its content” is a bug that had been fixed 545166, but resurfaced following the deployment 456455 on August 18th. According to Rider Linden during the SUG meeting, it has now been “re-fixed” (or as he put it, referencing comments that the issue had been unfixed, it has be “un-unfixed”).
Logos representative only and should not be seen as an endorsement / preference / recommendation
Updates for the week ending Sunday, August 16th
This summary is generally published every Monday, and is a list of SL viewer / client releases (official and TPV) made during the previous week. When reading it, please note:
It is based on my Current Viewer Releases Page, a list of all Second Life viewers and clients that are in popular use (and of which I am aware), and which are recognised as adhering to the TPV Policy. This page includes comprehensive links to download pages, blog notes, release notes, etc., as well as links to any / all reviews of specific viewers / clients made within this blog.
By its nature, this summary presented here will always be in arrears, please refer to the Current Viewer Release Page for more up-to-date information.
Note that for purposes of length, TPV test viewers, preview / beta viewers / nightly builds are generally not recorded in these summaries.
Official LL Viewers
Current release viewer version 6.4.6.545962, dated August 10, promoted August 10, formerly the Tools Update 2 RC viewer – NEW.
Release channel cohorts:
Arrack Maintenance RC viewer updated to version 6.4.7.546539 on August 11th..
It’s time to highlight another week of storytelling in Voice by the staff and volunteers at the Seanchai Library. As always, all times SLT, and events are held at the Library’s home, unless otherwise indicated. Note that the schedule below may be subject to change during the week, please refer to the Seanchai Library website for the latest information through the week.
Monday, August 17th, 19:00: Voyage to the City of the Dead
Gyro Muggins reads the 11th volume in Alan Dean Foster’s Humanx Commonwealth series, first published in 1984.
The Humanx Commonwealth is an interstellar ethical/political entity spanning multiple star systems and worlds. One of the more unique of these worlds is Horseye, the home of three alien cultures and renowned throughout the Commonwealth for having the most spectacular river valley anywhere in the known galaxy.
It is both the cultures and the river that has drawn scientists Eitienne and Lyra Redowl to Horseye. Now, after months spent in quarantine, they embark on a voyage to the source of the 12,000 long River Skar, and study it and the peoples living on its banks.
Veterans of exploration and discovery, the Redowls believe they are ready to face anything. But how can you prepare for things like treachery, lies and greed? For a local legend would have it that at the source of the Skar lie a great treasure – and the locals who appear to be willing to help the Redowls in fact plan on finding it for themselves.
Assuming, that is, the treasure is in fact something at can be regarded as offering wealth or power…
Tuesday, August 18th:
12:00 Noon: Russell Eponym, Live in the Glen
Music, poetry, and stories in a popular weekly session at Ceiluradh Glen.
19:00: A Fireside Evening with Bear
Bear Silvershade shares stories from Katherine Govier’s The Immaculate Conception Photography Gallery and other short tales.
Published in 1996, The Immacualet Conception Photography Gallery is an eclectic collection of short stories that blur the boundaries between seemingly disparate worlds, highlighting the human desire to rationalize life experiences. Within it are tales of how two cottagers mistake the brilliance of a search party’s flares for an alien invasion, and a photographer who can rewrite the past to suit the present by altering his client’s photographs.
Wednesday, August 19th, 19:00: Touch History
It’s the season for memorable journeys. Kt shares one of his own involving a motorcycle, history, geology, and highway engineering.
Thursday, August 20th, 1900: The Weekender
Shandon Loring continues in noir vein with Jeffrey Deaver’s tale of an an attempted drug store robbery that goes horribly wrong. Following one patron’s murder, Jack Prescot kidnaps a man and drags him to a vacant summer home. There Jack learns the true meaning of faith and patience.
Also in Kitely – take the teleport from the main Seanchai World grid.kitely.com:8002:SEANCHAI.
Seanchai Library is Moving!
After three years at Holly Kai, Seanchai Library is moving to pastures new (and larger!). The last sessions at Holly Kai Park will be on Thursday, September 3rd. I’ll have a full update on their new location on or just after that date.
Eterea is a homestead region designed by Coqueta Georgia that again offers visitors a sense of tranquillity and release, coupled with a certain sense of magic and a gorgeous sprinkling of artistic expression.
A Homestead region, Eterea may initially present itself to new arrivals as just another island garden; but looks can be deceiving, particularly first looks. The landing point sits on a north facing cliff, looking out over a shallow bay, the shoulder of the island rising behind it, steps offering a way up through arched trees to where a dodecagon greenhouse awaits.
Eterea, August 2020
Glass-sided and domed, and with a grand columned entrance, this greenhouse is delightfully furnished. Tall bookcases stand sentinel on two sides, wheeled steps placed for the convenience of those wishing to browse, two cosy arrangements of easy chairs, sofas and low tables at their feet. A gramophone and an old bakeite telephone give a sense of age to the setting, while a harp, grand piano and harpsichord vie for the attention of the musically inclined.
