Touring Jurassic Park in Second Life

Jurassic Park! November 2021

It’s hard to believe that Spielberg’s Jurassic Park is nigh-on 30 years old. Whatever you may think of the sequels, the original was a seminal piece of cinematic adventure, a lightning-in-a-bottle moment of film-making (even if the science is as wonky as ride on a bus with hexagonal wheels); even now, the scene where Grant and Sattler first see the dinosaurs on Isla Nubar, complete with John Williams’ soaring theme, can bring a lump to the throat and cause the eyes to water.

I cannot promise the same reaction when visiting Justice Vought’s Jurassic Park! in Second Life – but I can say you’ll get to have quite the adventure when visiting (complete with a extract of Williams’ theme). In places drawing on the entire film franchise but with a strong emphasis on Isla Nubar, Justice presents a personal interpretation of the film and novel that captures several of the former’s iconic moments, and which includes some rather unique chuckle moments that set outside of the film’s story, but very much feel well-suited to the moment here.

Jurassic Park! November 2021

A visit starts down within caves where dinosaur skeletons are being uncovered together with insects trapped within fossilised amber. From here, visitors are invited to find their way to where they can board a helicopter (rezzed on touching the box at the helipad) to fly, a-la Alan Grant, (Sam Neill), Eliie Sattler (Laura Dern) and Ian Malcolm  (the always brilliant Jeff Goldblum) to John Hammond’s fabled park.

From there, and progressing through the visitor centre, the park is laid out as several distinct sky-based areas linked by teleports and various means of travel (including the caverns of the arrival point). The visitor centre itself gives a nice feel of the one seen in the film, complete with the T-Rex skeleton (check for a sit-point!) and the huge banner that is intended to greet guests. A little ride (best taken in Mouselook) reveals the secrets of creating dinos, whilst touching the door at the back of the centre will carry you to the park gates, where you can start your tour via jeep.

Jurassic Park! November 2021 – “Don’t look up… Don’t look up… Don’t look up!”

I really do not want to give too much away here, for fear of spoiling a visit; however, some elements are hard to avoid mentioning. The jeep ride will take you so far – passing by way of the T-Rex enclosure and its hapless goat – before you’ll have to continue on foot, coming across a Triceratops and a pair of Diplodocus, passing on the other side of the T-Rex enclosure (now looking somewhat the worse for wear and with a fun pose), whilst close by, a Baryonnyx appears to be stalking a Parasaurolophus.

Other dinosaurs waiting to be encountered include Carnotaurus, Pteranodon (one of which you can rez and ride), Stygimoloch (which may actually be juvenile Pachycephalosaurus), Iguanodon, Allosaurus – and, of course, velociraptors and ol’ T-Rex himself, complete with a novel recreation of a scene from the film (with pedal extremities replacing the jeep!).

Jurassic Park! November 2021

Along the way there are numerous things to click on, from rezzers to givers and assorted interactive elements – look for the red and blue arrows and click where directed – but also be sure to Mouse over in places. There’s also a trap featuring monsters of its own, and one particularly novel way of … blasting … yourself between points in the park!

At the end of the adventure, you can rez and grab a helicopter to escape what might otherwise be a grizzly fate, and this will carry you to a waypoint you can use to either journey back to the start of the adventure, or hop back to the visitor centre or the disaster area. With tiny meteor periodically falling the the ground, this also offers a reminder of the eventual fate of the dinosaurs. Donations for the maintenance of Juctice’s Oxygen locations (of which this is a part) can be made here as well.

Jurassic Park November 2021 – “Where’s the bloody jeep when you need it?!”

Justice always puts a lot of effort into his builds, and Jurassic Park is no exception. The range of dinos means that most of the film franchise is represented, although the focus is clearly on the original film / book, as noted. Yes, not all the reptiles are animated – but this does help reduce script load and things like animation loading / running on the viewer, and it doesn’t stop a visit from being fun; I think I can safely say it’s the first time I’ve ever been digested by a closet when travelling!

Fun to visit and explore individually or with friends. My thanks to Justice for the personal invite, and to Shawn for also sending me the LM!

Jurassic Park! November 2021 – “I’m ready for my close-up, Mr. Spielberg!”