Bric-a-brac throughout gives this setting a decidedly cosy feeling, and its not hard to imagine it as a centre of conversation and companionship with a slight Bohemian edge, the drapes slung from the high dome helping to cool it during the day, and the light of the high chandeliers and other lamps spilling out through the wall walls in invitation to others to come join with the music and conversation by night.
Eterea, August, 2020
The greenhouse offers the first clues to the artistic nature of the region as well as it sense of magic. A finely-crafted boat floats over the grand piano, suspended beneath a pair of translucent balloons, whilst paintings lie stacked in corners or behind bookcases and some of the chandeliers also float serenely beneath the glass dome without any physical connection. It is here that some of the motifs found throughout the rest of the region may first be evidenced: the religious in the form of a swing with angel’s wings, together with a reproduction of the Netherlandish (Antwerp Mannerist) triptych The Last Supper (circa 1515-1520); the fantastical (the aforementioned floating boat), and the artistic.
Outside, this grand pavilion is surrounded by a garden of wild flowers and shrubs, whilst shaded patios offer more places to sit (including playable table-top games), while the island drops away from this high vantage point to curve west and north to its far headland. A long dogleg of stone steps runs down to the rest of the island, and from the top of the steps, it is possible to spot another of the island’s mystical elements as a great blue whale (somewhat popular among region designers) swims through the air, slowly circling an upland area just shy of that far headland, a smaller garden on its back.
Eterea, August 2020
The path running along the spine of the island leads the way past several areas where explorers can sit and appreciate the setting, together with multiple opportunities for photography within the little vignettes that have been carefully, but naturally set out along and just off the route. One of these, an octagonal greenhouse, sits as both a cosy retreat – cats allowing! – and a place from which to observe the local owls. Onward, the path passes under the circling Whale (mouse over it and sit if you wish to join the ride), passing above a small beach cupped in the island’s arms as it does so. before descending to where an old and damaged wooden pier extends out into the shallow waters that cover the bulk of the region.
It is on and over this water that the magical and artistic elements of Coqueta’s design flow together, fusing into a captivating scene. Small islands are spotted over the water, three little more that rocky plinths for statues, one as ribbon-like sandbank, and the largest the home to a fresh-water pool. Further out, aged board walks raise and fall above the waves, suggesting a path to be followed, a twin line of telegraph poles pointing the way to them.
Eterea, August 2020
Here, caught in rising sea mist is a fabulous mix of floating boats under balloons – larger versions of the one in the greenhouse -, chairs backed by angel wings floating flower lanterns and coloured umbrellas. Three spiral stairways of stone rise to coloured doors. ladders and strings of chairs alongside them offering opportunities for poses. Beyond the green door a wooden board walk spirals stairway-like up to the heavens, crowned by a chair that again sprouts angelic wings and has a halo floating above it.
Words don’t do justice to this northern element of Eterea, offering as it does such an expressive mix, it needs to be seen to be appreciated, whilst the region as a whole is marvellously presented and rich in detail, with multiple opportunities for photography.
Etamae opened her first 3D art installation on August 15th, 2020, with Little Boxes at the Hannington Endowment for the Arts (HEA).
Little Boxes. A simple little song or a political satire about the creation of suburbia and associated conformist middle class attitudes and a reminder to us all how easy it is to lose one’s individuality to ‘fit in’.
– Etamae’s introduction to Little Boxes
Little Boxes was written in 1962 by Malvina Reynolds, an American folk/blues singer-songwriter and political activist and initially became a hit for Pete Seeger in 1963. It was written in response to Reynolds witnessing the birth of suburbia in California through the development of tract housing like that seen in Daly City, San Francisco.
It’s a song that can easily be listened to as a little bit of fun or as a genuine satirical warning against the loss of genuine individuality in the face of the marching drive of middle-class idealism, where everyone attends the same schools and universities, seeks the same class of careers, lives among peers with the same backgrounds and careers and wanting the same precisely the same education / career path for their children.
Hannington Endowment for the Arts: Little Boxes
All of this is perfectly reflected in Eta’s installation, presenting as it does five gaily-coloured little house boxes visitors are invited to enter, each one reflecting within it as specific element of the song’s lyrics (with more on the walls outside) that can be read or – with a click on them – listened to. This makes it something of a simple, light-hearted visit, or a piece to give us pause to reflect on the whole question of individually vs. conformity, which has become perhaps even more prevalent in the decades since the song was first recorded – and in far more than just middle-class suburbia.
Whether you opt to look at Eta’s little Boxes as a tongue-in-cheek installation, or an underscoring of Reyonold’s song, it’s worth hopping over to HEA and taking a look at it and the other installations on offer there. In the meantime here’s the song.