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2021 TPV Developer meeting summary, week #45

The Path to Buchhaim, August 2021 – blog post

The following notes are taken from the TPV Developer meeting held on Friday, November 12th, 2021.

These meetings are generally held every other week.  They are recorded by Pantera Północy, and her video of the meeting is embedded at the end of this report – my thanks to her for allowing me to do so – and it is used with the chat log from the meeting and my own audio recording to produce this summary, which focuses on the core topics discussed.

SL Viewer

  • The Tracy Integration RC viewer version 6.4.23.563771 (dated Friday, November 5) entered the list some time after Tuesday, November 9.
  • Performance Improvements project viewer updated to version 6.4.24.565324 (dated November 5) also some time after Tuesday, November 9.
  • The Maintenance RC viewer updated to version 6.5.0.565607, on November 10th – this viewer now contains a fix for the media issues caused by the Apple Notarisation viewer. If you have been impacted by these issues and have had to roll back to an earlier version of the official viewer, it is recommended you download and install this RC.

The remaining official viewer flavours remain as:

  • Release viewer: version version 6.4.23.564172, formerly the Apple Notarisation Fix RC viewer, issued September 24 and promoted October 15.
  • Release channel cohorts (please see my notes on manually installing RC viewer versions if you wish to install any release candidate(s) yourself):
    • 360 Snapshot RC viewer, version 6.5.0.564863, issued October 21.
    • Simplified Cache RC viewer, version 6.4.23.562623, dated September 17, issued September 20.
  • Project viewers:
    • Performance Floater project viewer, version 6.4.23.562625, issued September 2.
    • Mesh Optimizer project viewer, version 6.4.23.562614, issued September 1.
    • Legacy Profiles viewer, version 6.4.11.550519, dated October 26, 2020.
    • Copy / Paste viewer, version 6.3.5.533365, dated December 9, 2019.

General Viewer Notes

  • It is possible the 360 Snapshot RC viewer and the Simplified Cache RC viewers may be merged prior to either being individually promoted to de facto release status.
  • The Performance Improvements viewer has been further updated, but will likely go into a round of bug fixing before progressing further – as Vir pointed in the meeting, the problem with moving operations between threads / to their own threads, things can have undesired consequences, and these are to be addressed with fixes.
  • The focus at the Lab is to try to get all of the current list of viewers updated & quite possibly promoted to release status by the end of 2021.

In Brief

  • Mojo Linden indicated that the Lab is keen to hear back from users on the Performance Improvements viewer, and in receiving suitable performance improvements code from TPVs, and the emphasis remains on trying to improve overall performance for all users.
  • BUG-231417 “ADITI LOGIN – Fields not conforming to previous login behaviour” (preventing clients reliant on libomv and libremetaverse from logging into Aditi (the Beta grid), and BUG-231303 “Scripted agents can no longer log in” (an outcome of the dropping of TLS 1.0/1.1 support) together form the backbone of discussions in the meeting, which includes cipher sets, use of (effectively) deprecated operating system versions (e.g. Windows 7, Windows Serve 2012), TLS / SSE support, etc. Please refer to the video below for details.
  • Catznip R13 is now on the horizon as a release.
  • Firestorm is testing an “auto tune” capability to better handle other avatars to help boost performance – LL are apparently also looking at something similar.

Samaniego Art in Second Life

UASL: Samaniego Art

Opening on November 12th at a gallery space provided by the United Artists of Second Life is a fascinating and highly engaging exhibition that offers a small insight into the work of two artists from the physical world whose work is simply remarkable.

Presented by Bijoux (BijouxBarr – herself an artist), Samaniego Art is a collection of paintings by her mother and grandmother, which is being presented in Second Life with the artists’ full permission. The art on offer is primarily presented as digital prints of watercolours that art startling in their realism and accuracy whilst simultaneously presenting the journeys of the artists to the Middle East and within their home country, and starling life studies.

Most of the images are offered in pairs in around the gallery that have clearly be set out as such, allowing us to visit Manila and witness the beauty of its architecture (San Agustin Church and the El Hogar Building) or appreciate a more distant view of the city’s skyline before travelling onwards to enjoy the pools of the Estrella Falls on the island of Palawan and / or further afield to explore the streets of old Jaffa (Yafa) in Tel Aviv, Israel.

UASL: Samaniego Art

Also to be found are the vibrant richness of life studies that bring the power of dance, the serenity of a lake and the beauty of a bird to life, while rounding out the exhibition is a selection of oil paintings, one paired with the bird the other three hanging together as a eye-catching trio among a hall of eye-catching pieces that carry with them a depth of realism that is genuinely exquisite.

Drawing on a variety of influences such as the great Romantic painter Joseph Mallord William Turner through to modern artists such as Andrew Tischler, these are pieces that will genuinely grace any Second Life home. In this regard, while the pieces at UASL are not offered for sale, prints can be obtained via the Samaniego Art Gallery at Campbell Coast.

UASL: Samaniego Art

The UASL exhibition formally opens at 11:00 SLT  on Friday, November 12th, with music by Bsukmet.

My thanks to Owl Dragonash for the hat-trip.

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The (Linden) Bear necessities of (Second) Life

Bear Castle, November 2021

There can be very few of us who do not have at least one Linden Bear sitting in Inventory somewhere – and most likely more than one (I have a good handful tucked away, and I’ve not been a major collector). Primarily created by the staff at the Lab (together with the Moles of the Linden Department of Public Works), they are one of the Great Staples of Second Life, much sought-after by many, and held as prized possessions.

Linden Bears were, alongside of Linden Collector Cards, the brainchild of Nicole Linden, who joined Linden Lab as the first female international liaison, and the first female Linden from Australia, far back in the mists of time. I have no idea if she ever realised how popular they would be, but Linden Bears have become something of a rite of passage for Lab employees, who are expected to create one (with those at senior level being asked at virtually every public appearance they make if they have one available to give to collectors!), with special in-house courses being given in their construction.

Bear Castle, November 2021
At one time, Linden Bears used to all be made to the original template developed by Nicole Linden – but I have absolutely no idea if that is still the case today. What I do know is that, as well as individual bears being produced by Lab staff,  there has also been a long tradition of creating celebratory bears to mark events and occasions – such as the “1,000,0000th Bear” produced to mark the 1,000,000th user entering SL (at precisely, for those interested  at precisely 8:05:45 SLT, October 18th, 2008).

All of this is by way of introducing the fact that for the bear minded, Claire Atheria has opened the Bear Castle, an incredible display of 497 Linden (and Mole!) bears, 281 of which are from her personal collection(!), with the rest being provided by Maryposa Paine, Michael Takakura, Nicci Pond, Melvin Starbrook and Prokofy Neva.

Bear Castle, November 2021

Located alongside Route 8A within the continent of Satori, Bear Castle sits on a table of rock overlooking the road (and so hard to miss when casually travelling through lower Satori) and is brimming forth with bears from Lindens and past and present, Moles and from Claire and other residents. So many in fact, that they call cannot fit inside the main building or its courtyard, but can instead be found gathered in the pavilion alongside the museum proper and also lining the road (so be sure to cam around / descend the steps from the landing point and have a good look around). Such is the collection that, look long enough and you’ll find some of Nicole’s original bears as well as some more recent creations such as Magic Mole’s Ebbe Linden Bear, as offered to help raise funds for RFL of SL, and various “Team” bears offered on behalf of different Linden working teams, and more.

Of course, not all Linden Bears are bears, so within the collection might be found Leo Linden’s lion, Blue Linden’s dragon, one of April Linden’s bunnies, Terrance Linden’s Monkey, Torley Linden’s … abstract art (no-one could create a bear quite like Torley!), and several of Alexa Linden’s annual bears, to name but a few. Not all bears are of the same approximate size either – so be prepared to zoom in at times –  and also zoom out!

Bear Castle, November 2021

For those wishing to start their own Linden Bear collection, Claire also offers some hints and tips on where to find them through a note card giver, and even a “starter pack” of 50 sharable bears by LL staff and members of the LDPW! All of which makes for a pleasing visit / trip down memory lane.

Given this is all about the bears, I cannot help but close by “borrowing” a song from Disney’s version of Baloo Bear and tweaking the lyrics a little:

Look for the bear necessities
The Linden Bear necessities.
Forget about your worries and your strife;
Our Linden Bear necessities
Are why avies can rest with ease
Collecting bears right here in Second Life!
Bear Castle, November 2021

With thanks to Claire and all involved in this project.

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Opening Bamboo’s Drawers in Second Life

Hannington Art Foundation: Bamboo Barnes – Drawer

Bamboo Barnes opened her latest exhibition, entitled Drawer, at the Hannington Arts Foundation, owned and operated by Hannington Xeltentat. It also marks my own overdue resumption if covering art exhibitions at HAF.

A self-taught digital artist from Japan, Bamboo has used Second Life as a means of both refining her talent and displaying her work, growing from producing avatar studies to creating intricate pieces that both engage and challenge the eye and mind. Her work, generally vibrant in colour, and also evocative, provocative, and emotive, is among the most striking and unique in Second Life – and has also made the transition into the physical world.

Drawer features 20 images that appear to be self-portraits that – as is Bamboo’s style – lean towards the abstract, whilst using various techniques – collage, overlay, and so on – such that individual pieces can also touch upon the likes of impressionism and surrealism. Each image is perfectly capable of holding the attention in and of itself, but when taken together, how might they relate to the exhibition’s title and the poem Bamboo presents within its introductory notes:

Drawer that don’t close properly.
Drawer that you no longer use.
A faded picture stuck in the back, ton messed wrinkled one.
You’ve forgotten what was like but the smell comes back.
For the days you have loved close your eyes, close the drawer.

– Bamboo Barnes

Hannington Art Foundation: Bamboo Barnes – Drawer

To me, these lines suggest two potential interpretations. The first is on the theme of introspection; something Bamboo has dwelt upon through exhibitions such as Receding Reality and Mindstorm. However, here it is perhaps more layered, referencing that spark of joy when finding something created long ago than had been put away and forgotten, and which in turn brings forth memories and feelings that had themselves been locked away unheeded in the filing cabinet of the mind. Are, then, these images each a visual aide-mémoire, bringing forth those long hidden thoughts and emotions that led to its creation?

O might this been a broader commentary that we cannot remain caught up with dwelling on (or in) the past? That life moves on perpetually, carrying us along with it – and for the artist this means accepting what has been created can not no longer be changed, no matter how more advanced we have become or how out outlooks have changed; and for the artists, this means accepting what has been, and it is towards canvases new that one should now turn? And in this, is there not a salient reminder to us all, that while looking back can yield understanding or discovery, so too should the drawers of memory be pushed closed, keeping safe that which has been, while the eyes look towards what is yet to be?

Hannington Art Foundation: Bamboo Barnes – Drawer

As always, Bamboo offers us much to appreciate through her art, and much to ponder both in terms of how each piece came to be and what it represents, and the challenge she present through the five lines of blank verse.

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Boarding the USS Sleipnir in Second Life

USS Sleipnir and Planet Freya, November 2021 – click any image for full size
Personal log Stardate: 2551.11.10.
After an enforced break at Jasper Point on Idun, and the loss of Resilient Station and its host asteroid a major source of speculation and rumour, it was a relief to receive Commander Constantine’s invitation to take an intra-system jump ship to from the Point to the resource-rich Freya, and the orbit of the coalition’s newest jewel, the USS Sheipnir. Not only had the rumour mill started to get to me, I was keen to see what would be our new home and an opportunity to broaden our exploration of the galaxy, even though the Commander had made it clear elements of the ship were still under construction.

OK, so I’m not actually a part of the Blushock role-play group, but their adventures have been something I’ve been documenting (in part) in these pages, so when the group founder and leader, Fazzy Constantine (Faisel Constantine), invited me to visit the latest chapter in the group’s expanding story and universe, it seems only fitting I should offer some form of in-character notes!

USS Sleipnir and Planet Freya, November 2021

Offering a rich and ever-evolving role-play environment built out from Mass Effect™ Legendary Edition, the Blushock team has a rich history of activity in Second Life dating back over a decade – which in itself pretty impressive. However, rather than re-tread this history here, I invite those interested to find our more by visiting the group’s informative website, to discover more about the group and the Vanaheim system (where most of their adventures have thus far taken place.

When I last visited, the team had just set up a new base of operations – Resilient Station – within a carbonaceous asteroid orbiting Vanaheim in a 19 terrestrial year orbit that periodically carried it close to the lush world of Idun, and the team’s planetary base of Jasper Point (see: Docking at Resilient Station in Second Life). Functioning as a base of operations, an R&R and trading facility and containing research capabilites, the asteroid – Baldur – was mysteriously lost following an experiment involving the artificial creation of black holes.

As a result, Blushock embarked on the development of a new base-of-operations, this time opting to build a massive starship capable of both sub-light and supra-light velocities. In this, the ship uses alien technology able to “fold” space (and time) recovered from pre-existing caverns found deep within Baldur prior to its loss, and which Chief Engineer Noah Constantine (NoahLion) was able to reverse engineer to work with existing Blushock tech.

USS Sleipnir, November 2021 – command deck

The result is the USS Sleipnir, a “Dreadnought” class of vessel that is a truly impressive starship. Named for the mythical eight-legged horse ridden by the Norse god Odin (thus further maintaining the Norse mythology theme that runs through the Blushock RP). The name is fitting both for the fact that the mythical horse could carry Odin great distances, and for Sleipnir’s ability to “mediate between earth [in this case planets] and sky [in this case, space].

A multi-level vessel that clearly utilises a form of artificial gravity, USS Sleipnir is designed to perform a variety of roles: her drive systems means she is capable of visiting multiple worlds within any given star system and uses her space-folding abilities to move between different systems – and even different points in time. As a home, she is fully equipped with the essentials of comfortable living, from living quarters to extensive recreational facilities modelled after those found at Resilient Station – a communal swimming pool, a gymnasium, public social spaces and more.

She is also capable of launching, retrieving and maintaining a range of smaller craft – essential of planetary surface operations and also (potentially) for self-defence – as would be the case with the gunship Mjolnir, named for Thor’s hammer, occupying a dedicated docking hanger under the ship’s stern portions.

USS Sleipnir and Planet Freya, November 2021

Not all of the facilities of the ship are open to casual visitors – although guest quarters are available to those wishing to make an extended visit; joining the Blushock community as an active member can result in access being given to those parts of the ship that are otherwise not readily accessible. However, a part of the ship that can be accessed by all is the most impressive: the massive multi-deck atrium that rises from over the engineering spaces along the ship’s keel to her very top and which sits roughly two-thirds of the way back from her bow and directly between crew and guest quarters and the ship’s primary operating spaces.

This huge space is genuinely stunning – and I really urge visitors to approach it on foot rather then camming out and spying on it. Dominated by two huge hemispheres extending outwards from the main hull, it offers unparalleled views of space – or, when in orbit, of a nearby planet. Extending out into each of these great domes are holographic display platforms, one of which at the time of my visit offered a view of our Milky Way galaxy.

USS Sleipnir – briefing room with the gunship Mjolnir visible through the windows

Between them, and centrally placed beneath the huge, transparent roof of this gigantic atrium is a stellar illumination sphere that casts a natural level of daylight that both gives light and helps to nourish the plants and trees growing throughout the lower garden levels and on the tiers of rock – yes, rock –  down which fresh water falls to be recycled and purified for re-use in the recreation area’s pool, located on Sleipnir’s uppermost deck.

The public and social heart of the sip, the atrium is home to birds as well as people, and features places to sit, play games, eat and / or meet friends and crewmates, with companionways and elevators connecting decks and providing access to crew and guest accommodation in the forward part of the ship, or – for those with access – the various offices, labs and other spaces towards the rear of the ship.

USS Sleipnir – personnel quarters

Framed against Planet Freya, named for Odin’s wife and thus a fitting location for the ship’s construction, USS Sleipnir and Planet Freya presents an ideal visit for anyone who enjoys science-fiction. Further setting (representative of Planet Freya, I believe) are to come; while for those looking for a suitable sci-fi environment for photography (RP allowing), the ship makes a great backdrop. And for those who enjoy RP far removed from the likes of Trek or Star Wars, the Blushock team is an ideal group to join and share adventures. The ship’s stargate (not part of the RP) also makes for an ideal means to visit other sci-fi realms in SL.

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